Minnesota Prairie Roots

Writing and photography by Audrey Kletscher Helbling

All about loons in Otter Tail County & beyond in Minnesota October 28, 2019

The world’s largest loon sculpture in Vergas, Minnesota.

 

IN MINNESOTA WE HAVE the comedic and musical actresses the Looney Lutherans, who showcase our ya, sure you betcha Scandinavian image. We decorate our Up North cabins with loon décor in honor of our state bird. Minnesota writer Gerald Anderson features the loon in Murder Under the Loon as part of his An Otter Tail County Mystery series. And if all that loon madness isn’t enough, the village of Vergas boasts the world’s largest loon sculpture.

 

 

Look closely at the sign in the photo above and you will see this rock art balancing on the sign.

 

This rock art left on the dock by the FM Rock Hounds made me smile.

 

Aquatic life up close in Long Lake.

 

Recently I sought out that roadside art while in Otter Tail County. I always appreciate kitschy art that defines a place. And Vergas, population 350, is all about embracing loons. Each August, the community celebrates Looney Daze. The Frazee-Vergas baseball team is named the Loons. And then there’s that 20-foot tall loon statue looming over Long Lake.

 

 

But finding that loon proved difficult, even after getting instructions from a local to follow that road (he pointed), turn right, cross the tracks… No loon. Eventually Randy and I found the loon sculpture dedicated in 1963 to Postmaster Ewald C. Krueger. The Vergas Fire Department sponsored the community project.

 

The only loon I’ve ever seen up close.

 

Now, if I actually spotted a real loon up close, I will have completed my loon fix. But I’ve only ever seen them from a distance, in the middle of a lake. You see, even though the loon is our state bird, it is primarily a central or northern Minnesota bird. Not necessarily representative of the entire state.

 

 

But the loon is representative of one small Minnesota town situated in the lake country of Otter Tail County.

© Copyright 2019 Audrey Kletscher Helbling

 

Another view of Pelican Rapids, Minnesota October 18, 2019

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A mural on the back of a downtown Pelican Rapids building.

 

VIEW A COMMUNITY ONLY from its public front face and you miss seeing the entire portrait of a place.

 

Pete the Pelican

 

On a recent visit to Pelican Rapids in northwestern Minnesota, a side pathway between buildings led me to the Pete the Pelican sculpture.

 

 

 

 

And more—a unique suspension footbridge

 

 

and art on the backs of businesses.

 

 

Pelican Rapids, as you might rightly guess, identifies itself with pelicans. An early history of the town states that enormous pelicans circled overhead as they moved towards their nesting area at the upper rapids.

 

 

And so the pelican became this town’s symbol…

© Copyright 2019 Audrey Kletscher Helbling

 

From Pelican Rapids: The symbolic art of the pelican October 17, 2019

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Pete the Pelican in Pelican Rapids, Minnesota

 

OVER-SIZED SCULPTURES, roadside kitsch—whatever term you tag to mammoth outdoor art, I’m a fan. Many Minnesota communities, from Fergus Falls’ otter to Rothsay’s prairie chicken to Garrison’s walleye, identify themselves with public art symbols.

 

The scenic early October drive to Pelican Rapids from Detroit Lakes.

 

Most recently I discovered Pete the Pelican in Pelican Rapids, a northwestern Minnesota town some 50 miles from Fargo, North Dakota. We made a day trip there from Detroit Lakes, where we stayed for a few days recently. Our eventual destination: Maplewood State Park to the east of Pelican Rapids.

 

The horses seem to be galloping off this painting by Marcella Rose, such is the movement she brushed into the scene.

 

Marcella Rose’s pelican art.

 

The varied art of Marcella Rose.

 

We parked downtown, walked around, popped into artist Marcella Rose’s studio and shop,

 

Pete the Pelican

 

Signage about Pete the Pelican.

 

and then looked for Pete the Pelican. The iconic symbol stands 15 ½ feet high and was built from steel, concrete and plaster in 1957. He sits on a concrete base at Mill Pond Dam along the Pelican River.

 

Walking toward the suspension bridge. More info coming in a second post.

 

A nearby park features a unique suspension bridge which also drew our interest.

 

 

 

 

Other, smaller, “friends of Pete” pelican sculptures are scattered throughout the downtown adding to the town’s artsy appeal.

 

Pete the Pelican from another perspective.

 

Pete the Pelican has become a tourist attraction in Pelican Rapids, providing lots of photo ops. This is a town I’ll long remember precisely because of the public pelican art.

TELL ME: Are you drawn to over-sized sculptures? Give me examples of such public art you’ve seen and like. What value do they add to a place?

Please check back for another post from Pelican Rapids.

© Copyright 2019 Audrey Kletscher Helbling

 

Through a SoMinn Lens August 27, 2019

 

 

AS A CREATIVE, I always appreciate the opportunity to get my work out to a broader audience. I want to share my images and words. Not because I possess some big ego. But rather I want others to view the world around them through an artful perspective. With joy. With appreciation. Through the creative lens of a writer and photographer who seeks to notice the details within the wider picture, to engage all the senses. I strive for that in my art.

My newest creative endeavor landed me at Southern Minn Scene, a Southern Minnesota arts, entertainment and lifestyle magazine. The publication’s coverage area stretches from just south of the Twin Cities metro to the Minnesota/Iowa border and from the Mississippi River on the east to Mankato on the west (although I aim to stretch that western boundary farther west toward my native prairie).

Each month I’ll craft a photo essay, accompanied by several paragraphs of text, in a column titled Through a SoMinn Lens. If you’ve followed this blog for awhile, you’ll see familiar images. And other photos I haven’t previously published here. All the copy, though, will be new with my column leaning toward poetic prose. As a published poet, I value that art form. Journalistic style writing is reserved for the occasional features I will also pen for Southern Minn Scene.

 

 

My column debuts in the just-published September issue, which you can read online by clicking here. I focus on Wabasha’s SeptOberfest, a two-month celebration of autumn. I love this Mississippi River town any time of year for its natural and historic beauty, but especially during this family-friendly event.

 

 

I also crafted a feature on the annual Germanfest at St. John’s United Church of Christ, Wheeling Township. That’s east of Faribault and near Nerstrand Big Woods State Park. I’ve posted about that ethnic celebration several times here. I love the people of St. John’s. They are friendly, kind, and incredible cooks and bakers. The story proved an ideal fit for this food-themed issue of Southern Minn Scene. Be sure to read other writers’ food-focused stories about tasty desserts in the region to new foods at the Minnesota State Fair.

Beyond that, thank you for valuing art, whether literary, visual or performing. Today, more than ever, we need the arts. They enhance our lives, bring joy, broaden our worlds, our perspectives.

Disclaimer: I am paid for my work published by Southern Minn Scene, but not for this post.

© Copyright 2019 Audrey Kletscher Helbling

 

Celebrating family along Faribault’s Virtues Trail August 26, 2019

Waiting in line for face painting at the last Family Night. Minnesota Prairie Roots file photo July 2019.

 

ANY TIME A COMMUNITY comes together to celebrate families through the arts rates as positive.

The Virtues Project Faribault does exactly that at monthly summer gatherings along the Virtues Trail in Heritage Bluff Park in the core of downtown. The final such seasonal event happens from 5:30 – 7:30 p.m. this Wednesday, August 28.

 

Face paintings by Laura O’Connor is wildly popular. Minnesota Prairie Roots file photo July 2019.

 

After attending the previous Family Night at Virtues Trail in July, I’m sold on this activity-filled evening of storytelling, theater, crafts, games, music, face painting and more. To observe families enjoying each other, to see preschoolers engaged and happy, to watch elementary-aged kids creating art and much more simply delights me. We need more moments like this in our communities.

 

Hands-on art created at the July Family Night. Minnesota Prairie Roots file photo July 2019.

 

Back to School themes this final Family Night just as kids are heading, or have already headed, back to school.

 

Love in three languages on a mirrored sign along the Virtues Trail. Minnesota Prairie Roots file photo August 2018.

 

If my granddaughter lived locally, I’d take her to this event. Izzy would love every aspect of Family Night. If you live in or near Faribault, embrace this opportunity to celebrate families.

© Copyright 2019 Audrey Kletscher Helbling

 

From Faribault: The art of virtues at family night August 1, 2019

Face painting by Laura O’Connor proved especially popular.

 

CREATIVITY FOCUSED FAMILY Night at the Virtues Trail in Faribault on Wednesday evening

 

 

 

with face painting,

 

Jewelry artist Jessica Prill, right, of Fleur de Lis Gallery, set up a beading station.

 

jewelry making,

 

 

 

theatre,

 

 

Sarah Beth Stadler and Suzanne Schwichtenberg of The Upper East Side offered hands-on art projects. Stadler leads “Crafty Mondays” for kids at the Central Avenue creative haven.

 

 

hands-on art with markers,

 

 

 

 

hands-on art with chalk, storytelling and much more to engage kids.

 

I’m reflected in a mirrored sign next to the tent headquarters for The Virtues Project Faribault.

 

As I meandered along the trail lined with mirrored signs promoting virtues like kindness, tolerance and creativity, I thought how valuable this event. It not only reinforces positive traits, but it shows the kids of this community that they are valued. People care. They volunteered for this Family Night.

 

 

 

 

Clearly, kids loved it. Their faces, their hands, their involvement showed their enthusiasm.

 

Enjoying ice cream, compliments of The Depot Bar & Grill.

 

Jeff LaBeau of The Depot scooped ice cream for attendees.

 

I, too, enjoyed myself, stopping occasionally to chat with friends, to eat a scoop of ice cream, to delight in a summer evening as beautiful as they come in Minnesota.

 

Displayed on a table with a pipecleaner art project.

 

I love how the people of Faribault are really stepping up to shine positivity in creative ways.

 

 

A final summer Family Night at the Virtues Trail is set for 5:30 – 7:30 p.m. Wednesday, August 28, along the trail in Heritage Bluff Park, next to the train tracks and across from The Depot Bar & Grill.

© Copyright 2019 Audrey Kletscher Helbling

 

A powerful Northfield sculpture focuses on mental health July 30, 2019

 

PAUSE ON THE CORNER of Division Street by the Northfield Public Library in the heart of this historic southern Minnesota river town, and you will find yourself next to a massive rusting sculpture.

 

 

 

The public piece calls for more than a cursory glance at an abstract person reaching skyward. The art calls for passersby to stop, read the inscription at the base of the sculpture and then contemplate the deeper meaning of “Waist Deep.”

This temporary downtown art installation, created by 15 Northfield High School students and three professional artists through the Young Sculptors Project and funded with a $10,000 grant from the Southeastern Minnesota Arts Council, creates a community-wide public focus on mental health issues. After two years, the sculpture will be permanently placed in the high school courtyard sculpture garden.

 

 

Like any art, “Waist Deep” is open to personal interpretation. The signage notes, though, that the sculpture is meant to support those struggling with mental health in the community, of needing and receiving help from caring others.

 

 

As I looked at the layered and fractured pieces comprising the sculpted person, I saw beyond the arm reaching for help and the lowered arm with curved hand clawing the earth. Both represent, in my eyes, darkness and light, hopelessness and hope. Mental illness leaves a person feeling incomplete and broken. Fractured. Trying to hang on. Reaching.

 

 

I photographed the sculpture on a recent weekend morning under rainy, then partially cloudy and sunny skies, not unlike the ever-changing skies of mental illness. Sometimes pouring. Sometimes parting. Sometimes shining with hope.

As the sculpture name “Waist Deep” and art itself suggest, those dealing with mental health issues can feel waist deep in the water of the disease—flailing, perhaps unable to swim, battling the overpowering waves.

We have a responsibility to throw a life-line. How? First, start seeing mental illness like any other illness. Call it what it is—a brain disease. End the stigma. Someone suffering from depression, for example, can no more wish away or snap out of depression than a diabetic can cure his/her disease by thinking positive thoughts. Educate yourself.

 

 

Support those who are waist deep. Show compassion. They need care, love, encouragement, support just as much, for example, as cancer patients.

Be there, too, for the caregivers, who feel alone, who work behind the scenes to secure often elusive professional care for their loved ones. In Minnesota the shortage of mental health care professionals and treatment centers, especially outside the Twin Cities metro area, is documented in media report after media report. It’s a crisis situation. Telling someone in a mental health crisis they need to wait six weeks plus for an appointment with a psychiatrist or a psychologist is absurd and unacceptable. We wouldn’t say that to someone experiencing a heart attack. They would die without immediate care. Those waist deep do sometimes. Every day. And it shouldn’t be that way.

I applaud the 15 NHS students and the three artists who created the public art piece in Northfield. Projects like “Waist Deep” shine the spotlight on a disease which has too long been hidden, shoved in the dark corner of silence.

THOUGHTS?

FYI: I’d encourage you to read the book Regular & Decaf by Minnesotan Andrew D. Gadtke and published by Risen Man Publishing, LLC. It features conversations between Gadtke and his friend, both of whom have brain diseases. It’s a powerful, insightful and unforgettable read.

 

“Crochet in Translation”: the art of Malia Wiley July 16, 2019

Malia Wiley’s “Swine in an Afghan.” Minnesota Prairie Roots photo.

 

WE SHARE THE COMMONALITIES of attending the same Christian college, Bethany Lutheran in Mankato, and of being creatives.

 

Malia Wiley with her oil painting, “Stag Luxuriously Robed in Crochet.” Minnesota Prairie Roots photo.

 

I write and photograph. She paints and crochets. She is Malia Wiley, a young southern Minnesota artist who specializes in painting primarily pet portraits. But Malia also crochets and has now combined her two creative passions into an artistic endeavor, Crochet in Translation.

 

Flying geese in crochet and painting by Malia Wiley. Minnesota Prairie Roots photo.

 

“Cozy Squirrel” portrait up close by Malia Wiley. Minnesota Prairie Roots photo.

 

Love the vivid colors in this rooster portrait by Malia Wiley. Minnesota Prairie Roots photo.

 

The result is a signature art form unlike any I’ve seen. Novel. Unique. Memorable. And truly creative with the colors and textures of crocheted afghans inspiring, weaving into and enhancing Malia’s portraits of animals.

 

Malia Wiley, left, chats with guests at her recent Owatonna Arts Center Crochet in Translation gallery opening. Minnesota Prairie Roots photo.

 

Recently I attended an opening reception at the Owatonna Arts Center honoring Malia and celebrating her work as an artist. A gallery exhibit of her art continues there until July 28.

 

“Hens on Crochet” by Malia Wiley. Minnesota Prairie Roots photo.

 

I chatted briefly with this talented artist and learned that her grandma taught her to crochet. Her “Hens on Crochet” incorporates an afghan crocheted by her grandmother and exhibited with the painting.

 

Malia Wiley crafted this jewel-toned afghan, the inspiration for a peacock painting. Minnesota Prairie Roots photo.

 

“Bundled Sheep” by Malia Wiley. Minnesota Prairie Roots photo.

 

Afghans from Malia Wiley’s collection stacked in a corner of the gallery. Minnesota Prairie Roots photo.

 

Malia also crafted a few of the showcased afghans. But most were found—at thrift stores and garage sales. Crocheting an afghan, Malia says, takes considerably more time than painting an animal portrait. I don’t doubt that when you look at the intricate patterns of crocheted afghans.

 

In addition to originals, Malia Wiley sells prints of her animal portraits. Minnesota Prairie Roots photo.

 

That Malia makes her living as an artist delights me. With this Lake Crystal artist’s level of talent and signature style, it’s easy to see how she has become a successful professional artist. On a larger and more public scale, Malia’s work is featured on a mural she painted for the ag-themed Grow-It Gallery at the Children’s Museum of Southern Minnesota in Mankato, a museum on my to-see list.

 

“Preparing the Den” by Malia Wiley. Minnesota Prairie Roots photo.

 

I love when young people, anyone really, follow their passions and find joy in the talents with which they’ve been blessed. We are all the richer for the creatives who enrich our lives through their art.

© Copyright 2019 Audrey Kletscher Helbling
Paintings were photographed with Malia’s permission.

 

Everyday art May 17, 2019

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ART. It’s everywhere if we choose to see it. And I do, with my camera.

On a recent walk through a city park in Dundas, I paused on a pedestrian bridge spanning the Cannon River. There I turned my lens to swimming geese,

 

 

to the water

 

 

and then back to the side of the bridge and the textured growths thereon. Abstract art.

 

 

I challenge you to look and really see, to notice the details in your surroundings. To discover often unseen and unappreciated art.

 

© Copyright 2019 Audrey Kletscher Helbling

 

The sacred art of Holy Week & of Easter April 21, 2019

Jesus prays in the Garden of Gethsemane shortly before his crucifixion. I photographed this window at Vang Lutheran Church, rural Dennison. Minnesota Prairie Roots file photo.

 

IN MY YEARS of photographing churches, most in rural Minnesota, I’ve grown to appreciate stained glass windows. They prevail in country churches.

 

Jesus’ crucifixion as depicted in a stained glass window inside Holden Lutheran Church, rural Kenyon, Minnesota. Minnesota Prairie Roots file photo.

 

All tell stories, most biblical. I admire this visual art, this way of sharing scripture and faith that connects beyond words.

 

The beautiful sanctuary of Holden Lutheran Church, filled with stained glass windows. Minnesota Prairie Roots file photo.

 

As sunlight streams through the colored pieces of glass, that bold beauty causes eyes to land on the art, to focus on whatever the artist has chosen to depict. Holiness. Reverence. Hope. Eternal life.

 

The women and angel outside the empty tomb on the risen Lord as interpreted on a stained glass window in Holden Lutheran Church, rural Kenyon. Minnesota Prairie Roots file photo.

 

I sorted through my photo files selecting specific stained glass window images that portray today. Easter.

 

This shows a snippet of the center stained glass window in a trio above the altar at Trinity Lutheran Church, Wanamingo, Minnesota. Minnesota Prairie Roots file photo.

 

May you see in these stained glass art photos the story of Holy Week and the reason I celebrate Easter—the resurrection of Christ.

 

A photo of Christ’s face from a stained glass window in my church, Trinity Lutheran, Faribault. Minnesota Prairie Roots file photo.

 

A most blessed and happy Easter to each of you, dear friends.

 

NOTE: As I wrote this post Monday afternoon, I heard breaking news of the devastating fire at the Notre Dame Cathedral. While I’ve never been there, my heart breaks for this loss of a house of worship, for the works of art and history and heritage therein. Such a loss causes me to value even more the stained glass windows of the churches I’ve photographed. 

© Copyright 2019 Audrey Kletscher Helbling