Minnesota Prairie Roots

Writing and photography by Audrey Kletscher Helbling

The rhythm, reverence & remembrances of a rural Minnesota auction May 30, 2024

Watching the auction from behind the auctioneer’s truck at the Rice County Steam & Gas Engines Consignment Auction on May 25 south of Dundas. (Minnesota Prairie Roots copyrighted photo May 2024)

THERE’S SOMETHING ABOUT AN AUCTION that evokes nostalgic curiosity, drawing people together to peruse second-hand merchandise, perhaps to bid, perhaps only to watch silently from the side. Even to mourn.

The auctioneer and clerk sell and record items sold. (Minnesota Prairie Roots copyrighted photo May 2024)

Recently, I attended the spring auction at the Rice County Steam & Gas Engines showgrounds south of Dundas as an observer. I didn’t need any of the goods sold on consignment with all commissions donated to the nonprofit. But, still, I watched and wove among the items auctioned by Valek Auction Co. of Northfield.

Lining up for bidding numbers. (Minnesota Prairie Roots copyrighted photo May 2024)
A familiar milk bucket, just like the one my dad used when milking his Holsteins. (Minnesota Prairie Roots copyrighted photo May 2024)
Familiar grain wagons, too. (Minnesota Prairie Roots copyrighted photo May 2024)

I felt like I was back on the farm, filling a bushel basket with silage for the cows, scrubbing the milk bucket with a brush, mixing milk replacer in a galvanized pail, watching corn flow into an aged grain wagon…

A grain bin repurposed as a shelter/resting area at the Rice County Steam & Gas Engines showgrounds. (Minnesota Prairie Roots copyrighted photo May 2024)

Rural auctions like this, for those of us who grew up on working farms or still live on them, are like steps back in time. Decades removed from farm life, I would feel out of place on a modern-day farm with all the technological advancements, the oversized equipment. That bushel basket, that milk bucket, that pail, that grain wagon…all are the stuff of yesteryear. Farming today is much less labor intensive, more efficient.

Items are auctioned off a hay rack. (Minnesota Prairie Roots copyrighted photo May 2024)
A vintage hay loader. (Minnesota Prairie Roots copyrighted photo May 2024)
Merchandise lines the gravel road. (Minnesota Prairie Roots copyrighted photo May 2024)

Still, we often hold onto the past, the memories of back-in-the-day, the “way it used to be.” Nostalgia runs strong at auctions. I saw that, felt it, overheard it as folks gathered around the auctioneer’s pick-up truck, leaned on the hay rack piled with auction goods, meandered among the merchandise lining both sides of a gravel road.

A 1950s vintage stroller, exactly like the one used for me and my five siblings. (Minnesota Prairie Roots copyrighted photo May 2024)

Many of the auction items were vintage, likely pulled from the back corners of a dark machine shed or abandoned barn or from weeds along the edge of a grove. The rusted metal baby stroller could have been the one I rode in, the pitchfork the one I used to bed straw, the hand-reel lawnmower my grandma’s.

A vintage grain drill. (Minnesota Prairie Roots copyrighted photo May 2024)
Planting dates written inside the lid of the grain drill. (Minnesota Prairie Roots copyrighted photo May 2024)

This particular auction held so much relatable history. I doubt I was alone in feeling that way. While looking at a vintage grain drill, an implement used to plant small grains, I discovered historic documentation. There, on the underside of a metal lid, a farmer recorded the dates he planted oats, barley and wheat, beginning in 1951 until 1969 with a few years missing. Planting and finishing dates are important to farmers as they put seed in the ground, anticipate harvest. I thought of this farmer who 73 years ago wrote that first entry on his grain drill, holding the hope of harvest within him.

Inspecting before bidding starts. (Minnesota Prairie Roots copyrighted photo May 2024)

There’s a certain reverence and respect in rural auctions. An honoring of farmers and farm life and the responsibilities that come with tending the land. This isn’t just stuff being sold to the highest bidder, but rather something of value, of importance, that once belonged to another. I remember standing at my father-in-law’s farm auction decades ago and feeling a certain sadness in the sale of items gathered from shed, house, barn and elsewhere.

Lil Fox Wagon, one of several on-site food and beverage vendors. (Minnesota Prairie Roots copyrighted photo May 2024)

Farm auctions represent the final verse in a hymn, the congregation gathered, the auctioneer chanting the liturgy. Comfort and community and closure come. At the hay rack. Among the rows of numbered auction items. At the lunch wagon. All until the last item is sold.

Resting during the morning auction. (Minnesota Prairie Roots copyrighted photo May 2024)

Hallelujah. And amen.

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NOTE: Check back tomorrow to read my prize-winning poem, “Sunday Afternoon at the Auction Barn,” published in 2014 in a Minnesota literary anthology.

© Copyright 2024 Audrey Kletscher Helbling

 

Poetry that sings from Minnesota’s poet laureate May 2, 2024

Book cover sourced online. Cover watercolor painting, “The Musician,” is by Cherokee artist Roy Boney, Jr.

HER POEMS SING with the rhythm of a writer closely connected to land, heritage and history. She is Gwen Nell Westerman of Mankato, Minnesota poet laureate and author of Songs, Blood Deep, published by Duluth-based Holy Cow! Press.

Of Dakota and Cherokee heritage, Westerman honors her roots with poems that reflect a deep cultural appreciation for the natural world. The water. The sky. The seasons. The earth. The birds and animals. They are all there in her writing, in language that is down-to-earth descriptive. Readers can hear the birdsong, feel the breeze, see the morning light… That she pens nature poems mostly about the land of my heart—fields and prairie—endears me even more to her poetry.

This slim volume of collected poems is divided into seasons of the year, each chapter title written in the Dakota language. The book features multiple languages—Dakota, Cherokee, Spanish and English. That adds to its depth, showing that, no matter the language we speak, write or read, we are valued.

This silo mural in downtown Mankato celebrates the cultural diversity of the region, including the Dakota. (Minnesota Prairie Roots copyrighted photo November 2023)

Westerman clearly values her Native heritage, how lessons and stories have been passed to her through generations of women, especially. Songs, blood deep. In her poem “First Song,” she shares a lesson her grandmother taught her about the importance of sharing. After reading that thought-provoking poem, I considered how much better this world would be if we all focused on the singular act of sharing.

The Dakota 38 Memorial at Reconciliation Park in downtown Mankato lists the names of the 38 Dakota men hung at this site on December 26, 1862. (Minnesota Prairie Roots copyrighted photo November 2023)

This poet, who is also a gifted textile artist (creator of quilts), wraps us in her words. In the season of waniyetu, her poetry turns more reflective and introspective, as one would expect in winter. She writes of family, injustices and more. “Song for the Generations: December 26” is particularly moving as that date in history references the mass execution of 38 Dakota sentenced to death in 1862 and hung in Mankato. Westerman writes of rising and remembering, of singing and prayer. It’s a truly honorable poem that sings of sorrow and strength.

Her poems remind us that this land of which she writes was home first to Indigenous Peoples. Westerman writes of a state park in New Ulm, the sacred Jeffers Petroglyphs and Fort Snelling, where Dakota were imprisoned after the U.S.-Dakota War of 1862 and before their exile from Minnesota. The name of our state traces to Mni Sota Makoce, Dakota for “the land where the water reflects the sky.” It’s included in Westerman’s poetry.

I appreciate poems that counter the one-sided history I was taught. I appreciate Westerman’s style of writing that is gentle, yet strong, in spirit. Truthful in a way that feels forgiving and healing.

In the all of these poems, I read refrains of gratitude for the natural world, gratitude for heritage and gratitude for this place we share. We sang. We sing. Songs, blood deep.

FYI: Songs, Blood Deep, is a nominee for the 2024 Minnesota Book Award in poetry. The winner will be announced May 7. This is Westerman’s second poetry book. Her first: Follow the Blackbirds. In addition to writing poetry and creating quilts, Westerman teaches English, Humanities and Creative Writing at Minnesota State University, Mankato.

© Copyright 2024 Audrey Kletscher Helbling

 

Learning more about The Faribault Dakota from a local historian April 12, 2024

Jeff Jarvis shows an artifact while talking about the Dakota. (Minnesota Prairie Roots copyrighted photo April 2024)

WE’RE ALL CONNECTED. We’re all one.” Those closing words by local historian and artist Jeff Jarvis as he ended an hour-long presentation on “The Faribault Dakota” at Books on Central Thursday evening resonate. I’ve long been geographically-connected to Indigenous Peoples, first in my native Redwood County and now in Rice County. But Jarvis’ definition of connection stretches well beyond geography to the connection we all share simply via our humanity.

Jarvis, who is also an artist and graphic designer, handed out this mini guidebook at Thursday’s presentation. (Minnesota Prairie Roots copyrighted photo April 2024)

Jarvis spoke to a standing room only crowd packed into the Rice County Area United Way used bookstore on Faribault’s Central Avenue. The third speaker in the popular literary event series hosted by the bookshop since its fall opening, his talk was more history than literary. Interest ran high.

My interest in the Dakota traces back to the southwestern Minnesota prairie, where I grew up between the Upper and Lower Sioux Indian Reservations. Today the word “community,” references these homes of the Mdewakanton Dakota. When I moved to Rice County 42 years ago, I moved onto land once inhabited by the Wahpakute Dakota. But it wasn’t until I listened to Jarvis speak that I learned even more about the place I initially called home on the southeastern tip of Cannon Lake west of Faribault.

An Indigenous Peoples exhibit at the Rice County Historical Society. (Minnesota Prairie Roots copyrighted photo 2024)

Long before fur traders and settlers moved to this region of southern Minnesota, the Dakota called this land home, typically living along the area’s lakes and rivers, including the Cannon. I knew this; I’ve attended many presentations on the Dakota by local historians. But I wasn’t aware that the former Ackman Store, the rental home where Randy and I lived for 2 ½ years after our 1982 marriage, was near the site of a trading post opened by fur trader and town founder Alexander Faribault.

Native American artifacts found in Rice County and displayed at the Rice County Historical Society. These are not the artifacts shown by Jarvis. (Minnesota Prairie Roots copyrighted photo 2024)

Jarvis asked me after his presentation whether I saw ghosts while living there. I didn’t. And in a conversation with Lou Ackman, who grew up and lived along Cannon Lake and loaned Indian artifacts for Jarvis to show Thursday evening, I learned that people often searched the Ackmans’ farm fields for artifacts.

When Randy and I moved into Faribault, our geographic connection to Indigenous Peoples continued. We purchased a house below Wapacuta (sic) Park, where we still live today. It was upon this now park land that the Dakota placed their dead, (wrapped in buffalo robes or blankets) upon scaffolding until later burial. Jarvis also shared that the Dakota sometimes suspended wrapped bodies from trees to catch the spirits in the windy hilltop location prior to burial 1-2 years later. I’d never heard this prior to Thursday.

Peace Park, an unmarked Dakota cemetery near Buckham Memorial Library. (Minnesota Prairie Roots copyrighted file photo September 2022)

But I was aware that Peace Park, a triangle of land near Buckham Memorial Library, is an Indian burial grounds. Jarvis termed it an unfenced and unrecognized cemetery marked by a faith-based WW II monument and nothing indicating this is sacred ground of the Dakota. Several bodies were discovered buried there in 1874, he said, not wanting to delve deeper into that troubling topic at Thursday’s event.

Jarvis covered a lot more in his one-hour presentation. Most I knew. Some I didn’t. I always appreciate learning local history, especially about the 300-400 Dakota who relocated from Cannon Lake to live in elm bark huts and teepees in the area along the Straight River from Division Street to the wastewater treatment plant.

The community of Faribault, Jarvis said, had/has a lot of color and was/is “a beckoning place” to many peoples. He referenced the Indigenous Peoples of yesteryear and the immigrants of today. “We’re all connected. We’re all one,” Jarvis said. He’s right.

One of two rainbows arches over Faribault Thursday evening. (Copyrighted photo by Randy Helbling April 2024)

As I stepped outside the bookshop after Jarvis’ talk, cloudy skies opened to reveal stunning double rainbows—a symbol of promise and of hope. A symbol that we all live under the same sky, that we’re all connected.

FYI: To learn more about Jeff Jarvis’ work on the local Faribault Dakota Project, click here.

© Copyright 2024 Audrey Kletscher Helbling

 

More than just mannequins in a Faribault shop April 2, 2024

Joyful mannequin. (Minnesota Prairie Roots copyrighted photo March 2024)

AMONG THE TRANS-SIBERIAN ORCHESTRA TOUR and other t-shirts, the refurbished shoes, the hats, the colorful purses, the VHS tapes, the stereo and even the television set playing in black-and-white, they stood out. The dark-skinned mannequins, joyfully jubilant.

I happened upon the pair after popping into Closet Sale, a recently-opened thrift and secondhand shop in downtown Faribault. Inside the cozy space at 103 Central Avenue, they stood, mouths stretched wide as if to shout, “Welcome!” or perhaps, “Hey, you, stop and look!”

No matter what I imagined their words to be, I was drawn to the two. Drawn by their poses. Drawn by their expressions. And drawn by their skin color. I don’t recall ever seeing a black mannequin in a local store, even though Faribault is home to many people whose skin tone is anything but white.

Love the vivid LEGO glasses on this mannequin. (Minnesota Prairie Roots copyrighted photo March 2024)

Upon seeing the extroverted pair, I felt as happy as they appeared. They had character. Spirit. Personality. Their bold over-sized glasses added fashion flair. They seemed the creative type—perhaps musicians or painters of vivid abstracts or performers.

I recognize that’s a lot to take from two store mannequins. I offer no apologies. To me, the duo are more than plastic models showcasing merchandise. They represent my culturally diverse community, including the man who runs Closet Sale. He’s Juan Pablo Zuñiga Navarro, native of Chile.

I appreciate diversity of ownership in Faribault’s historic district. Today’s downtown core is no longer just that of white ownership. Those of Hispanic and Somalian ethnicity also now run businesses along and bordering Central Avenue. We’ve come full circle. Immigrants from many countries, all speaking different languages and with their own customs, faiths and dress, settled this city. Set up shop. Crafted shoes. Built furniture. Brewed beer. Sold dry goods. And much more. All to make a better life for themselves and their families in the land of opportunity.

Just like yesterday, the immigrants of today are working hard to achieve the American dream. Many have escaped war-torn countries, violence, extreme poverty. I recognize that. So I welcomed Juan Pablo to Faribault, told him, “I’m happy to have you here!” I am. And I’m happy also to have those two spirited mannequins, who welcomed me into Juan Pablo’s shop. Joyfully. Exuberantly.

© Copyright 2024 Audrey Kletscher Helbling

 

Award-winning book addresses slavery in compelling stories, haunting art February 21, 2024

I CAN’T IMAGINE a world without books. From the time I was first read to and then learned to read as a young child, I have loved books. From books, I’ve learned, I’ve escaped, I’ve broadened my world well beyond southern Minnesota.

From reading the writing of others, I’ve grown, too, as a writer. Laura Ingalls Wilder, in her Little House books, taught me the importance of detail, of setting, in writing. I grew up on the prairie, some 20 miles from Walnut Grove, once home to the Ingalls family. A grade school teacher read the entire Little House series to me and my classmates. Books have, in many ways, shaped me.

Book cover image sourced online.

But imagine a world without books. That was a reality for slaves in America, denied access to books and to education. I just finished reading Kin: Rooted in Hope, written by Carole Boston Weatherford and illustrated by her son, Jeffery Boston Weatherford. The young adult book, published by Atheneum Books for Young Readers, was named a Coretta Scott King Author Honor Book 2024. It is a book that ought to be read by everyone not only for its insightful poetry-style storytelling, but also for its haunting scratchboard art.

Looking down on the pages of the book with a mix of black and white paper. (Minnesota Prairie Roots copyrighted photo February 2024)

Adding to the overall subliminal effect is the way in which the book is printed. Black words ink white paper. White words imprint black pages. And the artwork is made by etching away black ink to reveal white. This mixed usage of black and white, reinforces the storyline of slavery and slave owners. Black. White.

As I read Kin, which I pulled from a book display for kids and teens at my local library, I was increasingly horrified by what I read. Sure, I’ve read about slavery in history books. But this approach of historical fiction really brought home the ugliness, the abuse, the violence, the awfulness of slavery in a personal way. Fiction rooted in truth.

Children born into slavery. Whippings. An auctioneer’s gavel. Names written on an inventory list along with commodities. Jemmy. Big Jacob. Lyddia. Tom. Walter. Isaac. Mush ladled into a trough. Swimming banned lest an escape to freedom be attempted. And on and on. Atrocities that seem unfathomable to inflict upon individuals chained in Africa, sailed to Maryland, sold, abused, treated like property by wealthy white families.

Photo used for illustration only. (Minnesota Prairie Roots copyrighted file photo)

But in the all of this, threads of kinship, endurance, strength and hope, even defiance, run. Perhaps my favorite line in the book is that of Prissy, a house servant waiting on a dinner guest. He leers at her, making an inappropriate comment. She wants to tell him that she spit in his soup. At this point half way into the book, I applaud her unstated rebellion. As the chapters unfold, so does the move toward freedom for slaves. The author writes of freedom at last and of current day issues (controversial statues in public places, the murder of George Floyd…), all interspersed with a whole lot of history (including historic figures like Frederick Douglass and Harriet Tubman…).

Even though this book is written for young adults, it should be read by older adults, too, who need to hear Prissy’s defiant voice. Author Carole Boston Weatherford gives voice to those who endured slavery, and to those whose family histories trace to enslavement, including her ancestors. Her son’s detailed scratchboard art reinforces the story, the words which wrench the spirit.

I photographed this scene in 2020 in Kenyon, MN. It remains one of my favorite images of this message given its location in a small town. (Minnesota Prairie Roots copyrighted file photo October 2020)

Kin: Rooted in Hope proves an especially fitting read during February, Black History Month. Through this book of historical fiction, I’ve learned more about a part of U.S. history which is horrendous in every possible way. That humanity can treat humanity so atrociously seems unfathomable…until I consider underlying and outright racist attitudes which continue yet today.

© Copyright 2024 Audrey Kletscher Helbling

 

Johnston Hall film screening at historical society December 15, 2023

Johnston Hall, date unknown. (Photo courtesy of Rice County Historical Society)

IN EARLY NOVEMBER, I watched a local documentary online about Johnston Hall in the comfort of my home office. The film, “Love Inwrought: Johnston Hall and the Memory of a Building,” was created by Sam Temple and Logan Ledman. The ambitious and talented young filmmakers have, since their high school days, focused on local history through their 1855 History Team (Steamboat Media Co.). Their latest project focuses on Johnston Hall, completed in 1888 as part of Seabury Divinity School. The building was demolished in 2021 after standing on Faribault’s east side for 133 years.

Sam Temple, left to right, Logan Ledman and Troy Temple. (Photo courtesy of 1855 History Team)

This Saturday, December 16, the duo will present a public screening of their film at the Rice County Historical Society in Faribault from 5:30-6:30 pm. And while I am not able to be there, I encourage anyone interested in Johnston Hall and the fine work of writers and directors Temple and Ledman to attend.

A Q & A follows the screening. Attendees are encouraged to share their stories about Johnston Hall, which saw many uses through the years.

Johnston Hall model. (Photo courtesy of 1855 History Team)

But that’s not all. A model of the building handcrafted by Rathbun Reliquilaries plus artifacts and architectural items saved by the historical society will also be available for viewing.

Saturday’s event offers an ideal opportunity to learn more about Johnston Hall and to meet members of the team that worked diligently to create the documentary. Besides Temple and Ledman those include Troy Temple, illustrator Piper Mohring, composer Sam Dwyer, and actors Steve Searl (portraying Bishop Henry Whipple) and Eli Hastings (as the Rev. Henry St. Clair).

Documentary promo. (Courtesy of 1855 History Team)

According to Sam Temple, the title of the documentary traces to a quote by Bishop Whipple: “There is an unwritten history of faith and love inwrought in every building erected here.” The Episcopalian bishop was referencing buildings (including Johnston Hall) at the schools he helped organize.

This signage stands at Johnston Hall Memorial Garden across the street from the local hospital and clinic. (Minnesota Prairie Roots copyrighted file photo August 2023)

The work of Temple, Ledman and their team is top-notch professional, outstanding and deserving of accolades. These young men are passionate about history, storytelling, filmmaking and creating an appreciation for our past. Their enthusiasm and work impress me. I can’t wait to see what they do next.

FYI: To read my review of “Love Inwrought,” click here.

© Copyright 2023 Audrey Kletscher Helbling

 

Learning about Indigenous peoples from “The Forever Sky” November 27, 2023

(Minnesota Prairie Roots copyrighted file photo September 2022)

IN THE PAST YEAR, my desire to learn more about Native American culture has heightened. My new interest followed a talk in September 2022 by then Rice County Historical Society Director Susan Garwood about “The Indigenous history of the land that is now Rice County, Minnesota.” This county, this community, in which I live was home first to Indigenous peoples, long before the first settlers, the fur traders, the Easterners who moved west.

This sculpture of Alexander Faribault and a Dakota trading partner stands in Faribault’s Heritage Park near the Straight River and site of Faribault’s trading post. Ivan Whillock created this art which sits atop the Bea Duncan Memorial Fountain. (Minnesota Prairie Roots copyrighted file photo)

I knew that, of course. But what I didn’t know was that the Wahpekute, one of the seven “Council Fires” of the Dakota Nation, used the current-day Wapacuta Park just up the hill from my house for honoring their dead.

This Faribault city park, where my kids once zipped down a towering slide, clamored onto a massive boulder, slid on plastics sleds, was where the Wahpekute many years ago placed their dead upon scaffolding prior to burial. That ground now seems sacred to me.

That it took 40 years of living here to learn this information suggests to me that either I wasn’t paying attention to local history or that my community has not done enough to honor the First Peoples of this land.

(Book cover sourced online.)

Whatever the reason, I have, on my own, decided to become more informed about Indigenous peoples. And for me, that starts with reading. I recently headed to the children’s section of my local library and checked out the book, The Forever Sky, written by Thomas Peacock (a member of the Fond du Lac Band of Lake Superior Anishinaabe Ojibwe) and illustrated by Annette S. Lee (mixed-race Lakota-Sioux of the Ojibwe and Lakota-Sioux communities).

These two Minnesotans, in their collaborative children’s picture book, reveal that “the sky and stars all have stories.” Oh, how I value stories. And the stories shared in this book, these sky stories, are of spirits and animals and the Path of Souls, aka The Milky Way, and…

I especially appreciate the book’s focus on the northern lights, explained as “the spirits of all of our relatives who have passed on.” The descriptive words and vivid images make me view the northern lights, which I have yet to see in my life-time, through the eyes of Indigenous peoples. The changing blues and greens are their loved ones dancing in the night sky. Dancing, dancing, dancing. How lovely that imagery in replacing loss with hope and happiness.

The Forever Sky has created an awareness of Native culture previously unknown to me. Just like that talk a year ago by a local historian aiming to educate. I have much to learn. And I am learning via books found not only in the adult section of the library, but also among the children’s picture books. That writers and illustrators are covering topics of cultural importance in kids’ books gives me hope for the future. My grandchildren, even though they will never see the vast, dark, star-filled sky I saw nightly as a child of the prairie, are growing up much more informed. They will understand cultures well beyond their own heritage. And that encourages me.

© Copyright 2023 Audrey Kletscher Helbling

 

New film focuses on the people & stories of Johnston Hall November 7, 2023

This undated photo of Johnston Hall is courtesy of the Rice County Historical Society.

AS A WRITER AND PHOTOGRAPHER, I understand the power of storytelling. That focuses my work. I strive to connect with readers in a meaningful and personal way via images and words.

Johnston Hall, photographed shortly before it was demolished. (Minnesota Prairie Roots copyrighted photo September 2021)

And so storytelling is the approach I intended to take in writing about Johnston Hall. A building constructed in 1888 on Faribault’s east side. A building which once centered learning, then healthcare. A building placed on the National Register of Historic Places. A building that did not, physically, withstand the ravages of time and weather. A building which in 2021 was demolished, but not without efforts to save it.

The QR code on the sign links to the new documentary on Johnston Hall. (Minnesota Prairie Roots copyrighted photo August 2023)

Johnston Hall is not only part of my family’s story, but of the larger community, of Faribault’s history for 133 years. Now filmmakers Samuel Temple and Logan Ledman of the local 1855 History Team (Steamboat Media Company) have released their newest documentary, “Love Inwrought: Johnston Hall and the Memory of a Building.”

This shows the back of Johnston Hall Memorial Garden, looking toward Allina Health Faribault Medical Center. The garden is next to an employee parking lot. The bronze Seabury Divinity School plaque was saved from the hall and focuses the garden. (Minnesota Prairie Roots copyrighted photo August 2023)

I need to backtrack for a moment, though, to late August, when I photographed Johnston Hall Memorial Garden, located along State Street on the campus of the Allina Health Faribault Medical Center. The recently-completed garden honors the history of Johnston Hall and provides a contemplative space to reflect. For me, that’s remembering the time I spent, along with loved ones, in the aged building that once sat north of the hospital and clinic, northwest of the new garden.

Image credit: 1855 History Team Facebook page

In their Johnston Hall documentary, the filmmakers weave together history, memories, stories. Temple states that “…each soul passing through a building is a part of its memory, its identity and its legacy.” That is the singular line which stands out for me, the line defining Johnston Hall as more than a building that once stood tall, grand and strong, initially as part of Seabury Divinity School. Johnston Hall is part of so many personal stories, including mine.

Johnston Hall in a 1990 image, as a Medical Office Building. (Photo courtesy of the Rice County Historical Society)

While I don’t recall the exact year I first walked through the doors of this stately limestone Romanesque architectural style structure, it was after an orthopedic and fracture clinic moved into the building. That followed histories of usage as the divinity school (closed in 1933) library and classrooms, a nurses’ training school and then a vocational-technical school.

Johnston Hall photographed from the parking lot of the hospital and clinic. (Minnesota Prairie Roots copyrighted photo September 2021)

Broken bones and other health issues landed me and my family inside Johnston Hall. As a grade schooler, my son broke his little finger while unicycling in our driveway. In 2006, he was back at Johnston Hall, this time with a rib fracture and a broken bone in his hand after a hit-and-run driver struck him while he crossed the street to his bus stop. The same morning of that May 2006 scare, while my husband and son were in the hospital emergency room, I wound my way to nearby Johnston Hall for an appointment with an orthopedic doctor. I had waited too long to cancel my appointment, although I desperately wanted to stay by my son’s side in the ER.

On that May morning, I learned that I would eventually need right hip replacement surgery due to osteoarthritis. I delayed that surgery until 2008. The stairway and waiting room and exam rooms of Johnston Hall soon grew all too familiar.

To my second daughter also, who was screened for scoliosis in junior high and then referred to the medical team at Johnston Hall. Eventually her spinal curvature required wearing a customized, full body, hard plastic back brace 24/7 for a year. It was the first time I cried at Johnston Hall.

Stone was saved from Johnston Hall and incorporated into the memorial garden, including stone marking the hall as a gift from Augusta Huntington. (Minnesota Prairie Roots copyrighted photo August 2023)

In many ways, Johnston Hall and tears are intertwined. As the filmmakers share in their documentary, funding for the hall came from Augusta Huntington, formerly Augusta Shumway. Horatio Shumway left tens of thousands of dollars to his grieving widow. She used his gift to fund construction of Good Shepherd Chapel and then Shumway Hall in honor of Horatio. Both sit on the campus of the current-day Shattuck-St. Mary’s School, a private college prep school. In 1888, construction of Johnston Hall was completed, the cornerstone laid. The hall was a final bequeath from Augusta, who died in 1884. The building honors her father, William Johnston.

Up close, historic Johnston Hall shortly before its demolition. (Minnesota Prairie Roots copyrighted photo September 2021)

“Love Inwrought: Johnston Hall and the Memory of a Building” features much more in-depth history, including the connection between Minnesota’s first Episcopal bishop, Bishop Henry Whipple (who called Faribault home), and Augusta Shumway. The filmmakers also highlight Henry St. Clair, a Dakota man who attended Seabury Divinity School, studying inside the library and classrooms of Johnston Hall. He became an ordained deacon and then a pastor. Indigenous peoples are an integral part of Faribault’s history and I appreciate that these filmmakers focus on that, too, in their latest work.

Incorporated into Johnston Hall Memorial Garden, the 1888 cornerstone. (Minnesota Prairie Roots copyrighted photo September 2023)

In their well-researched documentary, Temple and Ledman use historical photos, illustrations, even a building model, actors, original music (composed by Sam Dwyer) and narration to tell the stories of Johnston Hall. Theirs is, indeed, a work of love, revealing how love inwrought takes a building beyond wood and limestone to memories abiding within the souls of those who’ve passed through its doors.

FYI: To view this documentary film, click here.

Please check back for a follow-up story featuring a closer look at Johnston Hall Memorial Garden.

© Copyright 2023 Audrey Kletscher Helbling

 

Bison: History, cultural importance, a film & a poem October 12, 2023

Minneopa State Park near Mankato is home to 30-40 bison fenced on 325 acres of primarily prairie. (Minnesota Prairie Roots copyrighted file photo 2019)

THEY ARE MASSIVE BEASTS, once roaming the American Great Plains by the millions. They are bison, also called buffalo, today numbering some 370,000 in North America. Most are raised as livestock. But some 31,000, or eight percent, are part of conservation herds, including right here in Minnesota. Such herds are designed to protect wild bison and preserve their genetic diversity.

Interpretive signage about bison overlooks the prairie at Minneopa State Park. (Minnesota Prairie Roots copyrighted file photo 2019)

An upcoming documentary, “The American Buffalo—A Story of Resilience” by awarding-winning filmmaker Ken Burns, and my own recently posted poem about bison prompted my renewed interest in this animal. Burns’ 4-hour film airs in two parts, at 7 pm on Monday, October 16, and on Tuesday, October 17, on PBS. His documentary traces the history of bison, their importance in Native peoples’ lives and culture, their near extinction, and efforts to bring them back.

Bison up close while driving through Minneopa State Park. (Minnesota Prairie Roots copyrighted file photo 2019)

My connection to bison began decades ago with childhood visits to Ramsey Park (in Redwood Falls), now also more appropriately called Cansayapi Park. Cansayapi in the Dakota language means “where they marked the trees red,” the traditional Minnesota River valley homeland of the Dakota. The Lower Sioux Indian Community is located near nearby Morton with an enrolled membership of 930 of the Mdewakanton Band of the Dakota.

A map, posted in Minneopa State Park, shows the prairie and historic bison territory in Minnesota. (Minnesota Prairie Roots copyrighted file photo 2019)

Given the region’s rich Native heritage, the presence of a small group of bison in the Ramsey Park Zoo seems fitting. I recall rushing to see the buffalo there, both excited and intimidated by their massive hulk. Today I’m not so much afraid as respectful of their size and their importance in Indigenous Peoples’ culture.

A sculpture of White Buffalo Calf Woman, part of Indigenous culture, displayed at the 2011 Mankato City Art Walking Sculpture Tour. Artwork by Lee Leuning and Sherri Treeby. (Minnesota Prairie Roots copyrighted file photo 2011 by Audrey Kletscher Helbling)

One need only look back in history to see how invaluable bison were to these original inhabitants of the prairie, the plains. Bison provided food, shelter, clothing and more to Indigenous Peoples. They also held spiritual and cultural significance. Bison were considered kin, respected by those who respected Mother Earth.

Bison at Minneopa State Park watering hole. (Minnesota Prairie Roots copyrighted file photo 2019)

And then the white man came in the 1800s, overtaking the land, nearly driving bison to extinction as they hunted and slaughtered the animal primarily for their hides.

Blue Mounds State Park in rural Rock County, Minnesota, is home to 80-90 bison, although I did not see them when I visited the park in 2013. (Minnesota Prairie Roots copyrighted file photo 2013)

And so the story of bison is not only one of past atrocities in American history, but also one of personal history for me with those fenced bison in Minnesota’s largest municipal park, known as “The Little Yellowstone of Minnesota” for its beautiful natural topography seemingly like Yellowstone National Park. Yellowstone, the one in Wyoming, is home to nearly 6,000 bison.

A sign along the prairie’s edge at Minneopa State Park informs about bison in Minnesota. (Minnesota Prairie Roots copyrighted file photo 2019)

In my youth, I didn’t understand the importance of bison in Native culture. I simply delighted in seeing them in the zoo at then Alexander Ramsey Park in my native Redwood County. Neither did I recognize how offensive the name of the park I loved as a child—Alexander Ramsey Park. Alexander Ramsey served as our first territorial governor and then as the second state governor of Minnesota during the US-Dakota War of 1862. He offered a bounty to anyone who killed a Dakota person and called for Indigenous Peoples to be driven out of Minnesota.

This 67-ton Kasota limestone sculpture stands in Reconciliation Park in Mankato. It symbolizes the spiritual survival of the Dakota People and honors the area’s Dakota heritage. The park is the site of the largest mass hanging in U.S. history. (Minnesota Prairie Roots copyrighted file photo 2019)

With that backstory and an understanding of a period in Minnesota history marked by hatred and injustices, I paid homage to bison in a poem now gracing a sign in Mankato. Mahkato, a Dakota word which means “blue earth,” was the site of the largest mass execution in the United States on December 26, 1862. Thirty-eight Dakota, sentenced to death in sham trials for their roles in the US-Dakota War, were hung in Mankato.

My poem posted along a recreational trail in Mankato. (Photo credit: Kay Herbst Helms)

I wanted to honor the original inhabitants of Mahkato, the bison, the Native culture, the land. And so I wrote “The Mighty Tatanka,” using the Dakota word for bison. My poem was selected for inclusion in the Mankato Poetry Walk & Ride and is posted on a sign in West Mankato.

The Mighty Tatanka

Tatanka trips from my tongue
like the steady beat of horse hooves
pounding the prairie
in pursuit of massive beasts.

Bison. Honored. Sacred to the Dakota.
Source of life and food and shelter.
Once roaming, grazing, stampeding
this land upon which I stand.

While my poem is succinct, limited by wordage requirements in the poetry competition, I’d like to think “The Mighty Tatanka” is powerful. It holds not only the rhythm of carefully selected words, but a story. A story of bison, of Indigenous Peoples, of a way of life, of a culture. It holds, too, honor for the land and of those who first inhabited, and respected, it.

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FYI: My poem is posted on a sign along the West Mankato Trail near the intersection of Owatonna Street and Blue Earth and Sylvia Streets in West Mankato. You can listen to me read my poem by calling 507-403-4038 and entering 406.

Noted Minnesota wildlife photographer Jim Brandenberg’s (right in video) work, including this image of bison, is featured in a gallery bearing his name in Luverne, near Blue Mounds State Park. (Minnesota Prairie Roots copyrighted file photo 2013)

To see Minnesota Bison Conservation Herd bison in Minnesota, visit Minneopa State Park near Mankato, Blue Mounds State Park near Luverne, the Minnesota Zoological Garden, Oxbow Park & Zollman Zoo by Byron, and Spring Lake Park Reserve Bison Prairie in Dakota County.

© Copyright 2023 Audrey Kletscher Helbling

 

 

A look at Taopi, plus an overview of failures, injustices & war in Minnesota October 9, 2023

Just inside the entrance to Maple Lawn Cemetery, a sign directs visitors to Taopi’s gravesite. (Minnesota Prairie Roots copyrighted photo October 2023)

MY GOAL WAS SIMPLE—to write a piece honoring Indigenous Peoples’ Day. My focus, I initially decided, would be on Taopi, a member of the Little Crow Band of the Mdewakanton Dakota Tribe. Taopi is perhaps best known in Faribault, where he lived for a while and is buried. A small Mower County town near the Iowa border also honors him in name. But my writing expanded beyond Taopi.

Taopi’s grave, and that of his daughter, are easily spotted via the propped poles. (Minnesota Prairie Roots copyrighted photo October 2023)

Recently I visited Taopi’s gravesite at Maple Lawn Cemetery. My interest piqued. I wanted to learn more about this Dakota leader and his importance in my community and in Minnesota history. His place in history connects to the US-Dakota War of 1862, a war all too familiar to me. My native Redwood County, where the Lower Sioux Agency was located, centered that deadly, short-lived conflict between white people and Native Peoples.

Now, viewing this war through a lens not tinted primarily by a white perspective, I understand the injustices. Decades ago, when I wrote a high school term paper on the war, I admittedly wrote a biased, unbalanced report based on biased, unbalanced research sources.

With time and maturity came the realization of the great injustices done, first when the US government acquired Indigenous Peoples’ land at a seemingly low cost and then failed to honor those treaties. The treaties opened nearly 24 million acres to white settlers. It was the Natives, the original inhabitants of this land, who found themselves cheated of government annuities, starving, pushed off their land and confined to strips of land along the Minnesota River. That includes the Wahpekute, a small band of the Dakota who lived in south central Minnesota, including the Faribault area. I live just below a Faribault city park called Wapacuta.

An exhibit at the Rice County Historical Society Museum. Artifacts from Indigenous Peoples are also displayed in cases. (Minnesota Prairie Roots copyrighted photo October 2023)

At the time of the US-Dakota War of 1862, Taopi was in the thick of all of it as a “farmer Indian,” the name tagged to Native Peoples who opted to farm, adapting the ways of the white man in occupation, dress and sometimes religion. He lived near the Lower Sioux Agency, relocated to a reservation there following the Treaty of Mendota in 1851. Those who continued with their hunting and fishing culture were known as “blanket Indians.” Taopi assuredly felt the animosity of his own people for the lifestyle and other choices he made.

A woodcarving of Taopi by noted Faribault artist Ivan Whillock is for sale in the Rice County Historical Society Museum’s gift shop. One is also displayed in a museum exhibit on Taopi. (Minnesota Prairie Roots copyrighted photo October 2023)

I can only imagine the pressure Indigenous Peoples experienced as white settlers moved into the area. The change, at times, had to feel overwhelming. Life would never be the same. Long-time homelands were lost, tradition and culture endangered. And so Taopi and others adapted, likely accepting that change was inevitable.

The gravesite of Taopi and his daughter, Cornelia Whipple Taopi (named after Cornelia Whipple, married to Bishop Henry Whipple). (Minnesota Prairie Roots copyrighted photo October 2023)

But one thing that remained constant with Taopi was his focus on peace. He opposed the war and was a leader in the Dakota Peace Party. He is credited with saving the lives of many.

Yet, at war’s end, Taopi found himself caught—disliked by his peoples, who considered him a traitor, and disliked by whites holding a deep animosity toward any Native person. In Faribault, though, he had a friend in Bishop Henry Whipple, a strong advocate for First Peoples, and in town founder Alexander Faribault. Eventually, Taopi and other Natives moved onto land owned by Alexander Faribault, living under his protection on a bluff overlooking the Straight River. Taopi died in 1869. In 1895, the Indigenous Peoples of Faribault were displaced once again, moved to the Lower Sioux Reservation. They had always existed on the fringes in Faribault, never fully-accepted by most residents while under the protection of the bishop and town founder.

Dana Hanson’s “Father’s of Faribault” (left to right, Alexander Faribault, Taopi and Bishop Henry Whipple) featured on a bench along Central Avenue in downtown Faribault. The same artwork hangs inside Buckham Memorial Library. (Minnesota Prairie Roots copyrighted photo October 2023)

And so that is a brief look at Taopi, whose gravesite I visited. His presence remains visible elsewhere in Faribault. He’s featured in an exhibit at the Rice County Historical Society Museum. A “Fathers of Faribault” portrait of Taopi, Bishop Whipple and Alexander Faribault by Dana Hanson hangs at Buckham Memorial Library. Just a block to the north, that same artwork graces an historic-themed bench. Taopi was, most assuredly, a man of importance in local and state history. I will remember him primarily as a man of peace in a time when peace was decidedly elusive.

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© Copyright 2023 Audrey Kletscher Helbling

Sources: The First Cathedral, an Episcopal Community for Mission by Benjamin Ives Scott and Robert Neslund; the Minnesota Historical Society website; and the Rice County Historical Society Museum’s Taopi display.