Minnesota Prairie Roots

Writing and photography by Audrey Kletscher Helbling

Recycling art in Faribault June 14, 2013

Just a snippet of the art at the Recycled Art Sale, Paradise Center for the Arts, downtown Faribault.

Just a snippet of the art at the Recycled Art Sale, Paradise Center for the Arts, downtown Faribault.

ORIGINAL ART at a fraction of the cost. Check.

One of many pieces of original art for sale.

One of many pieces of original art for sale.

Priced to sell. Check.

A section of the floral painting I purchased.

A section of the floral painting I purchased.

Original painting purchased for $15. Check.

Art of all types is available for purchase.

Art of all types is available for purchase.

If you live anywhere near Faribault and have not checked out the annual Recycled Art Sale at the Paradise Center for the Arts, race down to 321 Central Avenue between noon and 5 p.m. today or Saturday.

I look forward to this sale every year and have found some great pieces, including an original oil on burlap by Mexican artist Jose Maria de Servin and Theodore de Groot LathArt by Austin Productions.

This year I brought home a floral oil painting by P. Willis, whose identity is unknown to me. Pamela? Patricia? Paul? I have no idea. But of one fact I am certain. I love the painting.

Shopping for art.

Shopping for recycled art.

And that’s the type of reaction Gail Kielmeyer, who serves on the Paradise Gallery Committee and the Mural Society of Faribault—sponsors of the Recycled Art Sale—witnesses among many a shopper. “All of a sudden they fall in love with a piece and have to take it home,” she says.

I came very close to purchasing this painting of gladioli. May still buy it.

I came very close to purchasing this painting of gladioli. May still buy it.

I expect that’s exactly what Kielmeyer and co-volunteer Mary Niermann thought as they watched me peruse the Paradise gallery crammed with everything from original pieces to prints to pottery, sculptures, mirrors, ceramics, and even art books. Prices ranged from a quarter for a dish to $400 for four Vietnamese in-laid mother-of-pearl panels which sold on the first day of the sale on Thursday.

Art lovers were waiting in line outside the Paradise for the noon opening of the sixth annual sale. One enthusiast calls the event her “very favorite sale of the year.”

And part of the reason may be the incredibly affordable prices. “A lot of people think original art is expensive and for wealthy people,” Kielmeyer says. Not so at this sale. Prices are kept purposely “priced to sell,” giving art lovers who might not otherwise be able to afford original art (that would be me), the opportunity to own original art.

That de Servin purchased several years ago cost me $7. The de Groot LathArt, $10.

You will find a variety of art from stills to landscapes, abstracts and plenty more priced to sell, many for under $20. Yes. Incredible.

I contemplated buying this barn art.

Lovely rural art.

All of the pieces are donated by people who are downsizing, for example, or remodeling or have had a piece forever. Or the favorite explanation this year heard by Kielmeyer: “We’re pretending we’re moving.”

Some artists come to the sale and buy the art just for the frames.

Some artists come to the sale and buy the art just for the frames. Note the interesting original duo art from Africa, above the frame. Loved it.

So the art some no longer want, need or have space for is now recycled into the hands of happy art lovers like me.

And, as a bonus, the Paradise and the Mural Society make some money. This year organizers hope to bring in $4,000 from the sale, about $1,000 more than last year. The first sale six years ago brought in $800.

Art and more art.

Art and more art.

Interest grows as do the number of donations and the variety of art offered. This year an estimated 1,000 items are for sale. Many had already been sold when I shopped on Thursday evening.  But you could have fooled me. The gallery is still packed with incredible art priced to sell.

BONUS PHOTOS:

For the wildlife lover...

For the wildlife lover…

If you appreciate a still life.

If you appreciate a still life.

For the traveler or the dreamer...

For the traveler or the dreamer…

For those who want to learn more about creating art...books and magazines.

For those who want to learn more about creating art…books and magazines are among the estimated 1,000 items at the sale.

© Copyright 2013 Audrey Kletscher Helbling

 

A photographic tour of downtown Fergus Falls May 30, 2013

A snippet of Fergus Falls' downtown.

A snippet of Fergus Falls’ historic and pedestrian friendly downtown.

I SINCERELY HOPE the fine people of Fergus Falls in west central Minnesota appreciate their historic downtown. It’s a gem.

A stroll through the downtown business district on a recent Thursday evening left me gaping at the detailed architecture, words imprinted in granite, sculpted eagles and sculpted otters, stately brick buildings, a lovely old theatre, quaint signage and art, yes, art.

This Otter Tail riverside community of nearly 14,000 along Interstate 94 an hour southeast of Fargo impresses me. Join me on a photographic tour and I expect you will feel likewise.

The Kaddatz Galleries features the work of noted Fergus Falls artist Charles Beck, known for his woodcut prints.

Kaddatz Galleries features, among other art, the work of noted Fergus Falls artist Charles Beck, known for his woodcut prints.

Examples of Charles Beck's woodcut prints in the Kaddatz Galleries.

Examples of Charles Beck’s woodcut prints in the Kaddatz Galleries.

Words chiseled in granite on the front of a building. I would love to know the story behind this.

Words chiseled in granite…I would love to know the story behind this. The inscriptions cover the bottom front of the building.

A Mexican restaurant adds a jolt of color to the downtown.

A Mexican restaurant adds a jolt of color to the downtown.

When I inquired at Kaddatz Galleries about the identity of this street corner statue, I didn't get an answer.

When I inquired at Kaddatz Galleries about the identity of this street corner statue, I didn’t get an answer. The gracious gallery tender says plans are in place to identify public art. Good idea.

I spotted The Fergus Falls Daily Journal tucked into a door handle downtown.

I spotted The Fergus Falls Daily Journal tucked into a door handle downtown.

Another stately corner building.

Another stately corner building.

I stared for awhile at this sculpture atop the historic River Inn before realizing these are otters. The inn sits along the banks of the Otter Tail River.

I stared for a while at this sculpture atop the historic River Inn before realizing these are otters. The inn sits along the Otter Tail River. I believe this building today houses only apartments and does not operate as an inn.

A downtown barbershop complete with a barber's pole charms visitors like me.

The Uptown Barber Shop, complete with a barber’s pole, charms visitors like me.

This hulking federal building houses courtrooms and the post office.

This hulking federal building houses courtrooms and the post office.

Stunning eagle sculptures span the entries into the federal building.

Stunning eagle sculptures span the front entries into the federal building.

Audience members filter into an historic theatre for a play presented at a Center for the Arts.

Audience members filter into an historic theatre for a play presented at A Center for the Arts.

Just another shot of businesses in downtown Fergus Falls.

Just another shot of businesses in downtown Fergus Falls.

FYI: To view previous posts from Fergus Falls, use my blog search engine to check my archives. I posted last week and during the week of June 12-18, 2011, on my first visit to Fergus Falls.  Also, watch for more posts from this community.

© Copyright 2013 Audrey Kletscher Helbling

 

Touring a third-generation family print shop in Fergus Falls May 23, 2013

The Victor Lundeen Company, located in the 100 block of West Lincoln Avenue, downtown Fergus Falls.

The Victor Lundeen Company, located in the 100 block of West Lincoln Avenue, downtown Fergus Falls.

ON A RECENT IMPROMPTU TOUR of a third-generation family-owned print shop in Fergus Falls, I couldn’t contain my giddiness over drawers of aged logos/artwork, handcrafted stamps, stacks of paper, even the vintage cabinets and stools and carts.

I was just giddy over all this handcrafted vintage art tucked into drawers.

I was just giddy over all this handcrafted vintage art tucked into drawers.

The 99-year-old Victor Lundeen Company is the type of place that appeals to a writer like me, with ink flowing through my veins.

The 1960s Heidelberg offset presses, still used in the second floor print shop.

The 1960s Heidelberg offset presses, still used in the second floor print shop.

Ah, the ink. The smell of ink. I just stood there beside owner Paul Lundeen’s vintage 1960s Heidelberg offset presses, breathing in the distinct scent of ink imprinted upon my memory.

Cans of ink line shelves.

Cans of ink line shelves.

Decades ago, working at The Gaylord Hub as a young newspaper reporter and photographer fresh out of college, I first smelled that ink, heard the clack-clack-clack of ancient machines printing auction bills. I watched Frank “Chick” Deis set type on the old letterpress.

While digging through all that vintage art, we found this City of Fergus Falls Centennial Seal of an otter. The city is located  in Otter Tail County.

While digging through all that vintage art, we found this City of Fergus Falls Centennial Seal of an otter. The city is located in Otter Tail County. The Lundeens recently sold all but one letterpress.

Such memories endear me to places like Victor Lundeen Company, started in 1914 by Victor Lundeen, Sr., who bought out a Fargo print shop and moved the equipment to his hometown of Fergus Falls. Today the company is owned by Victor Lundeen, Jr., and his son, Paul Lundeen.

A portion of the print shop looking toward the bank of street-side windows.

A portion of the print shop looking toward the bank of street-side windows.

I find it especially impressive, in this advanced technological age, that printing businesses like the Lundeen Company can survive, even seemingly thrive. This Fergus Falls firm has apparently found its niche in focusing on agri-business needs primarily in Minnesota, the Dakotas and Montana, but also extending to grain elevator businesses nationwide.

That said, this family-owned print shop, which employs eight in production (30 total in all aspects of the company), also values the individual walk-in customer. Paul didn’t specifically tell me that during our tour. Rather, I surmised that when, for example, I noticed the corner area where employees engrave gold foil names onto bibles for Confirmation gifts. Just like my King James bible imprinted with my name and given to me by my parents on my Confirmation Day in 1970.

Tour guide Paul Lundeen inside his print shop.

Tour guide Paul Lundeen inside his print shop.

And then there’s Paul himself, who welcomed my husband and me on a Thursday evening like we were long-time friends rather than out-of-towners checking out his store and other downtown businesses during an overnight stay in Fergus Falls. I mean, what businessman shows you the original safe of the former First National Bank of Fergus Falls shortly after meeting you? Paul did just that.

The independent bookstore portion of Victor Lundeen Company on the first floor. Gifts and office supplies are also sold here.

The independent bookstore portion of Victor Lundeen Company on the first floor. Gifts and office supplies are also sold here. I even asked if the store carries Lake Region Review, a regional anthology in which I’ve been published. It does.

His office supply/bookstore/gift shop/printing business occupies two connected buildings, one of them the old bank, in the heart of this historic downtown.

History in the signage.

History in the signage.

Such hospitality reaffirms my belief that chain stores have nothing on businesses like Victor Lundeen Company, which clearly values the importance of outstanding customer service and friendliness.

You can bet, thanks to Paul Lundeen and to Pat Connelly, whom I met later that evening at Dairyland Drive In (that’s a forthcoming post), I left Fergus Falls the next morning with the warmest of feelings for this west central Minnesota community.

BONUS PHOTOS:

Paper packed near the presses.

Paper stacked near the presses.

A vintage stool caught my eye.

A vintage stool, between counters, caught my eye.

My husband noticed the wheels on a cart, made at the former Nutting Company in our community of Faribault.

My husband noticed the wheels on a cart made at the former Nutting Company in our community of Faribault.

I aimed my camera down to shoot this lovely old cabinet.

I aimed my camera down to shoot this lovely old cabinet.

The art of well-known Fergus Falls resident Charles Beck, noted for his woodcut prints, featured in two books printed by Victor Lundeen Company. The books are sold in the bookstore. Across the street, you can view Beck's art at the Kaddatz Galleries.

The art of well-known Fergus Falls resident Charles Beck, noted for his woodcut prints, featured in two books printed by Victor Lundeen Company. The books are sold in the bookstore. Across the street, you can view Beck’s art at the Kaddatz Galleries.

TO VIEW PREVIOUS posts from Fergus Falls, see yesterday’s post and check my mid-June 2011 archives. Watch for more stories from this delightful community.

© Copyright 2103 Audrey Kletscher Helbling

 

A Minnesota bait shop Norman Rockwell could appreciate April 26, 2013

White's Bait Shop, Madison Lake, Minnesota

White’s Bait Shop, Madison Lake, Minnesota, photographed while passing by.

FROM A PURE visual perspective, White’s Corner Bait in Madison Lake confuses the eye with a mishmash of angles and cluttered signage. Too many words to read while passing by on Minnesota Highway 60.

Pop, ice, bait...

Pop, ice, bait, batteries, tackle, rods, reels…

But from an artistic perspective, this long-time bait shop delights with a Norman Rockwell-like Americana charm.

I have, for decades, admired this barn red multi-layered building of angles and assorted jumbled rooflines defined by a pointed corner tower.

Not once, though, have I stopped to photograph it, to step inside, to check out the bait, to gather information on where the fish are biting.

Oh, how I love that kitschy fish.

Oh, how I love that kitschy fish.

White’s Bait, open since 2011 in a building that has been a bait shop for more than 50 years, prides itself on providing “good quality bait and great customer service.” Says so, right there on the business website.

Seems quintessential Norman Rockwellish to me. That good quality, that great customer service.

Next time I’ll stop.

© Copyright 2013 Audrey Kletscher Helbling

 

The art of reclaiming and repurposing in a Northfield shop April 20, 2013

Makeshift accessories

THE CLEVER CREATIVE sidewalk sign crafted from license plates catches my eye and draws me into a cozy shop in downtown Northfield.

Inside I finger rings formed from spoons, try to slide on bracelets shaped from old license plates and other materials, admire oversized blooms folded from pages.

But I don’t take a single photo to show you, save that outdoor sign.

I Should have asked to photograph the art. I didn’t.

So you will have to imagine a one-of-a-kind home-grown shop featuring handmade merchandise repurposed from reclaimed items.

MakeShift Accessories, owned by artist-enterpreuner Devin Johnson, hometown boy come back home to Northfield, is my kind of store with its authentic artsy vibe.

FYI: To learn more about MakeShift Accessories, 418 Division Street, click here to reach the business website. Or, if you’re at Junk Bonanza today at Canterbury Park in Shakopee, scout out Johnson’s booth.

His work is also sold in Minneapolis at “I like You,” Gallery 360 and Mill City Museum; in New Prague at Cranky Alice; and in other locations.

© Copyright 2013 Audrey Kletscher Helbling

 

Fifty-one years of presenting The Last Supper Drama at a rural Minnesota church March 22, 2013

St. John's members portray the disciples in this undated vintage photo, the first record of a photograph from The Last Supper Drama. Actors, from left to right, are Luverne Hafemeyere, Earl Meese, Vicgtor Luedke, Howard Meese, Virgil Bosshart, Arnold Keller, P.L. Golden, Alvin bosshart, Paul Bauer, Elmer Covert Sr. and Arnold Bauer. Photo courtesy of St. John's.

St. John’s members portray the disciples in this undated vintage photo, the first record of a photograph from The Last Supper Drama. Actors, from left to right, are Luverne Hafemeyere, Earl Meese, Vicgtor Luedke, Howard Meese, Virgil Bosshart, Arnold Keller, P.L. Golden, Alvin bosshart, Paul Bauer, Elmer Covert Sr. and Arnold Bauer. Photo courtesy of St. John’s.

THOUSANDS OF MILES from Milan, Italy, in the flat farm fields of Rice County in southeastern Minnesota, Leonardo da Vinci has left his mark on a small congregation.

For 50 consecutive years, St. John’s United Church of Christ, Wheeling Township, has presented The Last Supper Drama, a theatrical interpretation of the master artist’s most famous painting created in 1495 as a mural in an Italian monastery.

St. John's 50th presentation of The Last Supper Drama in the sanctuary.

St. John’s 50th presentation of The Last Supper Drama in 2012.

I penned those two opening blog post paragraphs during Holy Week 2012, shortly after attending the St. John’s performance.

So update that number. The congregation is slated to present its 51st The Last Supper Drama at 8 p.m. on March 24, Palm Sunday.

I’d advise attending because you don’t get more grassroots basic than this in the retelling of Christ’s final meal with his 12 disciples via a script penned by a long ago St. John’s pastor.

Judas grips the bag of silver, his reward for betraying Christ.

Judas grips the bag of silver, his reward for betraying Christ, as seen in the 2012 drama.

Each disciple speaks of his personal relationship to Christ, making this a particularly introspective drama presented by members and former members of St. John’s.

The parking lot at St. John's United Church of Christ, Wheeling Township, is nearly full 20 minutes before the congregation's annual performance of The Last Supper Drama.

The parking lot at St. John’s United Church of Christ, Wheeling Township, is nearly full 20 minutes before the congregation’s annual performance of The Last Supper Drama.

Truly, there’s something about slipping inside this rural 1800s limestone church as evening melds into night, settling upon aged pews among those who have worshiped here for generations, that is particularly comforting.

It is good for the soul to sing and pray and listen, to sweep your thoughts into a meditative mindset for Holy Week.

That this country congregation continues with a tradition begun in 1963 impresses me. Such uninterrupted longevity is a testament to faith, an appreciation of history and a clear understanding that still today, perhaps more than ever, The Last Supper Drama needs to be shared.

A view from the balcony before the drama begins shows the spotlight to the left and The Last Supper table below. The actors enter, spotlighted in the dark church, to take their seats at the table. There they "freeze" in place to mimic Leonardo da Vinci's painting.

A view from the balcony before the drama begins shows the spotlight to the left and The Last Supper table below. The actors enter, spotlighted in the dark church, to take their seats at the table. There they “freeze” in place to mimic Leonardo da Vinci’s painting.

FYI: St. John’s United Church of Christ, Wheeling Township, is located 10 miles northeast of Faribault. Take Minnesota State Highway 60 east for eight miles and then turn north onto Rice County 24. Drive two miles to 19086 Jacobs Avenue.

Click here and then here to read my detailed The Last Supper Supper Drama posts from 2012.

Click here to read my post from 2011.

© Copyright 2013 Audrey Kletscher Helbling

 

“Mending generations of bad feelings” in Redwood County during “The Year of the Dakota” February 28, 2013

WILL THE DIVIDING LINES ever connect into a complete circle of healing?

A century and a half after the U.S.-Dakota War of 1862 ended, can the Dakota and descendants of white settlers, and others, ever fully reconcile and forgive?

Words on a marker in Reconciliation Park in Mankato where 38 Dakota were hung on Dec. 26, 1862.

Words on a marker in Reconciliation Park in Mankato where 38 Dakota were hung on Dec. 26, 1862.

The issues that divide—of blame and of animosity, of death and of punishment, of land and of banishment, and more—remain, sometimes subtle and below the surface, sometimes exposed.

As a native of Redwood County in southwestern Minnesota and as a descendant of settlers who fled their New Ulm area homestead during the U.S.-Dakota War, I have always been especially interested in this conflict.

So when I learned that the City of Redwood Falls on January 15 joined the cities of Minneapolis and St. Paul in adopting resolutions “recognizing the 150th anniversary of the Dakota-U.S. War of 1862 and declaring 2012-2013 the Year of the Dakota,” I took note.

The resolution states, in part in paragraph two:

WHEREAS, much has yet to be learned about issues revolving around land, reparations and restitution, treaties, genocide, suppression of American Indian Spirituality and Ceremonies, suppression on Indigenous languages, bounties, concentration camps, force marches, mass executions and forcible removals; and…

For my home county, at the geographical center of the war and home to the Dakota, then and now, passage of this resolution reflects a desire to understand, to educate, to heal.

Now you wouldn’t think, after 150 years, that such a resolution would even be needed. Trust me. Hard feelings still exist. But because I have not lived in Redwood County for decades and am therefore only an outside observer, I contacted Redwood Falls Mayor and avid local historian Gary Revier with a few questions.

I posed this question, among others, to Revier: All these years after the Dakota War ended, what, if any, tensions still exist between the Dakota and Whites in Redwood County?

As I expected, the mayor, who could have danced around my question with political rhetoric, told it like he sees it:

To answer your question about tensions between the Dakota and White communities, I would have to say emphatically “yes.” I believe it is more of a trust issue for the Dakota. On the White side, I would have to say there is a lot of envy because of the success of the gaming industry among the various Indian communities.

When I hear from my fellow members of the White community, they almost always begin by saying, “I am not prejudiced, but…” They then go on to explain some good deed they did for a Native American or some distant cousin three times removed who they are related to.

The Milford State Monument along Brown County Road 29 west of New Ulm commemorates the deaths of 52 settlers who were killed in the area. Located along the eastern edge of the Lower Sioux Reservation, Milford had the highest war death rate of any single township.

The Milford State Monument along Brown County Road 29 west of New Ulm commemorates the deaths of 52 settlers in Milford Township during the U.S.-Dakota War.

Revier, who also happens to be a descendant of white settlers impacted by the U.S.-Dakota War, endorses the resolution which calls for presenting the Dakota perspective through discussion; efforts by the City of Redwood Falls to promote the well-being and growth of the American Indian Community; and that such efforts “will mark the beginning of future dialogues and efforts to rectify the wrongs that were perpetrated during, and since, the year 1862, a tragic and traumatic event for the Dakota People of Minnesota.”

Says Revier:

I do support the resolution for many reasons, but the one that provides me with the most satisfaction really starts mending generations of bad feelings between the two nations. The first step towards reconciliation is admitting to the aggrieved party that there were atrocities committed. Once again this is more complex than can be explained in one or two sentences.

The mayor is right. Summarizing and defining issues spanning 150 years would be a difficult undertaking, especially in the context of a blog post.

A photo panel at the Traverse des Sioux Treaty Center in St. Peter shows Dakota leaders photographed in Washington D.C. in 1858. The photo is from the Minnesota Historical Society.

A photo panel at the Traverse des Sioux Treaty Center in St. Peter shows Dakota leaders photographed in Washington D.C. in 1858. The photo is from the Minnesota Historical Society.

Now, though, through adoption of the “Year of the Dakota” resolution, the City of Redwood Falls, in discussion with the Dakota community and others, is aiming to “open additional dialogue and create better communication and feelings among the citizens of both communities,” Revier says.

While methods of accomplishing this have not yet been fully defined, the Redwood Falls community has already hosted roundtable discussions, author visits, video showings, presentations and historic site tours related to the U.S.-Dakota War during the war’s sesquicentennial in 2012.

Ramsey Falls in Alexander Ramsey Park. Minnesota Prairie Roots file photo.

Ramsey Falls in Alexander Ramsey Park. Minnesota Prairie Roots file photo.

Additionally, Revier notes that when the city celebrates the dedication anniversary of its 219-acre Alexander Ramsey Park this year, the event will also be “a celebration of the Dakota who consider it a very special place.”  The Dakota once lived on the land (which eventually became the park) and the name Redwood comes from the Dakota word Can-say-api, meaning “where they paint the tree red,” the mayor says. A “101st Celebration and Ramsey Park Jamboree” is set for June 5 at the Redwood Area Community Center, according to the Alexander Ramsey Park Facebook page.

The park is named after first Minnesota Territorial and (second) Minnesota Governor Alexander Ramsey who negotiated treaties with the Dakota and was accused, but later cleared, of fraud in those negotiations. Revier is interested in possibly renaming the park, he says, “to something that would be more descriptive of the area which is home to so many indigenous people.”

This artwork by Gordon M. Coons, which was on recent temporary display at the Traverse des Sioux Treaty Center, marks the 150th anniversary of the U.S.-Dakota War of 1862. According to information posted with the piece, "...the crows, known as messengers, are silent and unable to carry the stories of the 38 Dakota hanged in Mankato. Each crow carries the name of a Dakota hanged in Mankato. The texture on the crows is a blend of acrylic paint and soil from the historical sites of the Sioux Uprising of 1862. The soil is from the Traverse des Sioux treaty site of 1851 and eight other locations of the Sioux Uprising of 1862."

This artwork by Gordon M. Coons, which was on recent temporary display at the Treaty Site History Center in St. Peter, marks the 150th anniversary of the U.S.-Dakota War of 1862. According to information posted with the piece, “…the crows, known as messengers, are silent and unable to carry the stories of the 38 Dakota hanged in Mankato. Each crow carries the name of a Dakota hanged in Mankato. The texture on the crows is a blend of acrylic paint and soil from the …Traverse des Sioux treaty site of 1851 and eight other locations of the Sioux Uprising of 1862.” Coons is an enrolled member of the Lac Courte Oreilles Tribe of northern Wisconsin and now lives in Minneapolis.

WHILE COMMUNICATING with Revier and researching for this post, I noticed that the “Year of the Dakota” resolution passed by the city of Redwood Falls varies from those approved in Minneapolis and St. Paul. One difference comes in the number of Dakota who were executed, a figure referenced in the first paragraph of the resolution. The Twin Cities resolutions note the number of executed Dakota—those hung in a mass hanging in Mankato—at 38. The resolution from Redwood Falls defines the number as 38+2 Dakota.

I asked the mayor to clarify. Revier added the “2” to represent Medicine Bottle and Little Six (Shakopee), Dakota leaders who were hung at Fort Snelling for their roles in the U.S.-Dakota War.

When I consider all the mayor has shared with me and my own knowledge of the tensions that have existed in Redwood County for 150 years, I wonder how reconciliation will ever be achieved. But I have to hold onto hope—hope that this newly-adopted resolution will foster discussion and understanding, hope that each side can stop blaming the other, hope that forgiveness will come…

Gordon M. Coons also created this 1862 U.S. flag which features the names of the 38 Dakota who were executed during a mass hanging in Mankato. "...the 38 Dakota are woven into the history of the U.S. and appear to be woven into the flag," information posted with the display at the Traverse des Sioux Treaty Center states.

Gordon M. Coons also created this 1862 U.S. flag which features the names of the 38 Dakota who were executed during a mass hanging in Mankato. “…the 38 Dakota are woven into the history of the U.S. and appear to be woven into the flag,” information posted with the display at the Treaty Site History Center in St. Peter states.

NOTE: I contacted Dr. Chris Mato Nunpa,  retired former associate professor of Indigenous Nations and Dakota Studies who authored the resolution along with other Dakota people and supporters. He declined to comment.

To read the entire resolution adopted by the Minneapolis City Council, click here. The Redwood Falls version varies only in the number of Dakota specified (38+2) and, of course, in the council name stated in the resolution.

The Saint Paul City Council resolution differs from that of the other two cities as the city’s parks and recreation department  is directed to “work with the Dakota Bdote Restoration Consortium to identify, name and interpret sacred Native American sites at and nearby the sacred Bdote…” You can read the entire resolution by clicking here.

© Copyright 2013 Audrey Kletscher Helbling

 

Stitches of the past February 10, 2013

Filed under: Uncategorized — Audrey Kletscher Helbling @ 11:40 AM
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DECADES LATER I can still feel the slight resistance as I draw yarn through holes punched into light-weight cardboard.

I can hear, too, the grating of thread against pulp, as deplorable to me as chalk squeaking across a blackboard.

Yet, my remembrances of stitching yarn into sewing cards rate mostly as a favorite childhood activity I had long forgotten until recently rediscovering those cards tucked away in a chest of drawers.

I pulled out the cards and studied them, for the first time, as vintage works of art.

The cards are smudged and grimy and creased, corners bent, one even torn. But that adds to their character, to their nostalgic  folk art appeal.

It is during these years of aging, of realizing less of your life lies ahead of you than behind, that the past rushes back.

These sewing cards opened the doors to memories of nursery rhymes…

"There was an old woman who lives in a shoe..."

“There was an old woman who lived in a shoe…”

…and frightening stories of goats crossing bridges where trolls lurk…

"Three Billy Goats Gruff"

“Three Billy Goats Gruff”

…and Cinderella fairy tales with happily-ever-after endings…

...where frogs turn into princes

…where frogs turn into princes

…and vivid recollections of evil roosters that pursued and pecked (for real, not in any fairy tale)…

The real, pecking, children-chasing roosters were not at all this pretty.

The real, pecking, children-chasing roosters were not at all this pretty.

…and calves that needed to be fed and certainly didn’t smell of daisies.

The calves I fed were black-and-white Holsteins smelling of barn.

The calves I fed were black-and-white Holsteins smelling of barn.

Powerful memories are stitched into these time-worn cards that I now prop as rotating art on the chest of drawers once shared by my dad and his oldest brother.

It seems some days that my thoughts dwell more on memories than the future.

HOW ABOUT YOU? Do you have a particular possession that evokes strong childhood memories?

© Copyright 2012 Audrey Kletscher Helbling

 

Photo art magic February 1, 2013

IF THERE’S ONE THING I’ve learned about photography, it’s that you never stop learning.

Take, for example, my recent discovery that even not-so-good bad images can be salvaged via the magic of digital editing.

Well, you’re probably thinking right about now, “Duh, Audrey, everyone knows that.”

Sure I am aware photos can be cropped, sharpened, contrast changed, etc. I’ve used all of those basic editing tools.

But how about transforming a ho-hum, out-of-focus and/or low-light photo into a work of art? It can be done with minimal effort. I basically just play around with artistic and other editing tools until I achieve results which please my eyes and fit whatever mood or effect I’m trying to achieve.

Most important, I approach my photos from an artistic, rather than a purely photojournalistic, perspective.

Now I know everyone is not going to like artsy photos. When I gushed to my husband about the images I’d edited, he viewed the “before” and “after” and stated emphatically that he preferred the originals. I wasn’t about to sway his opinion. He was clear on that.

That said, here are some original and reworked photos from Louie’s Toy Box Farm Toy Show held recently in St. Peter. I aimed primarily for a more vintage look, in most instances, given the subjects are vintage collectibles. With other photos, I emphasized strong lines and colors, or lack thereof, for a more modern art approach.

BEFORE:

Problem: Focus and glare issues.

Problem: Not bad, but some focus and glare issues.

AFTER:

Solution: Apply cartoon tool to reduce glare and lend a more vintage look.

Solution: Apply cartoon tool to reduce glare and lend a more vintage look. (That’s a rotary lawnmower, BTW.)

BEFORE:

Problem: Out-of-focus and boring photo.

Problem: Out-of-focus and boring.

AFTER:

Solution: Simplify by converting to black-and-white and then apply the posterize tool. This emphasizes the element  of strong lines.

Solution: Simplify by converting to black-and-white and then applying the posterize tool. This emphasizes the element of strong lines without the distraction of color.

BEFORE:

Problem: Totally out of focus and in need of cropping.

Problem: Totally out of focus and in need of cropping.

AFTER:

Solution: Apply the posterize tool to divert the eyes from focus problems, thus emphasizing the interesting lines and strong colors in this image. Also crop.

Solution: Apply the posterize tool to divert the eyes from focus problems, thus emphasizing the interesting lines and strong colors in this image. Also crop.

BEFORE:

Problem: This photo of a child's Gilbert Chemistry Experiment Lab does not have issues and could be published unedited.

Problem: This photo of a child’s Gilbert Chemistry Experiment Lab does not have issues and could be published unedited. But I wanted to give it a more vintage look.

AFTER:

Solution: With the cartoon tool application, I added a subtle vintage vibe to the image.

Solution: With the cartoon tool application, I added a subtle vintage artsy vibe to the image.

Now if I was particularly tech savvy, which I am not, I’d be capable of producing even more creative photo art. But I’ve much to learn still and that keeps photography interesting.

THOUGHTS?

© Copyright 2013 Audrey Kletscher Helbling

 

Saint Peter’s version of the Super Bowl January 29, 2013

IN THIS WEEK of Super Bowl XLVII, at least one Minnesota community has already tapped into the super sporting event hype to benefit the local arts community. And that happened in a way you likely would not expect, via Souper Bowl VII.

The hand-thrown pottery bowl I chose at the Souper Bowl for my chicken wild rice soup.

The hand-thrown pottery bowl I chose at the Souper Bowl for my chicken wild rice soup.

Saturday afternoon, my husband and I joined arts-loving diners at the St. Peter Community Center for soup served in hand-thrown pottery bowls. And the bowls were ours to keep at a cost of $12 each (or $8 per kid) for the art and the meal.

Six local potters gave of their time and talents to create 240 soup bowls for the luncheon of donated breads and soups—tomato basil, chicken wild rice and chili—cookies and beverages.

Joel Moline and Thalia Taylor kneading clay during a visit to the Clay Center in March 2012..

Joel Moline and Thalia Taylor kneading clay during a visit to the Clay Center in March 2012..

While I really do like soup, a lot, I appreciate even more the whole Souper Bowl concept. What a creative way to expose the arts to the general public while raising monies for the Arts Center of Saint Peter Clay Center programming. (Read a previous post about the Clay Center by clicking here.) The goal is to keep arts center activities “accessible, affordable and vibrant to the St. Peter community and surrounding region,” according to promotional information.

The selection of bowls remaining when we arrived at noon, an hour after doors opened.

The selection of bowls remaining when we arrived at noon, an hour after doors opened.

Choosing a bowl added a fun  element to the event. Here’s how the process worked for me: I narrowed my selection to my favorite color, green. But with only a few green bowls on the table and the hue I liked best in the hands of a debating diner, I faced a dilemma. Should I pick my second favorite green bowl or wait for this woman to decide between the two bowls she balanced in her hands?

A few green bowls sat among the mostly brown and blue ones.

A few green bowls sat among the mostly brown and blue ones.

I opted to wait, to hover, but not so close as to call attention to my interest in the green bowl. My game plan paid off when the woman finally set the green bowl down and walked away. I moved in for the fumble, snatching up the coveted prize. Touchdown.

Diners line up for soup or chili. Seconds could be had for a freewill donation.

Diners line up for soup or chili. Seconds could be had for a freewill donation.

My ever patient spouse waited nearby as I took a few photos before we entered the dining area and washed our bowls which were then filled, his with chili, mine with chicken wild rice. A volunteer behind the serving counter even heated my soup in the microwave when I told her it wasn’t hot enough. How’s that for Saint Peter nice? And Randy was invited to return for more soup since his bowl was somewhat small; he tried tasty tomato basil in the second quarter.

A soup server heated my soup in the microwave and then placed the hot bowl on a plate.

A soup server heated my soup in the microwave and then placed the hot bowl on a plate.

A few more photos later and we were dining, in the fine company of arts center board member Harry Hunt and his wife, Bonnie. Harry, who works in financial services, shared that he isn’t an artist, seeming even a bit apologetic about his lack of artistic talent. But I was quick to tell him he could certainly contribute to the arts board with his financial expertise.

The Arts Center of Saint Peter, 315 South Minnesota Avenue, St. Peter, Minnesota.

The arts center in downtown St. Peter, photographed on a visit there in March 2012.

Eventually, I turned our table talk to the March 1998 tornado in St. Peter which caused an estimated $300 million in property damage and claimed one life. I wanted to know if the Hunts had been affected by the tornado.

Bonnie recalled how they had been visiting family in the metro when they learned of the bad weather in southern Minnesota. “Well, let’s see if we have a home left,” she joked as the couple drove back toward St. Peter, unaware that a tornado had ravaged their community. They arrived to find their home on the edge of town destroyed. The Hunts rebuilt.

Today they laugh at an incident shortly after the disaster. Harry was working in the basement of their destroyed home when someone called down to announce the arrival of then Minnesota Governor Arne Carlson. Harry emerged from the basement and greeted the Governor: “Welcome to our open house.”

You can bet Randy and I appreciated the winning company and humor of the Hunts as much as the soup and the hand-thrown pottery bowls we took home from Saint Peter’s Souper Bowl.

Potter Missy Wood created this teapot for the Souper Bowl silent auction.

Potter Missy Wood created this teapot for the Souper Bowl silent auction.

HAVE YOU ATTENDED a fundraiser like this? Please share your experiences, thoughts and ideas. We can all learn from one another.

© Copyright 2013 Audrey Kletscher Helbling