Minnesota Prairie Roots

Writing and photography by Audrey Kletscher Helbling

A new series: Minnesota faces January 2, 2015

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DURING MORE THAN FIVE YEARS of blogging, I’ve photographed many a Minnesotan. Young and old. And in between.

From my cousin’s young daughter passing a tray of chocolates at a 50th anniversary party to a woman sitting under an old-fashioned hair dryer at a West Concord beauty salon to our newest immigrants celebrating their heritage at Faribault’s International Festival, I’ve photographed a wide range of subjects.

Some of the images are posed portraits, others snapshot style.

Each photo tells a story— through lines etched into a face, in the tilt of the head, the look in an eye or perhaps the way hands fold. Or a smile. Or not.

Light and setting add to the story. Sometimes the environment tells as much, if not more, than the face.

I’m not a professional portrait photographer. It’s just me and my Canon DSLR. No fancy lighting. No anything except the camera lens between me and my subject.

To photograph these individuals has been an honor. Truly. I delight in showcasing the people, places and events of rural Minnesota, where I’ve lived my entire life.

Beginning today, and every Friday until I run out of images, I will pull a portrait from my files and show you a face. The face of a Minnesotan.

And because I appreciate the timeless beauty of black-and-white photos, those portraits will be void of color.

Words will be sparse. Instead, I want you to focus on the image. The faces that tell the stories.

 

PORTRAIT #1: Dan, who claims Folgers is the best. 

 

Dan Tersteeg, Fourth Ave. Christmas dinner 2012

 

 

Dan Tersteeg tends the coffee at the annual Community Christmas Dinner at Fourth Avenue United Methodist Church in Faribault. I shot this portrait two years ago in the church basement. But I could have taken it this past December as Dan was in the same spot overseeing the coffee. Dan told me in 2012 that he always uses Folgers because it works best with Faribault’s water. I believe him. Who am I to question the guy in charge of the coffee?

© Copyright 2015 Audrey Kletscher Helbling

 

Back side of a business December 22, 2014

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TYPICALLY, I NOTICE the fronts of businesses. Not the backs. We all do because that’s the side we’re supposed to see, right?

But I’ve started noticing the behinds. The back sides. The alleys. What I discover can range from intriguing to ugly to interesting and more.

Last week I photographed this loading dock at Farmer Seed and Nursery, an historic building along Minnesota State Highway 60/Fourth Street in the heart of Faribault:

 

Farmer Seed and Nursery back loading dock

 

You likely won’t notice this back view while passing by along Minnesota State Highway 60/Fourth Street, the arterial road that runs straight through my Minnesota community. But if you pull into the rear parking lot, you’ll see it.

I can’t pinpoint precisely why this scene appeals to me. But a combination of muted tones and simple signage and that yellow caution strip pull me in. And then, to the right, the discarded Christmas tree boughs make me want to dash up those aged wooden steps and grab those evergreen branches for a holiday wreath.

How does this scene speak to you? Do you notice the backs of businesses? What have you seen?

Should businesses care about their back views?

Copyright 2014 Audrey Kletscher Helbling

 

 

 

 

Moody St. Paul December 12, 2014

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GREY DRIFTED OVER THE CITY, layering an eerie mood over downtown St. Paul on a late November Saturday afternoon.

 

St. Paul skyline 1

 

The temp had warmed to hurry from your car to building without a coat warmth as my husband, eldest daughter, son-in-law and I exited the Minnesota History Center.

 

St. Paul skyline 2

 

As we aimed toward the parking lot facing the St. Paul skyline, double church spires drew my eye. So did the red umbrella marking Travelers Insurance. And because I do not know this city well, I could not identify the other buildings in my view except Catholic Charities, marked as such.

 

St. Paul skyline 3

 

But that mattered not, for in that moment angles and fog and mood mingled into a scene worth photographing.

The writer in me was already formulating the plot for a Capitol city mystery, inspired perhaps by the Nancy Drew board game spied inside the History Center.

© Copyright 2014 Audrey Kletscher Helbling

 

My winning Americana photo December 8, 2014

AS A PHOTOGRAPHER, you know when you’ve snapped a photo that tells a story, that freezes a moment, that captures an emotion. Light and composition and focus also factor into the equation of a memorable image.

The bingo callers. My first place winning photo.

The BINGO callers. My first place winning photo.

Such was my reaction to photographing John and Lavonne, BINGO callers at the 2013 July Fourth celebration in North Morristown. Many of my images from that day make me proud of my work as a photographer.

Through my photography, I strive to show the everyday and celebratory moments of life—the people, places and happenings that define my world in Southern Minnesota.

And North Morristown on the Fourth of July is about as rural and down-to-earth as you get in these parts. So when I saw this couple calling BINGO, I determined to photograph the scene. They appeared to not even notice me and my camera, so focused were they on their job.

That’s precisely how I like it, to go unnoticed, to click the shutter button and document.

Professional photographers John Hart and Amber Arnold from the Wisconsin State Journal saw, too, what I see in that “Fourth of July BINGO Callers” image. They selected it as the first place winner in the People category of the 2014 photo contest sponsored by National Mutual Benefit.

The judges commented:

This photo has a timeless quality and is a candid, natural moment. It’s a slice of Americana.

I couldn’t have said it better.

My trusty fifth eye, my Canon EOS 20D.

Me and my Canon EOS 20D. Minnesota Prairie Roots file photo.

As a photographer, I am delighted to receive this professional validation of my work with a monetary prize and publication.

This is the second time I’ve won in the National Mutual Benefit Photo Contest. My last win came in 2003 when I photographed a butterfly on a daisy, garnering first place in the scenery division. That was back in the day when I was still shooting with film. I’ve only entered the competition a few times.

What do you think makes a winning or really good photo?

FYI: To view all of the winning photos and judges’ comments, click here. None of the contest images could be digitally altered.

© Copyright 2014 Audrey Kletscher Helbling

 

Traffic safety, Wisconsin style December 3, 2014

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TYPICALLY, I SHOOT hundreds of images on a 600-mile round trip from Faribault, MN., to Appleton, WI., to visit our daughter.

But not this time.

Winter wedged her way onto the van windows Thanksgiving Day and Black Friday. Frost, road spray and rain that froze onto the windshield diminished my photo numbers to 27 frames. Darn winter.

The trip, especially along Wisconsin State Highway 21 through towns like Arkdale and Redgranite and Wautoma and countless other “you gotta slow down” places, seems shorter when I can photograph the world unfolding before me.

Along a portion of 21, I noticed the snow frosting the landscape. It was quite beautiful really.

And when my husband and I reached the intersection of Wisconsin highways 21 and 13 west of Coloma, we noticed this:

Eastbound on Wisconsin State Highway 21 on Thanksgiving morning.

Eastbound on Wisconsin State Highway 21 on Thanksgiving morning.

Yup, some driver or passenger had taken the time to swipe snow from a stop sign.

© Copyright 2014 Audrey Kletscher Helbling

 

On the road metro Minnesota photography November 25, 2014

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I’M NO FAN OF METRO TRAFFIC. But then who is, I suppose?

A view of downtown Minneapolis on a foggy Saturday from Interstate 35.

A view of downtown Minneapolis on a foggy Saturday afternoon from Interstate 35.

I try to make the best of it, though, to focus on details of my surroundings rather than on the crazy drivers weaving in and out of traffic or the tailgater or the road construction or the sudden flash of brake lights.

As you can tell from that second paragraph, my attempts at distracting myself are not all that effective.

My primary distraction tool is my camera, typically at the ready to photograph whatever unfolds before me from the front passenger seat.

Why are the interstates around downtown Minneapolis so curvy?

Why are the interstates around downtown Minneapolis so curvy?

On Saturday, while traveling Interstate 35 into Minneapolis, I missed two photo ops because my Canon DSLR sat at my feet, zippered inside the camera bag. What was I thinking?

After my husband noticed a dog with his head hanging out a truck window (why do dogs do that?) and after I spotted a woman texting while driving, I snatched my camera from the bag. I wasn’t about to miss more such photo opportunities.

One of the few scenes I shot while traveling Interstate 35 into Minneapolis.

One of the few scenes I shot while traveling Interstate 35 into Minneapolis.

As Red Wing, Minnesota photo blogger Dan Traun advises, “You always have to be ready.” And Dan is. Among his photographic specialties are shooting streetscapes and everyday slices of mostly metropolitan Minnesota life. He’s good, no great, at what he does. His timing is uncanny as is his ability to notice a scene worth documenting. Most shots are taken from his vehicle.

Approaching yet another curve, this one under a railroad overpass.

Approaching yet another curve, this one under a railroad overpass.

Dan shows you buildings and everyday life and streets and alleys and all those subjects folks see daily, but perhaps don’t notice like they should.

We should all slow down and appreciate life. Even those crazy drivers in the metro.

PLEASE CHECK BACK to see the craziest subject I photographed along Interstate 35.

© Copyright 2014 Audrey Kletscher Helbling

 

A photographic journey through rural western Wisconsin November 5, 2014

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Rural, red barn, bin and field

 

SHADOWS AND CURVES AND LIGHT.

 

Rural, round bales

Sky.

Rural, harvested cornfield

Land.

Rural, white barn and silos

Farm buildings.

All draw my eyes to the landscape, my hand to the camera, eye to the viewfinder, finger to shutter button.

 

Rural, red barn and Harvestores

 

Flash of color: A red barn.

 

Rural, red barn, fields and grey sheds

 

Rural scenes unfold before me on this drive through western Wisconsin, from Nelson north to St. Croix Falls in early October.

 

Rural, red barn and lone cow

 

I am linked to the land by my past, daughter of a southwestern Minnesota crop and dairy farmer. Even after 40 years away from the farm, fields and farm sites hold my heart more than any grid of city blocks or cluster of homes or urban anything.

If I could, I would live in the country again, close to the scent of dried corn stalks and fertile black soil.

 

Rural, house by trees

 

I would live under a sky that overwhelms, inside a white farmhouse with a welcoming front porch. That was always my dream.

But dreams cost money. Instead, I have lived in an old house along an arterial street in a town of some 23,000 for 30 years. I am grateful to have a house, to live in a community I love among dear friends.

 

Rural, country church and cemetery

 

Still, a part of my soul yearns, aches for the land I left.

© Copyright 2014 Audrey Kletscher Helbling

 

A photo essay: Autumn at River Bend October 20, 2014

A trail through the woods at River Bend Nature Center, Faribault.

A trail through the woods at River Bend Nature Center, Faribault.

IT IS IMPOSSIBLE, I’ve determined, to fast walk my way through a park or nature center, camera slung around neck or over shoulder. Impossible.

A slower pace allows one to notice the individual trees in the woods.

A slower pace allows one to notice the individual trees in the woods.

I cannot hurry, even with the goal to raise heart rate and burn calories. My desire and need to notice details, to take in and often photograph my surroundings, overrides.

Rudi, one friendly collie who cooperated for one photo.

Rudi, one friendly collie who cooperated for one photo.

On a recent Sunday afternoon walk at River Bend Nature Center in Faribault, I tried, oh, I tried, to step it up. But then Rudi appeared and I just had to pet and photograph this friendly collie. The thing is, I’m not a big dog lover. Typically, I’ll skirt a canine. But not this one who reminded me of Lassie.

A group of goats are grazing on Buckthorn at River Bend.

A group of goats graze on Buckthorn at River Bend.

Rudi proved to be distraction number two after I observed penned goats attacking invasive Buckthorn (more on that in a future post).

Oak leaves

Oak leaves

More oak leaves

More oak leaves

And still more

And still more oak leaves

My husband and I fast-paced for awhile before my eyes focused on patches of oak leaves in burnished shades of orange and red. I veered slightly off the tarred path for close-up images.

So many folks were walking the trails on a gorgeous autumn afternoon in southeastern Minnesota.

So many folks were walking the trails on a gorgeous autumn afternoon in southeastern Minnesota.

My husband claims this is a fossil in rock.

My husband claims this is a fossil in rock.

Rustic signs mark River Bend trails.

Rustic signs mark River Bend trails.

A burst of brilliant red berries caught my eyes.

A burst of brilliant red berries caught my eyes.

Even dried swamp grass possesses a certain beauty.

Even dried swamp grass possesses a certain beauty.

Even a dried milkweed pod does not go unnoticed.

A dried milkweed pod does not go unnoticed.

A single leaf is worthy of notice for its mottled beauty.

A single leaf is worthy of notice for its mottled beauty.

And so the distractions continued—fossil embedded in rock, leaves, tree trunks, contrast of colors and light, a quick chat with another couple, milkweed and signs and berries and dried swamp grasses.

A treeline showcases the changing colors of autumn.

A treeline showcases the changing colors of autumn at River Bend.

Everywhere, nature drew me to a halt.

Fallen trees and branches litter the woods.

Fallen trees and branches appear as nature’s art in my photographic mind.

And that’s alright. Sometimes life calls for a slow pace. An eye that sees a single leaf in the woods. An ear that hears the crunch of leaves underfoot. A nose that smells the earthy scent of autumn. A hand that feels the rugged bark of a fallen tree.

(These images were shot on October 12. One week later, River Bend’s woods had changed considerably with most trees bare of leaves. My husband reminded me that autumn can transition quickly in Minnesota.)

© Copyright 2014 Audrey Kletscher Helbling

 

Season of harvest in southeastern Minnesota, a photo essay October 13, 2014

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Rural Rice County, Minnesota, west of Faribault.

Rural Rice County, west of Faribault.

ACRE UPON ACRE OF CORN unfolds in the mixed sunshine and grey skies of an October afternoon in southeastern Minnesota.

East of Morristown, Minnesota, along Rice County Road 15.

Harvest underway east of Morristown, along Rice County Road 15.

It is the season of harvest.

Just west of North Morristown, Minnesota.

Just west of North Morristown.

Cornfields roll into soybean fields, some harvested, some not.

Semis await the harvest in southeastern LeSueur County.

Semis await the harvest in southeastern LeSueur County.

Harvesting just south of Faribault off Rice County Road 45.

Harvesting just south of Faribault off Rice County Road 45.

A semi ready to be filled with corn.

A semi ready to be filled with soybeans.

Trucks and tractors and combines labor or await the farmers who will toil day into dark to reap that which they’ve planted and tended and watched until now.

Bins likely have been emptied for the new crop.

Bins likely have been emptied for the new crop.

Corn fills a wagon at a farm site east of Morristown along Rice County Road 15.

Corn fills a wagon at a farm site east of Morristown along Rice County Road 15.

More bins to bank the harvest.

More bins to bank the harvest.

Corn brims wagons like a stash of gold, banks of bins or the local grain elevator ready for harvest delivery.

In rural Rice County, a wagon at the harvest ready.

In rural Rice County, a wagon at the harvest ready.

This is the season the farmer awaits.

Waiting...

Waiting…

This October, this harvest time.

© Copyright 2014 Audrey Kletscher Helbling

 

One definition of rural art September 3, 2014

WHEN YOU THINK ART, you likely think of a studio artist creating a work of art via paint or ink or some other media.

 

Dan and Pam Larson of Rice, Minnesota, craft these gigantic crayons from poplar wood. For the past six years, the couple has traveled to flea markets around the country peddling their popular crayons. They make 20,000 - 25,000 of these crayons annually.

Dan and Pam Larson of Rice, Minnesota, (their home in the warm months) craft these gigantic crayons from poplar wood and three crayons per crayon. For the past six years, the couple has traveled to flea markets around the country peddling their popular crayons. Last weekend they were at a flea market in rural Dundas. They make 20,000 – 25,000 of these crayons annually. I consider their rustic crayons to be works of art as much as tools of art.

 

But I think beyond the expected.

 

Art, Massey F emblem

 

I also see art in other places, like on the front end of a tractor. Emblems, while identifying a tractor brand, are also art. Rural art.

Here’s some rural art I photographed at the recent Rice County Steam & Gas Engines Show in rural Dundas, Minnesota:

 

Art, cupola

 

Art, John Deere emblem

 

Art, IH emblem and grill

 

Art, NFO sign

 

Art, IH

 

Art, Minneapolis Moline

 

Art, Ferguson

 

Art, Farmall homemade sign

 

Art, John Deere pick-up

 

 

Art, overall flea market finds

 

 

Art, milk shake sign

© Copyright 2014 Audrey Kletscher Helbling