Minnesota Prairie Roots

Writing and photography by Audrey Kletscher Helbling

Northfield tunnel art features spring in the Big Woods & more May 11, 2022

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Hidden Falls at Nerstrand Big Woods State Park is featured in a public mural by Adam Turman. (Minnesota Prairie Roots copyrighted photo 2022)

IN THE UNLIKLIEST of places—in the underpass tunnels of a roundabout—bold, nature-themed murals flash color onto concrete in Northfield. I love this public art created by renowned Minneapolis muralist Adam Turman in the pedestrian and biking underpasses at the intersection of Minnesota State Highway 246 and Jefferson Parkway.

The rare Dwarf Trout Lily grows in only several places in the world, including at Nerstrand Big Woods State Park. (Minnesota Prairie Roots copyrighted photo 2022)

The art is unexpected. It’s vibrant. And it honors the ecologies of the Northfield area with four focused themes: Nerstrand Big Woods, the Cannon River, Oak Savannas and Prairie.

The recreational trail leading to one of the underpasses. (Minnesota Prairie Roots copyrighted photo 2022)

With the exception of winter, the paintings also cover three of Minnesota’s four distinct seasons.

An overview of the Nerstrand Big Woods underpass mural. (Minnesota Prairie Roots copyrighted photo 2022)

Because it’s spring, I’ll start by showing you the spring-themed art depicting nearby Nerstrand Big Woods State Park. The park proves a popular hiking spot with attractions like Hidden Falls, the rare Minnesota Dwarf Trout Lily and, in the autumn, spectacular colors.

A rare Dwarf Trout Lily up close. (Minnesota Prairie Roots copyrighted photo 2022)

Seeing these murals for the first time calls for a thoughtful pace of studying the art, appreciating it and reflecting on how beautiful the natural world in and around Northfield.

Wild geraniums grace the Big Woods mural. (Minnesota Prairie Roots copyrighted photo 2022)

Vehicles may be passing overhead, but inside those underpasses the quiet beauty of nature prevails.

Adam Turman’s painting of Hidden Falls at Nerstrand Big Woods State Park. (Minnesota Prairie Roots copyrighted photo 2022)

This roundabout came about because of a need for improved pedestrian safety and traffic flow along stretches of roadway used by commuters and kids/families going to and from school. I expect the roundabout, once people adjusted to it, has achieved its goal.

Stepping stones and rock cairn in the Big Woods. (Minnesota Prairie Roots copyrighted photo 2022)

And then to have that bonus art beneath, well, what a welcome addition to an otherwise utilitarian project. The public art in Northfield brings to mind another such space that would work well for a nature-themed mural. That’s the tunnel under Highway 371 in Nisswa, a small, but busy, tourist town in the central Minnesota lakes region. Last time I walked through the 371 underpass from downtown Nisswa to Nisswa Lake Park, chalk art marked walls. I can envision Adam Turman’s bold graphic murals brightening this pedestrian and biking route with scenes depicting nature or perhaps Paul Bunyan and Babe the Blue Ox of Minnesota northwoods lore.

The artist’s signature. (Minnesota Prairie Roots copyrighted photo 2022)

“Up North” themes more work done by Turman, who tags himself as an artist, muralist and screen printer. In my community, he’s created, loon, Boundary Waters Canoe Wilderness and S’mores art for throws and pillowcases crafted at Faribault Mill (formerly Faribault Woolen Mill). He’s created for many other entities throughout Minnesota and the world. Target. Duluth Trading Company. The Minnesota State Fair. And many more.

Into Nerstrand Big Woods State Park via an underpass mural. (Minnesota Prairie Roots copyrighted photo 2022)

For now, I appreciate seeing Turman’s work here in southern Minnesota, in neighboring Northfield.

PLEASE CHECK BACK for posts featuring the other three themed art tunnels in Northfield.

© Copyright 2022 Audrey Kletscher Helbling

 

Reflections from Redwood & Rice counties on NATIVE LIVES MATTER May 2, 2022

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Part of a temporary public art installation at Northfield’s Earth Day Celebration. (Minnesota Prairie Roots copyrighted photo April 2022)

IN THE GEOGRAPHICAL BACKGROUND of my childhood, I knew of the “Indian Reservations” to the northwest near Granite Falls and then to the east near Morton. My hometown of Vesta sits between the two, no longer referred to as “reservations” but as the Upper Sioux Indian Community and the Lower Sioux Indian Community.

A Dakota man and Alexander Faribault are depicted trading furs in this sculpture at Heritage Park near the Straight River and site of Faribault’s trading post. Ivan Whillock created the sculpture which graces the Bea Duncan Memorial Fountain in my community of Faribault. (Minnesota Prairie Roots copyrighted file photo 2012)

Today I live 120 miles to the east in Faribault, next to Wapacuta Park. Rice County is the homeland of the Wahpekute (not Wapacuta), a tribal band of the Dakota.

The Earth Day art carried two messages: NATIVE LIVES MATTER and CLIMATE JUSTICE. (Minnesota Prairie Roots copyrighted photo April 2022)

A temporary public art installation at the recent Earth Day Celebration in neighboring Northfield prompted me to reflect on Indigenous people in southern Minnesota. Growing up in Redwood County, my knowledge of area Native Americans focused primarily on “The Sioux Uprising.” History teachers then used that term, rather than the current-day “US-Dakota War of 1862,” which should tell you a thing or ten about how biased that perspective back in the 1970s. How thankful I am that my awareness and understanding have grown and that attitudes are shifting to better reflect all sides of history.

The message grows, blossoms in the Earth Day art. (Minnesota Prairie Roots copyrighted photo April 2022)

The NATIVE LIVES MATTER message bannering the art installation at Northfield’s Earth Day event reinforces a Land Acknowledgment Statement adopted by the City of Northfield in November 2020. That reads as follows:

We stand on the homelands of the Wahpekute and other Bands of the Dakota Nation. We honor with gratitude the people who have stewarded the land throughout the generations and their ongoing contributions to this region. We acknowledge the ongoing injustices that we have committed against the Dakota Nation, and we wish to interrupt this legacy, beginning with acts of healing and honest storytelling about this place.

NATIVE LIVES MATTER fits the spirit of the Land Acknowledgment Statement. Those three words caused me to pause, to think, to consider what I’d been taught all those decades ago and how my thinking has shifted as I’ve aged, opened my mind and learned.

Dakota beadwork displayed and photographed at the Rice County Historical Society Museum, Faribault, in 2010. (Minnesota Prairie Roots copyrighted file photo 2010)

The Rice County Historical Society, which exhibits a collection of Native American artifacts in its Faribault museum, shares a statement similar to the City of Northfield’s on its website:

We acknowledge that the land that is now Rice County, MN, was their (Dakota) homeland and for many tribal members today, it is still their home.

In all of this, I feel a sense of gratitude regarding increasing public recognition of the land history and contributions of Indigenous People in Minnesota. In my home area of Redwood County, nearly 1,000 individuals from the Mdewakanton Band of Dakota call the Lower Sioux Indian Community home. To the east in Yellow Medicine County near Granite Falls, nearly 500 individuals from the Dakota Oyate call the Upper Sioux Indian Community home.

Words on a marker in Reconciliation Park in Mankato where 38 Dakota were hung on Dec. 26, 1862. (Minnesota Prairie Roots copyrighted file photo 2012)

I hope educators in my home area are today teaching students about the local Dakota and even bringing elders into classrooms. I graduated, after all, from Wabasso High School, the name Wabasso coming from a Native word meaning “white rabbit.” I would then go on to attend college in Mankato, site of the largest mass execution in the US with 38 Dakota killed in a public hanging on December 26, 1862.

I would be remiss if I did not share that, during the US-Dakota Conflict of 1862, family members on my mom’s side fled their rural Courtland farm for safety in St. Peter. They later put in a claim to the US government for crop loss.

Details on a sign outside the Cathedral of our Merciful Savior in Faribault. Bishop Henry Whipple, who served here, advocated for the rights of Native Americans and had a strong friendship with them. (Minnesota Prairie Roots copyrighted file photo 2020)

Now, 160 years after that event in my ancestors’ history, I continue growing my knowledge, widening my understanding of Minnesota history and of the Indigenous people who first called this land home.

A graphic of Minnesota is painted on the back of the art installation. (Minnesota Prairie Roots copyrighted photo April 2022)

FYI: Please click here to read previous posts I’ve written on the US-Dakota War (also called Conflict) of 1862.

Also, I suggest you read an article on the Minnesota Public Radio website about efforts to change the Minnesota State flag. The flag depicts, among other details, a Native American in the background riding off into the sunset while a settler focuses the foreground, hands on a plow, rifle nearby. I agree that change is needed. But, as too often happens, the issue has become politically-charged.

© Copyright 2022 Audrey Kletscher Helbling

 

A glimpse of Northfield’s Earth Day Celebration April 26, 2022

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A banner marks Northfield’s Earth Day Celebration at Bridge Square. (Minnesota Prairie Roots copyrighted photo April 2022)

WARM WEATHER, albeit wildly windy, drove Minnesotans outdoors on Saturday to embrace a partial-day reprieve from the cold and rain defining this April.

An overview of a section of the Earth Day Celebration. (Minnesota Prairie Roots copyrighted photo April 2022)

For Randy and me, that included a short drive to neighboring Northfield in the afternoon to check out the Earth Day Celebration at Bridge Square. I expected the event to draw a lot of locals and students from Carleton and St. Olaf Colleges. It did.

While the Earth Day Celebration happens behind them, these guys fish. (Minnesota Prairie Roots copyrighted photo April 2022)

In and surrounding Bridge Square, exhibitors shared information on topics ranging from climate change to water quality to composting to healthcare access and much more. Vendors from the Cannon Valley Farmers’ Market also set up shop. And kids created at several stations just a stone’s throw from fishermen angling in the Cannon River.

Near the river in Bridge Square, this temporary art installation focuses two messages: “NATIVE LIVES MATTER” and “CLIMATE JUSTICE.” (Minnesota Prairie Roots copyrighted photo April 2022)

We mostly meandered, our stay cut short by raindrops. I zipped my camera inside my sweatshirt as we headed back to the van.

Bannering for a cause at the Earth Day Celebration. (Minnesota Prairie Roots copyrighted photo April 2022)

Yet, even during my brief time at Northfield’s April 23 Earth Day gathering, I felt the passion for taking care of this planet. Of being responsible stewards. Of engaging in conversation. Of doing our part.

A sign on the UPcycleMN tent grabbed my attention. (Minnesota Prairie Roots copyrighted photo April 2022)

It’s refreshing to see, especially when I observe all the exposed winter-tossed garbage along roadways and read about endangered Minnesota rivers, our shorter winters and so many other climate and environmental concerns.

An example of an upcycled blue jean jacket crafted by Kathryn Ness of UPcycleMN. (Minnesota Prairie Roots copyrighted photo 2022)

I delighted in meeting former Northfield librarian Kathryn Ness who identifies herself as “CEO & Head Scrounger” at UpcycleMN. Signage and jean jackets drew me to her vendor tent and a short conversation. She upcycles used jeans into “new” jean jackets, crafts cloth bags and more. Kathy reminds me of my Uncle Bob, who weaves old jeans, bedspreads and more into beautiful, durable rag rugs. They are artists who are doing their part for our earth while creating.

Bridge Square is often a canvas for chalk art, including during the Earth Day Celebration. (Minnesota Prairie Roots copyrighted photo April 2022)

Attending Earth Day in Northfield gives me hope. Hope because people care about this earth, this place we call home.

TELL ME: Did you attend an Earth Day celebration?

Please check back for additional posts that focus on UPcycleMN and on the temporary art installation.

© Copyright 2022 Audrey Kletscher Helbling

 

Faith art focus during Holy Week April 14, 2022

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The birth of Christ depicted at St. Michael’s Catholic Church, Buckman, Minnesota. This is my husband’s home church. (Minnesota Prairie Roots file photo September 2020)

STAINED GLASS ART graces many a church. Most often that art depicts the history of Jesus’ birth, death and resurrection.

This stained glass window inside the Mother of Good Counsel Votive Chapel at The Shrine of Our Lady of Guadalupe, La Crosse, Wisconsin, depicts Mary and Jesus. I often think of Mary during Holy Week and how great her loss in losing her son. (Minnesota Prairie Roots copyrighted file photo 2015)

So it’s fitting that this week, Holy Week, I share some images from my archives of beautiful stained glass windows discovered in my wanderings. As a woman of faith, an art appreciator and one who values churches, I am drawn to this art form.

Jesus prays in the Garden of Gethsemane. Stained glass window in the sanctuary of Vang Lutheran Church, rural Dennison, Minnesota. (Minnesota Prairie Roots copyrighted file photo 2014)

My husband, Randy, has dabbled in stained glass art and I know from watching him that creating this art takes time, patience, skill and dedication. He took a stained glass class locally decades ago, has crafted several sun catchers and also repaired aged windows at our church, Trinity Lutheran in Faribault. I hope that when he retires, he can more fully embrace this art form.

Jesus carries his cross to Golgotha. Stained glass at St. Michael’s Catholic Church, Buckman. (Minnesota Prairie Roots copyrighted file photo September 2020)

That sidebar aside, I feel such gratitude to those long ago craftsmen who labored to create stained glass windows for churches. Such windows enhance worship, infusing a sanctuary with beauty and a visual telling of biblical stories. Like the birth of Jesus. The agony of his suffering, death and glorious resurrection.

A stained glass window inside Holden Lutheran Church, rural Kenyon, Minnesota, depicts Jesus’ crucifixion. (Minnesota Prairie Roots copyrighted file photo 2016)

Like illustrations in a book, the art of stained glass adds to the words, opens our eyes to better see that which we hear and read.

This stained glass window of the women and angel at Jesus’ empty tomb rises above the altar at Holden Lutheran Church, rural Kenyon, Minnesota. (Minnesota Prairie Roots copyrighted file photo 2016)

Art adds a depth to my understanding and to my faith.

This shows a snippet of the center stained glass window in a trio above the altar at Trinity Lutheran Church, Wanamingo, Minnesota. This section shows Jesus risen from the dead. (Minnesota Prairie Roots copyrighted file photo 2016)

As we near the end of Holy Week, please take time to reflect on the stained glass art here or within your own community.

A photo of Christ’s face from a stained glass window in my church, Trinity Lutheran, Faribault. (Minnesota Prairie Roots copyrighted file photo 2012)

And may this art bless you as it has me. Have a joyful and blessed Easter!

© Copyright 2022 Audrey Kletscher Helbling

 

From the heart of Northfield: A sculpture reflects community love April 12, 2022

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Fused glass hearts on the sculpture “Spreading the Love.” (Minnesota Prairie Roots copyrighted photo February 2022)

IN SOME WAYS, the “Spreading the Love” sculpture reminds me of a box of crayons. It’s a boldly colorful work of art sidling next to a sidewalk near the corner of Division and Sixth Streets in downtown Northfield.

The sculpture is located along Division Street, near Armory Square and Imminent Brewing. (Minnesota Prairie Roots copyrighted photo February 2022)

The crayon comparison comes in the mix of colors that combine in fused glass hearts created by Geralyn Thelen. The Northfield glass artist crafted the sculpture in collaboration with Hastings metal artist Dale Lewis as part of the 2020 Artists on Main Street Program.

Against a blue sky, a bold and beautiful multi-hued heart. (Minnesota Prairie Roots copyrighted photo February 2022)
Signage explains the meaning of the sculpture. (Minnesota Prairie Roots copyrighted photo February 2022)
The heart-filled tree represents community. (Minnesota Prairie Roots copyrighted photo February 2022)

The result is this metal community tree adorned with vibrant heart “leaves.” The heart shape represents love. And the mixed hues of those hearts represent inclusiveness, that all are welcome here.

Many hearts in many colors. (Minnesota Prairie Roots copyrighted photo February 2022)

That brings me back to crayons. Remember the thrill of a new box of Crayola crayons? The scent. The sharp points. The rows of neatly packed colors in, oh, so many hues and shades? What kid didn’t want a box of 64 crayons versus the standard 24?

A full view of “Spreading the Love.” (Minnesota Prairie Roots copyrighted photo February 2022)

Yet, even though we had all those choices in colors, there were expectations. Grade school worksheets directed us to color the sun yellow, the grass green, the horse brown, the heart red, for example. To earn an S+ on a paper, we needed to follow directions. It was a way to teach reading and colors. But that left zero options for creativity, for an opening of the mind.

This shows how metal artist Dale Lewis attached the hearts. (Minnesota Prairie Roots copyrighted photo February 2022)

To the child who yearned to use all the colors in the crayon box, following directions stifled creativity in the necessity of conformity. I’d like to think as adults that we consider all the colors in the crayon box. If only that were true.

Geralyn Thelen’s fused glass hearts represent love. (Minnesota Prairie Roots copyrighted photo February 2022)

That’s why projects like “Spreading the Love” hold such value. Art encourages us to see, to think, to open our minds and reflect. To color the sun purple, the grass orange, the horse pink, the heart in a mix of hues. Ours is a multi-colored world of skin tones, beliefs, lifestyles and more. Yet, we all share the commonality of love. Giving love. Receiving love. Feeling loved. And, it is my hope, spreading love.

TELL ME: How do you spread love?

© Copyright 2022 Audrey Kletscher Helbling

 

From $221K for Ukrainian kids to top film awards April 5, 2022

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The promo for the final owl art auction. (Source: International Owl Center Facebook page)

IN THE MIDST OF WAR and pandemic, inflation and everyday struggles, I want to pause and focus on two recent bits of good news. One comes from the tiny town of Houston in southern Minnesota. The other comes from the glitz and glamour of the entertainment world. Two complete opposites, yet notable in how important each is in this vast connected world of ours.

Let’s start with Houston, where the International Owl Center just concluded its third online “Ukrainian Art Auction for Ukrainian Kids.” The final auction of art created by Ukrainian youth for the center’s annual International Kids’ Owl Art Contest raised $48,893 for UNICEF, designated specifically for kids in Ukraine.

All three auctions raised a whopping $221,353. That’s an incredible amount generated from the sale of 190 pieces of original owl art, limited edition prints and direct donations. The giving spirit of those wanting to help youth in war-town Ukraine stretched well beyond Houston, population around 1,000, to a wide world of caring and generous souls. I am heartened by this show of love and support.

And I am heartened to read on the Owl Center Facebook page that staff connected with some of the young artists and learned that they have fled Ukraine with their families and are safe.

Promo for “Summer of Soul” from the “Summer of Soul” Facebook page.

Now the other bit of positive news has nothing to do with war, but rather with film and music. The documentary, “Summer of Soul,” just won the 2022 Grammy Awards Best Music Film. And a week earlier, it landed an Oscar for the Best Documentary Feature.

Generally, I pay no attention to these awards because, well, they don’t interest me. That’s not to diminish the hard work of these artists because their creativity enriches our lives and world. But I cared about “Summer of Soul” Oscar and Grammy nominations after watching a public television airing of the documentary by filmmaker Ahmir “Questlove” Thompson. His film focused on the Harlem Cultural Festival in the summer of 1969. Six concerts over six weeks brought 300,000-plus people together in Harlem to celebrate the Black culture, specifically music. Performers included the likes of Stevie Wonder, Nina Simone, Gladys Knight and the Pips… But Thompson’s film was about more than the music. It was about the issues facing Black people, highlighted in interviews woven into concert footage. Many of these same issues remain today.

There’s more to this story. Although produced 53 years ago, “Summer of Soul” was only recently released. In promos for the film, it’s titled as “Summer of Soul (Or, When the Revolution Could Not Be Televised)” on ABC. I encourage you to view this enlightening documentary. Experience the music, the culture. And then reflect. For in opening our hearts and minds, we expand our understanding of each other in a world that needs to connect and care.

The International Owl Center, located in downtown Houston, Minnesota. (Minnesota Prairie Roots copyrighted file photo)

To the creatives behind “Summer of Soul” and to the creatives behind the “Ukrainian Art Auction for Ukrainian Kids,” thank you for sharing your talent and for your generosity of spirit. I am grateful.

FYI: The International Owl Center is taking a pause from its “Ukrainian Art for Ukrainian Kids” auctions to prepare for the International Festival of Owls April 30 – May 1. I will update you if/when more fundraisers happen. Or check the International Owl Center Facebook page to stay posted.

© Copyright 2022 Audrey Kletscher Helbling

 

Third owl art auction underway to help Ukrainian youth April 1, 2022

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From left to right, owl art created by Adelina, 14; Dasha, 10; Kamila, 10; and Maria, 14. (Promo source: The International Owl Center Facebook page)

IT IS AN INCREDIBLY uplifting story in a time when we need positive news. Chapter three in the story of “Ukrainian Art for Ukrainian Kids” continues to write hope into my days and restores my confidence in the goodness of humanity.

Yesterday the International Owl Center in the small southeastern Minnesota community of Houston opened its third online auction of art created by youth in Ukraine. Proceeds from that art and direct donations will go to UNICEF for kids in Ukraine. Thus far, the Owl Center has raised $172,091 with a $250,000 goal by auction’s end at 8 pm (CST) on Sunday, April 3.

That’s a phenomenal amount of money generated already from the sale of art created through the years for the International Kids’ Owl Art Contest. When war broke out in Ukraine, Owl Center staff pulled all of the Ukrainian student art from its collection, partnered with the Houston Area Community Foundation and worked with volunteer Jayne Overstreet to set up an online auction series.

While the ultimate goal is to raise monies to help youth in war-torn Ukraine, the hope is also to establish a sense of connection with those young artists. Most attended schools in eastern Ukraine.

This particular auction features 57 pieces of 12×16-inch original owl art, 15 large format 16×23-inch originals and limited edition prints of three pieces. Direct donations to the project can also be made. Please consider bidding on art or donating to help these dear young artists of Ukraine.

FYI: Click here to reach the auction site.

© Copyright 2022 Audrey Kletscher Helbling

 

Exploring Minnesota cemeteries, including Valley Grove March 30, 2022

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The cemetery at Valley Grove sidles near the two historic Norwegian churches. (Minnesota Prairie Roots copyrighted photo March 2022)

A TIME EXISTED when I avoided cemeteries. I didn’t like the thought of being among the dead. It creeped me out. The thought of bodies beneath the ground. Bones. Nightmarish thoughts fueled by imagination. Long ago I left those dark fears behind, accepting the reality of death. That came with maturity, a deepening of my faith and the deaths of many loved ones.

Art and heritage and faith and lives remembered. (Minnesota Prairie Roots copyrighted photo March 2022)

Today I am drawn to cemeteries, especially rural cemeteries. That includes the hilltop Valley Grove Cemetery in rural Nerstrand.

Oaks edge the cemetery and a road along it. (Minnesota Prairie Roots copyrighted photo March 2022)

Graveyards are more than a final resting place, as we so nicely phrase it, for loved ones. Graveyards are also places to grieve and remember. They are also places of history, heritage and art, often sited in the most peaceful of settings. Valley Grove checks off all those items on that place list.

The cemetery surrounds three sides of the 1862 stone church. (Minnesota Prairie Roots copyrighted photo March 2022)

I’ve explored many other country cemeteries, wandering among the tombstones, wondering about the people buried there. Why did they die so young? What were they like? What were their occupations? What made them happy? Who misses them?

Erik Floren’s tombstone. (Minnesota Prairie Roots copyrighted photo March 2022)
The in-ground marker of Ole Hemvig. (Minnesota Prairie Roots copyrighted photo March 2022)
Honoring Thomas and Einar Halvorsen. (Minnesota Prairie Roots copyrighted file photo March 2022)

Tombstone engravings reveal bits and pieces of life stories. Sometimes of heritage. At Valley Grove, many names reference a Norwegian heritage. Ole. Erik. Einar. Inger. Junius. I doubt I’ve ever found so many “Oles” buried in a Minnesota cemetery. That’s not unexpected given the Norwegian immigrants who settled here and built the two churches which still stand. Older stone inscriptions are sometimes written in the Mother Tongue. German I can occasionally decipher. Norwegian, not.

On Clyde Heggedahl’s tombstone. (Minnesota Prairie Roots copyrighted photo March 2022)

Through the years, the art of grave markers has evolved to more elaborate artwork that tells a story. For example, at Valley Grove an image of Nerstrand Meats & Catering decorates the stone of Clyde Heggedahl of that long-standing business co-owned with his wife, Mary. He died in 2016. At the meat market.

A faith and love-filled message. (Minnesota Prairie Roots copyrighted photo March 2022)

Bible verses and inspirational messages grace gravestones, too, offering insights and comfort. Sharing hope and faith. Love.

A special marker for a veteran’s grave. (Minnesota Prairie Roots copyrighted photo March 2022)

I often pause at burial spots marked by military markers. As the daughter of a Korean War veteran, I hold honor in my heart for those who have served. I recognize the sacrifices, whether given through death on the battlefield or the life-long challenges faced by too many of our veterans. That included my father, who died in 2003. Dad received his purple heart 47 years after he was wounded in Korea. War forever wounded his spirit; he battled Post Traumatic Stress Disorder. I am thankful veterans’ graves are flagged with honor.

The old stone church and cemetery at Valley Grove. (Minnesota Prairie Roots copyrighted photo March 2022)

There’s simply lots to observe and contemplate while meandering among tombstones. I always do so with respect, for these grounds feel almost sacred. At Valley Grove, a certain serenity envelopes me in this peaceful hilltop setting among oaks and prairie.

What’s the story behind the “Snuffy” nickname? (Minnesota Prairie Roots copyrighted photo March 2022)

Although those buried here were unknown to me in life, I’ve come to know them a bit in death. The countless “Oles.” The young and the old. They were all cherished. Loved. Part of the family of humanity. They mattered. And their stories matter.

Posted on the gated entry to Valley Grove. (Minnesota Prairie Roots copyrighted photo March 2022)

TELL ME: Do you explore cemeteries and, if you do, why?

© Copyright 2022 Audrey Kletscher Helbling

 

Whispers of history & heritage at Valley Grove March 29, 2022

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Valley Grove churches rise over the hill as I follow the prairie path back to the church grounds. (Minnesota Prairie Roots copyrighted photo March 2022)

ATOP THIS HILL, here on the edge of the Big Woods among acres of fields near Nerstrand, I hear the whispers. Wrapping around the two historic churches. Rising from the cemetery. Sweeping through the tall prairie grasses.

The cemetery sits next to the churches, then rings the old stone church. (Minnesota Prairie Roots copyrighted photo March 2022)

This is Valley Grove, overlooking the countryside, the place where Norwegian immigrants came. Here they crafted their first church from stone in 1862, then built a second, of wood, in 1894. Both still stand.

The Valley Grove Preservation Society cares about the land, too, with restoration and preservation. (Minnesota Prairie Roots copyrighted photo March 2022)
I spotted swirls of prairie grass alongside a trail. (Minnesota Prairie Roots copyrighted photo March 2022)
Dried hydrangea alongside the wooden church. (Minnesota Prairie Roots copyrighted photo March 2022)

The churches, cemetery and surrounding 50 acres are today owned, preserved and managed by the Valley Grove Preservation Society. They are a favorite nearby rural destination for me. I appreciate the natural beauty, the history, the country quiet and more. Even the wind.

A view from the parking lot, outside the fenced grounds. (Minnesota Prairie Roots copyrighted photo March 2022)

On a recent March Sunday afternoon I walked the prairie paths, wound among aged tombstones, admired the sturdy churches. And while I’ve wandered these grounds many times and attended community celebrations inside and outside the church buildings, each visit brings new discoveries and reminders of why I love this place so much.

Atop the steeple of the old stone church. (Minnesota Prairie Roots copyrighted photo March 2022)

I value the rural-ness. On this afternoon, the shrill crow of a rooster, the sharp crack of gunshots and the barks of two dogs running loose broke the silence. In the context of location, the sounds fit. Not that I like gunshots echoing or strange canines circling me. But they did no harm as I continued along the stomped, sometimes soggy grass trail back toward the Valley Grove Cemetery and churches.

Land and sky define the prairie path. (Minnesota Prairie Roots copyrighted photo March 2022)

When following the prairie paths under a wide sky, I hear whispers of the past. Of wheels creaking under the weight of wagons crammed with an immigrant family’s belongings. Of a young mother bent over her baby, singing a soothing song from the Old Country. Of a weary farmer sighing after a long day of breaking the land.

The roofline and steeple of the simple 1862 stone church rise above the rural landscape. (Minnesota Prairie Roots copyrighted photo March 2022)

If this place could speak, it would whisper the stories of all those Norwegian immigrants who settled in and around Valley Grove and then gathered on this hilltop location to worship, socialize, celebrate, mourn.

The 1894 church closeup. (Minnesota Prairie Roots copyrighted photo March 2022)
The bell in the wooden church still rings for special occasions. (Minnesota Prairie Roots copyrighted photo March 2022)

On this winter day, the church doors are locked. But I’ve been inside both buildings. They are basic. Simple. Mostly unadorned. The wooden church is still used today for special worship services like weddings. The old stone church serves primarily as a social gathering room. Both are well preserved. Valued.

In the foreground, the back of the old stone church, which sits near the wooden church. (Minnesota Prairie Roots copyrighted photo March 2022)

Soon four tapestries, woven in the Norwegian billedvev tradition, will grace the walls of the stone church. Minneapolis weaver Robbie LaFleur was commissioned by the Valley Grove Preservation Society to create the art. It features the plants, animals, land, immigrants and churches of Valley Grove. A grant from the National Fund for Sacred Places funded the project. LaFleur’s tapestries will be showcased during a Syttende Mail celebration from 2-4 pm Sunday, May 15.

One of many Oles buried at Valley Grove. (Minnesota Prairie Roots copyrighted photo March 2022)

Much art already exists at Valley Grove, within the cemetery. I consider tombstones to be works of art, documentations of lives. The stone markers are many, from aged to recent. Names engraved thereon reflect the primarily Norwegian heritage. Ole. Erik. Einar. Inger. If these tombstones among the oaks could speak, oh, the stories they would tell. Of life in the Old Country. And of life in the New World, of this place, this Valley Grove.

FYI: Please check back for a post about the Valley Grove Cemetery.

© Copyright 2022 Audrey Kletscher Helbling

 

Second owl art auction benefiting Ukrainian kids closes Sunday March 25, 2022

Filed under: Uncategorized — Audrey Kletscher Helbling @ 5:01 AM
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Promo for the second “Ukrainian Art for Ukrainian Kids” auction. The art featured here was created, left to right, by Marina, 17; Liliia, 8; Oleksandra, 12; and Mudraya, 8. (Source: International Owl Center Facebook page)

THEY ARE THE CHILDREN of Ukraine: Zvereva, Marina, Andrii, Oleg, Liliia, Muras, Ekaterina, Maxim, Oleksandra, Miroslava, Yulia, Mudraya, Vira, Kamila, Dmytrus…and so many others.

These names we know because they are among 59 youth whose art is being auctioned off by the International Owl Center in Houston. That Minnesota-based nonprofit is hosting its second “Ukrainian Art for Ukrainian Kids” online auction to benefit UNICEF. All monies directed to that United Nations organization will go directly to Ukrainian children.

Bidding for the art submitted through the years to the annual International Kids’ Owl Art Contest opened on Wednesday and closes at 8 pm (CST) Sunday, March 27. The 12×16-inch pieces of original artwork created by youth ages 4 to 17 range from imaginatively colorful to realistic renditions of owls.

Additionally, the Owl Center is creating a limited number of reproductions with 25 limited edition prints from each of three artists available for $100/each. All 75 of those prints have sold out. (Sorry.)

The center is also planning to print a set of 20 blank greeting cards from selected Ukrainian owl art with those sale proceeds going to UNICEF, too. (I’ll keep you informed.)

In the first online art auction, winning bids spanned $425-$8,005. That auction, plus separate donations, yielded $100,152 for UNICEF. That’s a remarkable result for this small town Owl Center which determined it wanted, and had a way, to help Ukrainian youth.

A third auction will conclude the series. (I’ll let you know when that launches.)

I feel such gratitude to the Owl Center; to the community of Houston, Minnesota, population 1,000; and to the generous bidders and donors. But I am especially grateful to those young Ukrainian artists for creating owl art which is now helping their peers, or perhaps even themselves. That’s the hard part, the wondering whether these children/pre-teens/teens are safe, OK, coping…as they deal with the realities and traumas of war.

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FYI: To reach the online auction, click here. To reach the Owl Center Facebook page, click here. The Facebook page includes a map of Ukraine marking the places where these young artists lived when they submitted their owl art to the International Owl Center.

© Copyright 2022 Audrey Kletscher Helbling