Minnesota Prairie Roots

Writing and photography by Audrey Kletscher Helbling

The Peach Project August 29, 2012

I GREW UP WITH DIRT under my fingernails, banishing weeds from the garden and then, later, harvesting and preparing veggies to eat fresh or preserve.

My mom canned some, froze some, storing away freezer boxes plump with green beans and beets, corn and other vegetables.

She also preserved fruit in quart jars, with the assistance of us kids, for the long Minnesota winter ahead. Applesauce and cherries. Peaches and pears.

A juicy Colorado peach, from which I must remove the skin because I can’t tolerate the fuzz (feels like a cotton ball) in my mouth.

And then, on a brisk winter evening, when Dad was about to come in for supper after finishing barn chores, she would lift the trap door in the kitchen and send one of us clomping down the creaky, rugged wooden steps to the dirt-floored cellar for a jar of sauce. Dessert. I would tug on the frayed cotton string to switch on the single bare light bulb. Then I would tiptoe reach for a jar of my favorite cherries or peaches.

We got a single box of freshly-picked Colorado peaches. When I was growing up, the peaches came in a wood-slat box that was nailed shut. Each peach was wrapped in tissue paper, which we recycled for use in the outhouse.

Those were my thoughts on Saturday when my husband and I picked up a 20-pound crate of peaches I’d ordered several weeks ago through the Cathedral Community Cafe, a Faribault soup kitchen which every Tuesday offers a free meal to those in need and/or seeking fellowship.

It is a worthy cause with some 9,000 dinners served in 2011 and averaging 150 a week this year. The effort involves about 140 volunteers, 12 churches and four teams of workers.

The Community Cathedral Cafe and First English Lutheran youth pre-sold 260 boxes of peaches and ordered an additional 60 to sell to walk-in customers. The peach project has been an ongoing fundraiser for around five years for the cafe and First English youth. About 50 boxes already had been picked up when I photographed this scene.

But like any such organization, the cafe needs money to keep going. The peach project will channel funds into the cafe’s coffers and I’m happy to support the fundraiser by purchasing a $30 crate of fresh Colorado peaches.

A sign outside the Cathedral Guild House directs customers to the peach pick-up point.

Now, what to do with all those fresh peaches. Thus far I’ve eaten many straight from the box. One evening I blended a peach and vanilla ice cream into a smooth shake. This morning I sliced one into my oatmeal. And I’ve also used thinly-sliced peaches to make a ham and peach panini.

I found the adapted sandwich recipe on Sue Ready’s blog and then tweaked it a bit.

Ham and Peach Panini

2 bread slices

deli ham

1 slice provolone cheese

1 thinly-sliced peach

1/2 teaspoon honey

Djon or spicy brown mustard

chopped fresh basil

Spread mustard and 1/2 teaspoon honey on one bread slice. Top with ham, cheese and thin peach slices. Top with chopped basil. Place other piece of bread on top and brush lightly with olive oil. Also brush other bread slice with oil. Grill in frying pan until golden brown, flip and grill other side.

Love, love, love this sandwich. My husband not so much. But he’s more an ordinary sandwich guy and I really had to persuade him to even take a bite.

Now, I expect when I bake a peach crisp or a peach cheesecake later this week, he won’t hesitate to scoop up a sizable helping.

Tyler Welander, 14, who’s raising monies for youth activities at First English, delivers boxes of peaches to vehicles. I suggested to the peach sellers that perhaps they could bake the pies, too, for me to pick up. But one man said, “Oh, that would be down the street at Trinity.” And he would be right. The Trinity Piemakers are currently selling fresh peach, among other, pies.  And since I attend Trinity, I can vouch for the delicious goodness of Trinity pies.

An elderly couple from Farmington ordered nine crates of peaches, seven of which they will deliver to friends.

WHAT’S YOUR FAVORITE peach recipe and what’s the best way to freeze peaches? I’d like to hear.

Click here to reach the website of the Cathedral of Our Merciful Saviour in Faribault, home to the community cafe.

Also, please click here to read a post which features a poem I wrote about canning and the watercolor Zumbrota artist Connie Ludwig created based on my poem. Oh, how I wish “Pantry Jewels” was hanging on my dining room wall.

Copyright 2012 Audrey Kletscher Helbling

 

Connecting, conversing and celebrating cultural diversity at Faribault festival August 28, 2012

This woman represents El Salvador during the International Festival Faribault on a drizzly Saturday. Flags suspended from the Central Park band shell in the background show the countries participating in the event.

DESCRIBING AN EVENT like International Festival Faribault within the confines of a blog post or two seems daunting. How do I adequately convey the essence of this fest celebrating the cultural diversity of my community?

You can view my first effort by clicking here and reading “Yearning for respect & equality, ‘no matter what color you are.’”

Now, as I scroll again through the many photos I took during the fest (when rain wasn’t drizzling upon my camera), I ponder which images to share, what words to pen.

Cultures connecting on the band shell stage between musical acts.

And “c” words—like color, connecting, communicating, conversation, coloring, candy, culture, care, colorful clothing—pop out at me as I view my photos.

I should perhaps add “confusing” to that list because I felt overwhelmed when trying to photograph the wood carvings from Somalia and Kenya peddled by Bashir Omar and Asher Ali.

A woman, without prompting, took this mask from the table manned by Bashir Omar and Asher Ali and asked me to photograph her.

Suddenly, it seemed, everyone wanted to pose for a picture. And I much prefer candid to set up shots. I obliged, though, because it seemed the easiest thing to do.

Lul Abdi shows off beautiful wood crafts from Kenya and Somalia.

Then Lul Abdi, who had grabbed a wooden platter and giraffe, and held them up for me to photograph, asked me to write in my blog that an election is coming up in Somalia and I should tell everyone to vote for whomever it is she supports. Bashir Omar translated my answer—I don’t write about international political issues.

While this back-and-forth translation was occurring, I felt befuddled because, when too much noise (in this instance lots of conversation going on around me and music in the background), is coming my way, my brain doesn’t process anything. That issue is related to the 70 percent hearing loss in my right ear.

Despite the difficulties, this muddle served as an aha moment. Imagine if I was Lul, struggling on a daily basis to understand those around me. Life would be challenging.

Busy artists at the kids’ activity table.

But sometimes we all speak the same language. And I saw, rather than heard, that on Saturday, at the festival, especially among the children. They sat side-by-side painting at the kids’ activity table, bounced side-by-side in the bouncy tent, stood side-by-side in line to take turns swinging at pinatas.

A little girl stands on the opposite side of the group of children waiting to swing at the pinata.

Differences in color and culture and language mattered not to these children. They shouldn’t matter to any of us. Therein lies the message I most want to communicate to you today and which was communicated so well via International Festival Faribault.

Happy children all focused on the same goal: breaking the pinata.

All around me, children and adults of all colors mingled.

The boy on the right was biking past Central Park and stopped to watch the activities at a distance.

The scramble for candy once one of three pinatas is broken.

AND HERE ARE SOME ADDITIONAL BONUS PHOTOS:

Masks displayed at the food vendor representing El Salvador.

Waiting at the bouncy tent.

A Mexican dish (help me out if you know, but I think tortillas) was wrapped in banana leaves. My husband and I tried this.

Conversation and connecting…, no other words necessary.

Necklaces and other jewelry from Kenya and/or Somalia and for sale at the festival.

Kids painted and colored, etc., elbow to elbow at the always busy kids’ activity table.

Some mischievous face painting was also part of the fun.

© Copyright 2012 Audrey Kletscher Helbling

 

Yearning for respect & equality, “no matter what color you are” August 26, 2012

I HAVE PHOTOGRAPHED them from a distance, their long skirts swaying as they walk across Central Park toward me.

Now the young women are standing before me and I am confused for a moment until Nasteho Farah tells me she wants to look her best and asks me to photograph them again.

Friends, Nimo Abdi, a sophomore at Faribault High School, left, and Nasteho Farah, a senior.

I agree as I already envision the portrait possibilities—the expressive brown eyes, the warm skin tone, the way Nimo Abdi leans toward her friend, her hijab brushing Nasteho’s cheek. They are beautiful young women and I take only one shot, knowing I’ve captured a memorable portrait.

I love this image of  a fest performer and her single audience member for the message it portrays– the one on one connection that helps us understand one another, no matter our culture or skin color.

These Faribault High School students are among those participating in the International Festival Faribault on Saturday, an event designed to connect cultures through music, arts and crafts, kids’ activities, international cuisine, education and, on a personal level, conversation.

That same little boy who was so intently focused on the musician performing in the band shell.

After I photograph the friends, we talk about their experiences living in Faribault. And what Nasteho shares with me so upsets me that I apologize to her for the utter disrespect shown to her and her friend, who stands silently listening.

The native of Kenya, a Faribault resident for five years and prior to that a resident of Rochester, Owatonna and Waseca, says she is criticized for the scarf she wears, for her culture, for her…

“They assume I’m a terrorist.”

Her words temporarily stun me and I can feel my jaw drop.

She doesn’t define “they” specifically, but says the insults, the prejudice, happens randomly—in school, in the streets, even at work.

A group of young Somali dancers perform on the band shell stage during the festival.

When I ask for examples, Nasteho mentions the middle-aged man who comes through the drive-through at McDonalds in Faribault where she works. He tells her she should stop wearing her head scarf. She’s talked to her manager about it and he’s been supportive. For now, she mostly tries to ignore the customer’s spiteful comments.

When she walks into other businesses, like the grocery store, she feels the stares. When driving, she’s been flipped off.

“There is no respect for Somalis,” Nasteho assesses.

Yet, she doesn’t seem visibly angry, choosing instead to speak up or to take the position that those who choose to attack her or her culture do not know her or understand her.

I admire Nasteho’s positive attitude. She tells me she didn’t experience prejudice living in Rochester—a larger and more diverse community—but that it’s been much harder in a smaller town like Faribault. She was too young to remember what life was like in Owatonna or Waseca.

Faribault High School seniors Shukri Aden, left, and Khadra Muhumed.

Faribault High School students Shukri Aden and Khadra Muhumed, who are volunteering with STOPS, Students Together Offering Peer Support, at the International Festival, have also been subjected to hurtful comments from those who tell them to go back to their own country or that they smell.

“I try to talk to them,” says Shukri, who has lived in Faribault for seven years, since she came to the U.S. at age 12.

She wants everyone “to be equal no matter what color you are…to get to know each other.”

Lul Abdi shows off beautiful wood crafts from Kenya and Somalia for sale at the fest.

And this FHS senior has dreams—of going to college to become a nurse and then returning to Somali to help those in need.

On this Saturday, at this International Festival, the words of these young Somali women evoke mixed emotions within me. I am saddened by those in my community who fail to see beyond the scarves, the culture, the skin color, the language.

Mother and daughter check out the artwork from Kenya and Somalia.

These women are not terrorists. They are someone’s daughters. They are high school students. They live here, work here, shop here, worship here.

Despite the clear prejudice which angers me, I feel hope. These young women possess a maturity and poise beyond their teenage years. They yearn for understanding, for respect, for the personal connections that define them as individuals.

And on this Saturday afternoon they are trying, through their volunteerism at the International Festival Faribault, to, as Nasteho says, “bring everybody together.”

A mother’s love and care, the same in any language, any culture, any skin color.

CHECK BACK FOR A FUTURE post with photos from the seventh annual International Festival Faribault. Thank you to the organizers and participants in this festival who are trying to connect cultures, to make Faribault a better place to live, no matter your culture, skin color or country of origin.

© Copyright 2012 Audrey Kletscher Helbling

 

Faribault Festival offers opportunity to bridge differences & connect August 23, 2012

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TODAY I’D LIKE TO EXTEND an invitation to you. Pull out your calendars right now and add this event to your schedule: International Festival Faribault, 10 a.m. – 4 p.m. on Saturday, August 25, Central Park.

Several Latinos lead in singing of Mexico’s national anthem last September during the International Festival Faribault at Faribault’s Central Park. The flags strung across the band shell represent the countries featured at the fest. This weekend’s celebration marks the seventh such international fest in Faribault.

There. Done. Right?

The scramble for candy after the pinata is broken at last year’s festival. Kids of all races participated with no concern for skin color or cultural differences. So refreshing to see.

Served at the 2011 fest: Guatemalan chuchitos– chicken, corn and salsa wrapped in a corn husk. You’ll find vendors offering a variety of authentic international foods.

OK, why do I think it’s important for you to attend this festival which features multicultural entertainment, arts and crafts vendors, authentic international cuisine, kids’ activities, a silent auction and more?

Simple. We as a community need to meet each other, to connect on a personal level, to understand each other if we are ever to overcome the very obvious cultural differences which divide us.

I met then 16-year-old Riyaam, an Owatonna High School student, at last year’s festival. She spoke openly about the prejudice at OHS and a white student’s single comment, “Somalis don’t belong here,” which led to racial clashes and tension. OHS has since instituted a policy of “you fight, you’re out.” It broke my heart to listen to Riyaam.

You know what I’m talking about, the differences in skin color and language, in culture and in dress.

There’s way too much suspicion and mistrust, cautiousness and prejudice toward the minorities living and working in Faribault. I’ve heard the derogatory comments about the Somali men who hang out on downtown street corners, the Hispanics who commit all the crimes, the immigrants who take away our jobs, the people who don’t speak English.

Seriously, these Somali men live downtown and the sidewalk is their yard.

“Mexicans,” and I’ve heard that word spit out of too many mean mouths, do not commit all the crimes in our community. Do you know any Hispanics personally? I do. They are probably the most family-oriented individuals I’ve ever met and we could learn a lot from them about the importance they place on loving and caring for one another.

And about those Somalis and/or Sudanese who supposedly steal our jobs—I expect most of us would not want to work the factory jobs they work. I mean no offense to the places which employ them, like the local turkey plant. But if we are honest with ourselves, we’ll admit that we likely never would work at these physically-demanding and not always pleasant jobs.

As for speaking English, have you, as an adult, tried learning a new language? Now attempt learning a new language in a foreign country. Not so easy. Think back to a few generations before you. I bet your great grandparents didn’t speak English. Even my own mother’s first language was German, not English.

The other evening while shopping at a local Big Box retailer, I witnessed how difficult it was for a Hispanic woman to communicate due to her limited English. I almost got on my cell phone to call my second daughter who works as a Spanish medical interpreter in eastern Wisconsin to ask her to interpret.

Did you know that, according to the 2010 U.S. Census, 17.4 percent of Faribault’s 23,352 residents have a language other than English spoken at home? Stats show 9.4 percent of our city’s residents are foreign-born.

Vendors, like Riyaam, peddled their wares at the 2011 festival.

Instead of criticizing those who speak and dress and live differently than the majority of us, let’s begin to understand them. Mostly, I think, our misconceptions, our prejudices, are based on fear. We fear what we don’t understand.

A young girl’s henna stained foot, photographed at the 2011 fest.

International Festival Faribault offers a common, public ground—a city park—on which to meet the minority individuals who call our community home. They are here to stay. Let’s get to know them. Engage in conversation. Show them you care, that you’re genuinely interested in learning more about them and their cultures. Once you’ve connected on a personal level, you will begin to view them as individuals and not by the color of their skin, the clothing they wear, the language they speak…

Xafsa, age 5, photographed at the 2011 festival.

FYI: Click here to link to the International Festival Faribault website.

While this post is directed specifically at the residents of my community, its content can apply to many communities. You’re all invited to Faribault for International Festival Faribault, no matter your community or country of origin. And just to be clear, many Faribault residents and organizations embrace the minorities who call our southeastern Minnesota city home. I in no way intend to mislead you into thinking we are all a bunch of bigots living here. However, neither am I going to hide the fact that obvious prejudices exist and are very much a concern in Faribault.

Click here to link to the post I wrote about last year’s International Festival Faribault.

© Copyright 2012 Audrey Kletscher Helbling

 

From shy teen to confident artist, entertainer & business woman August 21, 2012

Jodi Gustafson of Big Shoe Entertainment begins transforming young Owen’s face into a Ghost Rider’s skull mask at the recent Blue Collar BBQ & Arts Fest in Faribault.

IMAGINING 37-YEAR-OLD JODI GUSTAFSON—also known as Lollipop the Clown, Jenius Strangeways or the proprietor of Big Shoe Entertainment and Jodelle’s Finery—as a once shy teen weaving down the hallways of Richfield and Coon Rapids high schools seems an impossibility.

But this vivacious and confident small business owner, whom I met at the recent Blue Collar BBQ & Arts Fest in Faribault where she was transforming faces through her stunning full face painting, reveals an adolescent timidness that contradicts her very public professions.

“I hated being shy,” said Gustafson, who recalls turning red if anyone so much as said “hi” to her. Determined to overcome that shyness, she eventually, and purposefully, chose a job with the United Way which involved public speaking.

“I knew I would never change if I didn’t get out of my comfort zone.”

That decision proved pivotal for Gustafson when a company wanted a carnival theme for its campaign but couldn’t afford to hire a clown. Gustafson volunteered, thinking clowning couldn’t be all that difficult. She was wrong, but continued anyway with the clowning which led to painting cheek art and then, with the encouragement of Cindy Trusty of Cindy’s Creative Celebrations, to full face painting and finally the official formation of Big Shoe Entertainment in the early 2000s.

Owen’s half-mask skull evolves under Gustafson’s skillful hands. She contracts her work for community and private events (such as birthday parties) and with corporations (such as for company picnics).

Today this mother of three (ages three to 17) operates two successful small businesses from her Bloomington home. Big Shoe Entertainment, encompassing clowning, balloon twisting, airbrushed and glitter tattoos, henna and crazy hair, but primarily full face painting, keeps her crazy busy, especially during the summer, with gigs throughout Minnesota, Iowa and Wisconsin. The pace slows during the other seasons.

An assortment of the make-up, all with FDA-approved ingredients and meant to be used on the body and face, which Gustafson uses for face painting.

In anywhere from one to five minutes Gustafson, with brushes and make-up pads and an array of colorful make-up, can transform a face into a work of art. She’s morphed five billion faces, she exaggerates, into butterflies, and also creates lots of flowers and princesses, and masks such as skull, dragon and Mardi Gras.

She especially enjoys painting “gore” faces, but seldom has the opportunity.

Owen sits perfectly still as Gustafson paints. Some kids squirm or won’t close their eyes, meaning she sometimes needs to adjust her work to eliminate painting around the eyes or needs to explain step by step what she is doing. Typically, Gustafson doesn’t talk while painting faces.

She’s always learning—from videos, books, classes and practice. That practice includes painting designs all over her arms and legs while relaxing at home in front of the television. Gustafson puts her own spin on existing patterns via color choices and painting style, defining her work as her own in a profession that’s becoming more saturated. Yet, most are not at her level of expertise, she says, in an honest, but not boastful, way.

Gustafson works with two agents and occasionally hires independent contractors to assist at events where she can’t handle the volume solo. She’s picky, though, and chooses only the best artists.

American Family Insurance of Faribault sponsored free full face painting by Gustafson at the recent Blue Collar BBQ & Arts Fest. Lines were long. Gustafson painted for five hours, averaging 20 – 25 faces per hour. If she returns next year, she’ll bring another painter, she says, to shorten those lines.

All of this is interesting given Gustafson early on was intimidated by full face painting. Clearly she’s not anymore as she works with the swiftness and assurance of a skilled artist. She always had an interest in art, she says, but not the confidence. She took art classes in high school and moved on to painting still lifes in acrylic on canvas, something she has no time for now.

Besides mothering and operating Big Shoe Entertainment, Gustafson also owns Jodelle’s Finery, specializing in Renaissance and Victorian “garb.” That’s her term, “garb,” referencing the durable period clothing she fashions, as opposed to “costumes,” for the Minnesota Renaissance Festival and steam punk events. (Steam punk fashion, since I didn’t know and perhaps you don’t either, is Victorian clothing with a technological, sci-fi twist.)

Even Jodelle’s Finery, in typical Gustafson fashion, has an interesting beginning. When pregnant with her middle child, Gustafson was feeling quite domestic and taught herself to sew. Her first project was a baby quilt. Today she’s advanced to sewing that garb for others and for her role as the street performer Jenius Strangeways at the Minnesota Renaissance Festival.

Yes, this once shy teen morphed into an actress too—role playing at the Renaissance and on the stages of community theaters in Faribault (where she lived until moving to Bloomington in June), Owatonna and Northfield.

“I don’t like to be still,” claims Gustafson, who before she took on the Renaissance acting gig two years ago, worked in shops at the Minnesota festival.

Owen’s skull face mask is almost done.

Yet, in the middle of all that public busyness of painting faces and clowning and acting, Gustafson says she still occasionally slips back in to the quiet, nervous and shy Jodi of years past. That happens, she explains, if she’s not role-playing and doesn’t know anyone at an event she’s working.

Mostly, though, she’s made a choice to get past her shyness, to be the strong and confident woman who paints faces, entertains and clothes entertainers via her two successful businesses.

Owen opens his eyes for the great reveal.

FYI: Jodi Gustafson doesn’t have a website for Big Shoe Entertainment, so don’t bother trying to find one. You may contact her via email at gusjodi@gmail.com or call her at (952) 215-4544. You can also check out her Jodelle’s Finery Facebook page by clicking here.

I initially developed this post idea to showcase Gustafson’s full face painting because I was so impressed by her work. But when I interviewed her about a week later and learned how she overcame her shyness, that became the real story. I hope you will be inspired, as I am, by Gustafson’s determination to overcome an obstacle, change and pursue her passions in life as her professions.

Gustafson transformed Isaac into a tiger at the Faribault festival.

Isabella, 7, of Faribault, became a dalmatian under Gustafson’s crafting. Butterflies and dalmatians proved the most popular paintings chosen by attendees at the Faribault fest.

© Copyright 2012 Audrey Kletscher Helbling

 

The patriotic pride of Harley riders August 16, 2012

Bikers and others gather for a post hospice ride party at Faribault Harley-Davidson.

LONG GONE, at least in my mind, is the image of Harley riders as rough outlaw types roaring along our roadways, storming into towns, raising hell.

When they travel in a pack now, it’s usually for a purpose, like last Saturday’s fifth annual ride to benefit the Faribault Area Hospice.

While my husband and I missed the ride (he doesn’t have a Harley anymore, his 1977 Sportster being totaled more than a decade ago by a teen who ran a stop sign, plowed into the bike and sent Randy to the hospital), that didn’t keep us from checking out the post ride activities and bikes at Faribault Harley-Davidson.

I’ll be the first to admit that attending a biking event isn’t exactly on the top of my to-do list. But sometimes wives go along for the ride, just like husbands accompany their wives to artsy happenings that they’d probably rather skip.

As always, I carried my camera with hopes that maybe, just maybe, I’d find something worth photographing beyond the rows of bikes I knew Randy would be eying.

The Harley dress code: black leather.

Well, it wasn’t the masses of Harleys which caught my attention, but the details on individual bikes. I hope I didn’t make any of the Harley riders, who can appear intimidating in their black leather, nervous. I threaded my way among the parked bikes, bending, crouching, occasionally setting my camera onto the freshly seal-coated asphalt as I snapped photos.

The unique skull kickstand. Any significance to this skull, readers?

And as I wandered, a picture began to develop of the men and women who ride Harleys, or at least those in attendance at The Ride for Hospice party in Faribault. Except for the skulls on one bike and the boney foot kickstand on another, I found nothing particularly unusual.

The flag on the left honors SPC Mathew Kahler, killed in Afghanistan in 2008.

Rather, I discovered a common theme of patriotism among bikers who have served their country and/or want to honor those serving. It was heart-warming and uplifting to see such support.

One of two blessing stickers I noticed on bikes.

Equally pleasing were stickers I spotted on two bikes indicating they had been blessed. I expect blessings were flowing all around on Saturday as these bikers opened their wallets and their hearts to help hospice, an organization which, at some point, touches nearly all of our lives.

Another patriotically adorned bike and a Vietnam veteran’s jacket along with Ernie from Sesame Street.

Proud to be an American and driving an American made Harley-Davidson.

Patriotic patches seem a popular adornment on Harley attire.

These boots, sitting next to a bike, reminded me of the phrase “boots on the ground” when soldiers hit the ground running.

The yellow flag represents the Minnesota Patriot Guard.

Patriotism displayed, right down to the license plate on this bike.

© Copyright 2012 Audrey Kletscher Helbling

 

Carv-Fest brings together novices to pros in Faribault August 13, 2012

I WONDER WHAT THE ODDS ARE, that a community of some 22,000 would be home to two internationally-known, award-winning woodcarvers.

That would be Faribault. And they would be Marvin Kaisersatt and Ivan Whillock.

Woodcarvers, from novice to pros, participated in Carv-Fest 2012. Here are students and instructors in a Saturday morning session.

The carvings of these two gifted Minnesota artists, and gifted doesn’t even seem to begin to fit their talent, were among art displayed at the August 9 – 11 Carv-Fest 2012 which drew woodcarvers, from beginners to seasoned carvers, to Faribault.

The intricate chip carving of Marty Leenhouts of Garden City, Minnesota.

It may be summer, but Santa showed up in a woodcarving and classes at the festival.

Imagine if this had been a hand instead of a glove…

I roamed the fest on Saturday, seriously impressed by the intent concentration of the attending woodcarvers, the intricacies of the carvings, the variety of art created and the fearlessness in putting sharp tools to wood. No wonder they wear gloves.

Marv Kaisersatt sketched out the character he was teaching his students to carve on Saturday.

I didn’t know any of the carvers, except Marv, whom I interviewed in 2009 for a short magazine article which certainly should have been much longer had space allowed. He impressed me then for the simple life he lives in an upstairs apartment in downtown Faribault, carving caricatures. I can’t even describe talent of his level. But I can describe a man who is humble and funny, engaging and content with the creative process of sketching, shaping clay models and carving.

This retired math teacher also impressed me in that interview with the fact that he doesn’t sell his woodcarvings, choosing instead to occasionally donate his caricatures, carved from blocks of basswood, to nonprofit fundraisers.

Marv Kaisersatt assists a student in his class.

On Saturday, Marv circulated among his students, advising them on carving a Minnesotan (I presume) dressed for winter in stocking cap and chopper mittens, oversized boots weighing down his feet.

Marv gave me a polite nod and then it was all business teaching the students lucky enough to learn under his guidance.

A snippet of Ivan Whillock’s incredible, detailed and realistic carving.

Whillock, whose woodcarvings are the polar opposite of Marv’s work, wasn’t teaching. But given his woodcarving family organizes Carv-Fest, I expect he had more than enough to keep him busy. He carves religious and secular sculptures and reliefs, works of art that grace places like churches (including mine, Trinity Lutheran) and libraries (including Buckham Memorial Library in Faribault).

Whillock and his family are the key organizers of Carv-Fest which draws woodcarvers from all over.

A stunning, three-dimensional carving by Ivan Whillock.

Both men teach at Ivan Whillock Studio. They’ve written books and created patterns and developed an appreciative following of admirers across the world.

And if you saw their work, you would understand why they are so beloved among woodcarvers and those of us who wouldn’t dare pick up a knife for fear of slicing away a fingertip.

A carver brought his handcarved toolbox to a class on Saturday morning.

Just another example of the woodcarvings on display during the festival.

These students were hammering and chiseling away during a class, making quite a racket in the ice arena/fest site.

The step-by-step process to woodburn a wolf as taught by Nancy Dardis of  Dardis Designs, Bloomington.

A pheasant in wood, foreground, and students in class, background.

Learning the art of chip carving.

© Copyright 2012 Audrey Kletscher Helbling

 

Mixing art, music and BBQ at Faribault festival August 12, 2012

The banner and band scaffolding/set-up in the 300 block of Central Avenue during Saturday’s Blue Collar BBQ & Arts Fest in Faribault

FROM DEAFENING MUSIC that bounced between historic buildings along Faribault’s Central Avenue, to the savory taste and tantalizing, smokey smell of barbecued meat to the cheers of onlookers when a local celebrity plunged into the dunk tank to the clink of washers against asphalt in the washer tournament to human faces morphing, via paint, into animal faces, offerings at the fourth annual Blue Collar BBQ & Arts Fest in Faribault drew crowds, and smiles, on a picture perfect Saturday.

An overview of the crowd early into the event on Saturday, looking to the 300 block of historic downtown Farbault.

Coordinated by the Paradise Center for the Arts, the 13-hour free festival focused on bringing people into the historic downtown to enjoy/participate in the arts, music, food, a BBQ and homemade brew competition, and more.

The Black Widow BBQ team, one of about a dozen competing for top prizes of $500 in several categories.

BBQ teams set up along a side street to cook their meats and desserts.

A Texas native, now living in Faribault and a member of The Black Hat “BBQ” team, sprays apple juice onto his St. Louis style pork ribs during the BBQ contest.

Grill Cabin team members, from New Prague, prepare entries in the BBQ competition.

Retail stores like The Crafty Maven, 212 Central Avenue, at the heart of the arts and crafts fair and kids’ activities, expected an increase in business with an influx of an anticipated 5,000 people into the downtown for the festival. And that’s part of the plan, to celebrate downtown businesses, many of them event supporters. Other businesses in the community also sponsored parts of the festival.

Flower art and more, shaped and welded from old silverware, etc. is helping the DeWall brothers of DeWall Bros Metal Creations of Grand Meadow finance their college educations. Their art was for sale at the arts fest.

While the DeWall men were peddling their metal art, the women–mom/wife, Cindy, and girlfriend, Allison– were shopping and getting their faces painted by Jodi Gustafson of Big Shoe Entertainment.

Bob Maegerlein of Rochester, specializing in Raku ware, sold his pottery at the arts fair.

I arrived late morning and wandered for several hours past vendors—wishing I could sample the meat smoking in BBQ contestants’ grills; admiring the artistic creations of artists and a gifted face painter; ducking into the Paradise Center for the Arts to photograph the current art show, Car pARTS; steering mostly clear of the north end of the 300 block of Central because I couldn’t tolerate the volume of the live band music; trying a vendor’s delicious BBQed meat trio sampler that was way overpriced for the quantity (plus, no forks included); and, finally, stopping at Pawn Minnesota and then a Somali clothing shop on my way to the car.

Blues-rock guitarist/musician Trent Romens was among six featured musical acts.

Did the festival accomplish for me what I expected? Yes. I was entertained, although I would have appreciated a much lower volume on the music. Ditto for the price on the meat sampler. And I would have liked access to the home brew competition, which was tucked into the Paradise somewhere.

But all in all, the festival provided a fun way to while away part of a Saturday. And, for those downtown business owners who hoped the event would draw shoppers into stores, it worked for me. I’d never been into the pawn store and wasn’t even aware of the Somali shop or another ethnic business across the street (which wasn’t open).

If you’re from Faribault, I hope you took  time on Saturday to attend the Blue Collar BBQ & Arts Fest and appreciate what we have, right here in our own community.

With the weather about as good as it gets on a summer day, attendance was high at the Blue Collar BBQ & Arts Fest.

Dad and grandpa watched the pets while the kids played in the bouncy inflatables. These pom pom pets were a popular item sold at the arts fair.

Kids practiced for the washer tournament. I was not convinced by a tournament organizer to participate. “She would throw the washer through a store window,” my husband told him. He would be right. Either that or I would have struck a passerby. We walked away, for the safety of those in attendance.

Isabella, 7, of Faribault, one of the many kids who lined up for the free face painting. Check back for an additional post featuring the artwork of professional face painter Jodi Gustafson of Big Shoe Entertainment.

Taking a turn in the dunk tank…

© Copyright 2012 Audrey Kletscher Helbling

 

Pets on parade in Faribault August 8, 2012

Filed under: Uncategorized — Audrey Kletscher Helbling @ 7:34 AM
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Taco the dog, photographed earlier this summer on a Saturday morning at the Faribault Farmers’ Market in Central Park.

PETS AND KIDS equal cuteness, wouldn’t you agree?

Thursday evening the cuteness combination commands several city streets during my community’s Pet Parade—the 76th annual according to information published by the Faribault Parks & Recreation Department.

The kids and their animals will line up in categories like little dogs, big dogs, rabbits, kittens and cats, unusual pets, farm animals, and, at the tail end, horses, of course.

In between, there will be floats and kids in strollers and on bikes, trikes, scooters, skateboards and roller blades. There will be clowns and costumes and perhaps even chaos in this “It’s a Zoo Around Here!” themed event.

I haven’t been to the Pet Parade in many years, mostly because my kids are all grown up and they were the reason I attended.

We never participated in the parade. Our only pets were goldfish. And I probably never told my three they could walk in the parade without a pet. Sometimes parents are smart like that and don’t share details. Just let the kids think that because they don’t own a cat or dog or snake or some other animal, they must simply watch.

I expect I never told them either about the free freeze pops and music in Central Park after the parade. I don’t know if treats are still part of the parade. But the parade still ends in Central Park. This year’s entertainment features zoo animal dances by girls ages 5 – 9 who participated in a Spirit Team summer camp. More cuteness, for sure.

The Pet Parade mural installed on the Central Park band shell.

Central Park is also the site of an artistic tribute to Faribault’s long-running Pet Parade. In May the Mural Society of Faribault installed a Pet Parade mural on the park’s historic band shell, making it the seventh mural the group has placed in Faribault.

Lots of dogs on the left side of the mural…

The artwork definitely possesses that cuteness factor although I wish a few animals besides dogs were featured in the mural.

And what about that date, “since 1939?”

Lots of dogs and that 1939 date on the right side of the mural.

If that date is right, then the 2012 Pet Parade would not be the 76th, but the 73rd annual. Correct? I’m not really all that good at math. And, yes, my kids know that.

FYI: The Pet Parade begins at 7 p.m. on Thursday, August 9, at Ninth Street Northwest and Second Avenue Northwest, proceeds south on Second Avenue, turns west on Fifth Street and ends in Central Park.

© Copyright 2012 Audrey Kletscher Helbling

 

For the love of reading: Faribault’s east side now home to a little library August 6, 2012

Filed under: Uncategorized — Audrey Kletscher Helbling @ 7:18 AM
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Pat Rice’s little library, right, installed about a month ago in her front yard, 713 Ravine Street, Faribault.

PAT RICE LOVES TO READ. That passion, short and simple, inspired this retired audiologist to recently install a little library in her front yard on Faribault’s east side.

Hers is among four little libraries—one officially registered as a Little Free Library—now gracing neighborhoods in my community.

The little library seems a natural outreach for this woman who reads 100-plus books a year, belongs to a local book club, accepts donations for the American Association of University Women, Faribault chapter’s annual book sale, and serves on the Buckham Memorial Library Advisory Board.

The Smiths’ Little Free Library, located in their yard at 825 Sixth Ave. SW.

It was her connection with another library board member, Joan Smith, that led to the establishment of Faribault’s first Little Free Library last fall. Pat read an article about a little library and passed the story along to Joan whose husband, Dale, crafts elaborate birdhouses. Dale adapted his birdhouse pattern and built a little library which is posted on a corner of the Smiths’ southwest Faribault front yard. It’s open 24/7 to anyone who wants to take and/or leave a book.

And now, thanks to Dale’s efforts, Pat has a near-duplicate little library in her front yard at 713 Ravine Street.

The books recently stashed in Pat’s little library.

She’s stocked it with mostly a variety of paperbacks (adults tends to favor romances and mysteries, she says), several cookbooks and some children’s books. Pat plans to add more children’s books, even though few kids live in her neighborhood.

But she enjoys children’s books. “I love the illustrations,” says this long-time reader who remembers, as a four-year-old, stretching on her tiptoes to print her name on her first library card at the Camden Library in Minneapolis. That marked a memorable moment for a preschooler whose family had no extra money for books. Acquiring that orange library card—yes she remembers the color—allowed her access to thousands of books, fostering a life-long love of reading.

To this day, Pat still appreciates, and buys, children’s books. She has a little library full of them in the upstairs of her stately brick home. That stash includes a collection of 40 ABC themed titles. Among her favorites are the books of Grand Marais author and illustrator Betsy Bowen who specializes in woodblock prints.

Whenever Pat needs a baby gift, she gives a book.

There’s no doubting this woman’s passion for books. She doesn’t have a television, at least not one that’s plugged in. “I would rather read,” says Pat. She counts Jan Karon, Thomas Gifford and Minnesotan John Sanford among her favorite writers. On a recent 20-hour trip to Virginia, she and a friend listened to four books on audio.

Dale Smith built Pat’s little library, which is open to anyone. Pick up or drop off a book if you’re walking or driving by.

Now she’s hoping the little library in her front yard will encourage others to read due its easy accessibility. “I think there’s a lot of people who don’t use libraries,” Pat says. She cites a story shared by Dale Smith about a man who chose a Zane Grey book from the Smiths’ Little Free Library. It was the first book the man had read in 40 years.

For a voracious reader like Pat, that’s encouraging and reaffirms her reasons for establishing a little library in her east Faribault neighborhood.

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FYI: I plan to scout out the other little libraries in Faribault and post about them in addition to updating you on the LFL installed in my hometown of Vesta a month ago by Todd Bol, co-founder of the Little Free Library project.

© Copyright 2012 Audrey Kletscher Helbling