Minnesota Prairie Roots

Writing and photography by Audrey Kletscher Helbling

Award-winning book addresses slavery in compelling stories, haunting art February 21, 2024

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I CAN’T IMAGINE a world without books. From the time I was first read to and then learned to read as a young child, I have loved books. From books, I’ve learned, I’ve escaped, I’ve broadened my world well beyond southern Minnesota.

From reading the writing of others, I’ve grown, too, as a writer. Laura Ingalls Wilder, in her Little House books, taught me the importance of detail, of setting, in writing. I grew up on the prairie, some 20 miles from Walnut Grove, once home to the Ingalls family. A grade school teacher read the entire Little House series to me and my classmates. Books have, in many ways, shaped me.

Book cover image sourced online.

But imagine a world without books. That was a reality for slaves in America, denied access to books and to education. I just finished reading Kin: Rooted in Hope, written by Carole Boston Weatherford and illustrated by her son, Jeffery Boston Weatherford. The young adult book, published by Atheneum Books for Young Readers, was named a Coretta Scott King Author Honor Book 2024. It is a book that ought to be read by everyone not only for its insightful poetry-style storytelling, but also for its haunting scratchboard art.

Looking down on the pages of the book with a mix of black and white paper. (Minnesota Prairie Roots copyrighted photo February 2024)

Adding to the overall subliminal effect is the way in which the book is printed. Black words ink white paper. White words imprint black pages. And the artwork is made by etching away black ink to reveal white. This mixed usage of black and white, reinforces the storyline of slavery and slave owners. Black. White.

As I read Kin, which I pulled from a book display for kids and teens at my local library, I was increasingly horrified by what I read. Sure, I’ve read about slavery in history books. But this approach of historical fiction really brought home the ugliness, the abuse, the violence, the awfulness of slavery in a personal way. Fiction rooted in truth.

Children born into slavery. Whippings. An auctioneer’s gavel. Names written on an inventory list along with commodities. Jemmy. Big Jacob. Lyddia. Tom. Walter. Isaac. Mush ladled into a trough. Swimming banned lest an escape to freedom be attempted. And on and on. Atrocities that seem unfathomable to inflict upon individuals chained in Africa, sailed to Maryland, sold, abused, treated like property by wealthy white families.

Photo used for illustration only. (Minnesota Prairie Roots copyrighted file photo)

But in the all of this, threads of kinship, endurance, strength and hope, even defiance, run. Perhaps my favorite line in the book is that of Prissy, a house servant waiting on a dinner guest. He leers at her, making an inappropriate comment. She wants to tell him that she spit in his soup. At this point half way into the book, I applaud her unstated rebellion. As the chapters unfold, so does the move toward freedom for slaves. The author writes of freedom at last and of current day issues (controversial statues in public places, the murder of George Floyd…), all interspersed with a whole lot of history (including historic figures like Frederick Douglass and Harriet Tubman…).

Even though this book is written for young adults, it should be read by older adults, too, who need to hear Prissy’s defiant voice. Author Carole Boston Weatherford gives voice to those who endured slavery, and to those whose family histories trace to enslavement, including her ancestors. Her son’s detailed scratchboard art reinforces the story, the words which wrench the spirit.

I photographed this scene in 2020 in Kenyon, MN. It remains one of my favorite images of this message given its location in a small town. (Minnesota Prairie Roots copyrighted file photo October 2020)

Kin: Rooted in Hope proves an especially fitting read during February, Black History Month. Through this book of historical fiction, I’ve learned more about a part of U.S. history which is horrendous in every possible way. That humanity can treat humanity so atrociously seems unfathomable…until I consider underlying and outright racist attitudes which continue yet today.

© Copyright 2024 Audrey Kletscher Helbling

 

Bison: History, cultural importance, a film & a poem October 12, 2023

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Minneopa State Park near Mankato is home to 30-40 bison fenced on 325 acres of primarily prairie. (Minnesota Prairie Roots copyrighted file photo 2019)

THEY ARE MASSIVE BEASTS, once roaming the American Great Plains by the millions. They are bison, also called buffalo, today numbering some 370,000 in North America. Most are raised as livestock. But some 31,000, or eight percent, are part of conservation herds, including right here in Minnesota. Such herds are designed to protect wild bison and preserve their genetic diversity.

Interpretive signage about bison overlooks the prairie at Minneopa State Park. (Minnesota Prairie Roots copyrighted file photo 2019)

An upcoming documentary, “The American Buffalo—A Story of Resilience” by awarding-winning filmmaker Ken Burns, and my own recently posted poem about bison prompted my renewed interest in this animal. Burns’ 4-hour film airs in two parts, at 7 pm on Monday, October 16, and on Tuesday, October 17, on PBS. His documentary traces the history of bison, their importance in Native peoples’ lives and culture, their near extinction, and efforts to bring them back.

Bison up close while driving through Minneopa State Park. (Minnesota Prairie Roots copyrighted file photo 2019)

My connection to bison began decades ago with childhood visits to Ramsey Park (in Redwood Falls), now also more appropriately called Cansayapi Park. Cansayapi in the Dakota language means “where they marked the trees red,” the traditional Minnesota River valley homeland of the Dakota. The Lower Sioux Indian Community is located near nearby Morton with an enrolled membership of 930 of the Mdewakanton Band of the Dakota.

A map, posted in Minneopa State Park, shows the prairie and historic bison territory in Minnesota. (Minnesota Prairie Roots copyrighted file photo 2019)

Given the region’s rich Native heritage, the presence of a small group of bison in the Ramsey Park Zoo seems fitting. I recall rushing to see the buffalo there, both excited and intimidated by their massive hulk. Today I’m not so much afraid as respectful of their size and their importance in Indigenous Peoples’ culture.

A sculpture of White Buffalo Calf Woman, part of Indigenous culture, displayed at the 2011 Mankato City Art Walking Sculpture Tour. Artwork by Lee Leuning and Sherri Treeby. (Minnesota Prairie Roots copyrighted file photo 2011 by Audrey Kletscher Helbling)

One need only look back in history to see how invaluable bison were to these original inhabitants of the prairie, the plains. Bison provided food, shelter, clothing and more to Indigenous Peoples. They also held spiritual and cultural significance. Bison were considered kin, respected by those who respected Mother Earth.

Bison at Minneopa State Park watering hole. (Minnesota Prairie Roots copyrighted file photo 2019)

And then the white man came in the 1800s, overtaking the land, nearly driving bison to extinction as they hunted and slaughtered the animal primarily for their hides.

Blue Mounds State Park in rural Rock County, Minnesota, is home to 80-90 bison, although I did not see them when I visited the park in 2013. (Minnesota Prairie Roots copyrighted file photo 2013)

And so the story of bison is not only one of past atrocities in American history, but also one of personal history for me with those fenced bison in Minnesota’s largest municipal park, known as “The Little Yellowstone of Minnesota” for its beautiful natural topography seemingly like Yellowstone National Park. Yellowstone, the one in Wyoming, is home to nearly 6,000 bison.

A sign along the prairie’s edge at Minneopa State Park informs about bison in Minnesota. (Minnesota Prairie Roots copyrighted file photo 2019)

In my youth, I didn’t understand the importance of bison in Native culture. I simply delighted in seeing them in the zoo at then Alexander Ramsey Park in my native Redwood County. Neither did I recognize how offensive the name of the park I loved as a child—Alexander Ramsey Park. Alexander Ramsey served as our first territorial governor and then as the second state governor of Minnesota during the US-Dakota War of 1862. He offered a bounty to anyone who killed a Dakota person and called for Indigenous Peoples to be driven out of Minnesota.

This 67-ton Kasota limestone sculpture stands in Reconciliation Park in Mankato. It symbolizes the spiritual survival of the Dakota People and honors the area’s Dakota heritage. The park is the site of the largest mass hanging in U.S. history. (Minnesota Prairie Roots copyrighted file photo 2019)

With that backstory and an understanding of a period in Minnesota history marked by hatred and injustices, I paid homage to bison in a poem now gracing a sign in Mankato. Mahkato, a Dakota word which means “blue earth,” was the site of the largest mass execution in the United States on December 26, 1862. Thirty-eight Dakota, sentenced to death in sham trials for their roles in the US-Dakota War, were hung in Mankato.

My poem posted along a recreational trail in Mankato. (Photo credit: Kay Herbst Helms)

I wanted to honor the original inhabitants of Mahkato, the bison, the Native culture, the land. And so I wrote “The Mighty Tatanka,” using the Dakota word for bison. My poem was selected for inclusion in the Mankato Poetry Walk & Ride and is posted on a sign in West Mankato.

The Mighty Tatanka

Tatanka trips from my tongue
like the steady beat of horse hooves
pounding the prairie
in pursuit of massive beasts.

Bison. Honored. Sacred to the Dakota.
Source of life and food and shelter.
Once roaming, grazing, stampeding
this land upon which I stand.

While my poem is succinct, limited by wordage requirements in the poetry competition, I’d like to think “The Mighty Tatanka” is powerful. It holds not only the rhythm of carefully selected words, but a story. A story of bison, of Indigenous Peoples, of a way of life, of a culture. It holds, too, honor for the land and of those who first inhabited, and respected, it.

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FYI: My poem is posted on a sign along the West Mankato Trail near the intersection of Owatonna Street and Blue Earth and Sylvia Streets in West Mankato. You can listen to me read my poem by calling 507-403-4038 and entering 406.

Noted Minnesota wildlife photographer Jim Brandenberg’s (right in video) work, including this image of bison, is featured in a gallery bearing his name in Luverne, near Blue Mounds State Park. (Minnesota Prairie Roots copyrighted file photo 2013)

To see Minnesota Bison Conservation Herd bison in Minnesota, visit Minneopa State Park near Mankato, Blue Mounds State Park near Luverne, the Minnesota Zoological Garden, Oxbow Park & Zollman Zoo by Byron, and Spring Lake Park Reserve Bison Prairie in Dakota County.

© Copyright 2023 Audrey Kletscher Helbling

 

 

In celebration of National Poetry Month, a selected poem April 5, 2023

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I took poetic license and photoshopped this image of the button I wore identifying me as a poet at a poetry reading. (Minnesota Prairie Roots copyrighted file photo April 2015)

APRIL MARKS National Poetry Month, a time to celebrate poetic verse and poets. As a long-time writer, I unequivocally state that penning poetry is challenging. Why? Every. Single. Word. Counts.

That makes sense given the structure of poems.

I’ve written poetry off and on since high school. All those decades ago, I wrote angst-filled poems reflective of teenage moods, emotions and life. Recently a high school friend returned a poem I wrote for her nearly 50 years ago, a poem handwritten on lined notebook paper. The folded page, yellowed with age, holds words focusing on my future and the ultimate question at life’s end: What good have I done?

The poem dedicated to Janette is not particularly well-written. Yet, it has value in reflecting my thoughts, in opening myself up, in showing vulnerability to a trusted friend. Will I share it with you? No.

My poem, “Final Harvest,” and two pieces of creative nonfiction were selected for publication in this anthology in 2020. (Minnesota Prairie Roots copyrighted file photo 2020)

But I will share my poem, “Final Harvest,” which published in Insights, Talking Stick 29. It was chosen by the editorial team of Menahga-based Jackpine Writers’ Bloc for the 2020 edition of TS, a selected collection of poetry, fiction and creative nonfiction by Minnesotans or those with a Minnesota connection.

This scene at Parkview Senior Living in Belview, Minnesota, inspired a poem. (Minnesota Prairie Roots copyrighted file photo July 2019)

The poetry I write, like nearly all of my writing, carries a strong sense of place, often rooted in my agrarian roots. And, like nearly all of my creative writing, my poetry is rooted in truth. A cornstalk growing in a pink bucket in the community room at Parkview Senior Living, where my mom lived before her 2022 death, inspired “Final Harvest.” It is not at all angst-filled. But, in a round about way, it asks the same question: What good have I done?

Final Harvest

The cornstalk rises tall, straight

from the pink five-gallon bucket

set next to an uncomfortable tan chair

on carpet the color of dirt.

If the retired farmer in the wheelchair

looks long enough, he imagines rows of corn

rooted in a field of rich black soil,

leaves unfurling under a wide blue sky.

Staff stops to check the corn plant

seeded on May 13, not too late,

says the old farmer as he pours water

into the bucket, soaking the soil.

I focus my camera lens on the cornstalk,

pleased and amused by its placement here

like a still life shadowing beige walls

in the community room of my mom’s care center.

© Copyright 2023 Audrey Kletscher Helbling

 

Alright, winter, time to leave Minnesota as spring arrives March 20, 2023

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Trees bud at Falls Creek Park, rural Faribault, in late May 2022. (Minnesota Prairie Roots copyrighted file photo May 2022)

TODAY, THE FIRST DAY of spring, hope springs that this long winter of too much snow will soon exit Minnesota. Most Minnesotans, including me, are weary of days marked by new snowfall that has accumulated, pushing this 2022-2023 winter season into top 10 records in our state.

Asparagus, one of my favorite spring vegetables. (Minnesota Prairie Roots copyrighted file photo)

But now, with the official start of a new season on March 20—the season of new life, the season of planting and budding and greening—I feel a mental shift. Psychologically, my mind can envision a landscape shifting from colorless monochrome to vivid greens. I can feel the warmth of warmer days yet to come. I can smell the scent of dirt released, breaking from winter’s grip. I can hear the singsong chatter of returning birds. I can taste asparagus spears snapped from the soil.

A bud beginning to open in late April 2020. (Minnesota Prairie Roots copyrighted file photo April 2020)

All of this is yet to come. I understand that. A date on a calendar doesn’t mean spring in Minnesota. That season is realistically weeks away. April can still bring inches of snow.

Crocuses, always the first flower of spring in my flowerbeds. (Minnesota Prairie Roots copyrighted file photo March 2021)

But we are edging toward spring. I feel that in temps sometimes reaching just past 40 degrees. I feel it in the warmth of the sun, shining brighter, bolder, longer. I see dwindling snow packs and exposed patches of grass. I hear spring in vehicles splashing through puddles rather than crunching across snow. I see spring, too, in the endless potholes pocking roadways.

The first line in my winning poem, posted roadside in 2011. (Minnesota Prairie Roots copyrighted file photo 2011)

On this first day of spring, I am reminded of a poem I penned in 2011, a poem which splashed across four billboards along a road just off Interstate 94 in Fergus Falls in west central Minnesota. To this day, publication of that poem remains an especially rewarding experience for me as a poet.

Billboard number two of my spring-themed poem. (Minnesota Prairie Roots copyrighted file photo June 2011)

I submitted the poem to the now-defunct Roadside Poetry Project’s spring competition. Poems changed out seasonally in this Fergus Falls Area College Foundation funded contest. It was a bit of a challenge writing a spring-themed poem, as I recall. Not because of the theme, but rather the rules—four lines only with a 20-character-per-line limit. But, as a writer, it’s good to be challenged.

Line three of my Roadside Poetry Project spring poem. (Minnesota Prairie Roots copyrighted file photo June 2011)

I suppose you could say the same about Minnesota weather. It’s good to be challenged by an especially snowy winter so we appreciate spring’s arrival even more. Yes, that’s a positive perspective—a way to mentally and psychologically talk myself into enduring perhaps six more weeks of winter in this official season of spring.

The last of four billboards featuring my Roadside Poetry spring poem. (Minnesota Prairie Roots copyrighted file photo June 2011)

NOTE: I intentionally omitted any pictures showing snow/winter.

© Copyright 2023 Audrey Kletscher Helbling

 

Minnesota prairie roots revisited, remembered, reflected January 25, 2023

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My “Hope of a Farmer” poem exhibited at the Lyon County Historical Society Museum. The exhibit also includes my poem, “Ode to My Farm Wife Mother.” (Minnesota Prairie Roots copyrighted file photo September 2022)

WHEN I RETURNED to my beloved southwestern Minnesota prairie in September, I did so with one primary purpose—to see my poetry showcased in the “Making Lyon County Home” exhibit at the Lyon County Historical Society Museum in Marshall. Any additional attractions—like viewing a public art sculpture outside the local ice arena and a stop at Brau Brothers Brewing—would only enhance the day trip.

Randy Walker’s “Prairie Roots” sculpture defines the entrance outside the Red Baron Arena on Marshall’s east side at 1651 Victory Drive. (Minnesota Prairie Roots copyrighted photo September 2022)

My one regret is that Randy and I didn’t stay overnight, allowing more time to explore local sites without feeling rushed. Forty years have passed since I visited Marshall en route to the Black Hills on our honeymoon. The college and county seat town lies 20 miles to the west of my hometown, Vesta in Redwood County, and 140 miles from my current home in Faribault.

A serene country scene just north of Lamberton in southern Redwood County on the southwestern Minnesota prairie. (Minnesota Prairie Roots copyrighted file photo September 2013)

This area of Minnesota is the place of my roots. My prairie roots. It is the place of wide open space, expansive skies, small towns and endless acres of cropland.

A prairie sunset photographed from Minnesota State Highway 67 between Redwood Falls and Morgan. (Minnesota Prairie Roots copyrighted file photo)

The land where I grew up inspired my blog name, Minnesota Prairie Roots. The name fits me as a person and a creative. The sparseness of the prairie taught me to notice details, to fully engage my senses. To appreciate the landscape and people. The vastness of the flat land and the star-flushed night sky and achingly beautiful sunsets. Here I connected to the land—bare feet upon dirt, bike tires crunching gravel, dirt etched into my hands from working the soil. Here I connected to the people—down-to-earth, hardworking, linked to the land.

A favorite children’s picture book about the prairie gifted to me by my friend Kathleen.

For those who are not of prairie stock, the sparse landscape can seem uninteresting, empty, desolate. Even I admit the challenge of “if you’re not from the prairie…” A children’s picture book by that title, written by David Bouchard and illustrated by Henry Ripplinger and published in 1995, speaks to the prairie sun, wind, sky, flatness…grasses.

The tall grasses stretch to the prairie sky. The bent tops of the stems are also meant to resemble hockey sticks given the sculpture’s location outside the ice arena. (Minnesota Prairie Roots copyrighted photo September 2022)

Tall grasses are often associated with the prairie. Yet, those grasses were mostly missing from the landscape of my youth as cultivated crops covered the earth. But on our farm site, a sliver of unmown grass grew between granary and grove and gravel driveway, stretching high, stems bending in the wind. That Little House on the Prairie (Walnut Grove is 20 miles from Vesta) space opened summer afternoons to imaginative play. I hold many memories rooted in those tall grasses, in the prairie.

Depending on the time of day and viewing point, the steel grass stems showcase different colors. (Minnesota Prairie Roots copyrighted photo September 2022)
The sculpture reflected in an arena window. (Minnesota Prairie Roots copyrighted photo September 2022)
Just another view of the grass stems, emphasizing the orange and yellow hues. (Minnesota Prairie Roots copyrighted photo September 2022)

Prairie Roots. That name graces a public art sculpture outside the Red Baron Arena in Marshall. Minneapolis artist Randy Walker was commissioned by the City of Marshall in 2018 to create the sculpture reflecting the prairie landscape. I knew in advance of my September visit that I needed to see this artwork if time allowed. We made time. Walker used 210 painted steel poles to represent tall stems of grass, prairie grass. They are colored in hues of yellow, orange, red and green, reflecting seasonal changes and light.

Prairie grass grows within the sculpture. (Minnesota Prairie Roots copyrighted file photo September 2022)

And in between all those steel stems, prairie grass grows, thrives.

A grasshopper clings to a steel grass stem in the “Prairie Roots” sculpture. (Minnesota Prairie Roots copyrighted photo September 2022)

I even spotted a grasshopper on a steel stalk, taking me back decades to the hoards of grasshoppers that amassed and hopped through that patch of uncut grass on the farm.

Viewing the sculpture toward the field, this perspective shows the meandering course of the Redwood River in the Marshall area on the floor of the gathering space. (Minnesota Prairie Roots copyrighted photo September 2022)

Walker’s sculpture holds visual appeal against an expansive backdrop sky and open field (when viewing the art from the arena entrance outward). Via that perspective, I see the enduring strength of the prairie, and the immensity of land and sky, this place of my Minnesota prairie roots.

Please check back for more posts about my day trip back to southwestern Minnesota in September 2022.

© Copyright 2023 Audrey Kletscher Helbling

 

Expressing my creative voice in “The Talking Stick” October 11, 2022

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I’ve been published in 13 volumes of “The Talking Stick,” most recently In “Volume 31, Escapes.” (Photo by Colton Kemp)

AS A WRITER, getting published adds to the joy of the craft. I write because it’s my passion, one which I want to share.

I laid the latest copy of The Talking Stick atop a page in a Minnesota atlas to represent escape in a sense of place. Reading and writing also provide an escape. (Minnesota Prairie Roots copyrighted photo October 2022)

The newest opportunity to share comes via The Talking Stick 31—Escapes, the latest anthology released in September by Park Rapids area-based The Jackpine Writers’ Bloc. The Talking Stick, published now for 31 years, features a collection of creative nonfiction, fiction and poetry by Minnesota writers or those with a connection to our state. This year, editors chose 83 poems, 28 creative nonfiction stories and 18 fiction stories for publication from 82 writers. More than 300 submissions came from 140 writers.

The beginning of my story, “Barbershop Prompt.” (Minnesota Prairie Roots edited and copyrighted photo October 2022)

I’m delighted to announce that three of my submissions are included in Escapes. My story, “Barbershop Prompt,” won second place and a cash prize in creative nonfiction. “Plans” earned honorable mention in fiction. And my second fictional piece, “Between Sisters,” simply published.

My writing has published in all 13 of these “The Talking Stick” volumes. (Minnesota Prairie Roots copyrighted photo October 2022)

To have my work selected and honored by peers is, for me, reaffirming. This marks the 13th year my writing—a total of 13 poems, eight creative nonfiction stories and nine fiction stories—have published in The Talking Stick. I’ve earned seven honorable mentions and two second placings through the years. Every year I’ve entered this competition, my writing has published. That proves personally validating.

When I first ventured into penning fiction, I did so with hesitancy. My journalism education, background and experience rooted me in gathering information and reporting the facts with no bend to fictionalize. I didn’t know I could write fiction until I tried. And I found I rather enjoy this type of writing. It stretches my creativity in a way that traditional factual writing doesn’t. Yet, even when I write fiction, there is some truth within. I weave into my writing (often in subtle ways) that which I know or care about or which has touched me. I expect most fiction writers would say the same.

Partial winning credits in fiction and the judge’s bio. (Minnesota Prairie Roots edited and copyrighted photo October 2022)

My award-winning short story, “Plans,” focuses on abuse within a family. Abuse has not been my personal experience. But it runs rampant in society. “Plans” focuses on abuse from the perspective of Henrietta, or Henri as her father calls her. He wanted a son, not a daughter. I’m not revealing more except to say the story leaves the reader wondering. And that’s exactly as The Talking Stick editors intend. Submission guidelines call for focusing on short forms, on compressed creations which hint of a longer, more complex story. You get that in my 457-word “Plans.”

Here’s, in part, what fiction judge Bonnie West said about my short story:

What a good story. Very clever, but also very poignant and surprising! Thanks for this delightful and entertaining revenge story!

Bridge Square Barbers, the inspiration for my award-winning story. (Minnesota Prairie Roots copyrighted file photo August 2022)

I definitely appreciate West’s comment and that of creative nonfiction judge Marge Barrett. She evaluated “Barbershop Prompt,” praising the energy and cleverness of my story. A sign I spotted in the front window of Bridge Square Barbers by Bridge Square in Northfield prompted me to write this. I am an observer, someone who notices details. That often inspires. Like my winning fiction story, this fact-based story leaves the reader wondering, wanting more. The same can be said for “Between Sisters.”

The Talking Stick is an incredible collection of outstanding writing and I’m honored to be included with so much other Minnesota talent. Each year I see familiar names repeated, but then new voices, too. The small editorial team from the Jackpine Writers’ Bloc deserves recognition also for their hard work. This anthology truly is a labor of love. I’m grateful for their appreciation of Minnesota writers and for their dedication to the craft of writing.

FYI: I encourage you to support Minnesota creativity by purchasing a copy of The Talking Stick 31—Escapes by clicking here.

Colton Kemp, a reporter for the Faribault Daily News, wrote a feature on me which published in the Saturday, October 8, edition. I encourage you to read that also by clicking here. I am grateful for Colton sharing my story and for the opportunity to connect with him, another individual passionate about writing.

© Copyright 2022 Audrey Kletscher Helbling

 

The poetry of seasons as we welcome Autumn to Minnesota September 29, 2022

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A wave of cattails signal Autumn’s entrance. (Minnesota Prairie Roots copyrighted photo August 2022)

IN THIS SEASON OF EARLY AUTUMN, the landscape of Minnesota transitions to subdued, muted, softer tones flashed with vivid orange, yellow and red in tree lines or a solitary tree. This time of year truly marks a change as we ease toward Winter, a season devoid of color.

Goldenrods. (Minnesota Prairie Roots copyrighted photo August 2022)

A hillside of drying grass contrasts with the looming grey sky. (Minnesota Prairie Roots copyrighted photo August 2022)

Grasses tower high above me. (Minnesota Prairie Roots copyrighted photo August 2022)

A month ago, before Summer exited, I already observed Autumn’s entrance at River Bend Nature Center in Faribault. Stands of cattails. Groups of goldenrod. Seas of drying prairie grass. All signaled the shift to September days.

I’m sure this scene has changed in the month since I photographed it. (Minnesota Prairie Roots copyrighted photo August 2022)

I love this time of year. Sunny days give way to cool evenings to brisk mornings. I’ve pulled the flannel from the closet. I embrace the feeling, the glory, of each day, recognizing such days are fleeting.

Rustic signs, which I love, mark the trails at River Bend. (Minnesota Prairie Roots copyrighted photo August 2022)

But weeks before this end of September, I delighted in the final days of August with that short walk through the woods at River Bend, then along a grass-lined trail to the hilltop Prairie Loop before I retraced my steps.

A stem of grass bends in the wind. (Minnesota Prairie Roots copyrighted photo August 2022)

Prairie grasses, looming well above my head, bent in the wind. I noted the gracefulness of the stems’ movement, the details on a single stalk. If you’ve ever paused to study a stalk, it’s almost like reading a poem. Grain after grain after grain ladders a slim line. In poetry, each word ladders into a line, into a verse, into a poem.

In the light of an August afternoon, a Monarch butterfly feeds upon the flower of a thistle. (Minnesota Prairie Roots copyrighted photo August 2022)

In the flashlight of the afternoon at River Bend, I spotted a lone Monarch flitting among thistles, black-outlined orange wings contrasting with the soft purple of the bloom. A metaphor. Or perhaps a simile when penned poetically. Poem upon poem upon poem.

Lush leaves veined by the August sun. (Minnesota Prairie Roots copyrighted photo August 2022)

Autumn edits out Summer, eliminating the excess wordage of a season that is lush and full and busy. Now the lines of the season shorten, every word carefully chosen, a harbinger of what lies ahead. Winter. Sparse. Barren. Cold.

I followed this path from the woods, across the low lands to a hilltop overlooking the prairie. (Minnesota Prairie Roots copyrighted photo August 2022)

But until then, Autumn settles in with the familiarity of a worn buffalo plaid flannel shirt. With the familiarity of cattails and milkweed bursting. Goldenrods. Tall prairie grasses drying, moving toward dormancy. I’ve seen this shift every September for past sixty years now. Yet I never tire of the shift, the change in seasons here in southern Minnesota.

© Copyright 2022 Audrey Kletscher Helbling

 

In Lyon County: Prairie-rooted poetry at the museum September 20, 2022

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The sprawling Lyon County Historical Society Museum in the heart of downtown Marshall, across from the post office. (Minnesota Prairie Roots copyrighted photo September 2022)

RECENTLY I TRAVELED back to my native southwestern Minnesota, destination Marshall, 18 miles west of my hometown of Vesta. Specifically, I targeted the Lyon County Historical Society Museum to view the award-winning “Making Lyon County Home” exhibit. Two of my poems, “Ode to My Farm Wife Mother” and “Hope of a Farmer,” are featured therein.

Me, photographed next to the panel featuring my poem, “Ode to My Farm Wife Mother.” My one regret is that my mom (pictured in two smaller photo insets) never saw this exhibit in person. She died in January. (Photo by Randy Helbling, September 2022)
To the far left is the panel featuring my poem, “Ode to My Farm Wife Mother.” In the center is my poem, “Hope of a Farmer.” (Minnesota Prairie Roots copyrighted photo September 2022)
My poem, “Hope of a Farmer.” That is not my dad in the photo. (Minnesota Prairie Roots copyrighted photo September 2022)

The exhibit, which won a 2021 Minnesota History Award from the Minnesota Alliance of Local History Museums, opened in January of the same year. Finally, I got to Marshall last week. Up until my visit, I was unaware that two, not just one, of my poems are included. When I read the title “Hope of a Farmer,” I thought to myself, I wrote a poem with that title. And then, as I read, I realized this was my poem.

The second floor exhibit celebrates Lyon County in the award-winning exhibit, “Making Lyon County Home.” (Minnesota Prairie Roots copyrighted photo September 2022)

Now I’m doubly honored that my rural-themed poetry inspired by my farmer father and farm wife mother were chosen to be part of this outstanding exhibit focusing on the people, places, businesses, communities, activities, events, history and arts of Lyon County.

A clothes pin bag hangs in an exhibit space near my “Ode” poem, quite fitting. Visitors can turn a dial to generate “wind” blowing dish towels on a clothesline. (Minnesota Prairie Roots copyrighted photo September 2022)

Excerpt from “Ode to My Farm Wife Mother” (click here to read the entire poem):

In the rhythm of your days, you still danced,

but to the beat of farm life—

laundry tangled on the clothesline,

charred burgers jazzed with ketchup,

finances rocked by falling corn and soybean prices.

This panel honors literary and visual artists of the region. (Minnesota Prairie Roots copyrighted photo September 2022)

As I read the “Imagining the Prairie” informational panel, my gratitude to the LCHS staff, volunteers and Museology Museum Services of Minneapolis (lead contractor for the exhibit) grew. I appreciate that an entire panel focuses on the arts: The Lyon County landscape…has inspired painters and poets and artists of all kinds. I’ve long thought that as I see the prairie influence in my writing and photography. Farms, vast prairies, wide skies and tumbling rivers define the landscape of southwestern Minnesota.

Corn rows emerge in a field near Delhi in southwestern Minnesota. (Minnesota Prairie Roots copyrighted file photo)

Excerpt from my “Hope of a Farmer” poem (click here to read the entire poem):

I see my father’s work laid out before him—

first seeds dropped into rich black soil,

next, corn rows carefully cultivated,

then fervent prayers for timely rain.

A fitting quote from Bill Holm. (Minnesota Prairie Roots copyrighted photo September 2022)

A quote from poet, essayist and musician Bill Holm of nearby Minneota, summarizes well the lens through which we prairie natives view the world and the creative process. The prairie eye looks for distance, clarity, and light…

A grain complex and the Oasis Bar & Grill in Milroy, near Marshall. (Minnesota Prairie Roots copyrighted photo September 2022)

Holm, who died in 2009, was among southwestern Minnesota’s best-known writers, having penned poetry and multiple books such as his popular The Heart Can Be Filled Anywhere on Earth and Boxelder Bug Variations. His boxelder bug book inspired his hometown to host an annual Boxelder Bug Days, still going strong.

Poetry by Leo Dangel in the ag-focused part of the exhibit. (Minnesota Prairie Roots copyrighted photo September 2022)

To see my poems featured alongside the work of gifted writers like Holm and equally-talented poet Leo Dangel in the “Making Lyon County Home” exhibit was humbling. Dangel, who died in 2016, wrote six collections of poetry. The prairie and rural influence on his work show in the featured poems, “A Farmer Prays,” “A Clear Day,” and “Tornado.”

My poem honoring my mom… (Minnesota Prairie Roots copyrighted photo September 2022)

Both men taught English at Southwest Minnesota State University in Marshall, reaffirming their devotion to this rural region and to the craft of writing. The exhibit includes a section on the university, which opened in 1967 within 10 years of my leaving the area to attend college in Mankato. I sometimes wonder how my writing would have evolved had I stayed and studied on the prairie.

A serene country scene just north of Lamberton in southern Redwood County, which is right next to Lyon County. (Minnesota Prairie Roots copyrighted file photo)

When I returned to Marshall for the first time in 40 years, nothing about the town seemed familiar. Time has a way of changing a place. But when I reached the top floor of the county museum, saw my poems and began to peruse the “home” exhibit, I felt like I was back home. Back home on the prairie, among cornfields and farm sites and grain elevators and all those small towns that dot the landscape. Back home under a wide prairie sky with land stretching beyond my vision. Back home where I understand the people. Back home in the place that influenced my writing as only the prairie can for someone rooted here.

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Please check back for more posts featuring the Lyon County Museum and the area.

The ode honoring my mother initially published in South Dakota State University’s 2017 literary journal, Oakwood.

And the poem about my father was chosen as a “Work of Merit” at the 2014 Northwoods Art & Book Festival in Hackensack.

© Copyright 2022 Audrey Kletscher Helbling

 

From Valley Grove: In loving memory of Bjorn September 19, 2022

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On the east side of the Valley Grove Cemetery, massive oaks rise next to a restored prairie. (Minnesota Prairie Roots copyrighted photo September 2022)

HE APPROACHED ME inquiring whether I was the official photographer. I was not. But I was photographing the Valley Grove Country Social on Sunday afternoon in rural Nerstrand.

The beautiful historic churches stand next to the cemetery. (Minnesota Prairie Roots copyrighted photo September 2022)

That unexpected encounter proved powerful, revealing why this hilltop location of two historic churches and a cemetery holds such deep personal meaning for many. From the Norwegian immigrants who built the stone church in 1862, replaced by a wooden church in 1894, to today, this land keeps stories and memories and provides a place to grieve.

The hilltop cemetery provides a sweeping view of the prairie and distant treeline. (Minnesota Prairie Roots copyrighted photo September 2022)

For Brett Norgaard, Valley Grove is the final resting place of his beloved son, Bjorn Erik Norgaard, struck and killed by a hit-and-run driver on February 20, 2011, while skiing on frozen Lake Superior. He was only 23. Bjorn’s gravestone, imprinted with a ballad he penned, sits near the site of a massive oak felled in a September 2018 tornado. That tree, in the southwest corner, was a cemetery landmark, the spot where many baptisms occurred.

Memory boxes crafted from a landmark fallen oak at Valley Grove. (Minnesota Prairie Roots copyrighted photo September 2022)

Mementoes honoring Bjorn Norgaard. (Minnesota Prairie Roots copyrighted photo September 2022)

A photo of Bjorn rests between two poems he wrote. (Minnesota Prairie Roots copyrighted photo September 2022)

Now, in this chance meeting, I learned of Bjorn’s connection to that tree. His father held it—two boxes crafted from that fallen oak, the larger one holding a passport, an American Birkebeiner pin and other mementos of a dearly loved son.

Brett Norgaard asked me to take this family photo. I was happy to do so after hearing his son’s story. Shortly thereafter, rain began falling so I was unable to photograph Bjorn’s gravestone. (Minnesota Prairie Roots copyrighted photo September 2022)

But it was Bjorn’s poems that expressed to me the creative spirit of this outdoorsman, environmentalist, cross country skier, Alaska fly fishing guide, 2006 Northfield High School graduate, son, grandson, friend…

This cemetery is rich in history, in stories and in natural beauty and peace. (Minnesota Prairie Roots copyrighted photo September 2022)

The second verse of his poem, “Oak Leaves,” seems almost prophetic. He wrote:

New season coming, you must change,

but please remain, not yet time to fade away.

For one day we will cease to be,

will you drop your leaves and cover me?

Today Harold Bonde, 94, will be buried at Valley Grove, not far from Bjorn’s grave, not far from the site of the fallen landmark oak. His burial space was marked off during Sunday’s Country Social. (Minnesota Prairie Roots copyrighted photo September 2022)

After Bjorn died, his father found 80 poems in his son’s journals. I understand why he cherishes them. These are the words of a soulful, introspective, nature-centered, sensitive spirit. And although the oak tree no longer stands, unable to drop leaves onto Bjorn’s gravestone, there’s a sense that the tree remains. Strong. Sheltering those who lie beneath the soil and those who walk upon the earth, come here to visit, embrace and remember loved ones. Only days earlier, on September 15, Bjorn would have turned 35.

Many families meandered and conversed in the cemetery on Sunday afternoon. (Minnesota Prairie Roots copyrighted photo September 2022)

On this day of a Country Social, Bjorn’s family remembered him, honored him. I saw love in a father’s hands wrapped around oak boxes, in watery eyes and precious stories. Here at Valley Grove, atop a hill edged by prairie, woods and farmland, and centered by two historic churches, humanity comes in moments like this, when a father shares his grief with a stranger. Compassion rises. A connection is made. Comfort comes. A loss is shared.

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Please check back for a follow-up post featuring the Valley Grove Country Social in its entirety.

© Copyright 2022 Audrey Kletscher Helbling

 

The poetry of the Cannon River in Northfield September 13, 2022

Filed under: Uncategorized — Audrey Kletscher Helbling @ 5:00 AM
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A portion of the Poem Steps descending to the River Walk in Northfield, Minnesota. (Minnesota Prairie Roots copyrighted photo 2022)

WELCOME TO THE RIVER starry-eyed…

The historic Ames Mill, on the far side of the bridge, hugs the Cannon River. (Minnesota Prairie Roots copyrighted photo 2022)

Thus begins a poem authored by 17 Northfield area poets and gracing steps leading to the River Walk in the heart of this historic southeastern Minnesota community.

The backs of buildings along the river. (Minnesota Prairie Roots copyrighted photo 2022)

Like the poets drawn to the river to create these inspirational Poem Steps, I, too, feel drawn to the river that runs through Northfield. Every time I’m downtown, I aim first for the path that traces the Cannon River behind the mostly aged buildings lining Division Street.

A section of the river-themed poem up close. (Minnesota Prairie Roots copyrighted photo 2022)

There’s something simply magnetic about a river. Listen to the words of these speaking waters. I can almost hear the stories—of the Indigenous Peoples, here first, of the settlers who followed and harnessed the water to mill flour, of the poets and others who today listen to these speaking waters.

Flowers fill planters on a riverside balcony. (Minnesota Prairie Roots copyrighted photo)

The Cannon in Northfield, as it has for generations, brings people to water’s edge. To angle for fish, to dine, to gather as community, to celebrate the arts, to simply be in the river’s presence.

A flower-edged pedestrian bridge spans the Cannon River. (Minnesota Prairie Roots copyrighted photo 2022)

I appreciate how this community recognizes the historic, poetic and natural beauty of the river and shares that via the River Walk. It’s such a beautiful walk, beauty enhanced by potted flowers and hanging baskets that jolt vibrant hues into the landscape. A pedestrian bridge provides a middle-of-the-river perspective.

Lush flowers spill from a planter on the River Walk. (Minnesota Prairie Roots copyrighted photo 2022)

Listen. The river tells us where it needs to go.

Historic buildings define downtown Northfield. (Minnesota Prairie Roots copyrighted photo 2022)

And so I follow the river path, then loop up to the fronts of businesses along Division Street. Yet, the essence of the river remains, her poetry inspiring me.

© Copyright 2022 Audrey Kletscher Helbling