Minnesota Prairie Roots

Writing and photography by Audrey Kletscher Helbling

The season of church dinners October 23, 2011

To everything there is a season, and a time for every harvest dinner in the church basement:

A time to be prepared

And a time to enlist volunteers;

A time to bake

And a time to pluck up that which is planted;

A time to pull out the plates and roasters

And a time to feed those who come seeking nourishment;

A time to serve the hungry waiting in line

And a time to dish up meals for those who want take-out;

A time to savor good home-cooking

in the company of family and friends;

A time to remember the past in old photos and conversation

And a time to welcome new friends into the fold;

A time to encourage those who labor tirelessly in the kitchen

And a time to be thankful for this land we love, in the season of harvest.

THESE PHOTOS were taken at the recent Trinity Lutheran Church, North Morristown, annual fall harvest dinner, country store and bake sale.

Copyright 2011 Audrey Kletscher Helbling

 

Enter this vintage photo contest October 21, 2011

This contest promo image of Mary Nachicas and Don Anderson comes from Nina Hedin of Glencoe, who blogs at ArtsyNina. As part of the prize package, Nina is offering a $25 gift certificate to Camp Honeybelle.

TODAY WE’RE GOING to talk photos.

First, I’d like you to dig out your old photo albums or shoeboxes full of vintage black-and-white images. I am looking for a candid photo (not a formal portrait) that portrays love.

Easy, right? Perhaps you have an old snapshot of your parents or grandparents together. How about a mother-daughter picture? Cousins? Siblings? A person with a favorite pet?

Anything that depicts love will do as long as the photo is vintage, black-and-white and candid.

OK, once you’ve found that single image, I want you to enter it in the Minnesota Moments magazine “Snapshots of Love” contest. You’ll find complete information about this competition by clicking onto the website, minnesotamoments.com, here.

You’ll need to do a teeny, tiny bit of writing to complete your entry. Simply state in a paragraph of 75 words or less what your photo tells you about love. Easy.

If your entry is selected as the winner—and, yes, I’m one of the judges—you will win a prize package valued at $150.

Here’s the prize list:

You do not need to subscribe to this magazine to enter the contest, although we’d certainly love to have you as a subscriber.

The first contestant sent a sweet image of her and her sister riding their shared tricycle on their Otter Tail County farm in 1948. I’m not sharing her story with you, but suffice to say her words moved me to tears.

Entries must be received by November 15.

OK, NOW THAT I have convinced you to enter “Snapshots of Love,” I want to assure you that, yes, indeed, it is possible to win a contest.

Here’s proof. Last year I entered an image in the Thrivent Financial for Lutherans 2011 calendar photo contest. My photo of the cross-topped cemetery fence at Urland Lutheran Church near Cannon Falls was selected from among more than 300 entries to grace the October page of the calendar. Judges were seeking “unique and inspiring images,” according to a letter I received from Thrivent.

My winning image of the Urland church cemetery fence.

The really interesting thing here is that when I took this photo, I didn’t know about the contest. I shot the image when my husband and I stopped at the country church and cemetery while on a Sunday afternoon drive. Months later, when I learned of the “Connecting with the Cross” themed calendar photo competition, I knew I had the perfect entry.

Urland Lutheran Church, rural Cannon Falls

So if you have one of those Thrivent calendars hanging on your wall, that’s my photo you’re looking at during October. You can click here to learn more about the image.

This is not the first time I’ve won a calendar photo contest. My close-up of autumn leaves in the woods made the November page of River Bend Nature Center’s 2007 “Sights and Seasons” calendar.

Prior to that, I won first place, and $100, in a national photo contest sponsored by National Mutual Benefit for a close-up image of a butterfly in my daisy patch.

So there, enter. You could win, too.

TELL ME, RIGHT NOW, in a comment to this blog post, that you will enter the “Snapshots of Love” contest. That would make me happy. If you have questions, ask away. Be sure also to check out the sponsor websites. That would make me happy, too.

© Copyright 2011 Audrey Kletscher Helbling

 

Diamonds & Guns

SO, I’M GOING to assume you’ve heard of the hard rock band Guns N’ Roses, right?

How about Diamonds & Guns?

I thought so.

I ran across the combo yesterday while browsing the local newspaper, The Faribault Daily News. We’re talking rock here, just not music.

For four days this week, through Saturday, if you spend $1,500 or more at Paffrath Jewelers in Owatonna, you’ll get a Weatherby Upland 12 gauge pump shotgun.

Dole out $3,000 or more on a purchase and you get a Browning full Camo 12 gauge shotgun.

“When you get that special gift for the woman in your life you should get something too!” the ad for Paffrath Jewelers reads. It’s aimed at guys looking to buy a diamond engagement ring.

Apparently the future hunter husband types appreciate this incentive as the ad states the sale is “back by popular demand.”

If this sales approach works for Paffrath, and apparently it does, good for this family-owned business with three stores in Minnesota. The other two are in Willmar and Alexandria. I’m uncertain whether this promotion applies to all three stores or just the one in Owatonna, which, by the way, has a Cabela’s store, every outdoorsman’s shopping paradise.

“You better hurry,” the ad urges.

Guys, just a little word of advice here: If you buy a diamond engagement ring at Paffrath during this Diamonds & Guns sale, you might want to keep that gun incentive part to yourself.

 

A flat tire, an upgrade & a crime October 20, 2011

Filed under: Uncategorized — Audrey Kletscher Helbling @ 7:29 AM
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OUR DAUGHTER, the one who lives 5 ½ hours away in eastern Wisconsin, had a flat tire on her car Wednesday morning. Four days after she bought four new tires. What are the odds?

“I can’t believe it,” she texted.

I couldn’t believe it either. But then I remembered the lemon colored Mercury Comet I bought in 1978. It got two flat tires the same day I purchased it. The hue of the vehicle should have clued me in. Later, I would rename it “The Vomit.” An appropriate moniker, I might add.

YESTERDAY WE BOUGHT a new van. New to us. To replace the 1988 Plymouth Grand Voyager. We really had no choice. The ‘88 needs tires. At an eye-popping $400 – $500 for four tires, it is not worth the investment in a hail-pocked, paint-peeling, rusting vehicle that has seen better days.

I suggested that perhaps we could sell the wood-grain paneled van as a collector’s vehicle. Then my husband mentioned that the Smithsonian has a Dodge Caravan in its collection. I did not believe him.

But then, as all truth-seeking journalists/wives will do, I googled the Smithsonian and learned that, yes, indeed, he was right. A 1986 Dodge Caravan exists in the Smithsonian National Museum of American History as a symbol of suburbia.

Now an affordable 2005 Dodge Grand Caravan, with 95,000 miles and right front fender damage from a deer strike rests in our driveway. It is a symbol of lower middle income Americans who are not all that particular about the age or beauty of a vehicle as long as it runs well and gets you (and college students and 20-somethings moved) from point A to point B.

The husband only wishes the van color was not white. Better than yellow, I say. Better than yellow.

ALL THIS CAR TALK reminds me of a little incident back in 2003. We sold our 1989 Dodge Aires to a young man for cash. A month later, the police came knocking on our door on Memorial Day weekend. We were out of town, so they went to our next-door neighbor’s house at around 10 p.m. asking questions.

Upon our return, our neighbor told us about the inquiry by law enforcement and handed us a business card from a Northfield police investigator. That evening we settled in to watch the 10 p.m. news. The lead story reported on a drive-by gang shooting at a Northfield trailer park.

I wasn’t surprised when the investigator showed up at our doorstep the next morning. Turns out the gun used in the shooting was stashed in the trunk of “our” car. Seems the reputed Minneapolis gang member, now charged with attempted murder, had failed to change the car title still registered in our names.

SO THERE, can you top that final car story?

© Copyright 2011 Audrey Kletscher Helbling

 

Gaining confidence as a poet October 19, 2011

I THINK ALL WRITERS, if we’re honest with ourselves, face insecurities about writing.

Can we write? Is our writing “good enough” to publish? Will anyone read, or even care about, what we write?

I’ve long overcome any issues I faced about journalism style writing. I’m confident in my abilities to pull together a good feature story or another journalistic piece given my educational background in mass communications and my years of experience in journalism. And with several years of blogging to my credit, I’m also confident in that writing style.

It’s poetry which has challenged my confidence. Although I’ve written poetry off and on since high school—which stretches back nearly four decades—I’ve never written much poetry, at least not enough to consider myself a true poet. Until now.

Finally, this year, with the publication of two poems in two Minnesota literary journals and winning the spring Roadside Poetry contest, I’m comfortable adding “poet” to my writing credentials.

Getting to the point of feeling comfortable with the term “poet” really began 11 years ago with publication of a poem in Poetic Strokes, A Regional Anthology of Poetry from Southeastern Minnesota, Volume 2. I considered that a stroke of good fortune. But when four more poems published in the next two volumes, I began to think that maybe, just maybe, I could write poetry. After all, I had competed against other writers to get into the Poetic Strokes anthologies.

Then I had a poem accepted for publication in The Lutheran Digest.

Next, I earned an honorable mention for my poem, “Hit-and-Run,” published last year in The Talking Stick, Forgotten Roads, Volume 19.

Finally, this year, I had an official poet epiphany when I entered three poetry competitions and was subsequently published on Roadside Poetry billboards, in The Talking Stick, Black & White, Volume 20 and Lake Region Review.

Although I don’t know how many poets I competed against in Roadside Poetry, I do have the numbers for the two literary journals. The Talking Stick this year published 140 pieces of poetry, creative nonfiction and fiction from 99 writers, me being one of them with my poem, “Abandoned Barn,” and my creative nonfiction, “Welcome Home.” That’s out of 326 submissions from 171 writers.

Look at the list of writers, and you may recognize a few names like Marge Barrett, Tim J. Brennan, Charmaine Pappas Donovan, Jerry Mevissen, Candace Simar…

It’s quite a process to get into The Talking Stick with five members of The Jackpine Writers’ Bloc reading all of the entries and then an editorial board meeting to vote and discuss. The top four to seven favorites in each category are then forwarded to celebrity judges—this year Kris Bigalk, Kevin Kling and Alison McGhee—to choose first and second place winners in each division.

As for Lake Region Review, the process of selecting the works for publication is equally as rigorous. Co-editors Mark Vinz—author, professor emeritus of English at Minnesota State University Moorhead and first coordinator of MSUM’s Master of Fine Arts in Creative Writing—and Athena Kildegaard—author and lecturer at the University of Minnesota Morris—worked with a staff of 10. They read more than 200 submissions before narrowing the field to 27 established and emerging writers.

I’m one of those 27.

And so is Leif Enger, author of the 2001 New York Times best-seller Peace Like a River, which happens to be a favorite book of mine. It’s nice to be in the company of someone who, like me, writes with a strong sense of place.

Most of my poetry connects to the southwestern Minnesota prairie, where I grew up on a dairy and crop farm. Specifically, the barn on the home place inspired my two distinct barn poems which published in The Talking Stick and Lake Region Review.

I don’t know what moved the editors of either publication to select my poems for inclusion in their literary journals. But I did incorporate lines such as “hot cow pee splattering into her gutters” and “rusty hinges creaking like aged bones.”

According to Co-editor Kildegaard at Lake Region Review, editors chose pieces that were “fresh, creative, lively, interesting. We were looking for writing that has something new to say.”

Apparently I had something new to say about the old barn.

The early 1950s barn on the Redwood County dairy farm where I grew up today stands empty of animals.

WRITERS FEATURED in the recently-published 212-page The Talking Stick, Black & White, Volume 20, are from, or have a strong connection to, Minnesota. Those published in the 138-page debut of Lake Region Review live primarily in west central Minnesota. Eight writers have been published in both collections.

The cover of Lake Region Review is a detail of an original landscape painting, “Christina Lake: View from Seven Sisters,” by American impressionist painter Stephen Henning of Otter Tail County.

IF YOU’RE A WRITER, specifically of poetry, did you/do you struggle with confidence issues? At what point did you/will you call yourself a poet?

FYI: For more information or to purchase copies of either literary journal featured here, click on the appropriate link below:

www.lakeregionreview.net

www.thetalkingstick.com

And click here for more information about Roadside Poetry.

© Copyright 2011 Audrey Kletscher Helbling

 

Sampling chili along Central October 18, 2011

HOW DO YOU LIKE your chili? With a shot of whiskey? Beer? An extra dash of cayenne?

All three were among ingredients incorporated into some of the chili served Saturday during the 2011 “Main Street” Fall Festival Chili Cook-Off along Central Avenue in historic downtown Faribault.

I was there, tagging behind my husband Randy and sister Lanae as they raced ahead of me, determined to taste all 33 chilies in an hour. (I had my camera, thus the lagging.) We didn’t quite accomplish our goal; some vendors ran out of chili and we missed a few.

But we all ate enough to fill our stomachs and then vote for our favorites.

Randy and Lanae apparently know a good chili when they taste one as the chili they selected—John Stepan’s at Geek Central—won the cook-off contest with 13 percent of the vote. John wouldn’t divulge his secret recipe to us, but he did mention something about soaking the chunky, green pepper-laced beef in an oriental sauce. And that was about all he would reveal.

I photographed only one chili and it happened to be the winner, John Stepan's chili at Geek Central.

I nearly voted for John’s chili, but instead cast my ballot for Glenn’s Towing. The guys manning the booth claimed motor oil and ground-up rubber as ingredients.

My sister and I took that as a challenge to finagle the truth out of them. They offered us 25 cents off a gallon of gas if we could guess three of the unusual ingredients. I suggested vinegar. Wrong. Lanae suggested brown sugar. Right.

But we failed to guess the other two, three actually, as it turns out: whiskey, cream cheese and cocoa. No discounted gas for us.

The catchy display of vintage toys at the Glenn's Towing booth.

A wagon-load of pumpkins were for sale in front of the Nook & Cranny, where Carl Mortenson's chili was served.

Theirs wasn’t the only chili including alcohol. At the Nook & Cranny, Carl Mortenson served his Guinness-infused chili.

And across the street at Flair Furniture, another chili taster thought beer might go well with the cowboy and cowgirl chilies served by competing father-in-law/daughter-in-law David and Mara Thiele.

The Thieles offering their western style chili at Flair Furniture.

At Hoffman Law Office, you could add your level of heat toppings to your chili. The felony level: Hell-fire Habanera

In fact, if you ever imbibe in this chili smorgasbord, I’d recommend buying a bottle of water to cleanse your palate or quell the tongue-burning fiery chilies—and we’re not talking temperature here.

Just for the record, plenty of fire-free and alcohol-free chilies were served.

An especially festive table at the Crafty Maven.

The Paradise Center for the Arts served chili and promoted its upcoming MASH production.

At the Signature Bar & Grill, General George Custer (aka Dave Custer) served his chili.

There really was a costume contest, albeit for kids, not adults. Although we missed the actual costume parade down Central Avenue earlier in the morning, I caught this Raggedy Ann and Andy and their dad later.

All in all, if you enjoy chili on a fall day, Faribault’s Fall Festival Chili Cook-Off would be the event for you. This year it cost a reasonable $2 to purchase a plastic spoon and then meander—or race—from booth to booth for two hours trying chili. We didn’t get there until about noon, so had only an hour to sample. Give yourself more time, especially if you want to visit with other fest-goers, check out the businesses and really take in the atmosphere.

FYI: Proceeds from the Chili Cook-Off benefit the Faribault Main Street program designed “to create an attractive destination in which businesses prosper, the community benefits and residents and visitors enjoy a quality downtown experience.” To learn more, click here.

© Copyright 2011 Audrey Kletscher Helbling

 

Walking into yesteryear at the Oak Center General Store October 17, 2011

IF NOT FOR THE MINNESOTA Highway 60 detour onto U.S. Highway 63 north of Zumbro Falls, we never would have found Oak Center.

And had we not seen the writing on the window, “Stop on in and explore the store,” and the OPEN sign, we might have driven right by the Oak Center General Store.

That message on the front window that urged us inside.

The general store sits nearly on top of Highway 63, right, in Oak Center.

From the exterior, it’s that type of structure and setting—a visual hodgepodge which makes you question whether the place truly is open.

My husband and I wondered that when we pulled off the highway and parked next to the old building. Then we stepped inside and it was like we had walked into a general store of yesteryear, right down to the vintage push-button cash register.

The vintage cash register sits atop a counter labeled with strongly-worded messages.

For the longest time we meandered around the shelves, taking it all in—the worn wood-plank floor, the tin ceiling, the old wooden refrigerators, the vintage bottled pop machine, the bulk spices…

An eclectic mix of merchandise is crammed into the store.

Old-style refrigerators, still in use in the store.

Brooms for sale tucked into a basket on the floor.

Hacky sacks and handmade woolen mittens on display near a front window.

You can purchase pop in bottles from a vintage pop machine.

I couldn’t get enough of this historic general store, which hearkens back to 1913 in this unincorporated locale. I’m not sure exactly what I said to my husband when we were there, all alone, perusing the place. I think we were both too in awe to even talk much.

That’s a good thing, because, even though no one was minding the shop, the baby monitor was switched on, we later learned, and our conversation could be overheard.

A message on the cash register advises customers to leave their payment on the counter with a note if no one is around.

Rows of bulk spices line the shelves behind the counter.

Steven Schwen

About the time I stepped behind the counter to photograph the cash register, Strider Hammer strode into the room and, when I began asking questions, he fetched owner Steven Schwen.

Introducing himself as a “voluntary peasant,” Steven and I shook hands and he apologized for the damp hand. He’d been washing dishes.

Strider clamped my hand in a friendly vise grip handshake.

And so, properly introduced, Randy and I learned a thing or ten about the Oak Center General Store, which Steven purchased 35 years ago after the business closed and the building sat vacant for five years.

Today the Oak Center General Store is “dedicated to rebuilding a better world from the earth up.”

Although I didn’t ask for details about his life views, Steven’s comments and signage inside the store speak to an outspoken, yet gentle, man deeply-rooted in his independent, self-sufficient, non-materialistic, environmental, anti-war beliefs.

“Produce, don’t consume,” he says.

With that philosophy, Steven runs this general store which sells organic foods, kitchenware, candles, incense, local fair trade products, herbs and a lengthy list of other miscellaneous items.

He also operates Earthen Path Organic Farm, a 14-acre fruit, vegetable and herb farm based directly behind the general store, and works with son Joe and daughter-in-law Rebecca of Heartbeet Farm. They sell their products at the Rochester Farmers’ Market and to co-ops in Northfield and the metro area. The Community Supported Agriculture farm, Steven says, supports his family and the store. He also builds furniture and cabinets during the winter months.

Later, after touring the other facet of Oak Center General Store—the music scene—Strider would take us out back to see the farm.

But first things first. Steven disappeared and Strider led us through a dark middle room gathering place cozied with worn couches and a wood burning kitchen stove, past the corner media center (aka computer) to a back stairway nearly as steep as a ladder.

Those steps led us to the old Grange Hall, a former meeting place for farmers and now an entertainment center for local, national and international bluegrass, blues, folk, jazz and similar musical acts.

Earlier, Steven defined the 30-year run of October – April Folk Forum weekend concerts as “non-commercial entertainment connecting people to the land, music and each other.”

The former Grange Hall stage where musicians perform during the Folk Forums.

Rows of seating in the old Grange Hall.

I know nothing really about the music genres that entertain at Oak Center. But I recognized Monroe Crossing, the bluegrass group which will present a 2 p.m. Christmas Matinee on Sunday, December 4.

Other upcoming performers include Bingham and Thorne, Marty Marrone & Tangled Roots, Robby Vee, Galactic Cowboy Orchestra and many more slated in from now through December 23. (Click here to get the full line-up of musicians.)

Strider invited us to return for a concert with a recommended $5 – $15, but “pay what you’re able,” ticket price and what I expect would be a laid-back atmosphere.

He’s a personable guy, who, when I asked, said he’s a friend and extended family to Steven. You get the sense that anyone who steps inside Oak Center General Store is family.

Even the animals out back are the friendly sort; they nuzzle up to the fence when Strider beckons.

Strider Hammer calls animals to the fence at Earthen Path Organic Farm.

The friendly animals on the "Old McDonald" style farm. Steven's son Joe and his wife Rebecca farm with draft horses. Steven once used those horses to farm, but now, because he can no longer lift the harnesses, relies on tractors.

The mishmash of buildings behind the general store.

Back at the side door that leads to the former Grange Hall and back room gathering place, Strider climbed the few stairs onto the weathered deck and bid us farewell with a single and seemingly fitting word for the vibe of the Oak Center General Store:

“Peace,” he said and walked away.

A flower blooms next to the general store.

A side view of the store from Highway 63.

FYI: The store is open from 9 a.m. – 6 p.m. Monday – Saturday and some Sundays. In addition to music, Oak Center General Store hosts theater, round table discussions and workshops (ie., holistic medicine, organic gardening, batik) at its Folk Forums.

For more information about the Oak Center General Store, click here.

To learn about  Earthen Path Organic Farm, click here.

For info about  Heartbeet Farm, click here.

© Copyright 2011 Audrey Kletscher Helbling

 

Worshipping at a country church October 16, 2011

Before worship services on a Sunday morning at Trinity Lutheran Church, North Morristown.

“THERE’S ONE MORE THING to do,” said the Rev. Merle Lebahn, vacancy pastor at Trinity Lutheran Church, North Morristown, before dismissing his congregation. “Give ‘em heaven!”

And so concluded one of the most dynamic worship services I’ve attended in a long time. Pastor Lebahn didn’t deliver a fire-and-brimstone sermon in this country church. But he shared a message memorable both in content and method of presentation.

Pastor Lebahn gets front and center when he gives the children's lesson, just as he does during the sermon.

He’s not a preach-from-the-pulpit style of preacher, but rather an up-close, center-of-the aisle, close-to-his-flock kind of clergyman. His voice rises to a near shout when he wants to emphasize a point and then drops to a quiet, gentle cadence to drive home the message.

And that message last Sunday reflected on the gospel lesson from Luke 10 and the story of the Good Samaritan. Remember that bible story about the beaten man lying at the side of the road, passed by many until, finally, a Samaritan stopped to help?

Rev. Lebahn told us we were the beaten ones lying in the ditch until we received Christ.

He talked, too, about crossroads in our lives and about the people God brings into those crossroads.

I could go on and on about that sermon. But I think you get the main point delivered by this 78-year-old clergyman who looks, and acts, considerably younger than a near octogenarian. Consider his foot stomping and arm flailing and constant motion. I got tired just watching from my end-pew position in this sanctuary that holds 26 six-person pews on the lower level and a few more in the balcony.

A view of the balcony in this 1938 rural church.

It’s the type of snug church where you won’t get away with napping during the sermon, like you could anyway under Pastor Lebahn’s watch.

There’s something about worshipping in a small country church like this that you can’t replicate in a modern, large-scale church, even if you incorporate stained glass windows or other elements from an historic building.

I felt a sense of connection, of closeness, on Sunday as the congregation joined in prayer—for those celebrating anniversaries and birthdays and for those in need—and sang old favorite hymns like “Oh, That the Lord Would Guide My Ways.”

Looking from the entry into the sanctuary during worship services.

In the back of the church are pews for families with little ones.

Farm boy, 6-year-old Jonathan, after services in the basement.

You can’t help but feel close when you’re tucked into tightly-jammed pews in a place where a comfortable pair of jeans is as common as a suit and tie and where farm kids like 6-year-old Jonathan bring a mini toy John Deere haybinder to church to keep his little hands busy.

Because just outside the church doors lie fields of corn and alfalfa and soybeans…

To the right of the cornerstone, in the distance, you can see corn fields.

Looking heavenward...

The Last Supper art on the lower part of the altar.

In my next post about this church, I'll take you into the basement where this sign is located.

CHECK BACK FOR A POST about the harvest dinner at this country church following the worship service.

© Copyright 2011 Audrey Kletscher Helbling

 

A peek at the South Central Minnesota Studio ArTour October 15, 2011

This building at 101 E Fifth Street in downtown Northfield includes a studio that showcased the art of Nancy Carlson, Lucky Rimpila and Meg Jensen Witt.

OK, PEOPLE, YOU have one more day to tour 23 art studios featuring 46 artists during the South Central Minnesota Studio ArTour.

The free tour, which opened today, continues Sunday from 10 a.m. – 6 p.m. in the Northfield, Cannon Falls and Faribault area.

Now I’m going to be honest with you here. My husband and I went on the tour last year. We loved it. But we really didn’t weave the event into this weekend’s plans what with painting a bedroom this morning and then sampling chilis at the Faribault Fall Festival today and other stuff that involved work.

But then we drove up to Northfield to look at a van for sale and, as long as we were in the vicinity of most of those open studios, we toured about a half-dozen. And let me tell you, we were in for some sweet surprises.

Here’s a sampling from those studios, which should inspire you to abandon any other plans you have for Sunday and make a day of it visiting with artists and perusing (maybe even purchasing) their work.

Meet metalsmith Tim Lloyd, surrounded by the tools of his trade. He’s a congenial guy, retired from 40 years of teaching metalsmithing at Carleton College in Northfield. He’ll explain things to you, answer your questions about what he keeps in narrow drawers in his workshop. You’ll see leaves in one drawer. He’ll tell you about the prairie dock (a native prairie plant that looks like rhubarb) and the ginkgo leaves he imprints into silver.

And then he might mention that he has a work of art at the Smithsonian American Art Museum. A teapot. At the Smithsonian.

And so here are some of Tim’s teapots, not exactly like the one at the Smithsonian, but beautiful, just beautiful. He’ll even listen to you tell a story about a railroad teapot reclaimed from a junk pile on a North Dakota farm, if you have a story like that to share.

So when I saw this vessel, I thought of a Communion chalice, which it is not. But Tim has made those, too.

Because Tim didn’t seem to mind, I moved in close to his work desk and photographed these tools.

Moving along, artist Kirsten Johnson wouldn’t allow me to photograph any of her art (not all that uncommon) except this visual journal of watercolor paintings. In January, she began painting an hour a day and continued for five months. About mid-March she took lessons in watercolor. She learned this: “Water is boss.”

Down-home, earthy simplicity is how I would describe this bowl by Meg Jensen Witt, who once worked at a food co-op with someone I met several days ago. Small world. And, yes, I’ll tell you about this interesting mutual acquaintance in a few days in another post.

I still don’t know if he was telling me the truth or spinning a tall tale. But the creator of this stained glass window introduced himself as Lucky Rimpila. I mean, who has a name like Lucky? Lucky, apparently.

And then there’s Nancy Carlson (for sure her real name) who was in the same studio as Lucky and Meg. Nancy used a dropper to create mini works of art with India ink. She grouped and framed them together and here you’re seeing one snippet.

 Meet Louise. She is not an artist. But she is an original poodle (or something like that) before poodles shrunk. Louise was hanging out in potter Tom Willis’ Sunset Studio near Dundas. Tom says Louise is shy and that she needs a haircut. He is right.

Since Louise was sort of blocking the view of Tom’s pottery, above, I moved in close to photograph it for you. Then I went outside his studio and found more…

I could show you many, many more close-up photos of Tom’s pottery. Lovely, lovely art. But here’s an overview. You can go to his studio and examine it more closely on your own. Tomorrow. Remember, 10 a.m. – 6 p.m.

Oh, and if you time it just right, you may get to see Tom and ceramic sculptor DeAnn Engvall take a dragon out of the 1800-plus degree raku kiln. Yes, that is hot. And, yes, DeAnn has gotten burned, singed her eyebrows once.  And, yes, I took this photo at a weird angle so just tip your head.

Next, the red hot dragon (see it?) is placed inside a garbage can, where it ignites newspaper. About then you can make a smart comment about a fire-breathing dragon before the lid is slapped onto the garbage can. A half hour later, a colorful dragon emerges. DeAnn will explain to you that the fire “pulls the oxygen molecules in the glaze to the surface.” And if you’re like me, you’ll think, “OK, if you say so.”

That concludes my mini-tour of several art studios. Now, have I convinced you to take in the South Central Minnesota Studio ArTour tomorrow?

For more information, click here at www.studioartour.com.

© Copyright 2011 Audrey Kletscher Helbling

 

Sign junkie October 14, 2011

A note on the door at Medallion Case.

YOU MIGHT NOT APPRECIATE business signage like me. Heck, you may not even pay much attention to signs unless, of course, you are looking for a specific place. Then you would notice.

But I notice signs because I consider them to be works of art, reflections of personalities and history, trademarks of small-town life, and sources of entertainment.

I’m not talking about the mass-produced, generic signage that marks a chain store. Rather, I mean those handcrafted and/or custom signs (and notes) you’ll find on small-town Main Street or along rural roadways.

Recently, signage in Nerstrand, a village of 233 residents in eastern Rice County near Nerstrand Big Woods State Park, attracted my interest.

And because most of you aren’t going to drive to Nerstrand to see these signs, you can just view them here.

Then, once you’ve perused my discoveries, I challenge you to go out into your own communities and search for sign art.

WARNING: If you accept this assignment, you may become a sign junkie just like me.

No confusion about the meat market business located here along Main Street Nerstrand.

Additional signage on the Nerstrand Meats building highlights the products available.

Another business sign along Nerstrand's Main Street.

This sign on the corner of a Main Street business in Nerstrand directs motorists to Grace Lutheran Church.

Just so you believe me, here's Grace, under the water tower.

BONUS: I’ve tossed in two signs from rural Dennison also.

This sign at the end of the driveway at 2290 Goodhue County 49 Blvd will direct you to Potpourri Mill Log Cabin near Dennison. That's Vang Lutheran Church in the background.

Once you drive up to the log cabin, you'll see this season appropriate sign outside the front door. Inside you'll find the Harvest Thyme Craft Show, which runs weekends through October 16.

© Copyright 2011 Audrey Kletscher Helbling