SEVERAL YEARS AGO, in a holiday funk, I opted to minimize my decorating. I’d get a Christmas tree and maybe set out a few other festive items. Mostly, though, I didn’t care. And I figured no one else would care either.
How wrong that assumption.
The Nativity set handcrafted by my maternal grandfather.
When the grown kids returned home for Christmas, they noticed the absence of the Nativity scene handcrafted by their great grandpa. It went up every year during their childhoods. Tradition, so it seems, holds value based on the protests of my offspring.
I never made the mistake again. The barn sawed, nailed and painted by my grandfather and the plaster of Paris baby Jesus, his parents and ensemble always go on display now. They should, given the reason for Christmas.
A holiday banner flags a light post next to the Paradise Center for the Arts.
The memory of that faux pas surfaced when I stopped recently at the Paradise Center for the Arts in historic downtown Faribault. I wanted to see the current (through December 22) gallery exhibit, Kathleen Putrah’s Creche Exhibition.
The show features samples from the rural Faribault woman’s 150 Nativity sets collected around the world.
Additionally, a Christmas tree holds some 700 ornaments accumulated by Putrah.
It’s an impressive collection, especially the uniqueness of some pieces. Never before have I seen the Holy Family portrayed as apes, an interpretation I found odd.
A painting by Adele Beals presents the traditional interpretation of the Nativity.
I’m more of a traditionalist.
But that’s the thing about art. It opens the doors to creative interpretation, both to the artist and to the art appreciator.
FYI: The Paradise Center for the Arts, 321 Central Avenue North, is open from noon to 5 p.m. Tuesday – Saturday and until 8 p.m. Thursdays. The creche exhibit runs through December 22.
© Copyright 2017 Audrey Kletscher Helbling