Minnesota Prairie Roots

Writing and photography by Audrey Kletscher Helbling

Poets, photographers & penny pinchers connect in Zumbrota October 21, 2012

FRIDAY EVENING I SUCCESSFULLY read a poem about water before an audience of other poets and photographers and guests in an historic Zumbrota, Minnesota, theatre as part of the “It’s All One Water” exhibit.

I tell you this because I prefer to quietly write and read poetry (to myself) as opposed to standing before an ocean of seats in a darkened theatre with my lips pressed close to a microphone. But practice, practice, practice made all the difference in my feeling fairly confident and comfortable this go around.

(Yes, I’ve read in the State Theatre previously and you can read about that poet-artist collaboration by clicking here.)

My poem,  left, was one of 28 selected and hung in a juried writing competition. Photos themed to water were also part of the “It’s All One Water” show which continues through the end of October at Crossings at Carnegie, 320 East Avenue, Zumbrota.

You’ll just have to imagine me reading my poem:

In which Autumn searches for Water

Water. The wayward word rises in a faint rasp,
barely a whisper above the drone of buzzing bees
weaving among the glorious goldenrods.

I strain to hear as Autumn swishes through the tall swaying grass,
striding toward the pond, yearning to quench her thirst
in this season when Sky has remained mostly silent.

But she finds there, at the pond site, the absence of Water,
only thin reeds of cattails and defiant weeds in the cracked soil,
deep varicose veins crisscrossing Earth.

She pauses, squats low to the parched ground and murmurs
of the incessant chorus of frogs in the spring,
of Water which once nourished this marshland.

Autumn heaves herself up, considers her options
in this brittle landscape too early withered by lack of rain.
Defeat marks her face. Her shoulders slump. She trudges away, in search of Water.

The “It’s All One Water” event included so much more than reading and listening to poetry and viewing photos on the subject of water. It was about mingling with other writers and artists, about connecting, or reconnecting.

Poets, photographers and others mingle over wine and snacks at Crossings prior to the readings a block away at the State Theatre.

I chatted briefly with poet Patrick L. Colemen of Minneapolis, whom I met at Crossings at Carnegie, (the arts venue supporting the show) last spring, and caught up with him on the mystery book he is writing.

I talked with John Calvin Rezmerski of Mankato, a poet who is eons ahead of me, having published several books of poetry and having taught writing at the college level. I met him last year at a poetry-photography show/reading in Mankato. More connecting there and encouragement from other poets.

That is, I have found, the true benefit of attending events like the Friday evening reception and reading in Zumbrota. Connecting. Encouragement for me personally in my writing.

More mingling at Crossings, this time after the poetry readings. To the right is the photo “Tiffany” by Tim Rabe of Rochester. All of the “It’s All One Water” photos are for sale.

Among all the unfamiliar faces was the familiar face of Peter Allen, a gifted Faribault poet who lives several blocks away and a street over from me. Peter and I will be presenting on poetry at Buckham Memorial Library in Faribault in early December. Peter gave me two thumbs up for my poetry reading Friday evening.

I don’t know how Faribault High School English teacher Larry Gavin (he’s taught all three of my children) would have graded my reading. But he was in Zumbrota, too, on Friday evening reading his two poems. He, like Rezmerski, has published several volumes of poetry and reads with the confidence of a seasoned poet who truly has mastered the craft of entertaining an audience.

Likewise Susan Waughtal of Oronoco entertained the audience with her “Farm Water Cycle” poem which resonated with me, a former farm girl. Afterward I chatted with Susan and her husband. They are, she says midlife crisis farmers (farming since 2008) who live and farm on a 10-acre sustainable farmstead, raising chickens (and more), tending bees, operating community supported agriculture, and supporting music and the arts… Susan recently quit her off-farm job to work full-time on the farm.

When Susan told me about the old granary converted into an antique/thrift/arts shop on Squash Blossom Farm and how much she thrills in thrifting, I connected even more for I, too, am a thrifter.

Poets and photographers and penny pinchers. Wonderful company to keep on a Friday evening in October.

The festive exterior of Crossings at Carnegie, a privately-owned art center housed in a former Carnegie library.

FYI: For more information about Crossings at Carnegie, which collaborated with the Zumbro Watershed Partnership on “It’s All One Water,” click here.

© Copyright 2012 Audrey Kletscher Helbling

 

Meet 52 South Central Minnesota artists during weekend ArTour October 19, 2012

Faribault artist Julie Fakler’s paintings will be displayed in her JMF Studio at 1212 First Ave. N.W., Faribault, along with the textile art of Deb Johnson. Fakler specializes in animal portraits. Her cow painting graces promotional materials for this year’s South Central Minnesota Studio ArTour.

FIFTY-TWO ARTISTS. Twenty-four studios. And all showcased right here in the Faribault-Northfield-Cannon Falls area this weekend during the eighth annual South Central Minnesota Studio ArTour.

If you’ve never taken this studio tour, I’d encourage you to do so as a) You’ll meet a broad spectrum of talented local artists. b) You’ll view incredible art in wood, glass, photography, textiles, painting, ceramics, jewelry and more. c) It’s free, unless you purchase art, which, of course, you should consider doing. d) You’ll visit three charming communities.

I can’t attend this year’s tour. But I have in the past and here are the photos to prove it.

Just look at the talent we have, right here, in Greater Minnesota.

Meg Jensen Witt will showcase her ceramics at Lillart, 101 E. Fifth St., #209, Northfield, along with the paintings of Lilla Johnson. I photographed this example of Witt’s art in 2011.

At Holmquist Pottery, 11780 90th St. E., Northfield, you will find Lucky Rimpila’s glass art, like this photographed last year. Chris and Sue Holmquist will also display their ceramics and Marsha Kitchel will showcase her paintings.

Last year at Sunset Studio, 10754 Farrel Avenue, Northfield, I photographed the ceramics created by Tom Willis. You will find the work of six other artists at Sunset Studio.

During the 2010 ArTour, I visited Somers’ Studio & Gallery, 9775 Dennison Blvd. S., Northfield, where Fred Somers paints on his rural acreage.

In 2010 I photographed this wood block art created by Carla Thompson. This year she will exhibit her painting, along with Julie Free Heart, at Revisions, 101 E. Fifth St., #302, Northfield.

Animal paintings propped on the floor of Julie Fakler’s JMF Studio during the 2010 ArTour.

FYI: The South Central Minnesota Studio ArTour runs from 10 a.m. – 6 p.m. on Saturday, October 20, and Sunday, October 21. Select studios will also be open from 4-8 p.m. today.

For details, including studio locations and participating artists, click here to reach the ArTour website.

I photographed this scene from the 2010 ArTour marking a Northfield studio.

Click here to read about my visit to Fred Somers’ gallery/studio during the 2010 tour.

Click here to see Faribault artist Julie Fakler’s studio, one of my stops on the 2010 tour.

© Copyright 2012 Audrey Kletscher Helbling
Cow image courtesy of Julie Fakler

 

Zumbrota exhibit explores water during this year of extreme drought

I LOVE THE ARTS.

And I expect part of that passion comes from the lack of arts in my life when I was growing up on the southwestern Minnesota prairie. Back in the 1960s and 1970s, out there in “the middle of nowhere,” as some would say, life focused more on survival than anything.

By survival I mean my father earning enough money to support his wife and six children on a modest crop and dairy farm.

So much depended on the weather, on the rain or lack thereof. Enough rain meant a bountiful crop to feed the cattle and/or sell grain on the market. Too little rain meant scrimping on feed and less money to pay the bills, buy the groceries, clothe the family.

But let’s circle back to my original statement about loving the arts and connect that to water.

Recently I entered, and successfully competed in, an “It’s All One Water” poetry competition sponsored by the Zumbro Watershed Partnership and Crossings at Carnegie, a privately-owned art center in Zumbrota.

This evening a public reception will be held at Crossings, 320 East Avenue, beginning at 6:30 p.m. It is an opportunity to view works by 56 writers and photographers who “explored the aspects of water which fascinate them and created their own artistic expression of this most basic foundation for life,” according to promo info for the event.

At 7:30 p.m., writers, photographers and guests will move down the block to the historic Zumbrota State Theatre where writers will read their works while the water-themed photographs are projected onto a screen.

I will read my “In which Autumn searches for Water.”

My poetic expression about water traces back to my farm roots, to that constant and undeniable link between the land and the sky.

That connection is so much a part of my fiber that I cannot think about water in recreational terms—I can’t swim, don’t like being on the water and grew up in a Minnesota county without a natural lake. Rather, for me, water has always been about sustaining life, about growing a crop, about watering the cows or watering plants or measuring rainfall.

So when I learned of the “It’s All One Water” poetry competition shortly after an autumn walk at the River Bend Nature Center in Faribault, where I found dry ponds, I knew exactly what I would write. I personified Autumn, creating a thirsty woman in search of an also personified Water. It works and I think well, especially given the current historic drought conditions throughout our country.

About a third of Minnesota is suffering from extreme drought. On Thursday the Minnesota Department of Natural Resources issued a news release urging Minnesotans to adopt water conservation measures (no washing vehicles, watering lawns and trees, etc.) as drought conditions are straining our state’s water resources.

Here’s a snippet of my drought-related water poem, verse three of five:

But she finds there, at the pond site, the absence of Water,
only thin reeds of cattails and defiant weeds in the cracked soil,
deep varicose veins crisscrossing Earth.

You can hear me read “In which Autumn searches for Water” this evening or view the entire exhibit from now until the end of October at Crossings. Hours are 10 a.m. – 5 p.m. Monday, Tuesday, Wednesday and Friday; 10 a.m. – 8 p.m. Thursdays; or from 10 a.m. – 4 p.m. Saturdays. A limited number of chapbooks are available. Monies from Minnesota’s Arts & Cultural Heritage Fund helped to fund the “It’s All One Water” exhibit.

CLICK HERE to reach the Crossings at Carnegie website.

CLICK HERE to link to the Zumbro Watershed Partnership website.

CLICK HERE TO VIEW drought conditions in the U.S.

 

One final look at Door County, Wisconsin October 15, 2012

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DOOR COUNTY, WISCONSIN, truly is what you make it.

With that in mind, and understanding that I did not even begin to see and do everything a visitor can see and do at this scenic tourist destination in northeastern Wisconsin, here’s one last look at some photos I shot on a recent one-day visit.

You can explore the stunning natural beauty of Door County…

My husband walks along the beach at Whitefish Dunes State park along Lake Michigan on a recent cold and windy afternoon in October.

The harbor at Egg Harbor on the western side of Door County.

A view of the bay while crossing a bridge into Sturgeon Bay, the beginning of Door County.

…or shop the antique and gift shops…

One of the many shops in cozy Egg Harbor.

Nature Works, an Egg Harbor gift shop.

A festive display outside of Nature Works.

A row of flags add a bit of Americana charm to a scene in Egg Harbor.

…or wine and dine…

I just had to photograph the Audrey Grace vineyard at Lautenbach’s Orchard Country Winery south of Fish Creek, even if my middle name is not Grace.

…or take in the arts scene…

I spotted this sign for the Cheeseheads musical inside Julie’s Cafe in Fish Creek.

…or check out the historic buildings…

Look at this absolutely magnificent pink and gray granite church, St. John the Baptist, which I photographed at Egg Harbor. The 1907 church, constructed from stone harvested from local farmers’ fields, is part of the Stella Maris (“Star of the Sea”) Catholic Parish.

READERS, PLEASE VISIT my blog archives to see previous posts I published recently on Door County.

Copyright 2012 Audrey Kletscher Helbling

 

A painting from my dear friend Rhody September 28, 2012

IN LIFE, RHODY YULE, impressed me with his humble spirit, deep faith and artistic talent. He thought the best of everyone. He appreciated life so much that, even up until days before his June 2011 death when he was but a shell of his former physical self, he desired to live beyond his 92 years.

Celebrity portraits Rhody Yule painted and hung on his garage, where I first discovered his work in the fall of 2009 while driving past his rural Rice County residence.

Losing my friend of only a few years—the man I met because I photographed the portraits he had painted and hung on the side of his garage in rural Rice County—was difficult for me. Yet, I knew Rhody’s legacy would live on in the hundreds of paintings he created through the decades.

Rhody, minutes before his gallery show opened in January 2011 at the Paradise Center for the Arts, Faribault.

It was my absolute honor, after discovering Rhody’s work, to bring his paintings to the public via a mini art show at Christdala Evangelical Swedish Lutheran Church, rural Millersburg, and then during a much larger gallery exhibit at the Paradise Center for the Arts in Faribault.

And now Rhody, in death, has blessed me with the gift of one of his paintings, the painting he knew I most favored.

A sampling of the religious paintings Rhody exhibited at a mini show at Christdala on September 26, 2010. The painting on the right is the one Rhody gifted to me.

On Tuesday evening, the day before my 56th birthday and just a day shy of the two-year anniversary of that mini exhibit at Christdala—yes, I spent my 54th birthday setting up that art show for Rhody—I picked up the painting Rhody wanted me to have.

I’d known for a few weeks that I was to receive the painting I’ve come to call “Woman in Reverent Prayer.” Tuesday I phoned Rhody’s stepson, Bob, asking if my husband, Randy, and I could come over and pick up the piece of art in a half hour. That would work, Bob said.

“Woman in Reverent Prayer” by Rhody Yule

Over at Bob and his wife Kathy’s condo, Rhody’s prayerful woman painting leaned against the living room wall as we reminisced about the man we had each loved.

And as I remembered Rhody, I felt myself slipping into sadness. I missed him and wished I had known him longer.

Then, when Bob told me how Rhody wanted me to have that particular painting and how Rhody’s gallery show at the Paradise was the highlight of the last year of his life, the tears seeped from my eyes. To be able to give someone like Rhody such a gift, to realize how much this meant to him, prompts the most humbling and joyful of emotions.

Shortly thereafter as I caressed the painting, Bob suggested that I might want to replace the dinged frame. No, I would keep the frame Rhody crafted, I said, running my fingers along the wood.

Bob lifted the four-foot by 2 1/2-foot painting onto the dining room table then so we could examine the date under Rhody’s signature. We could barely decipher the faint curve of double sixes, meaning Rhody painted “Woman in Reverent Prayer” in 1966 when I was just 10 years old.

I know nothing, really, about the oil painting except Rhody once sharing that it was based on another painting or photo, minus the rosary beads clasped in the kneeling woman’s prayerful hands.

Now, each time I view Rhody’s painting, which will soon grace a wall in my living room, I am reminded of my friend’s deep faith. And I am reminded of how very much his friendship meant to me and likewise my friendship to him.

To realize that Rhody wanted me to have this painting simply touches my heart with gratitude and love.

Rhody and me at his opening night gallery reception in January 2011 at the Paradise Center for the Arts, Faribault.

FYI: To read about Rhody’s mini art show at Christdala Evangelical Swedish Lutheran Church, click here.

To read about Rhody’s January 2011 gallery exhibit at the Paradise Center for the Arts, Faribault, click here.

To read my tribute to Rhody upon his death, click here.

© Copyright 2012 Audrey Kletscher Helbling

 

My adventure at a Minnesota “antique theme park,” Part II September 18, 2012

Would you follow this driveway into the woods? I did. And what an adventure.

“I’M A LITTLE SCARED,” I admitted as we turned off Pillsbury Avenue just south of Lakeville, Minnesota, onto a narrow, hard-packed gravel road. Thick dark woods crept to the edge of the driveway and my imagination ran wild with fairy tales that ended badly.

What lurked in those woods? I glanced toward my husband, who was guiding our van into the unknown. “I hope there’s not a big dog.” I imagined a ferocious canine, teeth bared, legs planted in a defensive stance.

A dog-themed sign, one of many signs on the property. And, no, spelling is apparently not a priority here.

There were no guard dogs—unless you count the little dog interested only in pursuing a baby bunny and not humans. There were no bad endings.

But I wanted to warn you, lest you initially think like me and consider backing out even before you enter the wonderment which is Hot Sam’s Antiques.

Junk cars line the driveway, left. And, yes, that’s a Statue of Liberty standing in that red junk car in the background.

This place is part junkyard, sculpture garden and antique shop.

If you like your picking places all nice and neat and tidy, then this may not be your shopping venue.

Under construction in the woods, an over-sized motorcycle sculpture currently lashed to a tree limb among the junk.

But if you are adventuresome, don’t mind scuttling around junk (aka art/fabulous finds/treasures), have lots of time to meander and appreciate a one-of-a-kind place bursting with creativity, then, welcome to Hot Sam’s Antiques.

FYI: Click here to read my first post introducing you to Hot Sam’s Antiques. I have so much to show you that I will be writing a third post.

Along the driveway, you’ll see this fence decorated with an eclectic collection of stuff.

Just more abandoned vintage cars along the side of the driveway.

One of two planes on the property; the other one’s nosedived into the swampland. Yup, that’s a train in the background, behind the gigantic sunflower and to the left.

Following its theme park theme, Hot Sam’s pays tribute to the 1960s television sitcom, “Petticoat Junction,” via several on-site train cars (including this caboose) and a water tank. You’ll find antiques and collectibles inside the boxcars.

Anyone who knows me and how much I fear chickens will appreciate that I actually photographed these fowl roaming at Hot Sam’s.

This log cabin is simply bursting with antiques and collectibles, inside and out.

The hippie van, parked along the beach in the theme park area of Hot Sam’s.

I was tempted, quite tempted, to disobey these signs. Next visit…

© Copyright 2012 Audrey Kletscher Helbling

 

Touring Hot Sam’s, an “antique theme park” near Lakeville September 17, 2012

Northbound on Interstate 35 just south of Lakeville, you’ll see this roadside art marking the location of Hot Sam’s Antiques.

YOU’VE SEEN THE ECLECTIC COLLECTION, I’m sure, if you’ve ever traveled Interstate 35 northbound near Lakeville.

Just another view of the eclectic art collection, shot while traveling the interstate. No stopping for this photo.

You’ll see the fearsome shark first as you’re driving north on I35.

Just south of exit 81 atop a hill on the east side of the interstate, a red ANTIQUE sign draws your eye to a mish-mash of stuff. Several rusting cars. A rather vicious looking blue shark (although I’m sure you don’t notice the detailed sharp teeth while racing along the interstate at 70 mph). A lady bug. A rocket and a submarine. And, heck, there’s an oversized guitar, too.

At the north end of the line, the ginormous guitar.

A view from atop the hill, in the middle of the eclectic collection.

For 30 years I’ve seen the changing collection and always wondered about Hot Sam’s Antiques. Now, after a recent Saturday afternoon visit, I need wonder no more.

Kathy Sakry, left, and Aina Puritis on the front porch of the log cabin.

Honestly, how to begin to describe this place seems an impossibility, until I meet Aina Puritis—pronounce that Latvian first name with a silent “A” and a long “i”—a part-time employee of three months. “I’ve never seen anything quite like this,” I tell Aina.

“You got that right, honey,” she agrees, then offers her definition. “It’s an antique theme park, a mix of this and that.”

The log cabin, back and to the right, is packed with antiques and collectibles. I spotted the charming, cottage style treehouse, left, but didn’t even check to see if I could explore inside. I was running short on time.

Aina nails Hot Sam’s with that description because, in addition to thousands of antiques and collectibles crammed inside and outside a log house, outbuildings and train cars and scattered upon the grass and through the woods and along the sides of the narrow gravel drive, you’ll discover a wonderment of creations fitting a theme park.

Barry was painting a giant sunflower when I came upon him among the junk in the woods.

You might find Barry (no last name offered), a retired laser cutter turned artist, back in the woods among all the junk working on his latest sculptures—painting a giant sunflower or building an oversized motorcycle roped and suspended from a tree limb.

Nemo from the back, looking toward the log cabin on the hill, center, a boat on the left and train cars in the distance to the right.

He takes credit for transforming a vintage car into the Disney cartoon fish Nemo via orange paint, the addition of fins and eyes and some major interior redecorating. Nemo’s beached in sugar fine sand along a ribbon of water which meanders into the 10-acre property.

Inside Nemo, my absolute favorite part of the entire antique theme park. Who would ever think you could turn an old car into something so incredibly magical?

The tropical beach scene seems oddly out of place given the native swampland grass and surrounding woods and the autumn leaves littering the sand. But no one claims anything’s exactly as it should be at Hot Sam’s.

A close-up of the hippie van parked in a beach setting with fine white sand and even a hammock.

That’s part of the appeal, to see a peace-out hippie van parked on the beach; the wreck of the S.S. Minnow from the 1960s T.V. sitcom, Gilligan’s Island, hugging the shore; the canary yellow tail of a crashed airplane poking through the swampland grass across the water.

“It became a labor of love,” Kathy Sakry says of this whole intriguing place. She’s the significant other of Jake Hood, who, along with his mother, Gladys Hood, 26 years ago transformed a field with a two-car path into Hot Sam’s Antiques. Nine years prior to that, the business was located in Burnsville. Gladys died in December 2010.

Kathy prefers not to explain the story and inspiration behind the antique theme park, choosing instead to hand over a reprint of an article written by Gladys and published in Reader’s Digest. To summarize, Gladys’ father, Hyreeg, an Armenian immigrant living in Detroit, collected scrap metal to raise money for a flagpole upon which he flew a U.S. flag symbolizing his pride in becoming an American.

Inside the log cabin, I found this collectible glassware and this welcoming sign, which seems to exemplify the welcoming spirit of Hot Sam’s Antiques.

Gladys wrote in 2002 that she acquired her father’s love for hard work and collecting (she would go “picking” with him as a child) and continued his legacy via her business. She collected for practical and recycling reasons and for the joy of sharing in the memories of those who visit Hot Sam’s.

I saw at least three Statues of Liberty on the property.

Whether a tribute to her father’s patriotism or not, numerous replicas of the Statue of Liberty are planted on Gladys’ tangible slice of the American dream.

About that business name… Kathy says Hot Sam was Gladys’ nickname, a name she preferred to her given Gladys, which taunting youngsters reinvented into, well, you can figure that out, during her childhood.

Then Kathy shares more about Gladys and a clearer picture emerges of this strong woman. She once raced cars, breaking the land speed record on Daytona Beach in 1956.

This mock, crashed airplane is positioned across swamp grass on the property.

Despite her prior days of daring, competitive racing in a man’s world and of traveling, Gladys seldom left Hot Sam’s once established, Kathy relates. And when she did, it was to attend air shows with her adopted daughter, airline and aerobatic pilot Julie Clark. The bi-plane and staged, mock plane crash at Hot Sam’s are perhaps visual connections to Julie, whose birth father was murdered in 1964 while piloting a plane which subsequently crashed, killing all 44 aboard. Or perhaps the planes reflect Gladys’ general affection for air shows.

While wandering the grounds of Hot Sam’s, you have to wonder where Jake and Gladys acquired all this stuff and Kathy says only that they are buyers and sellers. She wants me to talk to Jake and sets off to find him. But I am anxious to photograph this magical antique theme park in the perfect, golden hour around sunset. I never do connect with Jake.

I am not the only photographer here on this late Saturday afternoon. I meet a young couple and their two children primping for a family photo shoot with St. Louis Park-based portrait photographer Jess Sandager of Olive Avenue Photography. Later I meet up with the family and photographer near the beach. Jess tells me Hot Sam’s is well-known in the photo industry.

Although I’d like more details, I won’t keep Jess from the waning, perfect light.

I watch for a minute as Jess works her camera, photographing the little boy on a tractor and then mom and baby.

The beached Nemo.

Father and son, in the meantime, are now heading toward the orange fish on the beach, toward Nemo—dad walking, son running…

Watch for this sign at 22820 Pillsbury Avenue South directing you onto the narrow gravel road into Hot Sam’s Antiques.

FYI: To get to Hot Sam’s Antiques from Interstate 35, take exit 81 near Lakeville and go east on Dakota County Road 70 about half a mile to the stoplight. Then turn south onto Kenrick Avenue/County Road 46. Continue approximately 1 1/2 miles on Kenrick, which turns into Pillsbury Avenue. Hot Sam’s is located on the west side of the road at 22820 Pillsbury Avenue South, Lakeville. You’ll see a sign.

Hours are from 10 a.m. – 6 p.m. weekdays (except closed on Thursday) and Saturday and from noon to 6 p.m. on Sunday.

Check back for more photos from Hot Sam’s because there’s so much more I need to share with you.

© Copyright 2012 Audrey Kletscher Helbling

 

A Minnesota arts collage, from theater to poetry September 15, 2012

FOR A FEW SECONDS THERE, I searched the dictionary of my brain for that word which temporarily eluded me. Collage. That would be it.

Remember when that art form was especially popular, when, as a school assignment, you had to scrounge up ten zillion magazines and then snip out images themed to a specific subject and glue it all in a jumbled mess onto a piece of paper?

Today I present a collage—not a jumbled mess, though—of art.

Let’s take the biggest focal piece first. A Hudson.

A Hudson, like this one I photographed several years ago at a Faribault car show, centers “The Car.” Do not expect, though, to see a real Hudson on stage, only the shape of one.

The Hudson centers the stage at the Paradise Center for the Arts during a production of The Car by Carol Wright Krause. My husband and I saw this play by the Faribault-based The Paradise Community Theatre Friday evening. I’d rate it as one of the best I’ve ever seen performed locally.

Here’s a summary of the play written by director Gabe Talamantes:

The Car is about a family’s car, which as Ed (a character in the five-person drama) puts it “is a miracle of modern American engineering.” This miracle car is a character in itself, a highly theatricalized version of a 1954 Hudson. It takes us on a journey into the lives of the Banners and the challenges an all American family faces as they struggle through two decades of change at home and abroad. We will see how they choose to overcome such difficulties.

Now, why am I so enthusiastic about The Car? Because it moved me to tears. When a theatrical performance can evoke such a strong emotional reaction from me, I will embrace it with unbridled enthusiasm.

That break-down moment for me came near the end of the play, when Vietnam War veteran Hal Banner (played by Todd Ginter), broke down in the arms of his father, Ed Banner (Chuck Larsen). He was no hero, Hal said, pointedly telling his father that he (Ed) would never understand the horrors of war. And then Hal got specific, talking about seeing the eyes of those he killed.

That’s when the tears trickled down by cheeks and I struggled mightily to keep from sobbing. In that moment, I heard my Korean War veteran father, not Hal/Todd. My dad, too, spoke of seeing the eyes of those he killed on the front lines in Korea.

Later, when I congratulated Todd on his performance, he told me that he had talked to several veterans in preparation for his role. And it was the eyes which they spoke of and which he knew he needed to emphasize in that heartrending father-son conversation. It is easily the most powerful moment in the play.

I wondered how many audience members might be veterans and at that moment suppressing war memories and feelings, as my father did.

But this play is about so much more than war. It also addresses the issue of prejudice when Hal brings home a Japanese wife, portrayed by Carrie Jendza whose mother came here from Korea some 40 years ago. Carrie presents a stunning performance as do Susan Dunhaupt as Ed’s wife, Geneva, and Faribault High School sophomore Emily Remmey as Beth Banner, Hal and Sumiko’s daughter.

The prejudice starts right away when Ed Banner insists on calling Sumiko the Americanized “Sue.” He slides in references to “slant eyes” (there’s the “eye” thing again) and other derogatory comments.

In real-life, prejudice is an issue in Faribault, home to many Latino, Somali and Sudanese family. It is no secret that prejudice exists in my community. You can read about it in a previous post by clicking here.

I didn’t spot a single minority in the audience Friday evening,  not unusual despite Faribault’s sizable minority population.

There, that’s all I’m telling you about The Car, other than to advise you to see this powerful and memorable production. It’s community theater at its best for the superb acting and the unforgettable messages delivered.

Faribault artist Vivian Jones created this watercolor, “It Was Grandma’s Car,” for the current “car pARTS” show.

Additional performances of The Car at the Paradise, 321 Central Avenue, Faribault, are set for 7:30 p.m. on September 15, 20, 21 and 22 and at 2 p.m. September 16. Call (507) 332-7372 or click here to reach the Paradise website. According to info published in the theater program, production of The Car is made possible through a Minnesota State Arts Board Operating Support Grant.

While you’re at the play, be sure to check out the exhibit, “car pARTS,” in the Carlander Family Gallery.

The Beat logo.

NOW LET’S PLACE another piece in that art collage. On-air poetry.

In July, Northern Community Radio began airing poetry on its weekday morning show during a segment called The Beat.

On Monday my poem, “Her Treasure,” will air on 91.7 KAXE (89.9/Brainerd) and on 90.5 KBXE. Now I won’t be able to listen to whomever reads my poem between 7:30 a.m. – 8 a.m. and again between 3:30 p.m. – 4 p.m. Faribault is well outside the coverage area which extends from Thief River Falls to Hermantown to Pierz. Eventually, though, I’ll be able to listen to the reading of my poem online.

You can listen to The Beat via online streaming. (I’m not smart enough to figure that out and my former in-house techie now lives at NDSU in Fargo.)

I’m in the company of some mighty fine poets, from novices to Minnesota’s 2011 poet laureate, Joyce Sutphen, to well-known Minnesota writer Will Weaver. You can check out the current listing of The Beat poems/poets by clicking here.

The poems chosen for airing were selected through a juried process.

Connie Ludwig, right, and I pose for a photo with her watercolor, “Pantry Jewels” (above my head) inspired by my poem, “Her Treasure.” This photo was taken in April at Crossings at Carnegie in Zumbrota.

Just, FYI, “Her Treasure” is the same poem featured in “Poetry Artist Collaboration XI” at Crossings at Carnegie in Zumbrota last April. To read my poem, click here.

I love this whole concept of The Beat, of Northern Community Radio’s “daily reminder that, in Minnesota, poetry matters, and Minnesota poets prove that every day.”

You can expect a forthcoming detailed post from me on this project funded by Minnesota’s Arts & Cultural Heritage monies.

The cover of last year’s The Talking Stick 20.

NEXT, LET’S PLACE the third piece in this arts collage. More poetry, plus fiction and creative nonfiction.

Today I’m missing out on a book release party for The Talking Stick 21 in the Park Rapids area. This anthology, published by The Jackpine Writers Bloc, represents some fine writing by Minnesota writers. You can, referencing back to The Beat, listen to the poetry of Sharon Harris, a Jackpine member and one of the key producers of the collection.

I’ve been published in two previous volumes of The Talking Stick (including receiving an honorable mention for my poem, “Hit-and-Run,” in volume 19) and will be published again in this newest volume. My poem, “Broken,” was chosen from among 275 submissions for publication.

To learn more about The Talking Stick, click here. To learn more about The Jackpine Writers’ Bloc, click here.

THAT’S IT. Now, go ahead, add your own pieces to this art collage via your comments.

© Copyright 2012 Audrey Kletscher Helbling

 

A maple bacon sundae & other delights at a Waterville coffee shop September 13, 2012

Singing Hills Coffee Shop, at the corner of Main and Third Streets in downtown Waterville in southern Minnesota.

KATHY GREW UP in Detroit, worked 20 years as a deck officer on a freighter for the Merchant Marine, met her husband at a Halloween party, birthed two daughters in her 40s and then, with no business experience, opened a coffee shop in December 2010.

That’s the life synopsis of the woman behind Singing Hills Coffee Shop in the southern Minnesota lakeside community of Waterville, best known for its bullheads and Buccaneers—as in the local high school champion football and basketball teams.

Inviting outside dining at the Singing Hills Coffee Shop.

One-third of a stately, anchor brick building on a corner of Waterville’s Main Street houses the coffee shop. It’s as inviting on the outside—with bistro tables and a bench and window baskets popping with hot pink petunias and luscious ivy spilling from pots—as it is inside.

The bright, cozy dining area of the coffee shop with local arts and crafts displayed on shelves to the right and on walls.

Kathy’s daughter, Marina, waits on customers.

On an early Sunday afternoon, 45 minutes before the 2 p.m. closing, Kathy hustles to prepare sandwiches and ice cream treats while her 10-year-old daughter, Marina (yes, her name is a nod to Kathy’s time on the water), takes orders, accepts payment and makes change.

Kathy hurries back to the kitchen to prepare orders while customer and friend, Kari, relaxes in a back coffee shop corner. Tim Foster’s “American lures” painting (oil paint, oil pastels and graphite on canvas) anchors the wall. It was inspired, he says, by old fishing lures. Kathy would like to purchase the $450 painting as a permanent installment in her shop. I suggested she collect tips to help her buy it. Foster sells his mostly abstract and surreal paintings through his website and studio, at Hogan Brothers in Northfield and via art shows. Kathy saw “American lures” at the 2012 Sakatah Arts Experience in Waterville and invited Foster to bring his painting to her coffee shop.

In a comfy corner chair, Kathy’s friend, Kari, is reading her bible, seeking comfort at the recent, unexpected loss of her 36-year-old cousin. Light floods the homey space warmed by walls the hue of honey on two sides and a contrasting robin’s egg blue on the other.

A printed sign on a slim spot between two towering windows reads:

Conduct Code—Love your neighbor as yourself. Treat other people the way you want to be treated!

Owatonna resident John Muellerleile’s fine art photography on display and for sale.

Kathy welcomes customers and artists here, into this corner haven in a town that thrives on summer-time business from resort guests, cabin dwellers and users of the recreational Sakatah Singing Hills State Trail.

Her customers come here for the ever-popular smoothies and the favorite turkey avocado sandwich, for the coffee and the espressos and other beverages, for the breakfast and soup and sandwiches and salads and baked goods and ice cream treats.

On this Sunday, my husband and I have driven 15 miles for an ice cream treat upon the recommendation of our friend, Joy, who raves about the maple bacon sundae.

As Randy places our order with Marina, I chat with Kari in the corner, take photos and admire a focal point, 6-foot by 4-foot oil painting by Tim Foster of Northfield. His fish-themed art piece, titled “American lures,” is “so Watervillian,” Kathy tells me later, fitting this lakeside town which celebrates bullheads at an annual June festival. There’s a deeper meaning to the painting in which words like “love” and “prove it” and “Federal Reserve Bank” are hidden, Kathy says, but we don’t get into details.

An example of the handcrafted work of local artisans for sale in the coffee shop.

Kathy works with the nonprofit Waterville Local Cooperative Outlet to provide a marketplace for some 8-10 local artisans and crafters. Their creations—from woodcrafts to crocheted caps, paintings, photos and more—are displayed on walls and on shelves through-out the coffee shop.

Donald Kelm of Waterville, a custom woodworker, created this mug.

Engaging the arts community exemplifies Kathy’s efforts at community development. That extends to the food aspect of her business, too. She wanted, she says, more dining options than bar food burgers and fries for the town she and her family now call home. And Kathy offers that with a sandwich menu which doesn’t include a single burger. The closest thing to fries are the chips accompanying sandwich orders.

On her sandwich menu, you’ll find choices like egg salad on a croissant; veggie wrap with hummus, provolone, red onion, red pepper and spinach; and cherrywood smoke ham with garlic cheddar, tomato and mustard sauce. You can build your own sandwich, order a cup of soup.

Hungry for a bakery treat? Kathy has selections from cupcakes to pie to traditional Upper Peninsula style pasties, a tribute to her native Michigan.

Singing Hills Coffee Shop’s delicious maple bacon sundae.

But, on this Sunday, I’ve come only to sample the maple bacon sundae with spicy maple-glazed pecans, homemade maple caramel and bacon, yes, bacon, on vanilla ice cream. My husband questions my choice. I don’t, and find the sweet and salty mix a perfect complement to the ice cream. I’d give the maple bacon sundae a five-star recommendation.

An equally tasty blueberry sundae.

My less daring spouse orders a blueberry sundae and is equally pleased with his selection.

These two boys came with their moms, and a sister of one, for ice cream treats. The boy on the right told the boy on the left that he had a mustache. Then I told the boy on the right that he had an ice cream mustache, too.

A retired couple who spend their summers at a Waterville resort rave about the sandwiches while two moms ordering ice cream for themselves and their kids endorse the ice cream.

Kathy, though, admits that business growth was slow during her first year and that she’s still learning, given her inexperience as a businesswoman. With summer winding down, she’s cutting back on hours. Singing Hills Coffee Shop is closed now on Mondays and Tuesdays, but open from 8 a.m. – 5 p.m. Wednesday – Saturday and from 8 a.m. – 2 p.m. on Sunday.

On October 14, the coffee shop will close for the season and then reopen in mid-April.

So, if you want to try that maple bacon sundae…

FYI: For more information about Singing Hills Coffee Shop in Waterville, click here to reach the shop’s website.

To learn more about the arts scene in Waterville, specifically the annual Sakatah Arts Experience, click here.

For more info about Northfield artist T. Andrew Foster, click here to visit his Creative Space Art Studio website. 

Copyright 2012 Audrey Kletscher Helbling

 

All about cars at Faribault art center August 31, 2012

“Flower Car for a Living Detroit,” acrylic on canvas by Michigan artist Stephanie Gallison and part of the car pARTS exhibit at the Paradise Center for the Arts. The painting “represents life, hope and resurrection for the city of Detroit; the opposite of recession, decline and decay,” according to Gallison’s website.

IF YOU’VE FOLLOWED this blog for awhile, you know that I’m a supporter of the arts.

And I don’t specifically mean I write out generous checks to buy art or donate to an arts cause or such. I wish I could. But the fact is that my family, like many middle class families, needs to watch its budget.

That doesn’t mean, though, that my husband and I can’t treat ourselves to the occasional night out to see a play or enjoy a concert or catch a comedy show, or become members of the local arts center.

A snippet of the current car pARTS exhibit at the Paradise.

I appreciate that we have the Paradise Center for the Arts right here in Faribault as a venue to enjoy the visual and performing arts and even take a class, if I wish, but haven’t.

Perhaps because I grew up in the 1960s and 1970s in rural southwestern Minnesota, without access to the arts, I especially value the arts opportunities offered right here in my community, only blocks from my home. No need to drive up to the Cities or elsewhere.

Faribault artist Vivian Jones created this watercolor, “It Was Grandma’s Car,” for “car pARTS.”

For example, currently the juried exhibit, “car pARTS,” is showing in the PCA’s Carlander Family Gallery through September 25. The show is exactly as it name implies, artwork featuring cars or parts of cars.

The logo for the Faribo Drag-On’s Car Club.

Hanging out along Central Avenue during Faribault Car Cruise Night in May.

The subject seems an ideal one for this predominantly blue collar community which has a special fascination with cars. That’s my assessment, anyway, based on the long-standing Faribo Drag-On’s Car Club, the Classic Car Roll In on Tuesday evenings at the Country Kitchen and the recent start-up of the May-September third Friday of the month Faribault Car Cruise Night on downtown’s Central Avenue.

Following the car theme, the Paradise Community Theater will present six performances of the play, The Car by Carol Wright Krause, beginning September 14 and running through September 22.

Acrylic paintings of dogs in cars, by Julie M. Fakler of Faribault , are in the car pARTS exhibit.

The play seems the ideal mesh with “car pARTS,” one complementing the other.

Here’s a summary of The Car, pulled from the PCA website:

Meet the Banners, a picture perfect postcard of a 1950s American family with an all-American son, a doting mother and an honest car salesman of a father, who does everything by the book and has just recently purchased the car—a 1954 Hudson Hornet. But when their son suddenly joins the military, only to return with a Japanese wife, the family’s world is suddenly turned upside down. Things may not be as picture perfect as they seem. The Car hits a few potholes along the way, takes some sharp turns, but takes you on an engaging and entertaining ride.

Looking south on Central Avenue during the Faribault Car Cruise Night in May.

I’d love to see all those collectors who are members of the Drag-On’s and/or all those who will be participating in the last downtown car cruise of the season on Friday, September 21, among those attending The Car in Faribault’s historic theater.

I invite any of you with vintage vehicles, whether from Faribault or not, to drive to the theater in your vintage vehicles, park along historic Central Avenue and experience the arts scene here. Maybe even dress up in back to the 50s garb to truly embrace the time period of the play.

Do you know who owns this Hudson Super Jet?

And whoever owns this Hudson Super Jet, which I photographed at a car show in TeePee Tonka Park in 2009, you’d be especially welcome given the car in the play is a 1954 Hudson Hornet.

Just a close-up of the Hudson Super Jet, built either in 1953 or 1954, I believe.

FYI: Click here for more information about the Paradise Community Theater’s performance of The Car.

P.S. This additional postscript has nothing to do with the arts in Faribault. But it is related to my support of the arts via my work on Minnesota Prairie Roots. Earlier this week I posted about the Gabor and Edith Nemeth Study Collection, a priceless collection of 15th to 19th century paintings in Park Rapids. The Nemeth Art Center is attempting to raise $1,200 for a storage unit to safely store and protect the paintings. Since posting this story on Monday, five more contributions have been made to the cause via the NAC’s online fundraising campaign, which you can find by clicking here. You have four more days to donate.

To read my original post about the Gabor and Edith Nemeth Study Collection, click here.

© Copyright 2012 Audrey Kletscher Helbling