Minnesota Prairie Roots

Writing and photography by Audrey Kletscher Helbling

Five stars for “The Help” August 31, 2011

ABOUT ONCE EVERY two years, I see a movie in a theater. Maybe three times a year, I’ll rent a movie from a video store. Occasionally I’ll watch one on television.

I tell you this because I’m no movie expert, critic or star-struck Hollywood fan. A movie needs to hold promise as an excellent film before I’ll spend a dime, or my time, watching it.

“Sweet Land,” based on the book by Bemidji writer Will Weaver, and the classic 1970s “Love Story” are among my all-time favorite movies.

Now you can add “The Help,” based on the #1 New York Times bestseller by Kathryn Stockett, to that list.

I have yet to read the book. In fact, I hadn’t heard of Stockett’s novel until several days ago. Yes, I sometimes live with my head buried in the sand.

The movie version of the book might help more than a few viewers pull their heads from the sand. In a nutshell, “The Help” tells the story of black women working as maids in upper class Southern white households during the 1960s.

As a native Minnesotan who has never even traveled into the deep South, my impressions of Southern history are based mostly on books, stories, photos and films. Whether “The Help” gets it right, I’m uncertain. But, sadly, I expect what I viewed on the big screen depicts historical reality.

I don’t want to spoil the plot for you, so I’ll simplify the storyline: “The Help” focuses on one young woman’s efforts to reveal the stories of the maids who serve those rich, white Southern women in Jackson, Mississippi. Skeeter, an aspiring writer, does that by interviewing the black women—first, Aibileen, and next, Minny—and then writing a book.

The writer angle, certainly, is a familiar one to me given I’ve been a writer for decades. But the whole “hiring of help in the household” is mostly foreign, except for the time during my high school years when I cleaned house every Saturday for a family in my hometown of Vesta. I was well-treated, well-paid for then, and simply happy to have a job—even if I had to scrub the toilet, wax the linoleum and wipe the bottoms of the legs on the kitchen chairs, all while the teenaged son slept upstairs.

My experience as a maid/cleaning girl can’t compare, not by any stretch, to that of the black women portrayed in “The Help.” They are treated more like slaves, as second-class citizens, as human beings without rights.

Especially troubling for me are the scenes involving bathroom usage—blacks prohibited from using the same bathrooms as whites.

I cried when one of the main characters, the maid Aibileen, spoke of her son’s death and how the white women continued playing bridge like nothing had happened.

Aibileen also repeats, through the course of the movie, this line which stands out for me among all the others: “You is kind. You is smart. You is important.”

After the movie, which is a lengthy 2 ¼ hours, my husband and I and others in the theater sat through the credits. Typically we would leave as soon as the movie ended. But “The Help” calls for sitting in quiet contemplation in a darkened theater, pondering the story and hoping, hoping, that life for blacks in the South today does not at all resemble life there in the 1960s.

HAVE YOU SEEN “The Help” or read the book? If you have, please share your thoughts. I’d like to hear your opinion, positive or negative, on the movie and/or book.

© Copyright 2011 Audrey Kletscher Helbling

 

Rock ‘n rolling in Hamburg June 18, 2011

LAST SUNDAY MY HUSBAND and I drove into Hamburg, just because we’d never been there. It was along the meandering path we chose for our trip back to Faribault from west central Minnesota.

We didn’t hang around in Hamburg, simply went into town, turned around and drove back out. As we passed the community hall in this town of around 500, I snapped this photo. I appreciated the vintage look of the building and wondered how many times locals have gathered here to celebrate.

I imagined dance feet scuffing oak floors, brides launching bouquets, crepe paper streamers sagging from the ceiling, gray-haired ladies sipping coffee, accordions weaving in and out.

I did not imagine Rock ‘N Roll Wrestling. Who would?

But when I later did an online search of Hamburg, I discovered wrestling at the community hall. Surprise. Tonight wrestlers will rock the walls of the community hall as pro-wrestler Rock ‘N Roll Buck ZumHofe brings his wrestling show back to his hometown beginning at 7:30 p.m.

So much for my contemplative visions of a wedding reception and dance or a 50th wedding anniversary party, although I expect those are also part of this building’s history.

Tonight it’s all about wrestling, which I may have watched when I was a kid (and even as recently as 30 years ago.) Vern Gagne, Dr. X, The Crusher, and, yes, even Rock ‘N Roll Buck ZumHofe, are names I remember.

No, I won’t be in Hamburg tonight to relive my days of pro-wrestling devotion at this town’s annual Zummerfest celebration. My interest has vanished and is now limited to the occasional glimpse I catch of wrestlers when the guys in my house are flicking television channels.

However, I expect plenty of faithful fans to fill the old hall. If you wish you could be there but can’t make tonight’s gig, Rock ‘N Roll Wrestling will be in nearby Glencoe on June 25 and in Wabasha on June 26.

According to ZumHofe’s website, you’ll be treated to “old fashion fun wrestling in a format that is nostalgic as well as new and highly entertaining.”

DO YOU HAVE MEMORIES of watching pro-wrestling on television or in person? Do you still watch/attend these wrestling bouts?

AND IF YOU HAVE memories of the Hamburg Community Hall or know anything about its history, please submit a comment. I’d like to hear your stories.

© Copyright 2011 Audrey Kletscher Helbling

 

Pigs and poetry May 14, 2011

This pig greets diners at Piggy Blue's Bar-B-Que in Austin, Minnesota. This image is posted here for pig illustration purposes only, not because it's specifically related to the following story.

IN A WEEK, my sister-in-law is moving from Minot, North Dakota, to Missouri. In August, my brother-in-law, an Air Force man, will join her and their young son.

She’s leaving early to seed the garden, plant the orchard and ponder the purchase of pigs. This has always been Jamie’s dream, to own a country acreage where she can grow fruits and vegetables and raise an Old McDonald variety of animals.

Chickens, rabbits, goats and a pig or two comprise her animal acquisition list.

But about those pigs…I overheard a man advising her last Saturday to “hold off” on the pigs for awhile. He didn’t give a reason, only suggested she wait.

Her husband, Neil, although supportive of his wife’s plan, also has reservations about the swine. If Jamie wants a pig, Neil says he can shoot one. He would be right. The Missouri Department of Conservation advises residents to “shoot ’em on sight” in an online article about the problem of feral pigs running rampant.

Thankfully we do not have a wild pig problem in Minnesota. Our problem would be an overabundance of deer.

But we do have a book of pig poetry featuring 133 pig poems penned by 103 poets like Robert Bly, Louise Erdrich and Bill Holm. Red Dragonfly Press, a solely poetry not-for-profit literary organization based in Red Wing, published Low Down and Coming On: A Feast of Delicious and Dangerous Poems About Pigs. James P. Lenfestey edited the 232-page anthology printed last October.

Tomorrow (May 15) several of the pig penning poets, including Lenfestey, will read from the book at a “Pig Gig” slated for 2 p.m. at the Litchfield Opera House in Litchfield.

Now if my sister-in-law wasn’t preoccupied with packing for Missouri, I’d propose she check out this pig gig for pig pointers prior to purchasing pigs.

© Text and Piggy Blue’s photo copyright 2011 Audrey Kletscher Helbling

 

Tilt-A-Whirl tradition continues in Faribault May 13, 2011

The Mural Society of Faribault created and placed this Tilt-A-Whirl mural on the side of Jim's Auto & Tire along Fourth Street in downtown Faribault in the fall of 2010.

AN AMERICAN ICON amusement ride made in Faribault since 1926 will remain here despite the sale of Sellner Manufacturing to a Texas company.

Jim Hermel and Mike Featherston, co-owners of Gold Star Manufacturing, recently purchased the fiberglass and staging portions of Sellner, I learned in a recent e-mail exchange with Hermel.

That’s good news for Faribault, where the Tilt-A-Whirl, perhaps America’s best-known carnival ride, has been made by the Sellner family since 1926.

If you didn’t realize the Tilt-A-Whirl was produced in Faribault, don’t fret your lack of knowledge. Not until I moved in 1984 into a house blocks away from the carnival ride maker, did I even know this icon ride was made in Minnesota, let alone Faribault.

Local State Representative Patti Fritz tried to get the word out in 2007 by introducing a bill to make the Tilt-A-Whirl Minnesota’s official amusement ride. However, that legislation failed.

My community has also missed the mark on tapping into this home-grown carnival ride as a tourist attraction. But now that the fiberglass ride car portion will continue to be produced here, I believe the opportunity still exists to promote the Tilt-A-Whirl. I’ve always envisioned a fun-focused carnival atmosphere museum and gift shop complete with Tilt-A-Whirl rides, cotton candy, popcorn, activities for kids and more.

Given the current economy, I doubt my vision for a Tilt-A-Whirl tourist site will happen any time soon, unless…

For now I’m content with the fact that Faribault-based Gold Star Manufacturing is contracting with Larson International, Inc., of Plainview, Texas, to manufacture the fiberglass cars for the Tilt-A-Whirl and for other amusement rides. The working machinery part of the business went toTexas.

Gold Star Manufacturing shipped its first carnival ride, Bear Affair, to Toronto, Canada, earlier this month.

Dizzy Dragons, one of the carnival rides that Gold Star will continue to manufacture.

Gold Star will also continue to make the fiberglass bodies for other Sellner-created carnival rides: the Bear Affair, Dizzy Dragons, Ships Ahoy and Pumpkin Patch. Another ride is in the works, Hermel says, and three other fiberglass products are in the development stage.

If anyone can succeed at revitalizing a company which fell into financial hardship, Hermel and Featherston would be the men.

Hermel comes to Gold Star Manufacturing with nearly 30 years in the tire business (selling almost 2 million tires, he says) and with 14 years as executive secretary and manager of the Rice County Fair.

“I wanted to get into something that would offer me a challenge,” the 59-year-old Hermel says.

His partner, Mike Featherston, brings a life-time of experience in the outdoor amusement industry to the new company. Featherston and his family own GoldStar Amusements, Inc., a traveling entertainment business with amusement rides, food and games based in Coon Rapids, Minnesota, and Louisiana. GoldStar contracts for the midway at the Rice County Fair.

Featherston was recently elected second vice chair of the Outdoor Amusement Business Association which aims “to encourage the growth and preservation of the outdoor amusement industry through leadership, legislation, education and membership services.”

Now, as co-owner of Gold Star Manufacturing, Featherston is certainly fulfilling one of those missions by keeping an iconic American carnival ride in production, in Faribault. He and Hermel are continuing the legacy of Herb Sellner who built the first nine-car wooden Tilt-A-Whirl 85 years ago.

© Copyright 2011 Audrey Kletscher Helbling

Bear Affair photo courtesy of Gold Star Manufacturing

 

Remembering my soldier-father and Elizabeth Taylor March 24, 2011

WHEN I HEARD the news on Wednesday of Elizabeth Taylor’s death, I didn’t think of the Hollywood star or the two-time Oscar winner, the stunning beauty with the violet eyes or the woman who married eight times, or even the starlet who struggled with addiction and was a crusader in the fight against AIDS.

Rather, I thought of my dad.

He was smitten with Liz.

He never met the Hollywood actress. But he had seen her on a United Service Organizations stage while serving during the Korean Conflict. That was enough for my Minnesota farmer turned-soldier dad to fall for her. Hard. I don’t recall him ever, in his life-time, talking about another actress. He had eyes only for Elizabeth.

His wasn’t an obsession. Nothing like that. It’s just that he seldom talked about his time on the front lines as a foot solider during the Korean War. He told us about the orphans begging for food across barbed wire fences, the sniper (he eventually killed) picking off members of his platoon, watching his buddy blown up the day before he was to return home to the States, the cold and lack of food, the digging into foxholes for protection…and then Elizabeth Taylor, dear, dear Liz.

I expect that the movie star offered a welcome and pleasant diversion for soldiers who faced death on a daily basis.

My father, Elvern Kletscher, on the left with two of his soldier buddies in Korea.

If my dad was still alive—he died eight years ago at the age of 72—I would ask him about the woman who enamored him with her beauty when she stepped onto Korean soil to entertain the troops. I don’t know details about her USO appearance. I wish I had cared enough to ask him.

I tried to find more information online, but Taylor’s USO tours don’t exactly pop up all over the Internet. She once received the USO Woman of the Year Award and won a USO Merit Award. Otherwise I didn’t find much out there.

And that is dismaying to me. Her time entertaining our servicemen, soldiers like my dad, seems as notable as her roles in Cleopatra or Who’s Afraid of Virginia Woolf.

For me, Elizabeth Taylor will always be more than just another actress. She will be a reminder of my father, of the young Minnesota soldier who was struck by shrapnel at Heartbreak Ridge in Korea and was awarded the Purple Heart 47 years later. It is his memories of Liz that define her to me, not her beauty, not her accolades, not her anything except the temporary escape she gave my soldier-father nearly 60 years ago from the battlefields of Korea, from the horrors of war.

© Copyright 2011 Audrey Kletscher Helbling

 

Keeping a small-town Minnesota movie theater open February 11, 2011

“WE’RE DOING IT for the community…it really is important to us to keep this asset in our community.”

Those words scroll across my computer screen like credits on a movie screen.

Credit for the above statement goes to my cousin, Tim Kletscher, who along with his wife, Susie, last week bought the DeMarce Theatre in Benson. With a $50,000 forgivable loan from the Benson Economic Development Authority and the promise of future investments, the couple signed papers that will keep this western Minnesota movie theater going.

The DeMarce Theatre, a long-time business in downtown Benson in western Minnesota, will remain open. The neon lights on this building are lit during movie times.

Larry DeMarce, 74, who has operated the family movie theater for more than 40 years, will stay on as manager. “He really is the face of the theater and really is a local icon,” Tim says. The theater has been in the DeMarce family since 1925 and is the only movie theater in Swift County.

For Tim, 38, an elementary school teacher, and Susie, 40, a stay-at-home mom, their purchase represents an investment in the future of a town which may have been without this entertainment option. DeMarce planned to retire soon and the time was right for the pair to buy into Benson.

“We bought the theater to keep it going, to help out the community, to provide a ‘part-time’ job for our kids when they are older, and for something for me to have when I retire from teaching,” Tim says. “It (buying the theater) was always something we’ve talked about the past few years, but never said anything to Larry until November.”

For the residents of Benson, population 3,376, keeping the theater open is good news. “Tim and I will be giving people a chance to take a break from reality, get out of their homes and help keep downtown Benson alive,” Susie says.

That’s important in this community, where the nearest theater is in neighboring Morris, in Willmar, 30 miles away, or Alexandria, some 45 miles distant.

Tim says the lower cost of attending a movie in Benson—current ticket prices range from $3.50 for children 12 and under to $5 for adults ($4 for seniors)—is part of the “big draw” locally.

Ticket prices may increase some after the Kletschers upgrade from obsolete 35 mm equipment to a digital projection system this summer. But they still plan to keep prices affordable, honoring the commitment the community has made to them, Tim says. If they go with a 3D projector, 3D movie prices will be a bit higher than a regular movie.

Yet, bottom line, this couple has their community in mind as they invest in its future. And Benson residents are assisting by contributing to the $50,000 Theater Legacy Fund, set up to repay the public investment.

I appreciate that small-town attitude, that depth of community ownership found in residents like Tim and Susie, who have called Benson home since 1994 and 1996 respectively. I’m not saying such strong connections don’t exist in bigger communities. However, in smaller towns, lives are so intertwined that residents comprise the threads woven into the fabric of a community.

While my cousin and his wife are planning electrical and technological updates to the theater building and maybe some new paint inside the lobby, they intend to maintain the architecture and feel of the building and keep the DeMarce Theatre name.

I haven’t seen the old theater, but Tim tells me there’s a stage in front of the screen.

My head is already spinning with possibilities. So is Tim’s apparently. “I’m hoping to get my buddy from Alaska, who’s a poet/storyteller, to come this summer and do a show. He used to teach here with me and he performs at the Fringe Festival in the Cities and in Kansas City. He’s hilarious,” Tim says. In the past, the local Dreamland Theater group and the White Sidewalls performed in the historic theater and the Kid Day Coronation happens here every summer.

Susie has ideas too. “As a parent, I realize there aren’t a lot of places in Benson for kids to hang out,” she says. So she wants to add more games in the lobby or perhaps upstairs. She’s also pondering rentals for Saturday afternoon birthday parties. “I feel I am kind of a kid at heart so that is where most of my thinking goes.”

I like the parental perspective Susie brings to the future of the theater. That can only benefit the families of Benson.

Tim and Susie plan to use this drawing of the DeMarce Theatre on their business cards for TSK Productions, LLC. Local resident and school secretary Pam Anderson created the art.

NATURALLY I WONDERED if Tim and Susie are big movie buffs, expecting that, since they have purchased a theater, they would be. I was wrong. With two young children, their movie attendance has been limited to kids’ movies.

Yet, Susie has her favorites, like The Sound of Music and The Ten Commandments, which she watched every year on her family’s black-and-white TV while growing up in Blue Earth.

“My parents didn’t take us to the theater…and we didn’t have a movie theater in Blue Earth (which is part of my motivation in wanting to keep the one in Benson going), but I do remember my cousins taking me to The Empire Strikes Back when I was around eight years old,” Susie says. “I recall them asking me what kind of “soda” I wanted and I responded chocolate…not knowing they meant “pop.” They were from Colorado and I hadn’t heard “pop” called “soda” before.

I loved the movie and I remember seeing Return of the Jedi later on…one of my all-time favorite movies. I loved the humor and the drama.”

Well, Tim and Susie, I expect you’ll see a lot more movies now that you own a movie theater in Benson.

© Copyright 2011 Audrey Kletscher Helbling

 

The Super Bowl entertainment fiasco February 7, 2011

IF YOU WATCHED the Super Bowl, what’s your opinion of the half-time entertainment?

Here’s mine: I did not get it. None of it. Not the words, not the dancing, not the message, not anything performed by the Black Eyed Peas. I couldn’t understand most of the lyrics.

I did not “get” the lead singer’s (sorry, don’t know his name) clear plastic head covering. He didn’t look too comfortable, sweating and all. I did like the group dancers’ glowing costumes. Those were cool.

I’ll admit that I know nothing about the Black Eyed Peas. I struggle, though, to define their “music” as “music.”

But then 70s era music is my music. And let me tell you, THAT was music—Chicago, Bread, the Moody Blues, Elton John, Rod Stewart…

This Black Eyed Peas stuff is not music, in my fifty-something opinion.

So…, the half-time show disappointed me, big-time. Half-time is one of the two reasons I sometimes, and I mean sometimes, watch the Super Bowl. I also, sometimes, watch the game to see the commercials. I could care less about the football.

I didn’t see every ad, but here’s my take on those: Way too many car commercials. Didn’t we just bail out the auto makers a few years ago and now they are spending millions on 30-second spots? That doesn’t sit right with me. I know, I know, there’s more to the story than that, but I’m just giving you my gut taxpayer reaction.

I don’t know why this surprises me, but I also thought too many commercials were too sexist and too violent. Can’t give you specifics because I didn’t take notes, but I recall a club and fire, weapons and long legs and…a guy ordering flowers…

My favorite commercial—monkeys running across the tops of cars with brief cases—made me chuckle. Sorry, I can’t tell you what they were advertising, so I guess that ad probably failed.

Then to top it off, Christina Aguilera messed up on the National Anthem, singing “What so proudly we watched at the twilight’s last gleaming” instead of “O’er the ramparts we watched, were so gallantly streaming.”

Come on. I admit, I could probably flub The Star Spangled Banner too, but I’m not a professional performer.

At least the Green Bay Packers won the game. I was rooting for them, sort of, when I wasn’t reading the newspaper, clipping coupons and falling asleep on the couch.

© Copyright 2011 Audrey Kletscher Helbling

 

Plaid in Paradise August 13, 2010

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I KNEW HE REALLY didn’t want to attend the show. I’ve been married to my husband long enough (28 years) to gauge his interest.

So when I asked Thursday evening at the supper table whether he wanted to go to Forever Plaid by The Merlin Players at the Paradise Center for the Arts, I didn’t expect (and didn’t get) an “Oh, yeah, I can’t wait to see the play,” jumping-up-and-down reaction. Randy isn’t that sort of emotional guy.

I purposely failed to mention one little fact to him. Forever Plaid is a musical. If I want Randy to attend a musical production with me, I won’t let the “m” word slip from my tongue. That’s almost a guarantee that he’ll balk at attending.

But apparently he’s caught on to my lack of full disclosure. As we settled into our seats, among the few remaining for Thursday evening’s nearly sold-out performance, I turned to him: “Oh, I didn’t tell you this is a musical.”

“I thought so,” he said.

The Paradise Center for the Arts theatre during last summer's production of South Pacific.

For the next 90-plus minutes we listened to Forever Plaid, a quartet of actors/singers, croon and belt out songs from the 1950s and 1960s in a high-energy show. From “Chain Gang” to “Love Is a Many Splendored Thing” to “She Loves You,” these guys could sing and dance and move in nearly perfect unison. What a show. They made me tired simply watching them perform, and sweat.

They also made me smile, non-stop. After awhile I realized that I had been smiling from the moment the quartet, and their back-up band, set foot on the Paradise stage. It’s that kind of musical.

I especially enjoyed their three-plus minute interpretation of The Ed Sullivan Show. The Plaid Boys zipped on and off the stage as jugglers, ventriloquists, a singing nun and more representative of the Sunday night television variety program. Wow, that brought back memories.

Mostly, though, Forever Plaid, the story of a male quartet killed in a tragic accident and come back to life for the performances of their lives, entertained me. And isn’t that what theater is, should be?

I just have one little confession. I dislike plaid—really, really, really dislike plaid.

Plaid, no favorite of mine, and the reason I couldn't print this photo in a larger size, although this plaid is more subdued and OK with me, as far as plaids.

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The Merlin Players will present two more productions of Forever Plaid at 7:30 p.m. on August 13 and 14 at the historic Paradise Center for the Arts at 321 Central Avenue in historic downtown Faribault.

© Copyright 2010 Audrey Kletscher Helbling