Minnesota Prairie Roots

Writing and photography by Audrey Kletscher Helbling

Of pumpkins, pots & photos November 4, 2016

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THIS SCENE PACKS A LOT.

I count two dozen pumpkins, 28 flower pots, seven signs, one butterfly and one squirrel.

If I hadn’t photographed this sidewalk sale while traveling along Broadway in Rochester, I would have missed the details. The merchandise would have simply blurred in a flash of orange.

But now, well after my pass through this southeastern Minnesota city, I can study the photo, like examining the pages of an I Spy book. That’s the beauty of an image. Once you’ve shot it, you can return and appreciate what you’ve photographed.

And I always appreciate slices of everyday life preserved with the click of a shutter button.

FYI: I direct you to the work of Red Wing photographer Dan Traun. He’s especially gifted in documenting everyday scenes on the move. Click here to view Dan’s photos.

© Copyright 2016 Audrey Kletscher Helbling

 

Happy Halloween, Minnesota style October 31, 2016

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I was working in the lab driving into Janesville late one night Friday afternoon, when my eyes beheld an eerie sight…Frankenstein by the train tracks.

 

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I was working in the lab exploring Hayfield late one night one Saturday morning, when my eyes beheld an eerie sight…a sign for Kuster’s Dead & Breakfast.

 

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I was working in the lab walking in Zumbrota late one night early one morning, when my eyes beheld an eerie sight…a witch/ghost with an identity crisis.

 

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I was working in the lab visiting the House of Kuster in Hayfield late one night morning, when my eyes beheld an eerie sight…skulls staggered along a stairway.

 

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I was working in the lab checking my texts late one night early one morning, when my eyes beheld an eerie a crazy sight…my six-month-old granddaughter disguised as Poppy the troll. I laughed and laughed and laughed. Deep belly laughs. I’m still laughing.

 

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Happy Halloween!

© Copyright 2016 Audrey Kletscher Helbling
Troll image of my granddaughter, Izzy, is courtesy of her mom, Amber. Izzy’s paternal uncle works for DreamWorks Animation, which is releasing the movie, Trolls, in a few days. He shipped the Poppy hat from California to Minnesota for his niece.

 

Glorious autumn in Faribault October 21, 2016

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THE TIME OF LOVELY, stunning days in Minnesota is fleeting, moving from autumn toward winter. Those of us who live here understand that. And we appreciate each day that brings sunshine, warmth and no precipitation, especially snow.

 

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With that mindset, it’s as if we can’t get enough of the outdoors. Raking leaves, clearing flowerbeds and other pre-winter activities fill our days. As do walks in the woods or drives to see the fall colors, which are nearly gone now except in portions of southern Minnesota.

 

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Last Sunday afternoon, I slung my camera across my shoulder and joined my husband on a walk through Faribault’s River Bend Nature Center. We had about a half hour to hike before an afternoon obligation would draw us indoors.

 

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I am not, by craft, a nature photographer. But I am an observer and a detail-oriented person. Put a camera in my hands and I begin to view my surroundings with even more detail. That’s one of the things I love about photography.

 

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Through the lens of my camera, I notice the play of light, degrees of color or lack thereof, curves and lines and shapes.

 

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Autumn is, if anything, a season when color fades, when muted earth tones prevail.

 

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Except for the occasional flare of fiery red-orange maples and oaks. And the blazing yellow.

 

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I love the cobalt blue skies of this season. While that hue was absent on the afternoon of my walk, I still tilted my head up to a canopy of clinging leaves.

 

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I also aimed my eyes and camera lens horizontally to appreciate plants drying. Cattails dry to a cottony fluff. Milkweed pods burst with the promise of next year’s growth.

 

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The seasons cycle. And as they do, I observe. I notice. I photograph.

BONUS PHOTOS:

 

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TELL ME: What’s your favorite fall activity? What do you appreciate about autumn?

© Copyright 2016 Audrey Kletscher Helbling

 

Fishing on Circle Lake, a photo essay October 20, 2016

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Photographed in early October, Circle Lake, rural Rice County, Minnesota.

© Copyright 2016 Audrey Kletscher Helbling

 

A picture story from small town Minnesota September 27, 2016

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side-street-waterville-26-holiday-greetings-on-door

 

SMALL TOWNS SOMETIMES present images of time standing still.

 

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History lingers.

 

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The past writes in to the future.

 

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Long-time grassroots businesses maintain a presence, some strong, others struggling against the consumer pull to regional shopping centers, to discount and chain stores.

 

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Watering holes still lure in the locals with icy beer and plenty of BS, enough to crank up the town rumor mill.

 

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Signs of change creep in. An aging populace. Technology. New needs.

 

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But always the community webs together, lines interconnecting those who call this place, this small town, home.

#

(All of these images were taken recently along two side streets and an alley off Main Street in Waterville, Minnesota.)

FYI: Please click here to read my first post from Waterville. And check back for more photos from this southern Minnesota community.

© Copyright 2016 Audrey Kletscher Helbling

 

In St. Peter: Celebrating water through dance, poetry & photography August 23, 2016

The southern Minnesota based Rural Route Dance Ensemble performs Sunday afternoon next to a log cabin at the History Site Treaty Center along Highway 169 in St. Peter.

The southern Minnesota based Rural Route Dance Ensemble performs Sunday afternoon next to a log cabin at the Treaty Site History Center along Highway 169 in St. Peter.

ON THE OTHER SIDE of the log cabin, traffic thrummed in a steady rhythm, the noise sometimes detracting from the five young women dancing barefoot in the grass and from the poets reading in to the wind.

A Smithsonian exhibit on water is currently showing at the St. Peter history center.

A Smithsonian exhibit on water is currently showing at the history center.

Still, despite the traffic noise from busy U.S. Highway 169 in St. Peter, the focus remained primarily on “When Water Dreams: A Celebration,” hosted Sunday afternoon at the Treaty Site History Center.

This photo of Swan Lake near Nicollet is one of 19 black-and-white images included in an exhibit by Kay Herbst Helms.

This photo shows a side view of Kay Herbst Helms’ photo of Swan Lake, one of the largest prairie potholes in the contiguous United States. Located in Nicollet County,  the lake covers 14 square miles. I’ll tell you more about Kay’s exhibit of 19 black-and-white photos in a follow-up post.

I was part of that event thanks to Mankato photographer Kay Herbst Helms. Kay’s latest photo project, “Water Rights,” sidebars “Water/Ways,” a Museum on Main Street exhibition organized by the Smithsonian Institution showing through September 25 at the Nicollet County Historical Society host site in St. Peter.

Sunday afternoon, along with other invited southern Minnesota poets, I read “In which Autumn searches for Water,” a poem published four years ago as part of an “It’s All One Water” collaboration in Zumbrota. I clarified before reading my poem that I wrote this when our region was suffering a drought, unlike now when Minnesota has been deluged with rain. Here’s the third verse in my five-verse poem:

But she finds at the pond site, the absence of Water,
only thin reeds of cattails and defiant weeds in cracked soil,
deep varicose veins crisscrossing Earth.

League of Minnesota Poets President Christina Flaugher reads her poetry. John Hurd and Susan Stevens Chambers also read their poetry.

League of Minnesota Poets President Christina Flaugher reads her poetry. Christina’s mother, Susan Stevens Chambers, also read, both her poetry and that of Henry Panowitsch. Two others, Craig Nelson and Mira Frank, read the works of published poets, including that of local poet Jim Muyres who was unable to attend.

Mira Frank reads the works of published Minnesota poets, here from County Lines.

Mira Frank reads the works of published Minnesota poets, here from County Lines.

I’ve come to enjoy poetry readings—listening to the rhythm of words penned by those who, like me, are moved to string words together in a lyrical way that touches emotions.

This water bottle was sitting in the grass at Sunday's event.

This water bottle was sitting in the grass at Sunday’s event venue site.

With water as the theme for Sunday’s celebration, poets read of lakes and rivers, of rain and of drought, of ships steaming immigrants across the ocean, and more.

An appreciative audience attended the water celebration.

An appreciative audience attended the water celebration.

Volunteers taught attendees to fold paper cranes.

Volunteers taught attendees to fold paper cranes.

Those clustered in lawn chairs, on blankets and standing—some folding paper cranes for the Minnesota State University, Mankato, 1000 Peace Crane Project—focused on the scene unfolding before them.

Water celebration, #47 dancer close-up arms up

 

Water celebration, #49 dancer close-up arms behind

 

Water celebration, #57 dancer with hands together

 

Water celebration, #67 dancers with hands up

 

Dressed in blue, members of Rural Route Dance Ensemble moved with such grace, like water lapping at the shore, waves rolling in the ocean, rain falling from the heavens. I won’t pretend to be an expert in dance; I have viewed few dance performances. But dance, like poetry, is open to interpretation.

North Mankato poet John Hurd reads.

North Mankato poet John Hurd reads.

Life experiences, emotions and more shape poetry—how it is written, read and interpreted.

Susan Stevens Chambers reads from her new book.

Susan Stevens Chambers reads from her new book, Good Thunder, Blue Earth.

The poetry readings of Good Thunder writer Susan Stevens Chambers mesmerized me. Susan has a melodic voice that soothes and comforts like the sound of rushing water. Except her words don’t rush. They flow. I especially savored Susan’s selected readings from her recently published compilation of rural-themed poems, Good Thunder, Blue Earth, published by River Place Press.

 

Water celebration, #94 Susan's dress blowing in breeze

 

As this poet read, her long blue dress swayed in the wind and I thought of gentle waves. Of water.

FYI: Check back for a post on the Smithsonian “Water/Way” exhibit, including more information on Kay Herbst Helms’ photography exhibit, “Water Rights.”

© Copyright 2016 Audrey Kletscher Helbling

 

Hot Sam’s Part I: Art, antiques & oddities in rural Lakeville August 15, 2016

A vintage van becomes a work of art at Hot Sam's.

A vintage van becomes a canvas for art at Hot Sam’s.

HOT SAM’S ANTIQUES, rural Lakeville, defies a singular definition. It’s unlike any place I’ve ever toured.

You'll see lots of vintage vehicles scattered throughout the property.

Vintage vehicles are scattered throughout the property.

There are weird and quirky surprises seemingly everywhere.

Weird and quirky surprises are seemingly propped everywhere.

Behind the sunflower and the fanciful treehouse are a log cabin and other buildings housing antiques for sale.

Atop the hill, behind the sunflower and the fanciful treehouse, are a log cabin and other buildings housing antiques and collectibles for sale.

It’s part photo park, theme park, artist’s haven, junkyard, antique shop. It is undeniably unique. And how you perceive this place depends on your individual preferences. If you like the odd, unusual and quirky, you’ll appreciate Hot Sam’s.

Posted at the entry to Hot Sam's located along Pillsbury Avenue just off Interstate 35, Lakeville exit.

Posted at the entry to Hot Sam’s located along Pillsbury Avenue just off Interstate 35, Lakeville exit.

The lovely and friendly Kathy poses for a quick portrait with the on-site pooch.

The lovely and friendly Kathy poses for a quick portrait with the resident pooch.

The Avon Freeway is new since my last visit to Hot Sam's several years ago. Avon collectible vehicles line this log along the driveway.

Avon collectible vehicles line a log along the driveway. A hodgepodge of items decorate the fence.

I first visited this attraction just off Interstate 35 south of the Twin Cities several years ago, returning on a drizzly Saturday afternoon in early June. Things had changed a bit. I couldn’t simply pull out my camera and start photographing the vignettes created by owner Jake Hood and his artist friend Barry. I had to check in with Kathy Sakry, Jake’s partner. With a bit of prompting, she remembered me and then waived the usual photographer’s fee, a necessity, Kathy says, to cover expenses.

The narrow gravel road into Hot Sam's leads to a quirky world of art and finds.

The narrow gravel road into Hot Sam’s leads to a quirky world of art and finds.

Geese wander the shore of the on-site pond.

Geese wander the shore of the on-site pond.

Looking toward a section of the beach, the setting for many water-themed vignettes.

Looking toward a section of the beach and the pond, the setting for many water-themed vignettes.

With Kathy’s OK, I threaded, camera in hand, down the puddled gravel driveway toward the sandy beach. I kept a watchful eye on the overcast threatening sky.

Sand is hauled in to help stage the beach scenes like this cabanna, added since my last visit.

Sand is hauled in to stage the beach scenes like this recently-added cabana.

An inviting tropical scene...

An inviting tropical scene…

Jake visits with a guest.

Jake visits with a guest.

The beach-side cabana, turtle-topped sand dune and dune buggy scene is Jake’s latest project. Thatch materials came from a now-closed business at the Mall of America. No surprise. Jake hints at connections to junkyards/scrappers/other sources from Minnesota to the coasts. You clearly need those ties to create an attraction like Hot Sam’s.

My husband obliges my request to sit for a photo.

My husband obliges my request to sit for a photo.

Butt bar stools, for example, come from some place in Vegas. What happens in Vegas stays in Vegas. There’s a certain mystique that envelopes Hot Sam’s, although if you had the time, Jake would likely share detailed stories.

This guitar sculpture and other sculptures are perched atop a hill along Interstate 35 south of Lakeville.

This guitar sculpture and other sculptures are perched atop a hill along Interstate 35 south of Lakeville.

Jake and I talk before he takes me and my husband into a hidden paradise.

Jake and I talk before he takes my husband and me into a hidden paradise.

Entering Hot Sam's tropical paradise. This is the only view you'll get of this place tucked into the woods. Maybe Jake will show you if you ask. But then again maybe he won't.

Entering Hot Sam’s tropical paradise. This is the only peek you’ll get of this place from me. Maybe Jake will take you there. But then again maybe not.

As it was, he invited my husband and me to board his golf cart for a short drive into a hidden section of the property. I hung on as Jake twisted the cart through the woods, down a hill, around a curve and into a recreated island-themed paradise. This party spot is most often frequented by musicians drawn to Hot Sam’s by an over-sized guitar sculpture visible from Interstate 35, Jake tells me.

If you've seen this shark and other hillside sculptures from Interstate 35 south of the Lakeville exit, then you've seen Hot Sam's art.

If you’ve seen this shark and other hillside sculptures from Interstate 35 south of the Lakeville exit, then you’ve found Hot Sam’s. Take the Lakeville exit and go east a short distance before turning south onto Kenrick Avenue.

For years, sculptures have been positioned roadside atop Hot Sam’s hill. For years, I’d seen the art and never bothered to exit the Interstate. I expect many other motorists have done the same.

A scene outside a building filled with antiques and collectibles.

The front porch of a building filled with antiques and collectibles.

That’s the thing. We drive by, just drive by. And then one day, if we have the time and/or inclination, we stop. And then we discover a place that defies easy definition, a place that showcases creativity, a place that everyone should tour. At least once. Or twice. When we’re always in a hurry, we miss the Hot Sam’s of the world. And that is our loss.

You never know what awaits you if you only take the time to stop at a place like Hot Sam's.

You never know what awaits you if you only take the time to stop at a place like Hot Sam’s.

TELL ME: Have you ever toured Hot Sam’s? Or have you visited a place just as interesting and unique? I’d love to hear. Check back tomorrow for one final photo look at this south of the metro area attraction.

FYI: To get to Hot Sam’s Antiques from Interstate 35, take exit 81 near Lakeville and go east on Dakota County Road 70 about half a mile to the stoplight. Then turn south onto Kenrick Avenue/County Road 46. Continue approximately 1 1/2 miles on Kenrick, which turns into Pillsbury Avenue. Hot Sam’s is located on the west side of the road at 22820 Pillsbury Avenue South, Lakeville. You’ll see a sign.

Open from 10 a.m. – 6 p.m. weekdays (except closed on Thursday) and Saturday and from noon to 6 p.m. on Sunday. I recommend calling in advance to confirm hours.

© Copyright 2016 Audrey Kletscher Helbling

 

A photo essay: Aerial agricultural spraying up close August 9, 2016

IN THE DISTANCE, down the gravel road, a helicopter swept across the fields and then disappeared.

“Did it crash?” I asked my husband, worry lacing my words.

“Do you see a fireball?” he responded, answering my question.

I didn’t. And it was obvious to me then that the rise of the land was blocking my view of the helicopter.

 

Helicopter spraying, 105 dairy farm

 

But I needed to visually confirm, to see this flying machine up close. So Randy turned off the asphalt county road onto 230th Street East, aiming toward a hilltop dairy farm marked by five looming silos.

 

Helicopter spraying, 109 over corn field

 

Helicopter spraying, 112

 

Helicopter spraying, 113

 

Helicopter spraying, 115

 

Before we made it to the farm, though, the chopper was back, skimming and spraying chemicals upon acres of corn at this location southeast of Faribault. Randy braked our van to a stop and I was out the passenger side door before the wheels stopped turning, eager to photograph an aerial application up close.

The helicopter files over a hill in the corn field.

The helicopter files over a hill in the corn field.

Whether you agree or not with the spraying of chemicals upon the land to control weeds, fungus and insects or to fertilize crops, you have to admire the skills of these pilots. This appears a dangerous undertaking as the copter zooms above the fields, the pilot simultaneously spraying, guiding his aircraft and watching the ground for obstacles—like silos, power lines and hills.

Helicopter spraying, 121 atop truck

 

While the pilot’s skills impressed me, I was especially fascinated by what I saw as we crested the hill next to the Tatge dairy farm.

 

Helicopter spraying, 124 atop mixing truck

 

The helicopter had landed atop a truck in the middle of the country gravel road.

 

The helicopter lifts off from the mixing truck, ready for another round of spraying.

The helicopter lifts off from the mixing truck, ready for another round of spraying.

I’d never thought about this—how an aerial spraying helicopter refills with both chemicals and fuel. We didn’t stop to ask questions. I wasn’t about to distract the team of men focused on their work.

© Copyright 2016 Audrey Kletscher Helbling

 

The rural influence in my writing & photography, plus a farm tour July 12, 2016

Barn, 117 red barn along US Hwy 71 south of Redwood Falls

 

BARNS DRAW MY CAMERA lens like moths to a porch light.

 

Barn, 144 farm site between Olivia and Wilmar

 

My response is reflexive, this focal allure of barns while traveling through rural Minnesota.

 

Barn, 112 bluegreen barn along US Hwy 71 south of Redwood Falls

 

Barns, to me, symbolize rural life. Growing up on a southwestern Minnesota dairy and crop farm, I labored in the barn—scooping silage and ground feed, scraping manure into gutters, carrying milk pails from barn to milkhouse, tossing hay and straw bales from the hayloft, bedding straw…

My hair, my skin, my clothing smelled always of cows and manure. I bathed but once a week. That seems unfathomable now. But it was the reality of then.

 

Barn, 145 white barn & cow

 

The barn on our family farm provided more than shelter for the cows. It provided an income, a way of life, a training ground for hard work. No matter what, the cows needed to be tended, fed and milked. Vacations were rare—only two my entire childhood, one to the Black Hills of South Dakota and the other to Duluth. On the occasion when my parents traveled farther, they left my older brother and me home to take care of the farm under our bachelor uncle Mike’s watchful eye.

 

Barn, 142 farm site between Olivia and Wilmar

 

I often told my dad I wanted to be a farmer. He discouraged me. He likely knew what I didn’t, that I wasn’t cut out to be a farmer. I am not a risk taker. And to be a farmer, you need to be a bit of a gambler. You gamble on the unpredictability of weather and of prices. Granted, technology has curbed some of the risk. But still, it’s there.

 

Barn, 132 sheep and barn between Morton & Olivia

 

Instead, I pursued a degree and career in journalism. And then, eventually, I became a full-time stay-at-home mom, setting aside my writing to raise my three kids. Until I found time again to write.

 

Barn, 109 east of Wabasso along US 71

 

In my writing today, unlike my past deliver-the-facts newspaper reporting, I have created a unique voice rooted in rural Minnesota. I may not smell of cow or manure, but those scents linger in my memory, infusing into my writing and photography. I bring a small town rural perspective to my work. I find my joy in writing about and photographing everyday life, everyday places, everyday people, mostly in Greater Minnesota.

The early 1950s barn on the Redwood County dairy farm where I grew up today stands empty of animals.

The early 1950s barn on the Redwood County dairy farm where I grew up today stands empty of animals. Minnesota Prairie Roots file photo.

And it all started in a Redwood County barn.

Fresh eggs and caged chickens attracted lots of interest.

Fresh eggs and caged chickens photographed at an event several years ago at Valley Grove Church, rural Nerstrand. Minnesota Prairie Roots file photo.

YOU, TOO, CAN EXPERIENCE farming this Saturday, July 16, by touring agricultural businesses throughout the region during the annual Eat Local Farm Tour. From Simple Harvest Farm Organics in rural Nerstrand to Mississippi Mushrooms in Minneapolis to Hope Creamery in Hope and 26 other sites, you’ll discover Minnesotans and Wisconsinites passionate about local foods. You’ll meet beekeepers, cheesemakers, berry growers, cattlemen/women, trout farmers and more.

Click here for a listing of sites on the Eat Local Farm Tour, which runs from 10 a.m. – 4 p.m.

© Copyright 2016 Audrey Kletscher Helbling

Note: With the exception of my home barn, all barns and farm sites featured in this post are located along U.S. Highway 71 in rural Minnesota, from south of Redwood Falls to south of Willmar.

 

 

What makes a winning photo December 8, 2015

IT’S ALWAYS A THRILL, as a photographer, to be recognized for one’s work. It validates what I create with my camera and fuels my passion to continue pursuing photography.

A few cars, some vintage, managed to sneak into the drive-in among all the tractors.

My winning photo: “A Dinner Date at the Lakeview Drive Inn”, Winona, Minnesota.

For the third time, a photo I entered in the National Mutual Benefit annual photo contest has placed. This year I earned honorable mention in the people category for my image, “A Dinner Date at the Lakeview Drive Inn.” I shot the scene in August 2014 at this iconic drive-in in the Mississippi River town of Winona, Minnesota. My husband and I were returning from a vacation to Iowa and Galena, Illinois, when we visited the Lakeview on a mid-week Farm Tractor Night.

Lighting—the golden hour of photography—was perfect. And the scene and setting were so iconic Americana that I was giddy about the photo possibilities. You just know as a photographer when photo ops abound.

I was familiar with the Lakeview, having dined there a few times while our eldest daughter attended nearby Winona State University. I’d also written and taken photos for a magazine feature story about this long-time eatery noted for its homemade root beer.

When I saw an elderly couple dining in their convertible, I framed the scene and clicked the shutter button. The result was a winning photo that captures a sweet moment in time and memories of yesteryear. Nostalgia.

Click here to see all of the winning photos in the 2015 National Mutual Benefit contest.

The bingo callers. My first place winning photo.

The bingo callers. My first place winning photo taken on July 4, 2013.

Last year I also entered a photo of an elderly couple to win first place in the people division of National Mutual’s photo contest for my “Fourth of July BINGO callers.” That scene was shot in 2013 at North Morristown. Again, I managed to recognize and snapshot a moment that is grassroots connective.

My first photo win, though, in a National Mutual contest came back in 2003 when I won first place in the scenery division for an image of a butterfly settled upon a daisy in my backyard. That was taken with my 35 mm film camera, before I owned my Canon DSLR. I’d show you that photo, too, except I have no idea where the print may be.

My new camera.

A mirrored self-portrait when I was trying out a different Canon earlier this year. I shoot with a Canon EOS 20D.

I love photography. Along with writing, it’s a creative outlet for me. But it’s also a source of income. Numerous people have found my work via this blog and purchased rights to use my images—on websites, in books, on annual reports, in magazines, as framed prints, in an educational app and more. I am pleased and thankful when others recognize and value my work. No, I do not give away my photos for credit and/or a link. Many people apparently think I do based on the numbers of inquiries offering that type of “payment.”

Email me at audrey at mnprairieroots.com if you are interested in purchasing digital rights to my images.

I use photography to tell a story in the most creative way I can. I am not a stand in the corner and shoot person. I squat and kneel and even lie on the ground if necessary to get the proper perspective. Sometimes I hold my camera above my head, aim the lens down and shoot. Other times I place the camera on the ground, tilt it up and click.

One of my favorite close-up VBS photos shows the VBS leader clutching crosses to be used in a craft project.

One of my favorite close-up VBS photos shows the VBS leader clutching crosses to be used in a craft project.

I shoot from afar and I shoot up close. During a stint of volunteering to photograph my church’s Vacation Bible School this summer, I took more than 1,000 photos in eight hours of work. And if anyone was expecting me to simply photograph obscure groups of kids, they were wrong. Sure, I snapped images of groups. But I also told the VBS story in detailed photos of hands and faces and other close-ups.

Many think taking good photos is all about the equipment. Yes, good equipment is nice. But it’s ultimately lighting, creativity, composition and observation skills (and sometimes luck) that lead to quality memorable images.

This quote by noted advertising and documentary photographer Elliott Erwitt summarizes well my thoughts on photography:

“Photography is an art of observation…I’ve found that it has little to do with the things you see and everything to do with the way you see them.”

I’ve been shooting long enough, first as a photojournalist (a necessity back in my days working as a small town newspaper reporter), to feel confident in my work, in my style. Thank you for appreciating me and my photography.

© Copyright 2015 Audrey Kletscher Helbling