Minnesota Prairie Roots

Writing and photography by Audrey Kletscher Helbling

St. Mary’s of Melrose, Part II July 17, 2011

STARK CHURCHES appeal to me. The ones with the simple wooden cross, the white clapboard siding, the time-worn pews settled upon plain plank floors.

But the ornate houses of worship likewise snag my soul with crosses of gold, walls of brick and gleaming, carved pews.

One of the many ornate carvings at St. Mary's Catholic Church in Melrose.

I am most comfortable with, most accustomed to, the unadorned churches of the Lutherans, my religious heritage. We keep things simple. No cluster of burning candles. No wafting incense. No pools of holy water. Minimal, if any, gold.

Perhaps for that reason, when I step into an historic Catholic church, I feel like I’ve entered a foreign land. I am often awed by the opulence, by the details that visually overwhelm me.

The side aisle on the left leads to an ornate altar in St. Mary's which is on the National Register of Historic Places.

That’s exactly how I felt upon entering St. Mary’s Catholic Church of Melrose, featured here in an earlier post. Overwhelmed. But good overwhelmed. Because I could not possibly present all of the images I wanted to share with you in a single post, here are the remainder.

No matter your religious affiliation, you simply have to appreciate a place like St. Mary’s. What beauty. What art. What history. What heavenly splendor.

This was the top or bottom of something. Can't recall what. But it sure is stunning.

Look at this gorgeous, carved door, will you?

Golden statues. Beautiful.

Just look at this detailed side altar. I could have spent hours in St. Mary's.

And then I discovered these collection baskets hanging from a rack. We Lutherans don't have wicker baskets with long handles. These contrast so sharply with the the ornateness in the church and that is why I so appreciated this grouping.

St. Mary's Catholic Church stands strong as a fortress in Melrose, next to the turkey plant, its towering steeples visible from nearby Interstate 94 in west central Minnesota.

© Copyright 2011 Audrey Kletscher Helbling

 

A virtual tour of Mankato’s sculpture walk July 9, 2011

Louise Peterson of Guffey, CO. created this $20,000 bronze sculpture of a playful Great Dane titled "Tickled."

DEAR READERS,

I realize that some, maybe even many, of you, do not live anywhere near Mankato, the southeastern Minnesota community where I recently viewed sidewalk sculptures.

Heck, some of you don’t even live in states bordering Minnesota. Your chances of ever seeing these 25 pieces of art in person are about zilch.

So, for those of you who will view the City Art Walking Sculpture Tour only via Minnesota Prairie Roots, I’ve pulled together one last blog post. Please read my previous two posts for more details and photos of this community art project by first clicking here and then here.

This whole concept of bringing art to the streets through a rotating sculpture tour pleases me immensely. What a grand idea. Such art adds to the vibe of a downtown, to its art, history and culture.

Thank you, Mankato, and everyone who supported this cause financially, for bringing these sculptures to southeastern Minnesota, within quick driving distance of my Faribault home.

Yours gratefully,

Audrey Kletscher Helbling at Minnesota Prairie Roots

Sioux Falls artist Darwin Wolf's $13,500 sculpture, "The Fountain of Life," references Jesus washing Peter's feet at the Passover. It emphasizes the healing, life-giving qualities of water.

"Poco a Poco" a $12,000 bronze sculpture by Pokey Park of Tucson, Arizona, highlights the tortoise, representative of wisdom in American Indian culture. The building in the background houses Number 4 American Bar & Kitchen.

"Fowl Ball" celebrates geese, ducks, turkeys and chickens in this $7,600 forged and welded weathered steel sculpture by Lee W. Badger of Hedgesville, West Virginia.

All of the sculptures are marked with informational signage.

Dee Clements of Loveland, Colorado, created the $6,000 bronze "The Farmer's Wife," one of my favorite exhibit pieces.

To fully appreciate these sculptures, you must notice the details, including the Korean woman clenching her walking stick in "The Farmer's Wife."

Details define "Reading Magic," a $8,500 bronze sculpture by Julie Jones of Fort Collins, Colorado.

"Spirit of Energy," a $8,400 bronze by Karen Crain of LIttleton, Colorado, represents three renewable energy resources: sun, wind and water.

© Copyright 2011 Audrey Kletscher Helbling

 

MPR debuts Minnesota architecture series with my submission July 1, 2011

LAST WEEK MINNESOTA Public Radio’s “State of the Arts” blogger Marianne Combs put out a call for photos and stories celebrating the great architecture of Minnesota.

I figured given how much I appreciate old buildings—and that would be considerably—I could submit an entry. But what building would I choose?

I started going through my photo folders in search of an image I considered most worthy of submission. FYI, I even have a folder labeled “architecture.”

Faribault topped my choices since this southeastern Minnesota community, my home since 1982, has many, many buildings on the National Register of Historic Places. And, yes, architecturally, these structures are jewels.

Then I considered images from Lucan, Morgan, Hanley Falls, Wood Lake, West Concord, Mantorville, Alexandria, Northfield and a few other towns I can’t immediately recall. Yes, the list was long.

But something kept tugging at me—my loyalty to my hometown of Vesta. Now those of you familiar with Vesta, population around 350 and with a block-long main street, are likely wondering what on earth I found in this southwestern Minnesota prairie town of architectural worth.

Here is the building I chose and which debuted Marianne Combs’ Minnesota architecture series this afternoon. You can click here to read why I chose the Vesta Municipal Liquor Store.

 

© Copyright 2011 Audrey Kletscher Helbling

 

At the WordWalk: Why I won’t eat tuna June 28, 2011

A view of the Minnesota River as seen from Riverfront Park, looking toward downtown Mankato.

THE MANKATO PARK SEEMS, in many ways, an ideal setting for poetry.

The usually playful Minnesota River bumps against the land here, acting on this Saturday afternoon like a willful, unruly child.

On the other side of Riverfront Park, across the tracks, historic buildings stand like forlorn children, neglected, waiting for someone to care.

Overhead, moody skies pout.

I have come here at this late afternoon hour to read the poetry imprinted upon cement. Occasionally the sky spits rain at me as I follow the gray sidewalk which mimics the gray day.

"Curve around the corner/You are free/To change directions/Or your mind," reads this poem by Marlys Neufeld of Hanska.

I read:

Minnesota

Here, the river rests its elbow

before it turns north to meet

the father of them all.

Here we made 38 mistakes

we now try very hard

not to forget.

A snippet of the poem, "Minnesota." I've edited this image so that you can better read the words. The poems are, unfortunately, a bit difficult to read because of a lack of color contrast between the letters and the cement.

The poem by Ikars Sarma of Mankato refers to the hanging of 38 Dakota here on December 26, 1862. A heavy thought to match the heaviness of the sky, the raging of the river, the anger that still simmers over this shameful moment in this city’s history.

I move on.

Susan Stevens Chambers of Good Thunder writes:

Aging Benignly

Ah the terrible beauty

of the not so perfect

body.

In this edited photo, read Susan Stevens Chambers' poem about aging.

Nearby kids scramble up a rock wall as I struggle to lift my aging bones from the sidewalk where I have bent close to read and photograph Chambers’ poem.

Then I laugh at the words penned by Mankato resident Yvonne Cariveau:

Tuna

Craving lunchbox love

I slowly open the lid.

Fish smell breaks my heart.

The poem that causes me to remember all the tuna I ate during my last two years of college.

Exactly. I ate too much tuna in this college town between 1976 and 1978. I could write my own poem about cramming tuna sandwiches while cranking out stories at the Mankato State University (I still can’t call it Minnesota State University, Mankato) student newspaper, The Reporter.

Deadlines and words.

Words and deadlines.

Tuna. Words. Deadlines.

Cariveau’s writing reminds me of those years so long ago when I was young and only beginning my journey into the poetry of life.

WordWalk poems are imprinted on the sidewalk circling this restroom/shelter facility at Riverfront Park in Mankato.

FOR MORE INFORMATION about Mankato’s public sidewalk poetry, WordWalk, click here and here. At least two other Minnesota cities, of which I am aware, have sidewalk poetry: St. Paul and now Northfield.

WHAT’S YOUR OPINION on sidewalk poetry? Do you like it, or not? Would you like to see more such public poetry in Minnesota communities? Why or why not?

© Copyright 2011 Audrey Kletscher Helbling

 

Hail St. Mary’s of Melrose June 26, 2011

The steeples of St. Mary's Catholic Church of Melrose.

I STOOD THERE. Just stood there. For minutes, taking in the glorious splendor before me.

The cornflower blue of the arched ceiling. The pillars. Pews—endless carved pews stretching from the fonts of holy water to the steps leading to the altar.

A view from the back of St. Mary's Catholic Church looking toward the main altar.

I didn't even try to count the hand-carved pews that grace this church. But they are many.

A stone font holding holy water at the back of the church.

Such beauty. Such holiness. Such wonderment.

Opulent, stained glass windows bedecking the sanctuary like jewels on a crown.

One of too many stained glass windows to count.

Statues fit for the finest of museums.

This statue of Jesus and Mary sits at the back of the church.

And then I moved, not sure which direction to go, wondering how I could possibly see every detail. Prayerful hands. Flickering candles. The frayed ends of the bell pull. Gold-leaf stenciled crosses. Worn wood. Angels in flight above the altar.

Clustered candles of prayer at St. Mary's.

Bell ropes dangle by the balcony stairway. Two stairways lead to the balcony.

A gold-leafed stenciled cross borders a side wall of the sanctuary.

My eyes swept across the Church of St. Mary’s, or St. Mary’s Catholic Church of Melrose. Choose the moniker you prefer.

The name and the denomination of this 1898 church mattered not to me. I cared only for the heavenly feel of this holy place.

How could I not be impressed by this multi-steepled house of worship next to the turkey plant and soaring above the landscape 100 miles northwest of the Twin Cities?

How many times, if you travel Interstate 94 in central Minnesota, have you noticed those steeples while zipping by Melrose, but never taken the time to drive into town? Placed on the National Register of Historic Places in 1993, this Catholic church is worth a stop if you appreciate craftsmanship, art, history and reverent beauty beyond belief.

The church rises above the land, defining Melrose.

The 113-year-old building was constructed by the parishioners of St. Boniface and renamed St. Mary’s when St. Boniface and St. Patrick’s parishes merged in 1958.

History runs deep here. You will see it in the hitching post out front, smell it in the incense, hear it in the creak of steps leading to the locked balcony.

And if you listen closely, you can almost hear the whispered prayers of those who have come here on bended knees to lift up their sorrows to the Lord.

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I COULD NOT POSSIBLY share my many photos of St. Mary’s with you in one blog post. Please check back for more images in a future post.

© Copyright 2011 Audrey Kletscher Helbling

 

A historic bank and White Buffalo Calf Woman June 23, 2011

SET ME IN FRONT of an architecturally-stunning historic building and I’m in history heaven.

Just look at the lines, the colors, the window leading, the carvings…of the Old First National Bank of Mankato building, now a Verizon Wireless Center reception hall.

I didn’t step inside the former bank, didn’t even try a door. I was content last Saturday afternoon to view the exterior with its Prairie School style architecture.

“It’s like that bank in Owatonna,” my husband said as we gawked at the building built of brick, Mankato limestone and terra cotta along Civic Center Plaza in downtown Mankato.

He was, of course, referring to Chicago architect Louis Sullivan’s “jewel box,” National Farmer’s Bank in Owatonna, a brick building with terra cotta accents, splendid for its stained glass windows, arches and other architectural details.

The Mankato building features Frank Lloyd Wright-inspired stained glass and detailed ornamentation along the roof line.

And now it also showcases a bronze sculpture of White Buffalo Calf Woman by South Dakota artists Lee Leuning and Sherri Treeby as part of Mankato’s City Art Walking Sculpture Tour.

 

If you peer at the woman’s face, examine her beaded moccasins and the trim on her buckskin dress and pouch, you’ll notice how the colors mimic those of the historic bank building. Whether this Native American sculpture’s placement was planned or accidental, I don’t know, but it fits seamlessly with the historical vibe of the locale, enhancing the whole art viewing experience.

The city of Mankato, apparently named after a varied translation of the Dakota word Mahkato, meaning “blue earth,” owns a place in Minnesota and national history for the mass hanging of 38 Dakota here on December 26, 1862. Three hundred warriors were accused of killing civilians and soldiers and of other crimes during the U.S.-Dakota Conflict. After a public outcry, President Abraham Lincoln commuted the sentences of all but 38. Certainly, Mankato is not proud of this moment in history. But efforts have been made to honor the Dakota at monuments in the city.

And now sculptures like White Buffalo Calf Woman also help heal and educate the public about the Native American culture. According to information on the sculpture placard, this prophetess is the only religious icon accepted by all Native American tribes. She “brings a message of healing, hope and peace among the races to all the people.”

More than just art, I also got a history lesson along a Mankato city street on a Saturday afternoon in June.

PLEASE VIEW MY JUNE 20 post for more photos and information about the Walking Sculpture Tour. Additional images will be forthcoming.

© Copyright 2011 Audrey Kletscher Helbling

 

Mankato brings art to the sidewalks with walking sculpture tour June 21, 2011

Martin Eichinger of Portland, Oregon, created this graceful "Bird in the Hand" bronze sculpture valued at $14,500 and posed near the City Center.

You'll find "Play Thing" by Ryszard, Denver, Colorado, and sculpted from Colorado marble, in North Mankato.

MAYBE IT’S BECAUSE I grew up without much art—no paintings, no piano, no library—that I so appreciate the visual, performing and literary arts.

I still can’t paint a painting or read a musical note. But I value those two art forms and words, which have always been a part of me, who I am.

Several years ago I walked the Bemidji Sculpture Walk and I quickly became enamored with the idea of placing sculptures in a community and then swapping them out a year later for new sculptures. The touring sculptures scattered primarily through-out Bemidji’s downtown impressed me as an ingenious way to get art before the general public.

Now I needn’t drive hours and hours and hours to view such public art. In 45 minutes I can reach downtown Mankato and view the 25 sculptures positioned there and in North Mankato as part of the City Art Walking Sculpture Tour. For free.

On Saturday, while in Mankato for a graduation reception, my husband and I made it a point of afterward checking out those sculptures. We missed seeing only a few of the art pieces, including one along Belgrade Avenue that was vandalized and, ironically, titled “Look and You Will Find.” We found only an empty block of Minnesota limestone, donated by Vetter Stone, where the sculpture once stood.

Mahtomedi artist Kate Christopher's $6,900 bronze sculpture, "Look and You Will Find It," was vandalized. The art piece symbolized HOPE.

I expected to find a bustling downtown Mankato. Obviously I have not been downtown for many years. Nearly all of the shopping has moved to the fringes of the city, into the malls and big box stores, and the downtown houses primarily office buildings, restaurants, bars, a hotel and the Verizon Wireless Center. Honestly, except for the sporadic motor traffic on Second Street and a few pedestrians, the place was basically deserted around mid-afternoon. Granted, the weather was less than ideal with on-again-off-again rain. We could park almost anywhere we wanted and walk to the sculptures within a several-block area.

We spotted only two other individuals walking around viewing the sculptures. Dana Parlier of Brooklyn, New York, created this resin sculpture, "Cubist Woman." The man-made concrete canyons of New York City inspired this contemporary art, which seems to match the modern look of the building.

The art pieces certainly present a reason to visit downtown Mankato and then cross the Minnesota River to North Mankato to view several more sculptures. I’m not going to tell you I liked every sculpture, because I didn’t. But that’s OK; no one expects that. Sometimes first impressions change though. When I spotted “Twenty Seven (China)” from across the street, I honestly thought it looked like a mess of twisted junk. But up close, the steel sculpture of recycled bicycle parts—mostly handle bars—grew on me. Joe Forrest Sacke’s $3,500 conglomeration seemed modernish and hippyish and vintageish jumbled into one. Art will surprise you that way.

Joe Forrest Sacke's "Twenty Seven (China)."

You can vote for your favorite, for The People’s Choice Award. We didn’t, although I narrowed my favorites down to three. Voting booths are strategically located through-out the Walk area.

One of my three favorite sculptures, "White Buffalo Calf Woman," a bronze piece created by Aberdeen, South Dakota, artists Lee Leuning and Sherri Treeby. Notice how the dominant color in the sculpture blends with the building's color. Wait until you see the building on the other side of this Native American woman. You will be wowed. I'll share those images with you in another post.

This bronze piece, "The Farmer's Wife," by Dee Clements of Loveland, Colorado, is also among my three favorite sculptures. A photo Clements took in a Korean village inspired this art creation.

The detail in this bronze, "Reading Magic," by Julie Jones of Fort Collins, Colorado, appeals to me and makes it one of my top favorites among the 25 sculptures in the exhibit.

Banners draw visitors to the sculptures and to voting spots in downtown Mankato.

I also noticed, and I don’t know whether this was on purpose, but the sculptures often seemed to jive, architecturally and environmentally, with the buildings they were situated near.

Mankato is committed for the next five years to bringing these rotating sculptures into the community via a partnership with the Sioux Falls-based SculptureWalk program. Of course, this all costs money and with the help of a grant, business sponsorships, donations and more, Mankato has managed to bring this art directly to the people.

It’s a grand idea. I expect to return to Mankato to see next year’s art and perhaps other area attractions. Even though I attended college here for four years, I really didn’t appreciate the city. And so much has changed since 1978.

For someone like me, who doesn’t venture into Minneapolis to engage in the art scene there, mostly because I don’t like the congestion and busyness of the metro, outstate art opportunities like City Art in Mankato offer me culture at a quieter, more enjoyable (at least for me) pace.

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SINCE I CAN’T POSSIBLY show you all of my photos in one post, I’ll bring you more images in future stories.

© Copyright 2011 Audrey Kletscher Helbling

 

My visit with Otto the otter June 18, 2011

BECAUSE WE MISSED the turn, we missed the kids—the kids perched like birds on a telephone wire atop Otto the Otter.

They would have added so much to these photos of the otter statue along Grotto Lake in Adams Park in Fergus Falls. Oh, well. They were flying past their dad back to the playground when we pulled into the parking lot.

So this would be just me and the husband, whom I couldn’t convince to pose with Otto. I did. But since I don’t look nearly as cute as those kids, you won’t see me leaning lamely against the otter in an image published here. That’s reserved for the family photo album.

I chose to ignore the spouse’s suggestion that I clamber atop an overturned picnic table and scramble onto Otto’s back. Like, do you think I’m 10 or something? I have an artificial hip, remember. Do you want me tumbling off this weaselly animal onto a pile of goose poop, tending me while waiting for the ambulance to haul me to Lake Region Healthcare?

Surely not.

Except for the goose-pooped lawn, our visit with Otto rated as fairly enjoyable. I mean, I really do appreciate viewing kitschy outdoor art like this gigantic otter statue under a beautiful summer sky in ideal temperatures (meaning 70ish and no humidity) that rank as nothing short of Minnesota weather perfect.

It’s just that I should have scraped the goose crap from my shoes before removing them, slipping my feet into flip flops and placing the poop-slimed shoes into the trunk of our car.

For purposes of this story, I have staged this shoe photo, without the goose poop, as a visual reminder to always, always wipe the goose poo from your shoes before placing them inside a vehicle.

© Copyright 2011 Audrey Kletscher Helbling

 

Off I-94: Artsy Fergus Falls June 17, 2011

The vintage-looking sign on the side of a building in downtown Fergus Falls caught my attention. The Market sells a variety of merchandise from kitchen to bath and body, garden and home accent products and lots more.

UNTIL LAST SATURDAY, I’d never entered Fergus Falls, only driven past this west central Minnesota community along I-94 en route to the Dakotas. After miles and miles of interstate travel, the towns don’t seem to matter any more. On the fringes, one seems like the other—just another rest break, a place to tank up on gas or a quick stop for a bite to eat.

Sadly, that marks the reality of today’s fast-paced, get from point A to point B, world.

But then one day you have a reason to pull off the four-lane, to explore one of these interstate-side communities and you discover a town with a personality and identity, and you wonder why you have not come here before this day.

And so that is how I found Fergus Falls, population 14,500, when I traveled there last weekend to view my Roadside Poetry Project poem displayed on four billboards. (My spring poem has since been replaced by a summer poem.)

After photographing my poem and dining at the downtown Viking Café (click here to read my earlier post on this vintage restaurant), I explored this Otter Tail County seat with my husband, Randy.

Certainly, we saw only a small portion of this riverside town. But I toured enough of Fergus Falls to come up with a single word to describe it: artistic.

I wonder if the folks who live in Fergus also see their hometown as an art community. Or would they choose another word to describe their town?

Here are photos to back up my word selection.

Knit graffiti circled a tree downtown. Bottlecaps were strung on another tree by this one. What a simple and memorable art idea.

Fergus Falls Summerfest happened to be on when we were in town. Here's one section of the event.

Clear Lake, S.D., artist Karlys Wells of Back Porch Art created this gourd art, among my favorite art at the fair.

Even signage can be art, like this on a downtown bakery.

Call it art, or something else, but this Rice Krispie cake in a bakery window display made me laugh out loud.

Kaddatz Galleries, a nonprofit art gallery, showcases the work of Charles Beck and other local artists.

Woodcuts and woodblock prints by one of Minnesota's most-recognized artists, Charles Beck of Fergus Falls. His subjects are the landscapes and nature of Otter Tail County. Until I walked into this gallery, I do not recall having ever heard of Beck. His earthy, rural art appeals to me.

I was impressed with the number of visitors in the Kaddatz Galleries.

The doors to the Fergus Theatre were locked, or I would most definitely have gone inside. The vintage exterior adds so much to the charm of downtown Fergus Falls.

I am a big fan of vintage signs for the character they add to a community.

SO HAVE I CONVINCED you to pull off I-94 in west central Minnesota and explore Fergus Falls? Fergus lies 2 1/2 hours northwest of Minneapolis/St. Paul, mighty close to Fargo, N.D.

Here are several websites to check out and learn more about some of the places highlighted in my photos and story:

www.VisitFergusFalls.com

www.kaddatzgalleries.org

www.fergusarts.org

www.fergusfallssummerfest.com

www.roadsidepoetry.org

www.marketfergusfalls.com

Copyright 2011 Audrey Kletscher Helbling

 

In loving memory of Rhody C. Yule June 16, 2011

Rhody's self-portrait, 1989

WEDNESDAY AFTERNOON we eulogized and buried my 92-year-old artist friend, Rhody Yule.

I have known Rhody for less than two years, having met him quite by happenstance in the fall of 2009. While driving by his rural Faribault home, I spotted celebrity portraits hanging on his garage, stopped to photograph them and then went to his front door.

There I met this sprite of a man and his yapping dog, Jo-Jo.

With his dog shut in the kitchen because I feared being bitten, Rhody shared the story of his life with me and my husband, Randy, strangers until then. I did not hesitate to ask about the paintings hung in his cozy living room and on his garage. He did not hesitate to share that he had been painting since age 16.

Even on that first visit, I learned so much about a man who would come to mean so much to me. His wife, Shirley, had fallen and was living in Hastings. Oh, how he missed her. His only child, Paul, died in a car accident in 1977 at age 23. Oh, how he missed him.

Rhody told us about his military service, including time in Nagasaki, Japan, cleaning up after the atomic bomb. He showed us photos and paintings on that first visit and grass-woven sandals from Japan snugged inside a wooden box he had crafted.

I thought to ask, thank God, if he had ever publicly exhibited his art. He hadn’t. That became my mission, to get a gallery show for this life-long artist. His first mini-show, of his religious paintings, came in September 2010, when he was invited to Christdala Church near Millersburg. He had, many years prior, done a painting of the church. Randy and I coordinated that exhibit, then loaded the paintings into our van and set them up outside this historic country church. Rhody and I spoke briefly at that event and he assured me that, despite our nervousness, we did well.

At Christdala, I distributed mini fliers for his upcoming gallery show at the Paradise Center for the Arts in Faribault. I had applied for the exhibit on his behalf and, in January, with the assistance of family and friends and volunteers, “A Lifetime of Art: The Rhody Yule Collection” opened to a packed gallery.

In typical Rhody fashion, this man of gentle spirit and quiet humility took it all in, never once boasting, but enjoying every second of his evening. This marked a shining moment for him in his 92 years of life and I was honored to have helped him achieve this public recognition of his art.

Rhody, minutes before his gallery show opened in January 2011.

RHODY’S FUNERAL SERVICE on Wednesday, while tinged with grief, also caused us to laugh out loud at his humor. We reminded each other of his forgiving attitude, his unshakable faith, his always positive attitude.

Just days before his death,  my husband Randy and I visited one last time with Rhody. Physically his body had deteriorated to a shell of the man he had been, but his mind and spirit remained strong. We saw him on a good night.

In that last hour with our friend, we reminisced about his gallery exhibit as I, one-by-one, held up photos I had taken that evening. He was too weak to grasp the images. And then we paged through several of his photo albums with pictures of a younger Rhody, a freckle-faced Paul, a beautiful Shirley.

I thought to myself, “You will be with them soon, Rhody. Soon.”

Rhody did not fear death. Yet he wished to live, even thought he might recover. I knew better. When I mentioned Millersburg, Rhody was ready for a night out and a beer at his favorite eating establishment there. Family and friends celebrated with him last fall in Millersburg at a patriotic-themed freedom party. His idea. His celebration after overcoming a recent, temporary loss of his personal freedom.

Rhody had more living to do. I learned at his funeral that this WW II veteran wanted to travel on a Washington D.C. Honor Flight to see the war memorials. It breaks my heart that he did not live long enough for that to happen.

Me and Rhody at his opening night gallery reception.

He prayed every night for the soldiers to come home.

He was smartly dressed for burial in his military uniform, which hung loosely on the gaunt body of a man who once stood strong in service to his country.

Those honoring his memory were directed to donate to the Rice County Veterans Memorial Expansion Project.

A spray of patriotic red and white flowers adorned with a blue ribbon decorated Rhody’s carved wooden casket, a casket so appropriate for a man who crafted wooden boxes and also picture frames (for his art). Had he been physically capable, I expect Rhody may have built and carved his own casket.

But Rhody is gone now and, as the eulogist, the Rev. Ron Mixer, said, Rhody is busy painting sunrises and sunsets in heaven. He suggested we look for a signature “Y” in the clouds.

Rhody has left those of us who knew and loved him with more than his legacy as an artist and the thought that he is still painting. He has gifted each of us with his spirit of forgiveness and kindness, his humor and humility, his desire for fun, a love of life and a faith that endured challenges.

I knew Rhody such a short time. But how blessed that time has been.

We drove through nearly-torrential rain Wednesday afternoon to the rural Cannon City Cemetery to bury Rhody beside Shirley. As we gathered under the tent and next to it, sheltered by umbrellas gripped tight against the whipping wind, members of the Central Veterans Association fired an honorary salute to their brother soldier. Taps mourned. An aging veteran presented a folded American flag to Rhody’s step son in a voice choking with gratitude and emotion.

Soon the rain stopped and the sun wedged through the clouds as if Rhody was there, telling us to wipe away the tears. He would have wanted us to celebrate his life, and we did, but only if we didn’t brag about him.

Rhody's favorite painting, "The Last Supper," which he painted in honor of his beloved son Paul.

© Copyright 2011 Audrey Kletscher Helbling