Minnesota Prairie Roots

Writing and photography by Audrey Kletscher Helbling

Downtown Faribault in December in black & white December 22, 2011

The former Security Bank building anchors a corner of Central Avenue in downtown Faribault.

PHOTOS DEVOID of distracting color possess a certain surreal, dreamy quality and a vintage feel that have always appealed to me.

Some of the best images I’ve seen hearken from years ago which just goes to prove that technology doesn’t always equate better results.

While filing through photos I shot in historic downtown Faribault on Saturday afternoon and evening, I decided to play with my photo editing tools and desaturate several images. I liked the results so much that I stripped every frame of color.

The results, I think, impress even more upon the viewer the history of this early Minnesota community that stretches back to its founding by fur trader Alexander Faribault in 1852.

We’re a city rich in history with 40 properties on the National Register of Historic Places.

With that perspective, please join me on a quick photo tour of the downtown area. Certainly much more comprises our downtown than what you see in the seven images here.

I invite you to explore on your own, to immerse yourself in the history that defines Faribault.

Historic buildings along Central Avenue.

Dandelet Jewelry occupies the former 1882 Dandelet Dry Goods building, which was renovated in 1985.

A scene from the movie, "Grumpy Old Men," was shot in the former drug store to the right in this image. Today the building houses a pawn shop.

A holiday display window at Erickson Furniture, in business since 1956 and located along Fifth Street Northwest just a block off Central Avenue. Erickson Furniture won first place in the Main Street window decorating contest with its suspended green chairs, holiday ornaments and lights.

Holiday decorations in a business window along Third Street Northwest just off Central.

A sign in the window of Burkhartzmeyer Shoes, a third-generation family-owned shoe store founded in 1949.

CLICK HERE to read a previous post about Faribault’s historic downtown.

Copyright 2011 Audrey Kletscher Helbling

 

Part II: Life as an orphan in Owatonna December 20, 2011

The main building at the orphanage, built in 1886, housed offices, a reception room, chapel/auditorium, boys' cottage, living quarters for employees, a sewing room, attic and linen storage. This main portion today serves as the Owatonna city administration building.

THE TOWERING BRICK building with the enchanting turret represents no fairy tale. Not at all.

Within the confines of this place and the outlying cottages, some 12,000 – 15,000 children spent their formative childhood and teenage years institutionalized in the Minnesota State Public School for Dependent and Neglected Children. They were the orphaned, the abused, the abandoned, the unwanted.

The "State School Kids" memorial stands in front of the main building and was dedicated in 1993.

Information in a brochure I picked up on a recent visit to this 1886- 1945 orphanage in Owatonna reads:

Such children became wards of the state and, in most instances, all parental rights were cancelled. Parents did not always realize they were relinquishing all rights to their children when they signed the State School commitment papers. Some parents returned to try to regain custody of their children and were refused.

Can you imagine?

Residents of Cottage 11, which housed boys ages 6 - 13, pose for a photo now on exhibit at the museum.

While some children adjusted to living within the strict regiment and rules of the school, many did not. You will hear and read their tragic memories when you visit the orphanage museum. Be forewarned: These stories are difficult to hear.

A room in cottage 11 features the photos and memories of the boys who lived there.

Cottage 11 residents

The boys remember scrubbing floors throughout the cottage, including in the bathroom..

Beds were packed tight into sparse bedrooms in the cottage.

I’ve read several books written by former “state schoolers,” as they were called. Harvey Ronglien, who was the motivator behind the museum and the orphan’s memorial, wrote A Boy from C11, Case #9164, A Memoir. Peter Razor wrote While the Locust Slept, winner of a Minnesota Book Award. I read both books, as well as Crackers & Milk by Arlene Nelson, many years ago and still can’t shake the haunting memories of neglect and abuse and struggle.

Particularly troubling are the reports of abusive, neglectful and unloving matrons. Equally disturbing are the stories of children who were indentured to farm families and then treated like slaves.

Each boy was assigned to a chair in the basement and could not leave the Cottage 11 basement without permission. This was a method used to keep order and control over the children.

Within the confines of the basement, the boys played with marbles, puzzles, checkers and other toys.

A sign on a stairway landing tells visitors about the boys' dreams of escaping via rail and of their admiration for hobos. Some boys did hop trains and ran away.

Children were educated through the eighth grade, with some selected during the early years to attend Owatonna High School. In later years, all students were allowed to attend high school.

If you’ve never visited the Minnesota State Public School Orphanage Museum, I’d encourage you to do so.

This exists as part of our state’s history. We need to know and understand life here.

Considering the thousands of children who lived in the orphanage during its 60-year span, I expect many Minnesotans are still carrying the emotional scars whether directly or indirectly passed through the generations.

IF YOU LIVED in the orphanage or have a family member who did, I’d like to hear from you. What’s your story? Good or bad.

The feet of the children in the memorial statue on the orphanage grounds.

CLICK HERE to read a previous blog post I published about Christmas in the orphanage.

© Copyright 2011 Audrey Kletscher Helbling

 

In Owatonna: Stories of an orphan’s Christmas December 19, 2011

Cottage 11, built in 1923, as one of 16 cottages at the former Minnesota State Public School for Dependent and Neglected Children. Designed to house 25 boys ages 6 - 13, this cottage typically was home to 30 - 35 youth.

AS WE HURRY ACROSS the hilltop campus toward Cottage 11 at the former Minnesota State Public School for Dependent and Neglected Children, the raw wind slapping our cheeks, Silvan Durben advises us to refrain from jumping on the beds.

He’s a character, that Silvan, energetic and flamboyant and passionate. And truthful. This director of art at the Owatonna Arts Center, which is housed in the main building of the former orphanage, shares a tidbit of truth. The children who once lived here weren’t allowed to sleep on their pillows. So if my husband and I slid the for-show-only pillows off the beds and onto the floor, we’d have it right.

The boys' bedrooms are stark, devoid of anything homey. This small room slept three.

With that piece of information imparted, Silvan unlocks the door into Cottage 11, today preserved as part of the Minnesota State Public School Orphanage Museum complex in Owatonna.

Within these walls, which housed boys ages 6 – 13 from 1923 – 1945 in the state school orphanage, we will learn more of the unsettling truths during a self-guided tour. Typically, the cottage is staffed, but on this Sunday afternoon it is not and Silvan has allowed us inside, on our own, to explore. He trusts us, he says, and I am grateful for this opportunity to wander.

Entering a now-enclosed porch that serves as a gift shop and then stepping into the adjoining living room, I am surprised that I feel, initially, impressed by my surroundings. Visually, I am pleased by the natural light flooding this room through the abundant windows, by the dark woodwork, by the fireplace, by the narrow wood-slat floor, by the cozy cluster of vintage furniture grouped near the Christmas tree surrounded by piles of presents.

But looks, as I immediately learn, can be deceiving.

The living room was off limits to the boys except on special occasions.

A view from the hallway looking toward the living room fireplace. Each week the boys polished the floor and furniture in this forbidden space. They also scrubbed floors throughout the cottage.

The posted words of the orphan boys reveal the truth:

…the toy trucks were taken away a few days after Christmas and hidden in the attic to be gifted again the next year.—Cottage 11 Boy

The truth revealed about Christmas from the memories of the Cottage 11 boys.

And the lovely living room? Apparently just for show, too, except on special occasions like Christmas Eve when the boys gathered here around the tree and were allowed to stay up past their usual 7:30 p.m. bedtime until 9 p.m.

Christmas brought but a moment of happiness to these children who otherwise lived under rigid rules and the domination of mostly uncaring matrons. (Arguably, some of these children may have lived equally difficult, or worse, lives had they remained in their previous circumstances/environments.)

Some happy Christmas memories from the boys.

Christmas brought the local Rotarians into the school auditorium to sing carols and pass out boxes of hard candy. Christmas brought several gifts—perhaps Tinker Toys, or marbles or puzzles—for each child.

The stairway between the first and second floors and a shot of the cottage's front door at the bottom of the frame. The boys were never allowed to use the front door. They entered and exited through the basement.

I cannot even begin to fathom living here under unforgiving discipline, sleeping in stark bedrooms crammed with kids, missing out on the love of family.

Unlike the mother image she was expected to portray, Miss Morgan (the matron) could be hard and cruel. Only rarely could she be kind and compassionate.

As I meander through the rooms peering at the black-and-white photos of mostly unsmiling boys and reading about their fears of scoldings and spankings and of scrubbing floors on their hands and knees and being confined primarily to the basement, my heart hurts. Truly.

You can see it in the boys' faces, the desperate need to be loved.

On signage titled “The Basement,” I read of  the prevailing authoritarian attitude:

Permission was always required to leave the basement.

Each boy was assigned a chair in the basement. "The chair kept order and accountability" to the matron.

Listening to a recording of a man who as a boy had his head slammed into a wall for prematurely removing a tie and cuffing a matron, I can still hear the hurt in his voice.

I can almost feel the pain experienced by cottage resident Arlend “Buzz” Wilson who slipped and scalded himself with hot water while scrubbing the basement steps. He ended up hospitalized for his burns.

In the first floor matron's quarters, a young boy was placed in the rocking chair to the left and his head slammed into the wall for disobedience. He removed his tie too soon and cuffed the matron.

But for all the awful stories shared here, occasionally glimmers of hope slip through—of boys who admired hobos and hopped the nearby train to escape and of “Wednesday Night at the Movies,” when movies were shown in the school auditorium. Those “brought great joy to us children.”

And then, the single gem I found among all the stones:

FYI: Cottage 11 is open from1 p.m. – 3 p.m. Tuesday – Sunday. However, I advise calling in advance (507-774-7369) as it was not open when we arrived on a Sunday afternoon. Hours at the main museum, 540 West Hills Circle, Owatonna, are from 8 a.m. – 5 p.m. Monday – Friday and from 1 p.m. – 5 p.m. on weekends. I have previously toured the museum, but did not do so again on this most recent visit.

PLEASE CHECK BACK for additional photos of Cottage 11.

© Copyright 2011 Audrey Kletscher Helbling

 

Visiting down-home Indian Island Winery August 30, 2011

This building complex houses one of southern Minnesota's newest wineries.

IF YOU DIDN’T KNOW, you likely would think, from a distance, that the sprawling pole shed along Waseca/Blue Earth County Road 37 several miles south of Smith Mills is just another farm building planted among acres and acres of soybean and corn fields.

But you would be wrong. This is home to Indian Island Winery, among southern Minnesota’s newest wineries.

Minnesota artist Jim Hansel created the artwork, "Native Lands," for Indian Island Winery. Considered one of America's premier wildlife, nature and landscape artists, Hansel is legally blind.

Sunday afternoon my husband and I drove west from our Faribault home to check out the winery with the intriguing name, drawn from the Native Americans who once used this land—at one time nearly surrounded by water—as their summer hunting camp.

Inside the winery, you’ll see the artifacts, found on this property, to back up the historical context of this place. And, no, this site was not a Native American burial grounds.

Indian artifacts found on-site and displayed inside the winery.

Tour the winery and/or the vineyard and the Winter family will fill you in on the grape-growing and harvesting and wine-making process. We opted in on the winery tour, out on the vineyard tour given I wanted to photograph the vineyard and didn’t want to hold up a whole trolley full of tourists.

Instead, Tom Winter, who is a partner in the business along with his parents, Ray and Lisa, his wife Angela, and his sister Angie, invited us to follow the trolley out to the grape fields and explore on our own.

Visitors experience the country as they ride past soybean fields on the way to the vineyard.

That no qualms invitation warmed me up to the Winter family right then and there. And, if I was to choose a phrase defining our visit to Indian Island, that would be “down-home, country friendly.”

From Tom’s broad smile, to his and Angela’s adorable 7-month-old son to the charming college student tending the wine-tasting bar to the bucolic setting, everything about Indian Island speaks  “Welcome, we’re happy to have you here in this place we love.”

And clearly the Winters love this land, and each other, as they reside on various building sites within view of the winery and vineyards. “Close, but not too close,” Tom laughs, adding that a cousin also lives nearby.

Indian Island's vineyard covers 13 acres. Here's a view between rows of plants.

Clusters of grapes hang heavy on vines awaiting the harvest.

Grape leaves arc above the rows.

I don't know grape types, but my husband and I found many varieties in the vineyard.

Masses of grapes and individual grapes made for some lovely photos.

The thing we noticed about the vineyard grapes is that they don't look at all like the types of larger grapes sold in grocery store produce departments.

Tom Winter warned us about the LP-fueled cannon before we headed for the vineyard. The cannon "fires" periodically to scare away the birds. Likewise, a loudspeaker system intertwined among the grapes broadcasts the voices of squawking birds, all to keep real birds away from the fruit.

During the winery tour, Tom says several times, “My sister’s the winemaker.” Even though Angie Winter makes the wine, this family works together, from Angela keeping the books to Tom pinch-hitting as a tour guide when he isn’t working in other facets of the winery to… Earlier this year, the Winters were named Waseca County’s Farm Family of the Year.

Visitors learn about the press, filter, crusher and other equipment in the wine-making room.

A box full of corks in the wine-making section of the business.

Together, after only a few years in the wine business, the Winters have accumulated a long list of awards—the most recent the coveted Minnesota Governor’s Cup (aka gold medal) in the 2011 International Cold Climate Wine Competition for their Frontenac Rosé.

The Winters’ wine beat out 250 other entries to take the top honors, Ray Winter says.

Winner of the 2011 Governor's Cup, Frontenac Rose.

Inside the machine shed style building, which looks nothing like a storage place for farm machinery, you can (for $5 and you get to keep an Indian Island wine glass) sample four pre-selected wines and three others at the wine bar. You’ll find Maiden Blush, this year’s bestseller, and wines with names like Dreamcatcher, Prairie Wind and St. Pepin.

You can sample wines (17 are on the current wine-tasting list) and/or enjoy a meal inside or outside the winery.

One of the many winery offerings: St. Croix, a semi-dry red table wine.

Grab a bottle of wine from the vast selection at Indian Island Winery.

If all goes well with this year’s crop, Indian Island plans to offer wines made from only Minnesota-grown grapes. Most grapes will come from the family’s own vineyards with some also coming from local contractors.

For now, Indian Island makes only grape wine. I have yet to sample any, although my husband and I picked up bottles of Maiden Blush and Frontenac Rosé.

The bartender suggested we return: “Come back in the evening, have a glass of wine and watch the sun set.”

That sounds like a plan to me, to this former southern Minnesota prairie farm girl who appreciates nothing more than the sun slipping below the horizon in a serene setting like that at Indian Island Winery.

I can picture myself sitting on the patio at Indian Island, sipping wine and watching the sun set.

FYI: Indian Island Winery is among places featured in the “Minnesota River Sips of History” wine, beer and history trail tour. Click here for more information on this tour that will take you to places like August Schell Brewing Company in New Ulm, Fieldstone Vineyards in Redwood Falls, the historic R.D. Hubbard House in Mankato, Gilfillan Estates between Morgan and Redwood Falls, and more. The sites are hosting special events the weekend of October 21 – 23.

Indian Island is among about 30 wineries in Minnesota and is located southeast of Mankato. The business aims to use only Minnesota grapes, most grown on-site.

FYI: Click here to learn more about artist Jim Hansel who created the signature artwork that graces Indian Island wine labels.

© Copyright 2011 Audrey Kletscher Helbling

 

Connecting to God at country churches August 28, 2011

Vista Evangelical Lutheran Church, located at the intersection of Waseca County Roads 20 and 56 northeast of New Richland was built in 1908 and is on the National Register of Historic Places.

DURING THE PAST FEW YEARS, whenever I spot an old country church and have the time to stop and photograph it, I do.

I possess a sincere appreciation for the history, architecture, beauty and art found in these rural houses of worship.

There’s also something about a church in the country that exudes a deep sense of peace not found in a church built in a town and surrounded by homes or businesses, confined by concrete or pavement.

In the country, a church feels more closely connected to God by the sky, the land, the stirring of the wind through the trees, the background buzz of bugs on an end-of-summer day.

Serene. Peaceful. Calm. A certain sense of comfort comes from walking through a country churchyard, through the adjoining cemetery that links to farm fields where congregational forefathers worked the land and, on Sunday mornings, paused to thank God for the blessings bestowed upon them.

A plaque at Vista details the congregation's Swedish roots and history. Early settlers met on a hill north of the current church on August 8, 1858, and signed a constitution.

Most times on these brief visits to country churches, I find the doors locked. It wasn’t always this way. Perhaps even a decade ago, I could have walked inside. But times are different. Worry about theft requires locked doors.

So I can only imagine the sun streaming through stained glass windows, the worn pews, the ornate altar, the frayed rope of the bell pull.

Nearly every old country church features irreplaceable stained glass windows.

As I circle the church exterior, I consider the families that have come together here to celebrate baptisms and marriages and to mourn the loss of loved ones. Ashes to ashes, dust to dust.

Cornfields snuggle up to Vista's church yard. It's the most beautiful of settings.

Here, standing with my feet planted next to the church next to a corn or soybean field overlooking the picturesque countryside, I can feel the almighty presence of God the Creator as I contemplate words from “Beautiful Savior,” my favorite hymn:

Beautiful Savior, King of creation, Son of God and Son of Man!

Truly I’d love thee, Truly I’d serve thee,

Light of my soul, my joy, my crown.

#

Fair are the meadows, Fair are the woodlands, Robed in flow’rs of blooming spring;

Jesus is fairer, Jesus is purer,

He makes our sorr’wing spirit sing.

Vista's steeple rises above the countryside as a local landmark.

A lovely grassy area of shade trees lies to the north and west of the Vista church.

© Copyright 2011 Audrey Kletscher Helbling

Verses one and two of “Beautiful Savior” are from The Lutheran Worship hymnal.

 

Hotdish, but not on a stick August 26, 2011

TYPICALLY MY POSTS focus on a single subject. But not today. I’m serving hotdish. And since the Minnesota State Fair opened Thursday, pretend it’s hotdish on a stick, which actually can be purchased, with cream of mushroom dipping sauce, from vendors Ole and Lena’s. Ja, sure, ya betcha.

This year you’ll also find, for the first time at the Great Minnesota Get Together, chocolate covered jalapeno peppers.

Now, you might think Minnesotans would hesitate to try jalapeno anything given our primarily Scandinavian and German taste buds. But I can tell you that two summers ago I found Dennis Gare pushing chocolate covered jalapenos at the Faribault Farmers’ Market and they were selling like lefse at a Norwegian dinner.

Dennis Gare's chocolate covered jalapenos, which I photographed two years ago.

At the time, Dennis told me the jalapenos were creating quite a buzz among customers and vendors. He’s one of those savvy marketing types who create atypical foods—like pickled eggs and horseradish—that will attract customers and increase sales.

I checked in with Dennis last Saturday and jokingly asked if he was the vendor peddling the chocolate covered jalapeno peppers at the State Fair. Nope. That would be Andre’s Watermelon. But he was a little worried about the fieriness of the over-sized jalapenos on a stick.

If you attend the State Fair and try a chocolate covered jalapeno pepper, submit a comment. I’d like to report back to Dennis down at the Faribault Farmers’ Market. Click here to read my July 20, 2009, post about Dennis’ jalapenos.

SINCE I’M ON THE SUBJECT of the State Fair, I need to give a shout-out to the new Princess Kay of the Milky Way, 18-year-old Mary Zahurones from Pierz, a community of about 1,300 north of St. Cloud in Morrison County and along Minnesota Highway 25, a main route to the Brainerd Lakes area.

The new princess had her head carved in a 90-pound block of butter at the fair yesterday.

Anyway, I know a little about the princess’ hometown of Pierz. My husband graduated from Pierz Healy High School in, well, let’s just say a long, long, long time ago. The new princess graduated from my spouse’s alma mater several months ago, and you’ll find her princess photo proudly showcased on the District 484 website home page.

Two other interesting tidbits about Pierz: The town was originally called Rich Prairie, but was renamed after a Catholic priest, Father Francis Xavier Pierz. He is recognized as “The Father of the Roman Catholic Diocese of Saint Cloud,” having settled in central Minnesota in 1852 as a missionary to Native Americans and having attracted many German Catholic immigrants to the area. You’ll find a statue of the good Father in a Pierz park, moved there last year from the St. Cloud Hospital.

Secondly, if you like bologna, and I don’t, but apparently central Minnesotans do, you can check out Bologna Days every Wednesday at the Red Rooster Bar & Grill in Genola (just south of Pierz) or every Thursday at Patrick’s Bar & Grill in Pierz. Really. This information is listed in the F.A.Q.’s section of the city website and, no bologna, I have seen a Bologna Days sign with my very own eyes.

Magnetic Catholic: St. Francis of Assisi

AS LONG AS WE’RE TALKING Catholic here, even though I’m Lutheran, I simply must point you to the “Magnetic Catholic” paper (well, not really paper) dolls which I first learned about from a Michigan writer on her blog, House Unseen. Click here to read that post and then click here to see the Magnetic Catholic Etsy shop.

I swear—oops, probably shouldn’t be swearing—you’ll have your socks charmed right off you by the likes of the Blessed Mother Teresa of Calcutta, St. Francis of Assisi and the Blessed Pope John Paul II.

ONE MORE THING, totally unrelated to Catholics, dairy princesses, or anything on a stick.

But, apparently the latest trend among hip, young Minneapolitans is to carry iced coffee or similar drinks around in a (Mason/Ball/Kerr) pint canning jar.

I learned this from my eldest, who drove down to Faribault Thursday evening so her personal mechanic/Dad could check her car. After we gathered home-grown tomatoes, flowers and a few other niceties for her to take back home to south Minneapolis, she asked if I had any canning jars.

A hip canning jar.

I know my daughter well enough to realize she didn’t need them for canning. Heck, I don’t even can.

So we traipsed down to the basement and poked around until we found two pint jars, rings and lids. She was one happy Uptowner.

SO THERE, I HOPE YOU enjoyed your serving of hotdish. Mighty tasty, huh?

© Copyright 2011 Audrey Kletscher Helbling

 

Art, history and community meld at Faribault car cruise-in August 22, 2011

I CAN’T DIFFERENTIATE a Ford from a Chevy. But I can distinguish a Mustang from a Cadillac.

You needn’t know cars, however, to appreciate a car cruise-in like the one I attended Friday evening in the 400 block of Central Avenue in historic downtown Faribault. The monthly cruises are new to my community and, if I’m correct, Friday’s show marked the first this summer that hasn’t been rained out.

Downtown Faribault Car Cruise Night, looking southeast on Central Avenue.

Just several of the many vintage vehicles, these parked by a Mexican store and bakery.

For me, a car cruise-in is all about art, history, community and having a good time. However, for my automotive machinist husband, the one who got me interested in these shows, it would be mostly about the cars or trucks. He’s my go-to guy whenever I question the make, model or year of any vehicle on display, which is often.

While he’s more interested in what’s under the hood or in the overall design, I appreciate the hood ornaments, wheel covers, taillights, the curve of metal—the details that, to me, represent, mini artscapes.

I switched this photo to black-and-white to show off the hood ornament, a work of art.

A 1948 Dodge sported this artsy license plate.

Call this art, or humor, Ron Lehnen posed this "Halloween Rat" under the hood of his 1970 Chevrolet pick-up truck with the "rat motor."

On Friday, in Faribault, I also appreciated the art of neon lights flashing in storefront windows, the slant of sun against brick during that magical hour around sunset, and clouds that painted the sky on a perfect summer evening of temps in the low to mid 70s.

The setting sun cast a lovely light on the historic Hotel Faribault.

Merchandise and flashing neon lights created a colorful visual at a Mexican store in the car cruise block.

Toss in period tunes and music by the likes of Johnny Cash, my favorite country western singer, played on-site by local radio station Power 96, and the mood was set for hanging out and chatting it up with folks I hadn’t seen in awhile.

Car cruise attendees visited with one another, creating a sense of community.

Aaron shows his 6-year-old daughter, Lexi, the interior of a vintage car.

Ted told me about his new grandson, Jaxson. Kathy told me about the need for rain in the Courtland area, where my maternal roots lie and where her husband had traveled that day to farm with his brother. Lowell told me about the $8.99 steak dinner he’d just enjoyed down the street at the Signature Bar and Grill.

Food was the only item missing from cruise night, although I could have stepped into the Mexican bakery or walked to a restaurant along Central Avenue if I had really wanted something to eat. Maybe, eventually, organizers will encourage places like the bakery or nearby restaurants to set up food stands outside their businesses.

The next Downtown Faribault Car Cruise Night is set for 6 p.m. – 10 p.m. Friday, September 16. However, I’d advise coming well before 10 p.m. as the event pretty much ended around 9 p.m.

The 1970 Chevrolet pick-up with the rat motor. My husband owned an orange truck like his, only a year newer or older, I can't recall which. A steer wandered onto a roadway. He hit it and that was the end of his pick-up truck, many years before I met him. So I've only heard the story...never seen the truck.

Lowell and Deb Melchert leave the cruise in their 1947 Chevrolet as the event winds down.

YOU MIGHT ALSO CHECK out Woody’s Hump Day Cruise In on Wednesday evenings in downtown West Concord. Two remain, including one this Wednesday, August 24, and also on September 7. That cruise-in runs from 5:30 p.m. – 9 p.m., or until dark.

Hastings also hosts the Historic Hastings Saturday Night Cruise-in from 5 p.m. – 9 p.m. with the remaining events set for September 3 and 17 and October 1.

© Copyright 2011 Audrey Kletscher Helbling

 

An old-fashioned grocery store, moosehead and all, thrives in Ellendale August 5, 2011

In the small town of Ellendale, kids bike to Lerberg's Foods for groceries and the occasional slushie. Here two sisters and a friend slurp their slushies while sitting on bags of water softener pellets next to the pop machine.

WHEN ANDREW LERBERG bagged a moose in northern Minnesota in 1919, the animal was brought by rail to Ellendale and the moosehead proudly displayed in the family’s grocery store.

Ninety-two years later, that moosehead still hangs at Lerberg’s Foods, above a framed photo of Andrew with his trophy and above processed fruits and vegetables stacked on grocery store shelves.

Look down the grocery aisle to your left and you'll see the moosehead that is part of Lerberg's lore.

Ross Sletten, who purchased the business in 2007 from Andy Lerberg, will tell you the moosehead came with the store and that originally the rifle used to shoot the animal rested in its antlers. Not any more. Times have changed.

But not everything has changed at Lerberg’s. The original tongue-and-groove maple floor, tin ceiling, small-town-friendly atmosphere and more speak to the history of this 1914 brick building and to the long-standing grocery store owned by three generations of Lerbergs—Andrew, who started the business (in another building) in 1901, Arthur and Andy.

The original tongue-in-groove maple floor in front of the meat counter.

The produce department of Lerberg's Foods.

Ross began working at Lerberg’s in 1976 and, on a recent Sunday, three of his five kids—Brett, 18, Cassidy, 14, and Noah, 12—were all working at the store that anchors a corner of the main street in Ellendale, population around 600.

This long-time employee, now owner/manager, is clearly proud of his grocery store, which he claims is the oldest grocery store in Steele County and the second oldest in Minnesota.

That’s easy to believe when you walk upon the worn tongue-and-groove floor between the narrow aisles—of which there are three—pause to appreciate the tin ceiling, and listen to Ross. He’ll tell you about the tailor who had a shop in the store’s current-day upstairs office or about the eggs, ducks and chickens locals once traded for goods.

He’ll point out the store’s original coffee grinder resting on a shelf above the dairy section or direct your attention to the original wooden butcher block back in the meat department and still in use today (grandfathered in, he says).

Lerberg's Foods owner/manager Ross Sletten points out the original butcher block, which he still uses.

Cassidy Sletten, 14, checks out groceries on a Sunday morning.

He runs a business which, on a Sunday morning, teems with customers—folks picking up a few groceries after church, kids treating themselves to slushies from the machine at the front of the store, a 9-year-old purchasing several cartons of eggs for his mom, a guy buying three bags of water softener salt.

Located just the right distance (meaning too far) from Albert Lea, Austin, Owatonna and Mankato, the store draws customers who will shop locally rather than drive to regional hub cities, Ross says. He can offer competitive prices, he says, through his supplier, Nash Finch.

A street-side sign in Lerberg's front window thanks customers for their patronage.

Already, 12-year-old Noah Sletten is thinking about his future and maybe someday taking over the business. “I think it would be kind of fun to own something old,” Noah says, then smiles.

For someone like me, who grew up in rural southwestern Minnesota and frequented a grocery store with tongue-and-groove floors, a tin ceiling, a candy counter (where I bought my favorite Bazooka bubblegum for a penny), a toy rack and groceries lining two aisles, discovering Lerberg’s Foods brought back so many memories. I couldn’t get enough of this old-time style store.

The only thing missing, I told 14-year-old check-out clerk Cassidy Sletten before leaving her family’s store, was the old-style screen door that would bang behind me. She gave me a puzzled look.

“Ask your dad,” I said, smiled, and walked out the door.

Candy at the end of a check-out counter tempts kids. There are peanuts for the adults.

And right before you walk out the door, you'll see this strategically-placed rack of toys.

A side view of the grocery store looking toward the main street through Ellendale. A customer is carrying a bag of water softener pellets, stacked in front of the pop machine. The slushie slurping kids had to temporarily give up their hang-out spot so he could grab three bags of salt.

© Copyright 2011 Audrey Kletscher Helbling

 

St. Mary’s of Melrose, Part II July 17, 2011

STARK CHURCHES appeal to me. The ones with the simple wooden cross, the white clapboard siding, the time-worn pews settled upon plain plank floors.

But the ornate houses of worship likewise snag my soul with crosses of gold, walls of brick and gleaming, carved pews.

One of the many ornate carvings at St. Mary's Catholic Church in Melrose.

I am most comfortable with, most accustomed to, the unadorned churches of the Lutherans, my religious heritage. We keep things simple. No cluster of burning candles. No wafting incense. No pools of holy water. Minimal, if any, gold.

Perhaps for that reason, when I step into an historic Catholic church, I feel like I’ve entered a foreign land. I am often awed by the opulence, by the details that visually overwhelm me.

The side aisle on the left leads to an ornate altar in St. Mary's which is on the National Register of Historic Places.

That’s exactly how I felt upon entering St. Mary’s Catholic Church of Melrose, featured here in an earlier post. Overwhelmed. But good overwhelmed. Because I could not possibly present all of the images I wanted to share with you in a single post, here are the remainder.

No matter your religious affiliation, you simply have to appreciate a place like St. Mary’s. What beauty. What art. What history. What heavenly splendor.

This was the top or bottom of something. Can't recall what. But it sure is stunning.

Look at this gorgeous, carved door, will you?

Golden statues. Beautiful.

Just look at this detailed side altar. I could have spent hours in St. Mary's.

And then I discovered these collection baskets hanging from a rack. We Lutherans don't have wicker baskets with long handles. These contrast so sharply with the the ornateness in the church and that is why I so appreciated this grouping.

St. Mary's Catholic Church stands strong as a fortress in Melrose, next to the turkey plant, its towering steeples visible from nearby Interstate 94 in west central Minnesota.

© Copyright 2011 Audrey Kletscher Helbling

 

A virtual tour of Mankato’s sculpture walk July 9, 2011

Louise Peterson of Guffey, CO. created this $20,000 bronze sculpture of a playful Great Dane titled "Tickled."

DEAR READERS,

I realize that some, maybe even many, of you, do not live anywhere near Mankato, the southeastern Minnesota community where I recently viewed sidewalk sculptures.

Heck, some of you don’t even live in states bordering Minnesota. Your chances of ever seeing these 25 pieces of art in person are about zilch.

So, for those of you who will view the City Art Walking Sculpture Tour only via Minnesota Prairie Roots, I’ve pulled together one last blog post. Please read my previous two posts for more details and photos of this community art project by first clicking here and then here.

This whole concept of bringing art to the streets through a rotating sculpture tour pleases me immensely. What a grand idea. Such art adds to the vibe of a downtown, to its art, history and culture.

Thank you, Mankato, and everyone who supported this cause financially, for bringing these sculptures to southeastern Minnesota, within quick driving distance of my Faribault home.

Yours gratefully,

Audrey Kletscher Helbling at Minnesota Prairie Roots

Sioux Falls artist Darwin Wolf's $13,500 sculpture, "The Fountain of Life," references Jesus washing Peter's feet at the Passover. It emphasizes the healing, life-giving qualities of water.

"Poco a Poco" a $12,000 bronze sculpture by Pokey Park of Tucson, Arizona, highlights the tortoise, representative of wisdom in American Indian culture. The building in the background houses Number 4 American Bar & Kitchen.

"Fowl Ball" celebrates geese, ducks, turkeys and chickens in this $7,600 forged and welded weathered steel sculpture by Lee W. Badger of Hedgesville, West Virginia.

All of the sculptures are marked with informational signage.

Dee Clements of Loveland, Colorado, created the $6,000 bronze "The Farmer's Wife," one of my favorite exhibit pieces.

To fully appreciate these sculptures, you must notice the details, including the Korean woman clenching her walking stick in "The Farmer's Wife."

Details define "Reading Magic," a $8,500 bronze sculpture by Julie Jones of Fort Collins, Colorado.

"Spirit of Energy," a $8,400 bronze by Karen Crain of LIttleton, Colorado, represents three renewable energy resources: sun, wind and water.

© Copyright 2011 Audrey Kletscher Helbling