Minnesota Prairie Roots

Writing and photography by Audrey Kletscher Helbling

In Faribault: Scholar to address Lincoln’s response to the U.S.-Dakota War of 1862 September 5, 2012

A Lincoln postcard which a collector brought to a Cannon Valley Civil War Roundtable meeting several years ago.

THE FIRST TIME I ATTENDED a Cannon Valley Civil War Roundtable meeting nearly three years ago, I arrived expecting to view slave documents. The presenter, however, left the papers at home and brought, instead, memorabilia specifically related to Abraham Lincoln.

He did not disappoint. I viewed vintage postcards and original photos of Lincoln, Civil War buttons and replicas of Mary Todd Lincoln’s White House china, among many other items.

An 1840 Philadelphia Derringer, like the pistol used to assassinate President Abraham Lincoln.

What impressed me the most, however, was the collector’s 1840 Philadelphia Derringer, exactly like the pistol with which John Wilkes Booth assassinated Lincoln. The weapon was nearly small enough to hide in the palm of my hand.

Visuals like that teach me more about history than any textbook ever will. So do guest speakers. They address the monthly meetings of the Roundtable whose 25 members are interested in preserving and interpreting the Civil War.

Now the Faribault-based Cannon Valley Civil War Roundtable is bringing in a scholar of Abraham Lincoln to kick off its eighth year as an organization. You needn’t be a Roundtable member to attend; I’m not.

Bryce Stenzel of Mankato portraying President Abraham Lincoln. Stenzel, among other things, directs Lincoln’s Traveling Troupe, a group of students and community actors who bring Lincoln’s life and legacy to life via a dramatic, living history portrayal and authentic re-enactment.

Bryce Stenzel of Mankato, who developed a first-person portrayal of Abraham Lincoln in 1989 and since has traveled around the country presenting, will present “1862: Lincoln Trials by Fire” at 7:30 p.m. Thursday, September 20, at the Faribault American Legion, 112 Fifth St. N.E.

He will address, Stenzel says, “the ‘State of the Union’ as it existed in 1862 and Lincoln’s response to the U.S.- Dakota War, against the backdrop of the American Civil War and the issuance of the Preliminary Emancipation Proclamation on September 22, 1862.”

It’s a timely topic given this year marks the 150th anniversary of the U.S. – Dakota War.

Specifically, Stenzel details, his upcoming program “is a means for Faribault to acknowledge its unique connection to the U.S. – Dakota War by paying homage to its native son, Bishop Henry Whipple. Even though no fighting took place in Faribault, your community played an active role in influencing the final outcome.”

This historian, who has authored eight books on local historical and Lincoln-related topics, possesses an advanced history degree and has taught social studies/history at all levels, including college, has long taken a personal interest in the U.S. – Dakota War. His great-great grandmother and her two-year-old daughter escaped a band of Dakota warriors by hiding in tall prairie grasses. And his great-great grandfather served with the Fifth Minnesota Regiment and fought in the decisive Battle of Nashville in 1864.

Stenzel grew up in Mankato, where 38 Dakota were hung in the largest mass execution in U.S. history. President Lincoln commuted the death sentences of 265 Dakota.

Says Stenzel:

The central question of my presentation is why did Lincoln feel compelled to intervene at all, when he didn’t have to? In fact, from a political standpoint, Lincoln committed political suicide—most Minnesotans at the time believed it was both right and necessary to hang the Indians as a means of preventing such a tragedy from ever happening again. It is useful for the modern audience to consider that what was “politically correct” in the 19th century, is no longer. Historical interpretation changes with time.

Dan Peterson, a member of the Cannon Valley Civil War Roundtable who has heard Stenzel speak, fully endorses him: “(Stenzel)) reminds me of my love for Abraham Lincoln just to be in his audience or close to him. Lincoln is on our money, our named streets, one state capitol, highways, buildings, businesses, cars and more. You just cannot get away from him.”

FYI: Tickets to the dinner and program are on sale now at the Rice County Historical Society in Faribault or from Chuck Peterson (507-301-2470), Jan Stevens (507-244-0500) or Dan Peterson (507-459-3140). Cost is $22 for non-members and $20 for paid-up members of the Cannon Valley Civil War Roundtable.

Tickets for the meal of pork ribs with trimmings must be purchased by Saturday, September 8. The event begins at 5 p.m. on September 20 with a social and then dinner at 6 p.m.

If you want to attend just the Lincoln presentation by Stenzel, the cost is $10 for adults, $5 for students 16 and older, and free for those under 16. The program begins at 7:30 p.m.

The Cannon Valley Civil War Roundtable meets the third Thursday of each month at 7 p.m. at the Faribault Senior Center with a speaker at each meeting. In October, the topic will be the New Ulm raid as part of the U.S. – Dakota War; in November, the Antietam Battlefield; and in December, the annual Civil War food potluck (probably with possum soup, hardtack and more, Peterson promises).

© Copyright 2012 Audrey Kletscher Helbling
Bryce Stenzel photo courtesy of Bryce Stenzel

 

Threshing oats at the Rice County Steam & Gas Engine Show September 4, 2012

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Grayden Moorhouse of Randolph holds freshly-threshed oats.

GRAYDEN MOORHOUSE unfurls his palm, revealing some two dozen oat kernels before dropping several into my hand.

He wants me to try them, to separate the meat from the hull with my teeth and spit the shell onto the ground.

I try, without success, and then he hands me a single kernel already hulled.

All the while I am thinking this:

I shoveled plenty of oats in my day growing up on a dairy and crop farm. And why would I want to eat raw oats, which I associate with cattle feed?

But Grayden is one of those guys who seems convincing and I like the strong sound of his name and, heck, what’s life without trying something new occasionally?

So I eat the single oat kernel and that is enough for me. I’d rather eat my oats in oatmeal.

Now that I’ve ended that introductory narrative, let’s follow the path of how those oat kernels ended up in Grayden’s hand via this photo essay from the Rice County Steam and Gas Engine Show this past weekend in rural Dundas.

Shoveling the raw oats into the conveyor system.

An overview of the threshing equipment and process of separating the oats kernels from the stem.

Bill Becker of rural Northfield mans the Minneapolis Moline which powers the threshing operation.

More shoveling of oat bundles, a dusty, dirty job.

The dust flies as men and machine work.

Plenty of farmers and retired farmers watch, remembering…

While horses plow a nearby field (left), the threshing crew continues working.

And the straw pile grows.

Finally, meet Grayden Moorhouse, whose strong name, it seems to me, belongs in a western.

FYI: Please check back for more posts from the steam and gas engine show. You’ll meet one interesting character and an incredible teen, plus ride along with me on the back of a truck.

© Copyright 2012 Audrey Kletscher Helbling

 

In which I learn a lot about the James-Younger Gang bank raid in Northfield September 3, 2012

CHRISTIAN HAKALA WEAVES the story of the bank robbery with the skills of a seasoned storyteller, his voice rising as the tension mounts, his hands gesturing, his eyes locking with those of a rapt audience.

Looking through a front window of the Northfield Historical Society museum toward Division Street.

It is Sunday afternoon and I am with a small group touring the Northfield Historical Society. I have come here with my husband to view the temporary U.S.-Dakota War of 1862 exhibit as it relates to Rice County.

The James-Younger Gang re-enactors riding in The Defeat of Jesse James Days parade perhaps five years ago.

But I find myself, instead, captivated by Hakala’s intriguing play-by-play account of the James-Younger Gang bank robbery of September 7, 1876, as he leads us through the historical society and into the bank. I am embarrassed to admit that I’ve never visited this museum, site of perhaps the most historic bank robbery in U.S. history, even though I live only 15 miles away and once worked briefly as a newspaper reporter in this town.

This week some 100,000 visitors, according to Hakala, are expected in Northfield for the annual Defeat of Jesse James Days celebration September 5-9.

Christian Hakala talks about gang members involved in the Northfield bank raid, pictured to his left: Frank and Jesse James; Cole, Bob and Jim Younger; Clell Miller; William Chadwell; and Charlie Pitts.

The former history teacher, and now a fund raiser at Carleton College in Northfield, serves on the historical society board, volunteers as a tour guide and role plays a townsperson in the annual re-enactments of the bank robbery. His knowledge of the crime is precise, right down to the minute on the original bank clock, stopped at 1:50 p.m., the time of the deadly and unsuccessful robbery.

The front of the original First National Bank of Northfield. I didn’t photograph the entire building as the sidewalk in front of the bank was torn up and blocked for installation of sidewalk poetry.

It was all over in seven minutes with four shot dead, including acting cashier Joseph Lee Heywood who refused to allow the robbers into the vault; Swedish immigrant Nicolaus Gustafson; and outlaws Clell Miller and William Chadwell.

The gun confiscated from Cole Younger when he was captured two weeks later near Madelia. I shot this glass-encased weapon in available light, without a tripod and without flash, meaning quality is not there in this image.

Not until the end of the tour does Hakala reveal that efforts are currently underway to exhume and determine if the presumed body of gangster Miller, buried in his home state of Missouri, truly is Miller.

Hakala explains: Then-medical student Henry Wheeler, who shot Miller from an upper story level of a building across the street from the bank, dug Miller from his grave and shipped the body from Northfield to his Michigan medical school for dissection and study. Later, Wheeler would return the supposed body of Miller to his family in Missouri. But, as the story goes, Wheeler kept a skeleton, purported to possibly be Miller, in a closet of his Grand Forks, N.D., medical practice office. That skeleton is today owned by a private collector.

The Miller family, Hakala says, is cooperating in proposed plans to positively identify the body buried in Missouri via forensic testing. The body was badly decomposed and thus not identifiable by the time it was received by the Miller family for burial.

Wheeler’s actions, Hakala further says, would not have been all that unusual for the time period with a likely attitude of “I killed the guy. He’s mine.”

This recent development simply adds to the mystery and drama and varying versions of events and details which have long accompanied the James-Younger bank raid in Northfield. Hakala, a northeastern Minnesota native who has also lived and taught in Missouri, knows how perspectives and stories differ based on source locations.

Yet, Hakala assures that the minute-by-minute account he relates of the actual bank robbery is based on the eyewitness testimony of a bookkeeper, collaborated by a teller who also witnessed part of the hold-up.

The only portion of the original bank you’ll see in this post is to the right in the background, caught when I was photographing this display case in the adjoining museum space which is in a separate building.

I can’t possibly share with you here the entire scenario Hakala presented in his tour on Sunday. Nor can I show you images, because photography is not allowed inside the original First National Bank of Northfield. But I can tell you that walking upon the very same rough floor boards trod by outlaws with a 10-year history of successful raids on trains and in banks, eying the massive black vault (closed, but unlocked at the time of the crime) and seeing blood stains on the bank ledger makes an impression.

These two items in a display case caught my attention. On the right is a note written by Cole Younger the day before his trial. When asked who killed Joseph Lee Heywood, he answered. “Be true to your friends if the Heavens fall.” In other words, he wasn’t telling. To the left are spurs worn by outlaw William Chadwell, who was shot and killed on Division Street during the raid.

However, here are some select pieces of information presented by Hakala which I find particularly interesting:

  • Jesse and Frank James’ father was a Baptist minister.
  • The James-Younger Gang invented the “stick ’em up” bank hold-up, conducting the first bank raid during daylight business hours, in which no war was going on, in Northfield.
  • One theory surmises that the James-Younger Gang was trying to get back at the Union by robbing banks.
  • In following with that anti-Union theory, Hakala notes that Union General and post Civil War provisional governor of Mississippi Adelbert Ames was a member of the Northfield family—coincidentally Jesse Ames and sons—which owned the local Ames (flour) Mill. Adelbert’s father-in-law was Benjamin Butler, a Union general much-despised by Southerners. This could explain why the gang targeted Northfield since the Ames’ family had money in the First National Bank.
  • While there was $15,000 in the Northfield bank vault, the outlaws made off with only $26.70 in cash, and not from the vault, which was protected by hero/cashier Heywood.
  • The unarmed Heywood was shot out of frustration and “cold-blooded meanness” (Hakala’s words, not mine). He was also slit across the throat, just enough to scare him, and pistol-whipped.
  • Northfield townspeople were throwing cast iron skillets, tossing bricks and aiming birdshot at the trapped gang members as they tried to ride away from the narrow canyon-like street setting in Northfield.
  • A posse of some 1,000 people formed to track down the gang.  The three Younger brothers were shot and captured in a gun battle at Hanska Slough near Madelia. Charlie Pitts was killed there. Frank and Jesse James escaped to Missouri.
  • Jesse James was killed by a friend and fellow gang member, Robert Ford, in 1882 for the reward money.
  • Postcards featuring photos of the dead outlaws, Clell Miller and William Chadwell, were sold to the public after their bodies were taken to a professional photography studio in Northfield and photographed.
  • It is written into a lease on an apartment across the street from the original First National Bank that re-enactors can use the apartment each year for bank raid re-enactments. An actor is stationed in the upper level room to portray medical student Henry Wheeler shooting, and killing, Clell Miller.

Another shot of the James-Younger Gang re-enactors riding in The Defeat of Jesse James Days parade several years ago.

If you wish to witness the seven-minute bank raid re-enactment, this is the week to do so. Performers will shrug into their long linen dusters, tuck their sidearms in place, saddle up and shoot it out at the Northfield Historical Society Bank Site & Museum, 408 Division Street in downtown Northfield.

Re-enactments are set for 6 and 7 p.m. Friday, September 7—the actual date of the robbery—and at 11 a.m. and 1, 3 and 5 p.m. on Saturday and at 11 a.m. and 12:30 p.m. on Sunday.

A copy of a wanted poster posted next to the front door of the museum.

For a complete listing of The Defeat of Jesse James Days activities, click here.

For more information about the bank site and museum, click here.

The front of the museum. If you look underneath the white steps, you’ll find three holes ringed in black, supposedly bullet holes made during the raid. It’s conjecture with nothing proven, according to Christian Hakala, who has his doubts about the holes being made by bullets. That’s Division Street on the left.

The original Ames Mill, once owned by Jesse Ames and sons, and today owned by Malt-O-Meal. It’s located around the corner and across the river from the bank. The company’s hot cereal is made here in the old flour mill.

© Copyright 2012 Audrey Kletscher Helbling

 

New exhibit highlights Rice County in the U.S.-Dakota War of 1862 September 2, 2012

IT IS EASY TO FORGET SOMETIMES, because I grew up in the region of Minnesota where the U.S.-Dakota War of 1862 was centered, that residents of the county in which I now live also played an integral role in the conflict.

Specifically, Rice County residents Bishop Henry Whipple and Alexander Faribault, after whom my community of Faribault is named, are key persons often noted in historical information written about the war.

I am always surprised that relatively few people from outside of southwestern and central Minnesota know so little about the bloody, six-week war between the Dakota and the white settlers and soldiers given it is a major, defining event in Minnesota history.

An overview of 1862, Through Rice County’s Eyes, which opened August 22 in Northfield.

However, awareness has grown considerably this year on the 150th anniversary of the war, including right here in Rice County. The Northfield Historical Society, partnering with the Rice County Historical Society, is currently showcasing an exhibit, 1862, Through Rice County’s Eyes.

I recently checked out the Northfield exhibit, which features mostly memorable quotes, volumes of summarized information and copies of photos. It’s a lot of reading.

But if you’re interested in educating yourself, it’s worth the time and concentration needed to absorb the information presented in this exhibit. And I’ll admit to occasionally skimming the postings because I am more of a visual, multi media, show-and-tell kind of history learner. I also had a pretty good background of knowledge going into the exhibit.

This sculpture of Alexander Faribault trading with a Dakota trading partner stands in Faribault’s Heritage Park near the Straight River and site of Faribault’s trading post. Faribault artist Ivan Whillock created this sculpture which sits atop a fountain known as the Bea Duncan Memorial Fountain.

I knew, for example, that fur trader Alexander Faribault was one-quarter Dakota and married to Mary Elizabeth Graham, whose mother was a family member of a Dakota chief. I knew, too, that Faribault was involved in the negotiating and translating of land treaties between the government and the Dakota before the war and that he benefited financially.

I was aware that Alexander Faribault sheltered the Dakota.

Above the photos and info is this quote by Bishop Henry Whipple to President Buchanan in August 1860: “In my visits to them, my heart had been pained to see the utter helplessness of these poor souls, fast passing away, caused in great part by the curse which our people have pressed to their lips.”

But I had forgotten that Bishop Henry Whipple, a long-time advocate for the rights of the Dakota and known to them as “Straight Tongue,” worked to find a safe refuge for them in the city of Faribault.

Alexander Faribault opened his land to the Dakota. Information in the exhibit states:

This land was the only safe-haven of its kind in a state now prejudiced in fear and anger against anyone with Dakota blood.

According to info in the exhibit, Alexander Faribault, whom you recall was one-fourth Dakota, also experienced prejudice against him. By 1869, this once successful fur trader, flour mill owner and politician had to sell his land and assets, including the land occupied by the Dakota.

Equally interesting is the quote, below, attributed to Mary Whipple. Even though her husband, the bishop, worked tirelessly to help the Dakota, fear still existed in his home community.

A quote from a letter written by Mary Whipple to her sister during the U.S.-Dakota War.

Perhaps the most interesting fact I learned relates to that of Lt. Rollin Olin, a decade-long resident of Northfield. He was second in command of the Third Minnesota Regiment at the Battle of Wood Lake—the final battle of the war—and a member of a five-man military tribunal which tried the Dakota following the war. He signed more than 300 death sentences for nearly 400 Dakota charged with murder, rape and/or robbery.

For me, that raises the obvious question: How could someone who fought against the Dakota judge them without bias? All members of the tribunal, in fact, had fought the Dakota. The answer, of course, is that Lt. Olin and the other four could not.

Likewise, the Northfield Historical Society is wisely careful to indicate that its new, temporary exhibit may not please everyone or include everything on the topic of Rice County’s connection to the war. On the NHS website, you’ll read this disclaimer:

As varied as these and other local perspectives may be, any exploration of the U.S.-Dakota War of 1862 suffers from the inevitable limitations facing every historical examination—limitations such as scope and biases, past and present, which impact the telling and perception of the stories and data. In presenting the exhibit 1862, Through Rice County’s Eyes this fall, NHS endeavors to draw visitors into thoughtful interest and discussion of this momentous event and its aftermath by sharing local connections. Come and critically examine this exhibit.

The exterior of the Northfield Historical Society, 408 Division Street, Northfield.

FYI: To learn more about 1862—Through Rice County’s Eyes, click here to the NHS website.

To learn more about the Minnesota counties, county by county, involved in the U.S.-Dakota War of 1862, click here.

© Copyright 2012 Audrey Kletscher Helbling

 

The Peach Project August 29, 2012

I GREW UP WITH DIRT under my fingernails, banishing weeds from the garden and then, later, harvesting and preparing veggies to eat fresh or preserve.

My mom canned some, froze some, storing away freezer boxes plump with green beans and beets, corn and other vegetables.

She also preserved fruit in quart jars, with the assistance of us kids, for the long Minnesota winter ahead. Applesauce and cherries. Peaches and pears.

A juicy Colorado peach, from which I must remove the skin because I can’t tolerate the fuzz (feels like a cotton ball) in my mouth.

And then, on a brisk winter evening, when Dad was about to come in for supper after finishing barn chores, she would lift the trap door in the kitchen and send one of us clomping down the creaky, rugged wooden steps to the dirt-floored cellar for a jar of sauce. Dessert. I would tug on the frayed cotton string to switch on the single bare light bulb. Then I would tiptoe reach for a jar of my favorite cherries or peaches.

We got a single box of freshly-picked Colorado peaches. When I was growing up, the peaches came in a wood-slat box that was nailed shut. Each peach was wrapped in tissue paper, which we recycled for use in the outhouse.

Those were my thoughts on Saturday when my husband and I picked up a 20-pound crate of peaches I’d ordered several weeks ago through the Cathedral Community Cafe, a Faribault soup kitchen which every Tuesday offers a free meal to those in need and/or seeking fellowship.

It is a worthy cause with some 9,000 dinners served in 2011 and averaging 150 a week this year. The effort involves about 140 volunteers, 12 churches and four teams of workers.

The Community Cathedral Cafe and First English Lutheran youth pre-sold 260 boxes of peaches and ordered an additional 60 to sell to walk-in customers. The peach project has been an ongoing fundraiser for around five years for the cafe and First English youth. About 50 boxes already had been picked up when I photographed this scene.

But like any such organization, the cafe needs money to keep going. The peach project will channel funds into the cafe’s coffers and I’m happy to support the fundraiser by purchasing a $30 crate of fresh Colorado peaches.

A sign outside the Cathedral Guild House directs customers to the peach pick-up point.

Now, what to do with all those fresh peaches. Thus far I’ve eaten many straight from the box. One evening I blended a peach and vanilla ice cream into a smooth shake. This morning I sliced one into my oatmeal. And I’ve also used thinly-sliced peaches to make a ham and peach panini.

I found the adapted sandwich recipe on Sue Ready’s blog and then tweaked it a bit.

Ham and Peach Panini

2 bread slices

deli ham

1 slice provolone cheese

1 thinly-sliced peach

1/2 teaspoon honey

Djon or spicy brown mustard

chopped fresh basil

Spread mustard and 1/2 teaspoon honey on one bread slice. Top with ham, cheese and thin peach slices. Top with chopped basil. Place other piece of bread on top and brush lightly with olive oil. Also brush other bread slice with oil. Grill in frying pan until golden brown, flip and grill other side.

Love, love, love this sandwich. My husband not so much. But he’s more an ordinary sandwich guy and I really had to persuade him to even take a bite.

Now, I expect when I bake a peach crisp or a peach cheesecake later this week, he won’t hesitate to scoop up a sizable helping.

Tyler Welander, 14, who’s raising monies for youth activities at First English, delivers boxes of peaches to vehicles. I suggested to the peach sellers that perhaps they could bake the pies, too, for me to pick up. But one man said, “Oh, that would be down the street at Trinity.” And he would be right. The Trinity Piemakers are currently selling fresh peach, among other, pies.  And since I attend Trinity, I can vouch for the delicious goodness of Trinity pies.

An elderly couple from Farmington ordered nine crates of peaches, seven of which they will deliver to friends.

WHAT’S YOUR FAVORITE peach recipe and what’s the best way to freeze peaches? I’d like to hear.

Click here to reach the website of the Cathedral of Our Merciful Saviour in Faribault, home to the community cafe.

Also, please click here to read a post which features a poem I wrote about canning and the watercolor Zumbrota artist Connie Ludwig created based on my poem. Oh, how I wish “Pantry Jewels” was hanging on my dining room wall.

Copyright 2012 Audrey Kletscher Helbling

 

Connecting, conversing and celebrating cultural diversity at Faribault festival August 28, 2012

This woman represents El Salvador during the International Festival Faribault on a drizzly Saturday. Flags suspended from the Central Park band shell in the background show the countries participating in the event.

DESCRIBING AN EVENT like International Festival Faribault within the confines of a blog post or two seems daunting. How do I adequately convey the essence of this fest celebrating the cultural diversity of my community?

You can view my first effort by clicking here and reading “Yearning for respect & equality, ‘no matter what color you are.’”

Now, as I scroll again through the many photos I took during the fest (when rain wasn’t drizzling upon my camera), I ponder which images to share, what words to pen.

Cultures connecting on the band shell stage between musical acts.

And “c” words—like color, connecting, communicating, conversation, coloring, candy, culture, care, colorful clothing—pop out at me as I view my photos.

I should perhaps add “confusing” to that list because I felt overwhelmed when trying to photograph the wood carvings from Somalia and Kenya peddled by Bashir Omar and Asher Ali.

A woman, without prompting, took this mask from the table manned by Bashir Omar and Asher Ali and asked me to photograph her.

Suddenly, it seemed, everyone wanted to pose for a picture. And I much prefer candid to set up shots. I obliged, though, because it seemed the easiest thing to do.

Lul Abdi shows off beautiful wood crafts from Kenya and Somalia.

Then Lul Abdi, who had grabbed a wooden platter and giraffe, and held them up for me to photograph, asked me to write in my blog that an election is coming up in Somalia and I should tell everyone to vote for whomever it is she supports. Bashir Omar translated my answer—I don’t write about international political issues.

While this back-and-forth translation was occurring, I felt befuddled because, when too much noise (in this instance lots of conversation going on around me and music in the background), is coming my way, my brain doesn’t process anything. That issue is related to the 70 percent hearing loss in my right ear.

Despite the difficulties, this muddle served as an aha moment. Imagine if I was Lul, struggling on a daily basis to understand those around me. Life would be challenging.

Busy artists at the kids’ activity table.

But sometimes we all speak the same language. And I saw, rather than heard, that on Saturday, at the festival, especially among the children. They sat side-by-side painting at the kids’ activity table, bounced side-by-side in the bouncy tent, stood side-by-side in line to take turns swinging at pinatas.

A little girl stands on the opposite side of the group of children waiting to swing at the pinata.

Differences in color and culture and language mattered not to these children. They shouldn’t matter to any of us. Therein lies the message I most want to communicate to you today and which was communicated so well via International Festival Faribault.

Happy children all focused on the same goal: breaking the pinata.

All around me, children and adults of all colors mingled.

The boy on the right was biking past Central Park and stopped to watch the activities at a distance.

The scramble for candy once one of three pinatas is broken.

AND HERE ARE SOME ADDITIONAL BONUS PHOTOS:

Masks displayed at the food vendor representing El Salvador.

Waiting at the bouncy tent.

A Mexican dish (help me out if you know, but I think tortillas) was wrapped in banana leaves. My husband and I tried this.

Conversation and connecting…, no other words necessary.

Necklaces and other jewelry from Kenya and/or Somalia and for sale at the festival.

Kids painted and colored, etc., elbow to elbow at the always busy kids’ activity table.

Some mischievous face painting was also part of the fun.

© Copyright 2012 Audrey Kletscher Helbling

 

Raising funds to preserve priceless paintings in Park Rapids August 27, 2012

BETWEEN NORTHWESTERN MINNESOTA and Chicago, you won’t find another art collection like the Gabor and Edith Nemeth Study Collection dating from the 15th to 19th centuries.

Now that “Old Masters” collection of 42 European paintings owned by the Nemeth Art Center in Park Rapids is in need of a permanent storage unit to preserve the valued art for future generations.

A campaign is currently underway to raise $1,200 for materials to construct a modular custom storage unit that will keep the paintings separated and vertical, thus preventing further damage. As of August 23, the NAC had raised $600 via an online campaign and direct contributions, according to NAC Executive Director Meredith Lynn.

Brian Stieler of the Minneapolis Institute of Arts has volunteered to design and build the storage structure. And representatives of the Midwest Art Conservation Center in Minneapolis have already been to Park Rapids to assess the collection and lay out plans for restoration.

“St. Jerome,” painted by a 17th century follower of Hendrik van Somer, and part of the collection.

About a third of the paintings require restoration, Lynn says, with several in such condition that they can no longer be exhibited. More than 30 of the pieces are continually on display (during the center’s open months from May – September) in the 1900 Victorian style brick courthouse turned art center which opened in 1977.

That was the year the historic and priceless collection of paintings, by students who studied well-known masters like Rembrandt, Rubens and Bosch, came to be owned by the then newly-established North Country Museum of Arts.

European born art restorer and dealer Gabor Nemeth, who came to the U.S. in the 1940s and worked thereafter primarily in Los Angeles, also maintained a home in the Park Rapids area (his primary residence now) and brought his collection to Minnesota in the mid 1970s.

After a three-day January 1977 exhibit of his collection in Park Rapids—a show which drew long lines of some 4,000 people total in the then town of 2,700, according to newspaper reports—Nemeth decided to offer the art to Park Rapids. Conjecture had long been that St. John’s University would be the recipient of the collection (for a reason unknown to Lynn; I asked).

In an article published in the May 2, 1977, issue of the Bemidji-based newspaper, The Pioneer, Nemeth is quoted: “There is really nothing up here as far as art goes. People will appreciate it (the collection) if they are given the chance to see it.”

“Adam and Eve,” a 17th century painting by a student of Cornelisz.

Clearly the people of Park Rapids realized the significance of Nemeth’s offer as 30 families borrowed $35,000 to purchase the paintings, a price “significantly less than the appraised value,” Lynn notes.

She won’t put a value on the paintings today other than to assess it’s “quite high.” Beyond the monetary value, the art center director calls the collection “historic and unique paintings with priceless cultural value.”

Speculation has existed that perhaps the masters themselves may have dipped their brushes into oil or tempera to work on paintings in the collection. The art center lays no official claim to that suggestion, although Lynn says, “…it’s possible that painters such as Rembrandt painted on several of the canvases that we own.”

The identities of whose who painted the pieces as part of a greater studio study setting are primarily lost to history, according to Lynn.

Many of the paintings were originally acquired for Lois Warschaw, an art collector and prominent political figure in Los Angeles, prior to ownership by Gabor Nemeth and his wife, Edith.

Today, as it always has, the Gabor and Edith Nemeth Study Collection centers the Nemeth Art Center, which opened in August 1977 after the Park Rapids community pulled together to purchase the paintings and remodel the courthouse into a center for the arts.

Says Lynn:

New visitors to the Nemeth Art Center are always pleasantly surprised by the beauty and historical relevance of our paintings. Park Rapids is a small town, but the arts community here is growing and hopefully our collection will help raise awareness of the town as an arts destination.

That’s exactly what Gabor Nemeth hoped for 35 years ago—that his collection of Old Masters paintings would draw tourists to this community in northwestern Minnesota. And it does. The collection includes works of biblical scenes like “Madonna and Child,” “Madonna of the Harpies,” “The Holy Family,” “Christ in the Garden of Gethsemane,” “Christ in the Wilderness,” and several genre paintings such as “Kitchen Scene” and “The Card Players.”

Today efforts also focus on preserving the collection via construction of the custom storage unit. With $600 more in contributions (as of August 23), the project can proceed.

But the art center’s goals go well beyond a storage fix. Options are under consideration to move into a handicapped accessible building with more consistent climate control. The center is also working on a seven-year plan to restore the study collection paintings.

Executive director Lynn summarizes the situation and needs:

The Nemeth Art Center is a unique institution, and this collection forms its backbone. Maintaining historic items is important and costly, and the NAC cannot provide the community with something so special without continued help.

“Portrait of a Noblewoman,” an 18th century painting by a follower of Rubens.

IF YOU’D LIKE to contribute to the storage unit fundraising effort, click here to reach the NAC storage unit project campaign on indiegogo.

Or visit the NAC website, by clicking here, for details and contact information.

To read a detailed history on The Gabor and Edith Nemeth Study Collection, click here to a presentation prepared by Steven R. Peterson with grant funding from the Region 2 Arts Council. Thanks to LouAnn Muhm, chairperson of the NAC Board of Directors, for directing me to this presentation, the source for some of the information cited in this post.

Special thanks to NAC Executive Director Meredith Lynn for answering my lengthy list of questions via email.

If you wish to view the Gabor and Edith Nemeth Study Collection, art center hours are from 10:30 a.m. – 4:30 p.m. Tuesday, Thursday and Saturday, May – September. Each month the NAC also features a curated exhibit of contemporary art in addition to pieces from its permanent collection.

Finally, check out the current “Rembrandt in America” exhibit now showing at the Minneapolis Institute of Arts by clicking here. Perhaps viewing that will inspire you to support efforts to preserve the priceless paintings in Park Rapids.

Images of paintings are courtesy of the Nemeth Art Center

 

Yearning for respect & equality, “no matter what color you are” August 26, 2012

I HAVE PHOTOGRAPHED them from a distance, their long skirts swaying as they walk across Central Park toward me.

Now the young women are standing before me and I am confused for a moment until Nasteho Farah tells me she wants to look her best and asks me to photograph them again.

Friends, Nimo Abdi, a sophomore at Faribault High School, left, and Nasteho Farah, a senior.

I agree as I already envision the portrait possibilities—the expressive brown eyes, the warm skin tone, the way Nimo Abdi leans toward her friend, her hijab brushing Nasteho’s cheek. They are beautiful young women and I take only one shot, knowing I’ve captured a memorable portrait.

I love this image of  a fest performer and her single audience member for the message it portrays– the one on one connection that helps us understand one another, no matter our culture or skin color.

These Faribault High School students are among those participating in the International Festival Faribault on Saturday, an event designed to connect cultures through music, arts and crafts, kids’ activities, international cuisine, education and, on a personal level, conversation.

That same little boy who was so intently focused on the musician performing in the band shell.

After I photograph the friends, we talk about their experiences living in Faribault. And what Nasteho shares with me so upsets me that I apologize to her for the utter disrespect shown to her and her friend, who stands silently listening.

The native of Kenya, a Faribault resident for five years and prior to that a resident of Rochester, Owatonna and Waseca, says she is criticized for the scarf she wears, for her culture, for her…

“They assume I’m a terrorist.”

Her words temporarily stun me and I can feel my jaw drop.

She doesn’t define “they” specifically, but says the insults, the prejudice, happens randomly—in school, in the streets, even at work.

A group of young Somali dancers perform on the band shell stage during the festival.

When I ask for examples, Nasteho mentions the middle-aged man who comes through the drive-through at McDonalds in Faribault where she works. He tells her she should stop wearing her head scarf. She’s talked to her manager about it and he’s been supportive. For now, she mostly tries to ignore the customer’s spiteful comments.

When she walks into other businesses, like the grocery store, she feels the stares. When driving, she’s been flipped off.

“There is no respect for Somalis,” Nasteho assesses.

Yet, she doesn’t seem visibly angry, choosing instead to speak up or to take the position that those who choose to attack her or her culture do not know her or understand her.

I admire Nasteho’s positive attitude. She tells me she didn’t experience prejudice living in Rochester—a larger and more diverse community—but that it’s been much harder in a smaller town like Faribault. She was too young to remember what life was like in Owatonna or Waseca.

Faribault High School seniors Shukri Aden, left, and Khadra Muhumed.

Faribault High School students Shukri Aden and Khadra Muhumed, who are volunteering with STOPS, Students Together Offering Peer Support, at the International Festival, have also been subjected to hurtful comments from those who tell them to go back to their own country or that they smell.

“I try to talk to them,” says Shukri, who has lived in Faribault for seven years, since she came to the U.S. at age 12.

She wants everyone “to be equal no matter what color you are…to get to know each other.”

Lul Abdi shows off beautiful wood crafts from Kenya and Somalia for sale at the fest.

And this FHS senior has dreams—of going to college to become a nurse and then returning to Somali to help those in need.

On this Saturday, at this International Festival, the words of these young Somali women evoke mixed emotions within me. I am saddened by those in my community who fail to see beyond the scarves, the culture, the skin color, the language.

Mother and daughter check out the artwork from Kenya and Somalia.

These women are not terrorists. They are someone’s daughters. They are high school students. They live here, work here, shop here, worship here.

Despite the clear prejudice which angers me, I feel hope. These young women possess a maturity and poise beyond their teenage years. They yearn for understanding, for respect, for the personal connections that define them as individuals.

And on this Saturday afternoon they are trying, through their volunteerism at the International Festival Faribault, to, as Nasteho says, “bring everybody together.”

A mother’s love and care, the same in any language, any culture, any skin color.

CHECK BACK FOR A FUTURE post with photos from the seventh annual International Festival Faribault. Thank you to the organizers and participants in this festival who are trying to connect cultures, to make Faribault a better place to live, no matter your culture, skin color or country of origin.

© Copyright 2012 Audrey Kletscher Helbling

 

Gathering with my in-laws, and a few out-laws August 25, 2012

Filed under: Uncategorized — Audrey Kletscher Helbling @ 8:16 AM
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MY HUSBAND AND I recently traveled to Santiago. Not Chile. Minnesota.

There we gathered on a 2 ½-acre parcel of land in Sherburne County northeast of Becker to reconnect with family for what will become an annual summer reunion of the Tom and Betty Helbling family.

The rural Buckman home where my husband grew up after his family moved from St. Anthony, N. D. The farm place was sold after Randy’s mother died and his father remarried. We drove past the home place en route to the reunion last Saturday. It’s changed with the house resided, the barn roof sagging.

Betty, my husband’s mother, died nearly 19 years ago at the age of 59. And, as anyone who has lost a mother too early in life knows, maintaining family ties after that takes extra effort.

Thanks mostly to Randy’s sisters, his family (seven remaining siblings and their families and his dad and stepmother) has continued to gather each Christmas as able.

My eldest daughter, Amber, and great niece, Meghan. Some family members slept in tents, others inside the house and yet others were close enough to drive home and return the next morning.  Three extended family members also traveled from Center City, North Dakota, for the reunion.

But, as years passed and nieces and nephews married and had children, the family has reached a size where we can no longer all fit under one roof on a snowy Minnesota holiday. Thus the shift was made, just this year, to a summer reunion.

It’s a good change—no more worrying about snowstorms or icy roads—which should allow others, besides those with big enough houses, to host the reunion. Randy and I will take our turn eventually, but perhaps not for awhile as the reunion likely will fall on the same date as the son’s college move-in, like it did this year. And activities and noise will be more limited by our location on a small lot in a small city with neighbors right next door.

My brother-in-law, Jerry (in his out-law t-shirt), and my nephew’s wife, Heidi, tossed bean bags after supper.

Niece Kristina and Corey hosted this year’s gathering on a picture perfect Saturday, except for evening rainfall which forced us into the garage. But there were no complaints about the much-needed moisture.

My brother-in-law, Roger, is a the target for balls aimed by his granddaughter, Kiera.

My brother-in-law, Marty, took a spin on the bike and wiped out before I ran in the house and grabbed my camera.

Instead, there was laughter and reminiscing; plenty of smart talk; memories shared and made; quick zips around the yard on a mini motorcycle; bean bag tossing; ball throwing to the dogs and at grandpa; LEGO building; and cuddling the newest family member, three-week-old Kate.

And then the announcement: We’ll gain more family members in 2013 with the expected birth of two babies, plus the baby due in November of this year.

My niece, Jocelyn, with her three-week-old daughter Kate, the newest member of the Helbling family.

My mother-in-law Betty would be happy, oh, so happy to know her family is still growing and still gathering.

So sad to see the barn caving in on the former Helbling farm south of Buckman.

I have many wonderful memories of family gatherings at the Helbling home place.

© Copyright 2012 Audrey Kletscher Helbling

 

Faribault Festival offers opportunity to bridge differences & connect August 23, 2012

Filed under: Uncategorized — Audrey Kletscher Helbling @ 7:15 AM
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TODAY I’D LIKE TO EXTEND an invitation to you. Pull out your calendars right now and add this event to your schedule: International Festival Faribault, 10 a.m. – 4 p.m. on Saturday, August 25, Central Park.

Several Latinos lead in singing of Mexico’s national anthem last September during the International Festival Faribault at Faribault’s Central Park. The flags strung across the band shell represent the countries featured at the fest. This weekend’s celebration marks the seventh such international fest in Faribault.

There. Done. Right?

The scramble for candy after the pinata is broken at last year’s festival. Kids of all races participated with no concern for skin color or cultural differences. So refreshing to see.

Served at the 2011 fest: Guatemalan chuchitos– chicken, corn and salsa wrapped in a corn husk. You’ll find vendors offering a variety of authentic international foods.

OK, why do I think it’s important for you to attend this festival which features multicultural entertainment, arts and crafts vendors, authentic international cuisine, kids’ activities, a silent auction and more?

Simple. We as a community need to meet each other, to connect on a personal level, to understand each other if we are ever to overcome the very obvious cultural differences which divide us.

I met then 16-year-old Riyaam, an Owatonna High School student, at last year’s festival. She spoke openly about the prejudice at OHS and a white student’s single comment, “Somalis don’t belong here,” which led to racial clashes and tension. OHS has since instituted a policy of “you fight, you’re out.” It broke my heart to listen to Riyaam.

You know what I’m talking about, the differences in skin color and language, in culture and in dress.

There’s way too much suspicion and mistrust, cautiousness and prejudice toward the minorities living and working in Faribault. I’ve heard the derogatory comments about the Somali men who hang out on downtown street corners, the Hispanics who commit all the crimes, the immigrants who take away our jobs, the people who don’t speak English.

Seriously, these Somali men live downtown and the sidewalk is their yard.

“Mexicans,” and I’ve heard that word spit out of too many mean mouths, do not commit all the crimes in our community. Do you know any Hispanics personally? I do. They are probably the most family-oriented individuals I’ve ever met and we could learn a lot from them about the importance they place on loving and caring for one another.

And about those Somalis and/or Sudanese who supposedly steal our jobs—I expect most of us would not want to work the factory jobs they work. I mean no offense to the places which employ them, like the local turkey plant. But if we are honest with ourselves, we’ll admit that we likely never would work at these physically-demanding and not always pleasant jobs.

As for speaking English, have you, as an adult, tried learning a new language? Now attempt learning a new language in a foreign country. Not so easy. Think back to a few generations before you. I bet your great grandparents didn’t speak English. Even my own mother’s first language was German, not English.

The other evening while shopping at a local Big Box retailer, I witnessed how difficult it was for a Hispanic woman to communicate due to her limited English. I almost got on my cell phone to call my second daughter who works as a Spanish medical interpreter in eastern Wisconsin to ask her to interpret.

Did you know that, according to the 2010 U.S. Census, 17.4 percent of Faribault’s 23,352 residents have a language other than English spoken at home? Stats show 9.4 percent of our city’s residents are foreign-born.

Vendors, like Riyaam, peddled their wares at the 2011 festival.

Instead of criticizing those who speak and dress and live differently than the majority of us, let’s begin to understand them. Mostly, I think, our misconceptions, our prejudices, are based on fear. We fear what we don’t understand.

A young girl’s henna stained foot, photographed at the 2011 fest.

International Festival Faribault offers a common, public ground—a city park—on which to meet the minority individuals who call our community home. They are here to stay. Let’s get to know them. Engage in conversation. Show them you care, that you’re genuinely interested in learning more about them and their cultures. Once you’ve connected on a personal level, you will begin to view them as individuals and not by the color of their skin, the clothing they wear, the language they speak…

Xafsa, age 5, photographed at the 2011 festival.

FYI: Click here to link to the International Festival Faribault website.

While this post is directed specifically at the residents of my community, its content can apply to many communities. You’re all invited to Faribault for International Festival Faribault, no matter your community or country of origin. And just to be clear, many Faribault residents and organizations embrace the minorities who call our southeastern Minnesota city home. I in no way intend to mislead you into thinking we are all a bunch of bigots living here. However, neither am I going to hide the fact that obvious prejudices exist and are very much a concern in Faribault.

Click here to link to the post I wrote about last year’s International Festival Faribault.

© Copyright 2012 Audrey Kletscher Helbling