Minnesota Prairie Roots

Writing and photography by Audrey Kletscher Helbling

I know that my Redeemer lives March 31, 2013

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A cross in Trebon Cemetery, 10 miles northwest of Faribault in Shieldsville Township.

A cross in Trebon Cemetery, 10 miles northwest of Faribault in Shieldsville Township.

I know that my Redeemer lives;
What comfort this sweet sentence gives!
He lives, He lives, who once was dead;
He lives, my ever-living head.

He lives triumphant from the grave;
He lives eternally to save:
He lives all-glorious in the sky;
He lives exalted there on high.

This, one of my favorite hymns, I sang with the congregation of Trinity Lutheran Church in Faribault this Easter Sunday morning.

The words are imprinted upon my memory from childhood Easters, of singing from the balcony of St. John’s Lutheran Church in Vesta with my Sunday School classmates.

I know that my Redeemer lives. I knew that then. I still know that now. He is risen. He is risen, indeed.

Wishing you a most blessed Easter in our risen Lord.

Copyright 2013 Audrey Kletscher Helbling

 

Fifty-one years of presenting The Last Supper Drama at a rural Minnesota church March 22, 2013

St. John's members portray the disciples in this undated vintage photo, the first record of a photograph from The Last Supper Drama. Actors, from left to right, are Luverne Hafemeyere, Earl Meese, Vicgtor Luedke, Howard Meese, Virgil Bosshart, Arnold Keller, P.L. Golden, Alvin bosshart, Paul Bauer, Elmer Covert Sr. and Arnold Bauer. Photo courtesy of St. John's.

St. John’s members portray the disciples in this undated vintage photo, the first record of a photograph from The Last Supper Drama. Actors, from left to right, are Luverne Hafemeyere, Earl Meese, Vicgtor Luedke, Howard Meese, Virgil Bosshart, Arnold Keller, P.L. Golden, Alvin bosshart, Paul Bauer, Elmer Covert Sr. and Arnold Bauer. Photo courtesy of St. John’s.

THOUSANDS OF MILES from Milan, Italy, in the flat farm fields of Rice County in southeastern Minnesota, Leonardo da Vinci has left his mark on a small congregation.

For 50 consecutive years, St. John’s United Church of Christ, Wheeling Township, has presented The Last Supper Drama, a theatrical interpretation of the master artist’s most famous painting created in 1495 as a mural in an Italian monastery.

St. John's 50th presentation of The Last Supper Drama in the sanctuary.

St. John’s 50th presentation of The Last Supper Drama in 2012.

I penned those two opening blog post paragraphs during Holy Week 2012, shortly after attending the St. John’s performance.

So update that number. The congregation is slated to present its 51st The Last Supper Drama at 8 p.m. on March 24, Palm Sunday.

I’d advise attending because you don’t get more grassroots basic than this in the retelling of Christ’s final meal with his 12 disciples via a script penned by a long ago St. John’s pastor.

Judas grips the bag of silver, his reward for betraying Christ.

Judas grips the bag of silver, his reward for betraying Christ, as seen in the 2012 drama.

Each disciple speaks of his personal relationship to Christ, making this a particularly introspective drama presented by members and former members of St. John’s.

The parking lot at St. John's United Church of Christ, Wheeling Township, is nearly full 20 minutes before the congregation's annual performance of The Last Supper Drama.

The parking lot at St. John’s United Church of Christ, Wheeling Township, is nearly full 20 minutes before the congregation’s annual performance of The Last Supper Drama.

Truly, there’s something about slipping inside this rural 1800s limestone church as evening melds into night, settling upon aged pews among those who have worshiped here for generations, that is particularly comforting.

It is good for the soul to sing and pray and listen, to sweep your thoughts into a meditative mindset for Holy Week.

That this country congregation continues with a tradition begun in 1963 impresses me. Such uninterrupted longevity is a testament to faith, an appreciation of history and a clear understanding that still today, perhaps more than ever, The Last Supper Drama needs to be shared.

A view from the balcony before the drama begins shows the spotlight to the left and The Last Supper table below. The actors enter, spotlighted in the dark church, to take their seats at the table. There they "freeze" in place to mimic Leonardo da Vinci's painting.

A view from the balcony before the drama begins shows the spotlight to the left and The Last Supper table below. The actors enter, spotlighted in the dark church, to take their seats at the table. There they “freeze” in place to mimic Leonardo da Vinci’s painting.

FYI: St. John’s United Church of Christ, Wheeling Township, is located 10 miles northeast of Faribault. Take Minnesota State Highway 60 east for eight miles and then turn north onto Rice County 24. Drive two miles to 19086 Jacobs Avenue.

Click here and then here to read my detailed The Last Supper Supper Drama posts from 2012.

Click here to read my post from 2011.

© Copyright 2013 Audrey Kletscher Helbling

 

U of M study on teen texting and driving targets rural Minnesota February 25, 2013

WE’VE ALL HEARD the warnings about texting and driving. You’ve likely even spotted someone texting and driving. I haven’t.

Interstate 94 sometimes seems to run right into the sky as you drive west.

Interstate 94 in western Minnesota. Minnesota Prairie Roots file photo.

But a brother-in-law, who is a trucker, recently shared a story about watching a young woman lose control of her car along Interstate 94 in western Minnesota while texting. Somehow she managed to keep her car on the road and avoid a crash. My brother-in-law claims the incident happened so fast that the driver never took her eyes off her cell phone.

Stories like that scare me.

Now researchers at the University of Minnesota’s Intelligent Transportation Systems (ITS) Institute are undertaking a study of young drivers and texting practices in 18 Minnesota communities, most of them rural and Faribault among them.

I first learned of the study in a news brief published in the Faribault Daily News soliciting 20 newly-licensed 16-year-olds from the Faribault area to participate in the year-long study. Intrigued, I contacted Nichole L. Morris, a research associate in the U of M’s HumanFIRST program in the ITS Institute. She is working on this project, funded by the ITS Institute and the Minnesota Department of Transportation, along with a team of researchers.

My phone, not a smart phone, but with an important message.

My phone, not a smart phone, but with an important message.

The 300 teens selected for the study will be equipped with smartphones to collect and transmit driving data in real-time for their first full year of independent driving. Researchers will collect data until May 2104 with group data reported to MnDOT and then made public in early 2015.

“These results will hopefully shed light on what areas are most problematic for teen drivers, what can be done with our technology to improve the safety of teen drivers and what changes, if any, should be implemented to our teen driver laws to prevent more teen driving fatalities,” Morris says.

Eighty percent of teen fatal crashes occur in rural areas, Morris says, explaining why the project is targeting 18 mostly rural Minnesota communities. Faribault was selected for the study because of its population and low commuting rate. She declined to name the other 17 communities or any hypotheses to avoid adding bias to the study.

But, says Morris, “My hope is that we find some key answers to reduce crash and fatalities for teen drivers in Minnesota and nationwide. This is such an important issue because traffic crashes are the leading cause of fatalities for teens. The rate at which we lose our sons and daughters on the road is unacceptable and it is a charge to all citizens to help to become the solution to this problem.”

The passion Morris, who holds a Ph.D. in Human Factors Psychology, possesses for this project is palpable. “It is an exciting opportunity for parents and teens to be a part of the solution to end teen traffic fatalities.”

Eighteen communities in rural Minnesota are included in the teen texting and driving study.

The study is targeting rural Minnesota. Minnesota Prairie Roots file photo.

As of Friday morning, 216 Minnesota teens from the selected communities had been recruited for the study. About 10 more are needed from the Faribault area.

To apply, a teen must be 16 years of age, currently have a driver’s permit, receive provisional licensure between now and April 30, start the study within a month of getting licensed, drive at least 2-4 times a week, have no physical limitations that prevent driving and have parental permission.

Qualifying teens should contact Morris via phone at 612-624-4614 or email at nlmorris@umn.edu

Besides offering teens an opportunity to help find solutions to teen traffic fatalities, the project is also paying a $25 monthly incentive ($300 to be paid at the end of the year-long study) and providing smartphones with free monthly data, text and talk plans for a year.

© Copyright 2013 Audrey Kletscher Helbling

 

Snow removal in my Minnesota neighborhood February 23, 2013

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Shoveling the driveway, take one.

About to begin shoveling the driveway.

“HOW MUCH SNOW did we get?” I asked my husband upon arising Friday morning. I had no desire to bundle up and head outdoors to shovel the sidewalk and driveway. Again.

He guessed about five inches.

“I don’t feel like shoveling.”

“You don’t have to. I’ll blow it out when I get home.”

And so I felt a tinge of guilt, making the mail carrier and the few pedestrians in my neighborhood plow through the snow. But at least school wasn’t in session and kids wouldn’t be trudging through the snow, too, packing it down.

Shoveling the driveway, take two.

The first scoop of snow.

But then, around 2 p.m., the next door neighbor barreled down the sidewalk with his snowblower blazing a trail past our house and then back a second time to clear an even wider path. That Ken did this simply out of the goodness of his heart pleases me.

Up the street, a kindly soul opened the driveway and sidewalks of another neighbor whose property my husband typically clears of snow.

Shoveling the driveway, take three.

Moving right along…

Across the street, the neighbor boy attempted to clear the driveway, a seemingly insurmountable job for the little guy. He was giving it his all, for awhile, clearing only a small section before abandoning the task.

Perhaps someday he’ll blaze a trail through the snow with a snowblower.

Or maybe he’ll just give up and move to Florida.

Copyright 2013 Audrey Kletscher Helbling

 

Faribault’s long-standing historic appreciation for Fleck’s beer February 19, 2013

YOU NEEDN’T LOOK FAR to see the notable imprint the Fleckenstein breweries made on Faribault.

A downtown Faribault mural featuring Fleck's beer.

A downtown Faribault mural featuring Fleck’s beer.

In the heart of Faribault’s historic downtown, a mural at 513 Central Avenue features Fleck’s beer barrels stacked upon a horse-drawn wagon in one of seven historical-themed murals created by the Mural Society of Faribault.

Kitty-corner across the street at the State Bank of Faribault, 428 Central Avenue, bank President John R. Carlander’s personal collection of Fleckenstein/Fleck’s memorabilia is displayed.

The Fleckenstein building houses Twin City Underwriters in the south front with empty space for lease in the other half.

The Fleckenstein building, home to several businesses including an  insurance company, photo studio and salon. If anyone knows the story behind the Fleckenstein family’s connection to the building, I’d like to hear.

Two blocks away in Faribault’s Historic Commercial District, the Fleckenstein building stands at 220 Central Avenue.

Across town at the Rice County Historical Society, 1814 N.W. Second Avenue, you’ll find a permanent Fleckenstein breweries exhibit.

And who knows how many locals own pieces of Fleckenstein history from the breweries of brothers Gottfried and Ernst Fleckenstein. The two began as partners, opening the Fleckenstein Brewery along the banks of the Straight River in 1856. There they aged and stored their beer in caves.

Eventually the two split, Gottfried’s brewery remaining at the original site at 222 Third Avenue N.E. Meanwhile, Ernst moved farther north along the Straight River and established Ernst Fleckenstein Brewing Company in 1872. That would continue in operation until 1964. Gottfried’s brewery, which had been passed along to his son, Louis, closed in 1907.

Chris Voegele, left, and Noah Strouth inside the space that will house Patriot's Brewing brewery.

Chris Voegele, left, and Noah Strouth inside the space that will house Patriot’s Brewing brewery.

With 108 years of business history in Faribault, it’s no wonder the Fleckenstein breweries made an impression upon locals like Noah Strouth and Chris Voegele who will bottle Fleck’s branded beers at Patriot’s Brewing Company, set to open this fall in downtown Faribault within blocks of the first Fleckenstein brewery. You can read about that new brewery by clicking here to a previous post.

The two plan to eventually open a tap room which will feature Fleck’s/Fleckenstein memorabilia culled from their personal inventory and from the collections of others who’ve already offered their historical pieces for display. I don’t expect Strouth will show his 1958 unopened bottle of Fleck’s beer. But it’s interesting to hear his claim that this 55-year-old bottle has always been kept cold. He knows that, he says, because of the beer’s clarity.

If anyone knows Fleck’s beer, it would be Faribault resident Brian Schmidt who owns more than 300 collectible pieces from the Fleckenstein breweries and has created a Fleck’s website. (Click here to reach that.) Schmidt grew up on Faribault’s north side and remembers digging for bottles in the Fleckenstein brewery “bottle pit.”

Faribault artist Rhody Yule created this oil painting of the Fleckenstein Brewery in 1976. The building, and the brewery, no longer exist. The 20-foot Fleck's beer bottle on the right side of the painting sat near the brewery entrance. Children often had their pictures taken here when their parents took a brewery tour.

Faribault artist Rhody Yule created this oil painting of the Fleckenstein Brewery in 1976. The building, and the brewery, no longer exist. The 20-foot Fleck’s beer bottle on the right side of the painting sat near the brewery entrance. Children often had their pictures taken here when their parents took a brewery tour. The brewery also made soda.

I’ve yet to see Schmidt’s collection, although I’ve viewed one piece, a 1976 brewery painting by my artist friend Rhody Yule of Faribault. Schmidt brought the artwork, which he purchased for $90 at a local auction, to “A Lifetime of Art: The Rhody Yule Collection” exhibit in January 2011 at the Paradise Center for the Arts in Faribault. Click here to read my post about that brewery painting and another piece Schmidt shared at Yule’s show.

Equally as interesting are the brewery related stories shared by locals, including that of a 92-year-old friend who wished to remain anonymous. The Faribault native remembers her sister picking tight-bud peonies from the family farm in June and storing the flowers inside a brewery cave until her early July wedding.

This I learned when I phoned to ask about the Fleckenstein-donated stained glass windows which grace my church, Trinity Lutheran, along Fourth Street in Faribault. My friend couldn’t offer any details on the windows, or even if the Fleckensteins were Trinity members. But I certainly appreciated hearing her sister’s wedding flower story.

Likewise I spoke with another longtime Faribault resident who knew members of the Fleckenstein family—Al, Ruge, John and Chauncey—from his days of bowling against the Fleck’s Brewery team. In his early 20s at the time, my friend recalls the Fleckensteins, 15-plus years his senior, as strong supporters/sponsors of bowling in Faribault. Several generations of Fleckensteins operated the breweries.

Hearing stories like this reinforces the results of a Faribault Main Street downtown market analysis report prepared in September 2011. According to that report by (IN)ALLIANCE, LLC, “downtown Faribault would be an ideal location for a craft brew pub.”

The report went on to state this:

Given the history of brewing in Faribault and its consumer who is attracted to culture and history, naming a brewpub solicitation as “Fleckenstein Brew Pub” would prove to be a good promotional tool.

Chris Voegele , left, and Noah Strouth, owners of Patriot's Brewing Company

Chris Voegele , left, and Noah Strouth, owners of Patriot’s Brewing Company

When I interviewed Patriot Brewing owners Strouth and Voegele, I mentioned the market analysis (of which they were unaware) and they concurred with that important historic connection and Faribault promotional aspect. “People in Faribault seem to like their history,” Voegele said.

With the opening of a brewery and a tap room (not a brewpub), Patriot’s Brewing will assuredly add to the beloved history of Fleck’s beer in Faribault.

© Copyright 2013 Audrey Kletscher Helbling

 

Patriot’s Brewing Company opening in Faribault with a nod to the past February 16, 2013

SEVERAL MONTHS AGO I overheard several antique dealers discussing a brewery in Faribault. I lingered nearby, feigning interest in merchandise so I could eavesdrop. With tidbits of information filed in my memory, I meandered farther into the Peterson Art Furniture Company complex.

There I spotted Northfield attorney, historic preservationist, and Peterson building and architectural salvage business owner David Hvistendahl eating lunch. Perfect timing. “What’s this about a brewery coming to Faribault?” I asked.

Chris Voegele , left, and Noah Strouth, owners of Patriot's Brewing Company

Chris Voegele , left, and Noah Strouth, owners of Patriot’s Brewing Company.

And thus I was introduced to Patriot’s Brewing Company, a Faribault-based regional brewery slated to open this fall, according to owners Noah Strouth, 40, and Chris Voegele, 41. Saturday morning I met with these longtime friends and 1990 Faribault High School graduates to learn more about their craft beer business. Up until then, I’d been asked not to publicly divulge news about the brewery.

The brewery will be housed in the lower level of the brick building on the left with a tap room opening later in the small white building in the center of the Peterson Art Furniture complex.

The brewery will be housed in the lower level of the brick building on the left with a tap room opening later in the small white building in the front of the Peterson Art Furniture complex.

But word had gotten around town and the time seemed right to share their plans for the brewery which will be housed in a 3,250 square foot basement section in the southwest corner of the former Peterson Art Furniture Company (before that home to the Faribault Furniture Company) building along Fourth Street in the heart of historic downtown Faribault.

David Hvistendahl, from whom Patriot's is renting space for the brewery, sports a Fleck's beer t-shirt. A line of Fleck's Hvistendahl and a partner plan to eventually open an event center int he space above the brewery.

David Hvistendahl, from whom Patriot’s is renting space for the brewery, sports a Fleck’s beer t-shirt. Fleck’s branded clothing will soon be available for purchase through Patriot’s Brewing. Hvistendahl and a partner plan to eventually open an event center in the space above the brewery.

For the first time since 1964, when Fleckenstein Brewery closed, Faribault will have its own brewery, and one which will brew Fleck’s labeled bock and lagers. Patriot’s Brewing has trademarked the Fleck’s name, which had been left in the public domain, Voegele said.

“People in Faribault seem to like their history,” Voegele said, both he and Strouth emphasizing the name recognition and importance of Fleck’s beer in Faribault history.

They’ve even talked to locals who drank Fleck’s beer to learn more about the taste, something they hope to re-create in a Fleck’s lager. The recipes died with Ernst “Boots” Fleckenstein, the last brewmaster, Voegele said. The pair has also considered the historic grains and the water at the time (the brewery drew its water from an artesian well) the popular Faribault beer was produced. They’ll never exactly replicate Fleck’s, especially since they cannot re-create the yeast strain (of major importance in the brewing process), but they will try, the two say.

The brewery space.

The brewery space.

“Everything is in motion,” said Voegele as he and Strouth stood in the sprawling brewery space defined by rugged stone walls of local gray quarry stone and by thick support posts. The former storage area has been cleared and the two are working on the infrastructure with projects like tuckpointing and reinstalling the original windows in the 1886 building. Additional water and sewer lines are set for June installation during a street reconstruction project.

The walls are constructed from locally quarried stone.

The walls, constructed from locally quarried stone, will be tuckpointed.

They hope to begin brewing in the fall, starting with 80-100 barrels a month, producing one or two beers initially in their 25-barrel brewhouse. Each barrel holds 31 gallons. A Fleck’s branded lager will be among their first beers.

Strouth and Voegele are no novices at beer brewing, For five years already they’ve brewed beer in a small scale mini brewery in the basement of Strouth’s rural Faribault home. They can produce about 16 gallons and will use the same operating system in the brewery, only on a much larger scale.

They are, they agree, passionate about brewing beer, bringing their home-brewed beers to taste testers at local beer clubs and to area craft beer competitions. In 2012, their beer earned four first place ribbons at the Rice County Fair.

“We make beer that we like to drink,” Strouth said. “And people seem to like our beer.”

Patriot’s Brewing already has created recipes for five beers: #1 American Pale Ale, IPA Olicious (an India Pale Ale), Nutso (a nut brown ale), Stouty McStouterton (an oatmeal stout) and Fleck’s bock (a helles bock). The brewers are also working on lagers.

“We have a high appreciation for fine beer,” Voegele said, admitting it took awhile, though, for his beer palate to develop.

This view looks toward the  steps leading to the future tap room.

This view looks toward the steps leading to the future tap room. Only beer, and not food, will be served here.

While Patriot’s Brewing aims for regional distribution of its beer within a 60-mile radius of Faribault, the brewery is also relying on strong community support. As the business grows, plans call for opening of a tap room just up a set of steps from the brewery in a garage space occupied by Color My World. Voegele envisions a little bar with tables and chairs in an old style atmosphere in the cement-walled space. The pair plan to incorporate Fleckenstein Brewery/Fleck’s beer memorabilia into the tap room.

And then, as the business grows even more, the two hope to move the tap room elsewhere and use that vacated space for a grain room.

The ceiling of the historic building in the brewery area.

The ceiling of the historic building in the brewery area.

Eventually, they hope to offer brewery tours.

But that’s all in the future, after the brewery is established and sales are going strong. For now, Strouth and Voegele are concentrating on getting the brewery up and running while keeping their day jobs. Strouth works as a welder and fabricator at Lockerby Sheet Metal. Voegele teaches biology 105 at Minnesota State University, Mankato, works as an emergency medical technician in St. Peter and farms part-time in rural Morristown.

As they grow their regional brewery, they also plan to add employees.

Chris Voegele and Noah Strouth are grounded in Faribault, their hometown.

Chris Voegele and Noah Strouth are grounded in Faribault, their hometown.

They are committed to Faribault, to its rich history. “Our roots are in Faribault,” Voegele said.

They are also committed to using American made/grown products—from equipment to hops to bottles—whenever possible in their business.

Noah Strouth's nephew, Alex Strouth, a senior at Northfield High School, created the patriotic themed company logo.

Noah Strouth’s nephew, Alex Strouth, a senior at Northfield High School, created the patriotic themed company logo.

That sense of American pride explains the company name—Patriot’s Brewing Company. “We believe in America…promoting American businesses, the feeling of Americanism, pride in country,” Voegele said.

And although Voegele did not specifically state it, he and Strouth are now living the American dream in starting their own business, Patriot’s Brewing Company.

© Copyright 2013 Audrey Kletscher Helbling

 

Minnesota Sinfonia comes to Faribault & I attend a classical music concert for the first time February 15, 2013

Cellist Dmitry Kouzov

Cellist Dmitry Kouzov

I WATCHED AS THEIR crooked arms worked the bows back and forth, mostly gliding, sometimes slowing in almost robotic jerks, across the violins tucked under their chins.

All the while the music flowed—soft and soothing, other times bursting into crescendos of triumph and power.

The rhythm, the tones, the movement mesmerized me as only classical music can.

For the first time ever Thursday evening, I attended an orchestra concert. And let me tell you, this performance by the Minnesota Sinfonia, with featured soloist Dmitry Kouzov on the cello, rated as outstanding.

Not that I have anything with which to compare the performance or even a musical background to rate it—I don’t play an instrument nor can I read a musical note. But that matters not. The music moved me, engaged me, transported me.

When Kouzov, an International Beethoven Competition winner, settled into his chair at the historic Cathedral of Our Merciful Saviour in Faribault, his very presence commanded respect. Those of us in the audience knew we were about to hear something truly magical from this cellist who has performed with orchestras like the St. Petersburg Symphony and the National Symphony of Ukraine.

And we did. To watch Kouzov work his cello, to hear sounds ranging from almost ear-hurting shrills to the deepest of depths, impressed. I heard trilling birds and tin cans kicked along a rocky road and imagined immigrants journeying across the Minnesota prairie.

My husband, sitting next to me on the pew in this 150-year-old cathedral, thought cartoon music. I understand his perspective. But I tend to think more in poetic terms. That’s the beauty of music—it is open to interpretation based on individual experiences, personality and perceptions.

I was simply thankful the music and the brooding darkness and warmth of the sanctuary did not lull my husband asleep during the 1 ½ hour Valentine’s Day evening concert. That this chamber orchestra held the interest of an automotive machinist who prefers the likes of Fleetwood Mac, The Moody Blues and Charlie Daniels to classical music should impress you.

The Cathedral of Our Merciful Saviour, shown here in a file photo, offers wonderful accoustics for a concert.

The Cathedral of Our Merciful Saviour, shown here in a file photo, offers wonderful acoustics for a concert.

Mostly, I was thankful for the opportunity to attend a concert of this caliber in my community and at no cost. Minnesota Sinfonia, a non-profit whose mission is “to serve the musical and educational needs of the citizens of Minnesota, especially families with children, inner-city youth, seniors and those with limited financial means,” performs all concerts free of charge. The Sinfonia receives support in part from the National Endowment for the Arts and the Minnesota Clean Water, Land & Legacy Amendment.

Faribault’s Shattuck-St. Mary’s School and The Catherdral of Our Merciful Saviour collaborated to bring the Sinfonia to Faribault as part of Shattuck’s Fesler-Lampert Performing Arts series.

The historic Cathedral of Our Merciful Saviour in Faribault. File photo.

The historic Cathedral of Our Merciful Saviour in Faribault. File photo.

I appreciate that this group of professional musicians took their concert outside of the Twin Cities metro area. Outstate Minnesota needs more exposure like this to the performing arts. As I listened, I thought how much my 80-year-old mom, who lives in rural southwestern Minnesota, would enjoy a concert like this. And I wondered why my community of 23,000 could not fill this sanctuary to overflowing for this spectacular free concert of classical music. Next time…

FYI: Click here to learn more about the Minnesota Sinfonia.

The Minnesota Sinfonia will present two free concerts this weekend in the Twin Cities. A performance is set for 7 p.m. Friday, February 15, in Founders Hall at Metropolitan State University, 700 East 7th Street, St. Paul.

At 4 p.m. on Sunday, February 17, Minnesota Sinfonia will perform at Temple Israel, 2324 Emerson Avenue South, Minneapolis.

Early arrival is recommended at both venues. I’d suggest you search online for more info about these concerts if interested in attending.

(Because The Cathedral of Our Merciful Saviour is especially dark and because photos were not allowed during the performance, I did not take my camera to the concert.)

© Copyright 2013 Audrey Kletscher Helbling

 

Learning about my new neighbor, from the Minnesota Department of Corrections February 2, 2013

WE AREN’T EXACTLY ROLLING OUT the welcome mat in my Faribault neighborhood for our soon-to-be newest neighbor.

Phillip Louis Davis, after all, isn’t the type of neighbor any of us would want. But he’s served his prison time and now he’s free to go. Sort of. He’ll be under correctional supervision until his sentence expires in November 2018.  And he must register as a predatory offender for the next 10 years.

Thursday evening I attended a community notification meeting to learn more from Michéle Murphy of the Minnesota Department of Corrections about 54-year-old Davis who received a 98-month prison sentence in 2005 for first degree criminal sexual conduct with a 4-year-old. He had previously been charged with third degree criminal sexual conduct involving a 15-year-old at a hotel swimming pool. And, Davis has a history of exposing himself to adult females.

As Murphy began her presentation to about a dozen residents, she noted her goal—to help achieve “reduced anxiety” among those in attendance.

I don’t know that any of us left feeling less anxious. But we certainly exited the meeting more informed.

Informational sheets distributed at Thursday's community notification meeting.

Informational sheets distributed at Thursday’s community notification meeting.

That brings me back to Davis’ freedom. Although he’s free of prison walls, he’ll be under intensive supervised release. This is nothing I didn’t already know, having attended at least three previous community notification meetings involving other Level 3 predatory offenders scheduled for release into my neighborhood. But a review of conditions is always valuable information to carry in your pocket.

Davis, among other requirements, will be on GPS for the first 60-90 days (or longer); can be checked on at any time; must make daily phone contact with his supervising agent; must complete sex offender programming; cannot use the internet or any device with internet capabilities (and, yes, that includes a cell phone); and cannot have contact with minors.

In defining “contact with minors,” Murphy noted, for instance, that Davis can’t even wave at a child or, when he’s at the grocery store, ask, “Where’s the bread?”

That is good to know, especially since this predatory offender is moving into a neighborhood filled with children (15 within eyesight from my front yard) and about a stone’s throw from a school bus stop.

I worry about the children. I was particularly disappointed that the parents of neighborhood children and representatives of Faribault schools and the local school bus company did not attend the community notification meeting.

BUT AT LEAST ONE FARIBAULT FATHER, whose daughter was the victim of another Level 3 predatory offender, was there to raise questions and voice his concerns. You could feel his frustration, hear his anger, especially when he stated that he expects Davis to re-offend. For the sake of my community, I hope he is wrong.

The father also muttered something about wishing he could take matters into his own hands. At that point a representative of the Rice County attorney’s office and Faribault Police Chief Andy Bohlen warned the audience that vigilantism will not be tolerated, that Davis has served his time and is free to live within our community. They were correct to lecture us. But in that moment, my heart truly went out to that father who has walked through hell.

I struggled, too, at one point to curb my emotions when I asked why these Level 3 predatory offenders keep choosing my neighborhood, the same two blocks of Willow Street (four times now, maybe five, I’ve lost exact count). I got the same answer a police department spokesman gave me several days ago: Some property owners are just willing to rent to offenders.

When I pressed for information on how predatory offenders are getting these property owners’ names, I didn’t really get an answer. I don’t think they are sitting in prison reading the classifieds in the Faribault Daily News searching for an apartment to rent. Nor did I get an answer as to where Davis had been imprisoned or whether he had completed sex offender treatment while incarcerated.

DOC rep Murphy did add that offenders sometimes have friends and family in the neighborhood, which I don’t believe to be the case with Davis. (His offenses against the 4-year-old and 15-year-old did occur in Rice County.) Living arrangements are approved by the supervising agent.

SO HOW MANY LEVEL 1, 2 and 3 registered predatory offenders live in Faribault? Seventy. That number excludes those incarcerated at the Minnesota Correctional Facility, Faribault. Thirty-two more live in other parts of Rice County.

In the entire state of Minnesota, there are approximately 17,400 registered predatory offenders, Murphy said. Of those, 287 are classified as Level 3 “higher risk” predatory offenders, like Davis, for whom community notification is required by state law.

Minnesota, unlike some other states, does not have residence restrictions such as restricting predatory offenders from living near schools, daycares, parks, etc., Murphy said. Cases and statistics show, she said, “It’s not where someone lives, but the relationships they are engaging in (which determine who is victimized).” In Davis’ case, he knew his victims.

Ninety percent of sexually-abused children are abused by someone they know or trust, Murphy said.

Armed with that and other information, we were advised not to engage or approach Davis should we suspect/observe him violating conditions of his release. Rather, we should contact police immediately.

You can bet not a single person at that meeting would hesitate, not for a second, to inform law enforcement of suspected violations. We will be watching—for the sake of our children.

FYI: To learn more about Davis, the Level 3 predatory offender moving into the 300 block of Willow Street on February 7, click here to reach the Minnesota Department of Corrections offender information page.

© Copyright 2013 Audrey Kletscher Helbling

 

How would you feel if your neighborhood was repeatedly picked for post prison placement of predatory offenders? January 30, 2013

SERIOUSLY, NOT AGAIN, I thought to myself upon hearing that a Level 3 sex offender is moving into my neighborhood.

This marks the fourth, perhaps fifth, time in recent years (I’ve lost track) that I’ve had to worry about a predatory offender settling within blocks of my Faribault home.

I am not happy. Not happy at all. Who would be?

A city of Faribault snow plow spreading salt and sand onto the street past my house on Monday.

This shows a portion of my Willow Street neighborhood, but not the block in which the offender will be living. Minnesota Prairie Roots file photo, January 2012.

I wondered why these particular criminals, those most likely to re-offend, keep choosing my neighborhood. So I posed that question to Faribault Police Chief Andy Bohlen in an e-mail. Captain Neal Pederson of the FPD responded on Bohlen’s behalf:

As to why they often locate on Willow – when offenders are released from prison they work with their supervision agents to find housing. Some owners have fewer qualms about who they rent to than others.

Alright then. Let me ask this to the supervising agents and the accommodating property owners: Would you want to live next door to, or within two blocks of (like me), a man who has served time for criminal sexual contact with male and female victims between the ages of two and 15?

I would be surprised if you answered “yes.”

I know. The man has done his time. But…put yourself in my position and that of my neighbors, many with children in this offender’s target age group. I can count 15 children living within eyesight of my front yard.

Put yourselves in the shoes of the children who will walk past this predator’s home on the way to their Willow Street bus stop (practically within a stone’s throw of the offender’s doorstep) or to the public library or community center just blocks away. How would you feel if you were their parents?

Put yourselves in my neighborhood, in this defined section of Willow Street, which repeatedly has been chosen to house predatory offenders. How would you feel? I bet you’d feel as frustrated and upset as me and my neighbors that your neighborhood is continually singled out for post prison placement of predatory offenders.

I realize my neighbors and I can’t do anything to keep this offender from moving onto our street upon his February 7 release from prison. But we can voice our opinions and concerns and gather information at a community notification meeting slated for 6 p.m. Thursday, January 31, at the Faribault Police Department.

Police department spokesman Pederson assured me that local media, schools and the nearby community center have been notified of the offender’s pending release. The FPD has posted information on its website.

On Monday I received a community alert phone call advising me of the situation and community notification meeting. My neighbor directly across the street did not. I hope my other neighbors got the message. Somehow. I’ll be knocking on a few doors. We as a neighborhood and others in Faribault, including representatives of the bus company, need to attend that meeting with the Minnesota Department of Corrections and local police. We need to become informed.

That is seemingly all we have right now—the power to arm ourselves with information to protect ourselves and our children.

FOR DETAILED INFORMATION on the predatory offender moving into the 300 block of Willow Street in Faribault on February 7, click here to the Minnesota Department of Corrections website.

TO READ A POST about a community notification meeting I attended just two years ago, click here.

© Copyright 2013 Audrey Kletscher Helbling

 

The art of healing at a Minnesota hospital January 28, 2013

TWO YEARS AGO this month, my then 92-year-old artist friend, Rhody Yule, opened his first-ever gallery exhibit at the Paradise Center for the Arts in Faribault.

Six months later, he died.

But Rhody, and his art, live on, this time in a Paradise Center Healing Arts Program Exhibit at District One Hospital in Faribault. The arts center and hospital are partnering on the program.

Thursday evening I attended a reception for that show which features 70 pieces of art created by eight outstanding artists, each of them definitively different: Faribault artists Jody Hanscom, Jorge Ponticas, Pearl Tait and Rhody Yule; Marcus Moller of Morristown; Faribault native Tom Fakler, now living in Basel, Switzerland; Jane Strauss of Minneapolis; and Cynthia Ali of St. Paul.

As Healing Arts Coordinator Elizabeth Jacobs led my husband and me through the maze of hallways and centers that comprise the hospital complex, I thought how Rhody would have felt honored to be part of an exhibit designed to comfort patients and make their hospital experiences more pleasant.

The art selected by a committee of hospital staff fits the program’s criteria as “healing art,” meaning it must be calming, happy and a positive piece of work, Jacobs says.

Three of Jody Hanscom's horse portraits.

Three of Jody Hanscom’s horse portraits.

And you’ll see that, almost experience that positivity, from the minute you walk in the front doors of the hospital to view Jody Hanscom’s sizable horse portraits in the lobby waiting areas. Jody’s oil paintings capture both the gentleness and free spirit of horses, a combination that simultaneously calms and uplifts.

Tucked into a corner by the elevators, the fourth of Hanscom's horse oil paintings.

Tucked into a corner by the elevators, the fourth of Hanscom’s horses.

Just down the hallway, five oil paintings by Jorge Ponticas brighten the walls with vivid scenes from his native Chile and elsewhere. His art evokes happy thoughts. What can I say? I can’t resist the sweet face of a llama.

Pearl Tait's "Aubergine Drift I."

Pearl Tait’s “Aubergine Drift I.”

Moving along to the emergency room lobby, I find Pearl Tait’s moody mixed medium art the ideal choice for a setting often filled with emotion and uncertainty. Her work, which features textures like sand and tape incorporated into a painting, reflects, in my opinion, the intense layers of feelings that come with any visit to the ER.

A photo in a cozy private waiting room fronts Tom Fakler's Swiss Alps photos.

A sofa in a cozy private waiting room fronts Tom Fakler’s trio of Swiss Alps photos.

Around the corner inside a cozy ER room where families are taken to hear bad news (so says Jacobs), the mood totally changes with the soothing photography of Tom Fakler. His black-and-white canvas prints of the Swiss Alps offer a natural world escape during a particularly difficult time for patients’ families.

Likewise, the photography of Jane Strauss in the surgery center reflects that same sort of escapism, especially in panoramic landscape scenes. Jacobs notes that Strauss is autistic, meaning her approach to photography focuses on qualities like texture and detail, aspects others might not consider in photographing a scene.

Faribault native Cynthia Ali's floral pastels are not for sale. Ali, of St. Paul, is primarily a jewelry artist.

Faribault native Cynthia Ali’s floral pastels are not for sale. Ali, of St. Paul, is primarily a jewelry artist.

Also in the surgery center, Cynthia Ali infuses a soft natural beauty with her floral pastels. You can almost smell the heady perfume of her beautiful roses.

Marcus Moller's "Madison Lake Bait Shop" in watercolor.

Marcus Moller’s “Madison Lake Bait Shop” in watercolor. Moller’s art (mostly pastels) hangs in the surgery center waiting area, a place frequented by children. Thus his art is hung quite high, which made photographing it difficult.

Marcus Moller works in pastels, too, and watercolors, covering a variety of subjects from autumn landscapes to a bold rooster to my favorite, “Madison Lake Bait Shop.” Those of you who’ve traveled Minnesota Highway 60 will recognize the kitschy red building backed by the Madison Lake water tower. I cannot even begin to count how many times I’ve considered photographing that building. Moller’s bait shop painting is nudging me to actually stop and take that photo.

Twenty-five of Rhody Yule's oils grace the hall and patient rooms in the cancer center.

Twenty-five of Rhody Yule’s oils grace the hall and patient rooms in the cancer center.

Finally, my open house tour ended in a hallway outside the District One Cancer Center with the oil paintings of my friend, Rhody Yule. I’d seen nearly every one of Rhody’s hundreds of paintings when I worked with his family and friends on the 2011 Paradise exhibit. But, still, it was as if I was viewing his pieces for the first time, appreciating the landscapes, many of them winter scenes in this show, and the other art he created through decades of painting. Rhody was a kind, gentle man with a heart full of goodness, and I remembered that, too.

Examples of Rhody Yules art close-up.

Examples of Rhody Yule’s art close-up.

Most of the artwork in the Healing Arts Exhibit, but not all, is available for sale. (Artwork not featured in photos here is because I did not have permission to photograph it.)  A portion of any proceeds from the sale of Yule’s work will go to the local hospice, per the family’s request.

If you wish to tour the winter installment of the Healing Arts Exhibit, check in at the main desk, 200 State Avenue, during hospital business hours. All areas of the exhibit may not be accessible for viewing at all times. The current show runs through February 28.

If you are an artist interested in being featured in a Healing Arts Exhibit, contact Jacobs at the Paradise Center for the Arts. You will find details and contact information by clicking here.

The Healing Arts program is sponsored by the District One Hospital Auxiliary, which initially proposed the concept.

To view information on the artists with an online presence, click on their highlighted names.

WHAT ARE YOUR THOUGHTS on art as a “healing” tool? Have you seen similar exhibits? Please share.

© Copyright 2013 Audrey Kletscher Helbling