Minnesota Prairie Roots

Writing and photography by Audrey Kletscher Helbling

Tips for on-the-road photography April 2, 2011

HOW OFTEN HAVE YOU been traveling along a roadway, saw a subject worth photographing but were in too much of a hurry to stop?

That’s happened to me more often than I wish. However, I’ve found a solution that’s worked well with some incredible photo results.

I’m issuing a disclaimer here, though. I’m not advocating photographing and driving. This photographic option should be used only when you are a passenger because you’ll be operating your camera while your vehicle is moving.

First, set your camera at a sports action shutter speed, place it on your lap, grip the camera body and be prepared to snap away at a moment’s notice.

Click. Click. Click. With a fast shutter speed, you can quickly fire off three frames before you’ve bypassed the intended subject.

OK, it’s not quite that easy. You must anticipate just the right moment to take your photos. That means paying attention to what lies ahead of you along the roadway. Click too soon and you miss the shot. Click too late and you miss the shot.

It’s partially luck, partially skill that will nail a great photo.

I’m always watching too for telephone and electric poles and roadside signs that can obstruct an otherwise good image.

I’m also always trying to balance my photos so they are well-composed.

All of this moving of the camera and adjusting the lens and framing the image must happen in a split-second. I can’t even begin to tell you how many shots I’ve missed because I’ve moved too slowly or failed to notice a photo op until it passed me by.

That’s the other part of successful on-the-road photography. You need a watchful eye for subjects that will make interesting and great photos. Too many people look, but don’t really see, what’s around them. Perhaps because I’ve grown so accustomed to viewing my world through a camera lens and because I’m a writer, I notice more than the average person.

Yet all of this effort will be wasted if you’re shooting through dirty vehicle windows. Clean your windows. If you live in a state like Minnesota, where road spray from sand and salt and melting snow is a problem, you may just have to abandon this traveling photo option in the winter.

Unless you’re traveling through a town, at low speeds, I don’t recommend opening your window. You risk getting dust or dirt into your camera sensor.

That said, here’s a trio of photos I shot in early March along U.S. Highway 14 between Essig and Sleepy Eye in southwestern Minnesota while traveling at 55 mph.

Other than downsizing these images, I’ve not edited them.

Here’s why these images are so good. The exposure is perfect. The photos are well-composed. The horizontal line of the railroad track in the first two frames sits at an eye-pleasing one-third position. The color contrasts of red against gray and blue make these photos pop. The subject is beautiful in its simplicity.

If you’re never tried traveling photography, give it a shot. You may be as pleasantly surprised as me with the results.

FYI: I shoot with a EOS 20D DSLR Canon camera. Yes, it’s a “fancy” digital camera, not a point-and-shoot. If you ever see a photo on Minnesota Prairie Roots that you are interested in purchasing, please contact me via a comment (won’t be published) or an e-mail.

© Copyright 2011 Audrey Kletscher Helbling

 

Traveling photo shoots March 26, 2011

BOY, WAS I HAPPY to meet photographer Loretta M. Verbout of Rochester during an opening night gallery reception recently at the Paradise Center for the Arts in downtown Faribault. She is among three photographers and a painter currently exhibiting at the center.

Although I enjoyed all of the art, I was particularly drawn to Loretta’s photos because she photographs the same types of subjects I like photographing. Flowers. Rural scenes. Everyday objects. Her images have a certain down-home quality that appeals to me.

I was especially drawn to her photo of a country church barely visible behind a field of ripened corn. I wanted to know more about the church and where it was located. I enjoy discovering rural churches, then photographing them.

“It’s somewhere between Dubuque and the Minnesota border,” Loretta said.

Then Loretta explained that she shot the image through the passenger window of a moving vehicle.

I didn’t expect that answer.

 

Loretta shot this rural church scene while driving roads along the Mississippi River somewhere between Dubuque, Iowa, and the Minnesota border. It's in her gallery exhibit at The Paradise.

Instantly, I bonded with this photographer. I do the exact same thing—set my EOS 20D SLR digital Canon camera on a fast shutter speed and click, click, click while traveling. Loretta also uses mainly Canons.

I called my husband over. He needed to hear this, to confirm that I’m not the only crazy photographer who shoots while riding shotgun.

But apparently I’m not to Loretta’s level of commitment yet. She’s worn out the motor on her vehicle’s automatic window. Typically, I shoot through the window given I don’t want to risk dust filtering into my camera and landing on my sensor, plus sometimes the weather is just too cold for an open car window.

Here are two more drive-by images from Loretta’s Mississippi River road drive:

FYI: Loretta’s gallery show, “The beauty in everyday things,” and exhibits by photographers Laura Schenck of Northfield and Catherine Michele Adams of St. Paul will run through April 23 at the Paradise’s Carlander Family Gallery, 321 Central Avenue, in downtown Faribault. Minneapolis artisit Lauren S. Strom’s paintings are also on display in the Lois Vranesh Boardroom Gallery. Paradise hours are 10 a.m. – 5 p.m. Tuesday – Friday and from noon to 5 p.m. on Saturday.

CHECK BACK for a trio of on-the-road farm place photos I shot recently while traveling through southwestern Minnesota.

© Copyright 2011 Audrey Kletscher Helbling

 

Sunday morning message January 23, 2011

Filed under: Uncategorized — Audrey Kletscher Helbling @ 7:35 PM
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WITH

How would you finish this sentence?

This morning, during the children’s message at my church, the pastor emphasized the point of turning to God for help and strength. He showed the kids a hand-embroidered work of art, exactly like the one hanging on my living room wall.

I bought the piece this past summer at a rummage sale at the local Catholic school gym. I paid only 50 cents for this message that inspires and that was carefully, lovingly, stitched by someone who, like me, values these words.

Here’s how the sentence ends:

Copyright 2011 Audrey Kletscher Helbling

 

The mystery of the brewery and bank paintings January 17, 2011

I DIDN’T GROW UP in Faribault. But I’ve lived here longer than any place in my life—28 ½ years—so I suppose that makes me somewhat of a local.

As such, I’ve developed an appreciation for the history that surrounds me, especially in the downtown. Faribault boasts a historic commercial district graced by many beautiful brick buildings.

So when two paintings of old Faribault buildings mysteriously showed up at my friend Rhody Yule’s art exhibit, I was intrigued. I knew the pieces in the exhibit inside and out, backward and forward, upside down and right side up because I submitted the application for Rhody’s show and then helped select the art.

Then, suddenly, these two additional paintings—of the Fleckenstein Brewery and the Security Bank—appear. How did they get there?

 

Faribault artist Rhody Yule created this oil painting of the Fleckenstein Brewery in 1976. The building, and the brewery, no longer exist. The 20-foot Fleck's beer bottle on the right side of the painting sat near the brewery entrance. Children often had their pictures taken here when their parents toured the brewery.

In 1964, Rhody Yule painted this picture of the Security Bank in downtown Faribault. The original 1870 stone structure was covered with a brick facade. The building is no longer a bank.

I asked around, but no one could solve the mystery.

Thanks to my sleuthing husband, who thought to look at the backs of the paintings, the mystery was quickly solved and I had a name and number.

Local history buff Brian Schmidt owns the oil paintings. When he learned of Rhody’s art show, he hustled the two pieces down to the Paradise Center for the Arts because he figured others would be interested.

Brian was right and I had lots of questions for him, starting with, “Where did you get these paintings?”

Turns out he purchased them at Woody Schrader auctions, which are held on Sundays and Wednesdays at Schrader’s Faribault auction house.

As long as we were talking, I didn’t shy from asking Brian how much he paid for the paintings. He purchased the 1964 bank painting for $30 seven years ago. He got the 1976 painting of the Fleckenstein Brewery about 10 years ago for $90.

I told Brian he got a deal. He knew it.

But here’s the best part about this whole story. Brian grew up on the north side of Faribault and often dug for bottles in the “bottle pit” at the Fleckenstein Brewery. He’s also considered the local expert on the brewery, he says, and has some 300 collectible brewery items.

Who better to own these paintings than Brian?

“I love Faribault history,” says this Rice County Historical Society member who is always seeking treasures from the city’s past.

He can tell you that the Fleckenstein Brewery had a 108-year history in Faribault, opening in 1856 and closing in 1964. The Fleckensteins made Fleck’s beer and pop. He’s eager to share more and has invited me and my husband to see his collection.

For now, though, we focused primarily on those paintings.

“I was so glad to put to rest the mystery of the paintings that I own from Rhody Yule,” Brian wrote in an e-mail follow-up to our phone conversation. “I have often wondered where his studio was and who was the man behind the wonderful art work that I found. It was a pleasure to finally see the man who actually painted these wonderful paintings. I will cherish these paintings FOREVER now!”

 

The former Security Bank, today, along Central Avenue in downtown Faribault.

The clock that graces the corner of the Security Bank building has fallen apart. A number of years ago there was discussion about refurbishing the clock, but that didn't happen, I believe, because of the high costs to undertake such a project.

The lovely stone entrance to the Security Bank.

FYI: Rhody Yule, who was a Faribault sign painter for 33 years, never had a studio. He painted quietly at home for enjoyment.

IF ANYONE OWNS paintings by Rhody, please submit a comment here and tell me about the art pieces you have.

If you would like to see the Security Bank and Fleckenstein Brewery paintings, which Brian Schmidt terms “so spectacular and detailed,” check out “A Lifetime of Art: The Rhody Yule Collection” at the Paradise Center for the Arts. Hours are 10 a.m. – 5 p.m. Tuesday – Friday and noon – 5 p.m. Saturday. This first-ever gallery show for 92-year-old Rhody runs through February 26.

Other exhibit paintings of Faribault buildings include one of the old Trinity Lutheran Church and School and the Faribault Woolen Mill.

© Copyright 2011 Audrey Kletscher Helbling

 

Red carpet treatment for Faribault artists January 15, 2011

A replica marquee on the historic Paradise Center for the Arts in downtown Faribault welcomes guests to the opening night gallery reception for Rhody Yule and Adam Kuehnel.

Rhody Yule & Adam Kuehnel

FARIBAULT FIGURATIVELY rolled out the red carpet last night for two local artists.

I’m thrilled with the receptions given to watercolor artist Adam Kuehnel and my friend, oil painter Rhody Yule, at the Paradise Center for the Arts on opening night of their exhibits. I’m not good at numbers, but I’m certain more than 100 guests, maybe closer to 150, attended Friday evening’s event. That’s an exceptional turn-out.

Adam opened his “Founded Upon the Waters: A Collection of Works.”

Rhody opened his “A Lifetime of Art: The Rhody Yule Collection.”

I met Adam for the first time last night and was impressed by this friendly young man who teaches English in nearby Kenyon, has an architecture degree and paints for enjoyment.

I’ve known Rhody for about 1 ½ years, after discovering him via art hung on the side of his rural Faribault garage. Rhody, like Adam, possesses a passion for painting.

To see the two artists together last night warmed my heart. Rhody is 92 and has been painting for 76 years. Adam is exactly 60 years his junior and just beginning his artistic pursuit.

This first-ever gallery show is a long overdue honor for Rhody. It was clear to me from the way guests embraced him and his art last night that they loved what they saw. Every time I glanced over at Rhody, seated just inside the gallery in a comfy chair, someone was bending down to talk to him, to shake his hand, to praise his art.

Rhody, minutes before his gallery show opened.

This photo shows only a portion of the 50-plus paintings in Rhody's exhibit.

I heard the artwork praises, too—from the woman who was surprised at the excellent quality of the art created by this self-taught artist, for Rhody’s ability to paint a variety of subjects from portraits to landscapes to religious works and even a few abstracts, for the way in which he painted well-known religious scenes with a unique perspective, for the…

Among my favorites paintings are Rhody's 1989 self-portrait and the portrait of his wife, Shirley, who died in the spring of 2010.

Rhody and me

I heard praises, too, from those who thanked me for “finding” Rhody. Really, anyone could have “found” him. I just took the time to stop and meet the man who had hung celebrity portraits on his garage.

Because I’m snoopy/nosy/curious—I used all three words last night in explaining how I “found” Rhody—I learned that Rhody’s art had never been publicly exhibited. I decided to change that.

But this show did not happen solely because of me. I made that abundantly clear to all who approached me at last night’s opening reception. This became a team effort. “Team Rhody,” as we begin to call ourselves, worked together to bring “A Lifetime of Art: The Rhody Yule Collection” to The Carlander Family Gallery.

So, thank you, first of all, to my husband, Randy, for his enthusiastic support and help. Thank you, also, to these Team Rhody members: Bob and Kathi, Dennis and Kathy, Jean, Marian, Mary Ellen, Amy, and the Paradise Center for the Arts Gallery Committee, especially Julie and Deb.

Finally, thank you to all who attended the opening night reception and gave Rhody the red carpet treatment. I can’t think of anyone more deserving.

FYI: Rhody and Adam’s shows continue through February 26 at the PCA, 321 Central Avenue North in downtown Faribault. You can view the exhibits Tuesday – Friday from 10 a.m. – 5 p.m. or on Saturday from noon until 5 p.m.

Food artists Kathy and Mary Ellen led efforts to pull together a beautiful buffet table for the reception.

Rhody painted this military runway in Nome, Alaska, when he was stationed there during WW II. The scene is painted on an old piece of military tent canvas. To the left is one of two abstracts in the exhibit.

Visitors peruse Rhody's religious paintings.

© Copyright 2011 Audrey Kletscher Helbling

 

Gallery show for 92-year-old artist opens tonight January 14, 2011

The artist, Rhody Yule

TONIGHT MARKS A MOMENTOUS occasion for my friend Rhody Yule.

Tonight his first-ever art gallery exhibit opens in The Carlander Family Gallery at the Paradise Center for the Arts in downtown Faribault.

Maybe to most artists, this would not be a big deal. But, when you’re 92, like Rhody, and have been quietly painting for 76 years, it’s a very big deal to put your art out there for all to see in a gallery setting.

During the past six months, as I’ve worked to make this show happen, I’ve met many times with Rhody. Every time we’ve talked, he’s humbly downplayed his talent. That’s just Rhody—a gentle man who prefers not to be the center of attention.

Yet, tonight, along with Adam Kuehnel, a watercolor artist about 60 years his junior and who is exhibiting in another gallery, Rhody will receive the public recognition he deserves for his oil paintings.

I’m glad this night has finally arrived because, more than once, Rhody joked, “I might die before then (the art show).”

I always responded: “Don’t you dare!”

Then he would smile and laugh. Truth be told, though, I worried.

But tonight, ah, tonight we’ll celebrate as “A Lifetime of Art: The Rhody Yule Collection” opens with an artists’ reception from 5 p.m. – 7 p.m.

 

For decades, most of Rhody's paintings were stored in this trailerhouse behind his rural home. (He has since moved.) The roof leaked and some of his art was damaged.

One of Rhody's rural landscapes, among several now exhibited at the Paradise.

Rhody specializes in portraits and religious paintings like this one of Christ, which he calls "Misery."

Rhody's exhibit also features several of his sketchbooks, including this drawing.

FYI: The exhibit runs through February 26. Gallery hours are Tuesday – Friday from 10 a.m. – 5 p.m. and Saturdays from noon to 5 p.m.

© Copyright 2011 Audrey Kletscher Helbling

 

Faribault nonagenarian’s art show opens on Friday January 11, 2011

Filed under: Uncategorized — Audrey Kletscher Helbling @ 8:09 AM
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RHODY YULE.

Even his name has an artistic, poetic ring to it.

He’s my friend.

He’s also an artist.

This Friday evening, 92-year-old Rhody, the man I met about a year ago when I stopped to photograph 10 celebrity portraits on his rural Faribault garage, has his first-ever gallery showing. His exhibit opens with a reception from 5 p.m. – 7 p.m. at the Paradise Center for the Arts, 321 Central Avenue North, in downtown Faribault.

I want you to be there.

I want you there to celebrate the art and the artist.

You will meet a humble, gentle man with a sense of humor and a positive attitude that will surely uplift you.

You will meet a widower who treasures the portrait of his beloved wife, Shirley.

You will meet a veteran who served his country during WW II and painted a military scene on old military tent canvas while stationed in Nome, Alaska, because he had no other canvas.

You will meet a father, a man of faith, who painted his version of “The Last Supper” in honor of his only child, Paul, who died at age 23 in a 1977 car accident.

 

A snippet of Rhody Yule's painting, "Reverent Prayer," which will be among religious paintings included in his exhibit. This is my personal favorite of all his paintings.

"The Betrayal," among several over-sized religious paintings done by Rhody.

Some 50 oil paintings and other art will be featured in the exhibit, “A Lifetime of Art: The Rhody Yule Collection.”

I am honored and thrilled to have helped make this show happen for a man who has been quietly painting for enjoyment since age 16.

That his talent has remained out of the public view for this long still astounds me. Most folks in the Faribault area likely have seen some of Rhody’s work as he painted signs for 33 years. But they have not seen the portraits, religious paintings, landscapes and other art that he created in his free time.

 

Celebrity portraits on Rhody's garage, where I first discovered his work last fall.

MY DISCOVERY OF RHODY happened by accident, when I saw the 10 celebrity portraits on his garage in the fall of 2009, stopped to photograph them and then knocked on Rhody’s door. I never expected a frail nonagenarian to answer.

That was the beginning of our friendship and my efforts to secure an art gallery show for him. I applied for the show on Rhody’s behalf. And then, when the Paradise accepted his work for a solo exhibit in the Carlander Gallery, Team Rhody formed to make it happen. I’ve been working with Rhody’s family and friends, members of the Paradise Gallery Committee, my husband and even a California graphics designer to pull this all together.

From choosing paintings to hauling, cleaning and titling them; promoting the show; and now, this last week, finalizing details for the finger foods to be served at the reception, this has been a process. Those of us involved can’t wait for you to meet Rhody and view his art.

Team Rhody wants you to be there, to celebrate with those of us who care for and love this man, this artist.

Rhody's self-portrait, 1989

PLEASE JOIN US from 5 p.m. – 7 p.m. Friday, January 14, for a meet-the-artists opening night reception for Rhody and artist Adam Kuehnel, who creates watercolors and will exhibit in the Lois Vranesh Boardroom Gallery. Adam says his work “exists somewhere on the path between Hemingway’s Two Hearted River and Keillor’s Lake Wobegon.”

As for Rhody, I’ve only labeled his show with the “A Lifetime of Art: The Rhody Yule Collection” title and not slotted him as an artist.

I think Rhody would simply prefer to be just Rhody.

A recent photo of 92-year-old Rhody.

I saw Rhody on Saturday, when my husband and I picked up the last of his paintings and delivered them to the art center. He was eating breakfast with his friends at the assisted living facility where he resides. As always, he was happy and talkative. He’s sporting a new haircut. He’s picked up a new shirt and corduroys to wear on Friday. A relative says Rhody looks mighty dapper.

He’s ready to meet you. I’m ready for you to meet him, my friend, the artist. Rhody Yule.

IF YOU LIVE in Canada or Finland or Arkansas or Washington D.C. or anywhere that is not within reasonable traveling distance to attend the art show, I understand why you won’t be there. I hope you’ve enjoyed this online introduction to Rhody and a sampling of his art.

However, if you live in Northfield or Owatonna or Waseca or the Twin Cities metro, please consider driving to Faribault for this opening night reception. We’re only a half-hour drive from Burnsville, 45 minutes from Minneapolis. The art center is in the heart of Faribault’s historic downtown. You can’t miss the marquee.

If the weather is bad, please check before coming.

Both exhibits will continue through February 26. So if you can’t make the January 14 opening night event, stop at the gallery from noon – 5 p.m. on Saturdays or from 10 a.m. – 5 p.m. Tuesday – Friday.

P.S. If you attend on opening night, you’ll be treated to free food and beverages with an open cash bar also.

You'll even see the Duke at Rhody's show. Sorry, no Elvis.

© Copyright 2010 Audrey Kletscher Helbling

 

Remembering Pearl Harbor from Minnesota December 7, 2010

MY MOM WAS ONLY nine years old when the Japanese attacked Pearl Harbor 69 years ago today.

I asked her about this shortly after 9/11.

She shared how frightened she was because, in her small world and for all she knew, Hawaii was as close as a few towns away from her Minnesota home.

Imagine how terrifying the attack must have been for children, and adults, in a world where communication was not instantaneous.

Rhody Yule wearing his USS Arizona cap.

EVERY DAY THE NUMBER of WW II veterans dwindles. And with the deaths of these former soldiers, a bit of our living history dies too. Some of their stories will never be told for many cannot speak of the horrors of war. Others share their stories only with family members and/or their brothers in arms.

I am fortunate to have met one particular WW II veteran about a year ago. He is 92-year-old Rhody Yule, a truly remarkable man. Rhody, while small in stature, is big in heart. He possesses humbleness, strength of spirit, a sharp mind and gentleness of character that we should all emulate. I cannot say enough good things about my friend.

 

Rhody’s military experience included serving in Nagasaki, Japan, cleaning up after the atomic bomb. He won’t say much about his time there, calling the situation “a mess.” Clearly, he saw more than anyone should ever witness.

I asked Rhody once about the possibility of radiation exposure. He had to do what he had to do, he told me.

I’ve seen photos my soldier-friend brought home from Japan. The utter obliteration of the landscape can only be compared to the most powerful and devastating storm times 100 or maybe 1,000.

Rhody, who is a former sign painter and an artist, created a trio of sketches from his time in Japan. The public will have an opportunity to see those during an upcoming exhibit at the Paradise Center for the Arts in Faribault.

One of Rhody's sketches from Japan during WW II. In the bottom right, you will see an opening into a cave, where Rhody said the Japanese worked on military machining projects.

Another one of the three sketches Rhody did while stationed in Japan during WW II.

I, along with many others, have been working for the past several months to make this show, “A Lifetime of Art, The Rhody Yule Collection,” a reality. The exhibit opens with a reception from 5 p.m. – 7 p.m. on Friday, January 14, and closes on February 26.

In addition to the Nagasaki sketches and many other pieces of art, Rhody is showing a painting he did on a piece of old tent canvas while stationed in Nome, Alaska. He had no other material on which to paint the 1944 circa image of snowplows clearing snow from the military runway. Imagine the history on that piece of canvas, the stories held within the threads of that fabric.

WE ALL HAVE STORIES to tell. Today, the anniversary of the bombing of Pearl Harbor, let us hear the stories of those who remember this day that shall forever live in infamy. And more importantly, let us listen.

Text and photos © Copyright 2010 Audrey Kletscher Helbling

Artwork © Copyright 2010 Rhody Yule

 

Inside a pet portrait studio November 2, 2010

GROWING UP IN HOUSTON—that would be Minnesota, not Texas—Julie M Fakler always envied the farm kids with their farm animals.

Today, though, Julie has no reason to feel jealous. She’s surrounded by a menagerie of animals, some real (her cats), most not.

She’s an artist, specializing in pet portraits. A quick peek inside her Faribault studio and gallery during the recent South Central Minnesota October Studio arTour and Sale reveals that Julie especially loves cats and dogs. They comprise the bulk of her acrylics.

 

 

Examples of Julie M Fakler's animal portraits.

 

Occasionally, though, you’ll see a farm animal like a goat, chicken or calf. Some of those she’s painted at the nearby Rice County Fairgrounds, setting up her easel during the fair to recreate those critters.

 

 

Rice County Fair animal portraits painted during the fair.

 

As I sorted through the photos I took of Julie’s artwork, I finally figured out what was niggling at my brain about her paintings of animals against simple backgrounds of primarily primary colors. Her paintings, in my opinion, would fit perfectly into children’s picture books.

I haven’t asked Julie whether she’s ever considered illustrating a children’s book. But she will paint a portrait of your pet, on commission, or hand-stitch a quilt for you (another one of her artistic endeavors).

 

 

Julie painted this neighborhood dog.

 

 

Items tacked onto a bulletin board, left, provide Julie with inspiration for her paintings.

 

 

A jumble of paint tubes in the studio, which is housed in a former upholstery shop behind her Faribault home.

 

 

Paintings propped on the studio floor.

 

 

More animal art.

 

 

Julie and her sister make books, using them to record their world-wide travels via words and art.

 

 

One final nod to Julie's artistic side is represented in this old sink, acquired from a neighbor, and decorated for fall. It's outside her studio/gallery door. She intends to use the sink as a potting station in the spring.

 

For additional information and to view more of Julie’s art, click here to visit her Web site.

© Copyright 2010 Audrey Kletscher Helbling

 

A cool door and some cool art in Northfield October 29, 2010

NOW, HONESTLY, tell me. If you were walking down the sidewalk, saw this sign, these stairs clinging to this brick building and this wide-open welcoming door, wouldn’t you race up the steps?

 

 

This stairway leads to Nancy Carlson's art studio in downtown Northfield.

 

I didn’t race, but I hurried, after I’d snapped a few photos of this appealing scene in downtown Northfield. Never mind that my husband and second daughter thought me somewhat crazy. But, unlike them, I typically carry a camera on my hip and see photo ops in places most people wouldn’t.

Besides, the cloth on this door reminded me of the 70s, my era, and all the years I stitched clothing from psychedelic fabrics.

 

 

This fabric on the studio door takes me back to the 70s.

 

Inside, more bright colors awaited me. Just look at this bold chair and equally bold artwork. Freelance painter and mixed media artist Carla Thompson of Barefoot Studio created the vivid horse painting.

 

 

A perfect pairing of bold art and a bold chair inside the studio.

 

She’s in to bright colors and whimsy and I took a fancy to her wood block paintings. Visual art paired with words—humor and simple thoughts on life, according to information from her Web site.

 

 

Whimsical designs painted on wood blocks by Carla Thompson and photographed, by me, at a weird, artsy angle.

 

 

Wood block art by Carla Thompson

 

 

Mirror art by Carla Thompson frames visitors perusing her art during last weekend's Studio arTour.

 

Artists Meg Jensen Witt and Nancy Carlson joined Thompson in displaying their art in Carlson’s studio during last weekend’s South Central Minnesota October Studio arTour and Sale. Carlson, in my opinion, has a pretty cool place, in the McClaughry Building, 101 E. Fifth Street, to hang out and create her watercolor and India ink pieces.

 

 

An overview of Nancy Carlson's art studio in the McClaughry Building, 101 E. Fifth Street, Suite 211, Northfield, during the arTour last weekend.

 

Witt’s ceramic wall hangings and table top pottery, in mostly subdued, muted tones, contrasted sharply with the bolder art of her friends.

 

 

Examples of Meg Jensen Witt's nature-themed art.

 

But that’s the great thing about art. We all have different tastes. Exactly what we like depends on many factors—for me, my rural upbringing and that 70s influence.

© Copyright 2010 Audrey Kletscher Helbling