Minnesota Prairie Roots

Writing and photography by Audrey Kletscher Helbling

A brief stop in St. Peter, what I saw & learned November 6, 2024

A stunning historic building anchors a corner in the heart of downtown St. Peter along Minnesota Avenue. (Minnesota Prairie Roots copyrighted photo October 2024)

A COLLEGE TOWN. A river town. A town once destined to become Minnesota’s state capital, except for a stolen legislative bill and a judge’s ruling. A town where Jesse James and his gang rode through en route to robbing the First National Bank of Northfield. A town two-thirds destroyed by a March 29, 1998, tornado. The town is St. Peter, population around 12,000, nestled in the Minnesota River Valley.

I felt right at home inside this picnic shelter with the grain bin roof. (Minnesota Prairie Roots copyrighted photo October 2024)
An eagle soars high above the Minnesota River at Riverside Park. (Minnesota Prairie Roots copyrighted photo October 2024)
The Minnesota River shoreline as photographed from Riverside Park. (Minnesota Prairie Roots copyrighted photo October 2024)

Recently I spent a bit of time in St. Peter while on a fall color drive. Randy and I picnicked at Riverside Park—Mill Pond & Campground. I watched volunteers prepare for a haunted hayride along the park’s trails, nearly twisted my ankle in an unfilled hole in the grass, noted how murky the Minnesota River appeared, observed an eagle soaring, and noticed the roof of the small picnic shelter. It looked like the top of an old grain bin, much to my rural roots delight.

I appreciated that books inside the St. Peter Thrift Store were mostly displayed horizontally, making it easier for me to read the titles. (Minnesota Prairie Roots copyrighted photo October 2024)

Following lunch, we stopped briefly downtown when I spotted a thrift store. I always enjoy poking around second-hand shops. Not that I’m looking for anything in particular. Often I leave empty-handed. But this time I picked up a clutch of greeting cards because I’m one of those people who still sends cards on birthdays and other occasions. Randy found a cassette tape of some radio talk show, nothing that interests me.

Outside the Arts Center of Saint Peter. (Minnesota Prairie Roots copyrighted file photo October 2024)
Inside the arts center, I viewed this and other collages by Mankato artist Holly Dodge. Her exhibit has closed. The gallery space now features the work of artists participating in the BUY-AND-TAKE INVITATIONAL and also Bianaca Wilson’s “SIEMPRE BUSCANDO.” (Minnesota Prairie Roots copyrighted file photo October 2024)

We’d parked along busy Minnesota Avenue/US Highway 169 directly in front of the Arts Center of Saint Peter. So, of course, I had to check out the gallery exhibit—collage art by Mankato artist Holly Dodge. The exhibit has since closed. I meandered, photographing some of her pieces. I’m always impressed by the diversity of art, how creative minds work.

Paul Granlund’s sculpture offers a unique perspective through which to view downtown St Peter. (Minnesota Prairie Roots copyrighted photo October 2024)

Once outside, I aimed my camera lens toward the distinctive bronze sculpture, “Mobius Strip,” crafted by Paul Granlund, a noted Minnesota sculptor, 1952 graduate of Gustavus Adolphus College (across town and up the hill), sculptor-in-residence there from 1971-1996, and much more in an illustrious career. Granlund’s sculpture is an eye-catching identifier of the arts center. Only after I returned home did I learn about the artist and about the many Granlund sculptures gracing the Gustavus campus. A return trip just to see those is now on my must-do list. I also found heron and eagle sculptures tucked into a pocket park in this block of downtown.

The heron sculpture is to the left, the eagle to the right (hidden by the shrub) in this pocket park. (Minnesota Prairie Roots copyrighted photo October 2024)

I discovered, too, Poshinate Kiddos, a beautiful baby and kids gift boutique where I looked, but didn’t buy (not this trip). I loved the merchandise and the friendly, helpful shopkeeper.

A row of historic buildings sits along US Highway 169, where a center island divides the roadway in downtown St. Peter. (Minnesota Prairie Roots copyrighted photo October 2024)

Historic buildings lining Minnesota Avenue drew my interest. About a dozen are on the National Register of Historic Places. Rather than cross the wide, wide street where traffic whizzes by at speeds that make me uncomfortable, I zoomed and photographed. I appreciate historic architecture and when a community cares enough to save it.

One of the Embassy signs… (Minnesota Prairie Roots copyrighted photo October 2024)
And then on the other side of the Embassy, this sign. (Minnesota Prairie Roots copyrighted photo October 2024)

Within the single block I walked, I also noticed signage on the Embassy Bar, or Blaschko’s Embassy Bar & Grill, depending on which sign you view. Signs always draws my interest, not only as identifiers but also as works of art.

This and other words tag the windows of the Arts Center of Saint Peter. (Minnesota Prairie Roots copyrighted photo October 2024)

Retracing my steps from River Rock Coffee & Tea, a busy place at the end of the block, I paused at the arts center again. On the second floor I spotted a singular word—writing—spanning a wide window. Now, when you’re a writer like me, you get excited about a word that celebrates your craft. That left a lasting impression on me as we pulled out of St. Peter intent on seeing what we’d come to see, the colorful trees along Highway 169 heading north toward Le Sueur. But the trees weren’t colorful. Not at all. Could have been the timing or the day, which was extremely windy with hazy skies.

I didn’t go into the River Rock. But I looked through the large windows to see the coffee and tea shop teeming with customers. (Minnesota Prairie Roots copyrighted photo October 2024)

Although disappointed, I was not disappointed in the river town, the college town, the historical town of St. Peter. I need to return, devote an entire day to exploring a place that once could have been Minnesota’s state capital…if not for the theft of a legislative bill in 1857 by politician Joseph Rolette and the judicial ruling that followed.

© Copyright 2024 Audrey Kletscher Helbling

 

A wildflower mural blooms in Nerstrand October 30, 2024

Wildflowers bloom on a mural along Main Street in Nerstrand. (Minnesota Prairie Roots copyrighted photo October 2024)

NERSTRAND, POPULATION 295, is one of those small towns where not a lot changes. Until something does, and then you notice.

The mural is painted onto a corner of WildWood of Nerstrand. (Minnesota Prairie Roots copyrighted photo October 2024)

On a recent drive through this community in far eastern Rice County, I noticed something new. A mural. The wildflower-themed painting stretches across a corner of a brick building marked as WildWood.

I found Jordyn Brennan’s signature down low on a lily stem. (Minnesota Prairie Roots copyrighted photo October 2024)
“Love for All,” a mural in Faribault that celebrates my community’s diversity. (Minnesota Prairie Roots copyrighted file photo)

I felt a sense of familiarity with the artwork. And then I saw Jordyn Brennan’s signature climbing the stem of a dwarf trout lily. The Minneapolis artist’s colorful “Love for All” mural, complete with hands signing the word “LOVE” and plenty of flowers, covers a spacious exterior building wall in the heart of downtown Faribault.

Heading east out of Nerstrand, WildWood is located at 315 Main Street, next to Lake Country Community Bank. (Minnesota Prairie Roots copyrighted photo October 2024)

And now her work can be seen in the heart of downtown Nerstrand on WildWood, a restored brick building housing an event space and photography studio. I peered through the window of the locked front door to see more brick and wood. Lovely. Rustic. Down-to-earth visually appealing.

The mural adds an inviting nature-themed backdrop to The Wilderness green space. (Minnesota Prairie Roots copyrighted photo October 2024)

Tricia and Nick Streitz, with the help of family and friends, worked many years to renovate the space, which previously housed a woodcraft business and was then used for storage. Tricia’s business, Sweet Shibui Photography, is now located in a portion of the historic building. The rest is available to rent for gatherings in the 1,800 square foot The Great Room and outdoors in the 2,400 square foot The Wilderness green space.

A Monarch caterpillar spotted among the flowers. (Minnesota Prairie Roots copyrighted photo October 2024)
A bumblebee feeds on a coneflower. (Minnesota Prairie Roots copyrighted photo October 2024)
Way down low on the mural, near the ground, I found this ladybug. (Minnesota Prairie Roots copyrighted photo October 2024)

But on this Saturday afternoon in late October, I focused on the mural of coneflowers, dwarf trout lilies, sunflower, butterfly weed and several other wildflowers unknown to me. I found a Monarch caterpillar, Monarch butterfly, dragonfly and bumblebee interspersed among the florals, almost missing a ladybug.

The mural is on the left side of the WildWood building. (Minnesota Prairie Roots copyrighted photo October 2024)

I love public art, especially in small towns where art is often not easily accessible. This mural splashes color into the few blocks that comprise Nerstrand’s downtown business area. But the mural is also a backdrop for The Wilderness outdoor gathering space. I can easily envision family and friends gathering here and on the concrete patio to celebrate a small wedding, an anniversary, a graduation, a baby or bridal shower, whatever brings people together in life’s celebratory moments. Yard games are part of the package rental. WildWood is hosting an indoor/outdoor Makers Market from 9 a.m. – 1 p.m. Saturday, November 16.

That’s the rare dwarf trout lily to the far left in this section of the mural. (Minnesota Prairie Roots copyrighted photo October 2024)

This day I celebrated the discovery of the wildflower mural on the side of a new business in town. The over-sized art honors nature, including the endangered dwarf trout lily, which only grows in three places (Rice, Steele and Goodhue counties) in the world. That includes in Nerstrand Big Woods State Park just to the west of town.

The WildWood name fits given the nearby Big Woods and Tricia Streitz’s backstory. (Minnesota Prairie Roots copyrighted photo October 2024)

Even the name of the business, WildWood of Nerstrand, is decidedly appealing for the images it brings to mind. A favorite young adult book and treasured childhood memories of playing in the woods inspired the name, Tricia Streitz shares on the company website. Hers is a poetically-beautiful story. Imagine children running free, into the woods, building forts, climbing trees…

A Monarch butterfly lands on a coneflower in Jordyn Brennan’s mural. (Minnesota Prairie Roots copyrighted photo October 2024)

All of this I learned following a drive into a small Minnesota town, a town where not much changes. Until it does. I noticed the change. Stopped. Embraced the beauty of that wildflower mural, public art that reaches beyond art to connecting community in a celebratory space.

© Copyright 2024 Audrey Kletscher Helbling

 

The art of Halloween in Paradise October 29, 2024

This shows part of “Roach Motel,” mixed media art by Sara Caron. (Minnesota Prairie Roots copyrighted photo October 2024)

DARK, FRIGHTENING, CREEPY, unsettling and even sweet. That’s the mix of art you’ll see in a Halloween-themed gallery exhibit at the Paradise Center for the Arts in Faribault.

A list of the Halloween Group Show artists hangs in the gallery. (Minnesota Prairie Roots copyrighted photo October 2024)

Eleven artists participated in the Halloween Group Show. This collection shows how these creatives took a theme and created a diversity of art with mixed media, stained glass, acrylic, intagio, clay… The results are as varied as Halloween costumes. And I loved it, even if a bit creeped out by some of the artwork.

“Hand of the Beholder” by Sara Caron. (Minnesota Prairie Roots copyrighted photo October 2024)

Take Sara Caron’s “Roach Motel” mixed media piece featuring a flower-potted mannequin crawling with roaches. Or her “Hand of the Beholder” broken fingers on a hand nestled in netting, presumably a bridal veil. There’s definitely some underlying meaning going on here as implied by the title.

“Smile” by Taylor Sterling. (Minnesota Prairie Roots copyrighted photo October 2024)

Taylor Sterling’s blood-dripping, eye-popping, cracked skull acrylic painting titled “Smile” also taps into Halloween’s ghoulish side.

This shows a portion of Breanna Adams’ piece, “Lady Dina and Dark Horse.” (Minnesota Prairie Roots copyrighted photo October 2024)

Likewise Breanna Adams’ “Lady Dina and Dark Horse” reminded me of an unnerving performer I saw on the television show “America’s Got Talent.” Not that the AGT contestant was half pumpkin-head like Adams’ girl whose face is mostly veiled by long, dark hair. But that’s where my mind went…back to AGT. The uneasiness I felt then and in viewing the “Lady Dina” painting were the same.

“Johnny Cash as Frankenstein,” a stained glass mosaic by Sushila Anderson. (Minnesota Prairie Roots copyrighted photo October 2024)

How we see and react to art is part of the artistic experience. Only the artist truly knows why they created what they did, how they did. As a writer, I was recently asked about the ending of a short story, an award-winning dark piece I wrote within the constraints of word count limits. It intentionally leaves the reader hanging. I couldn’t tell my sister-in-law how “Dear Mother” ends, because even I don’t know. Sometimes creativity simply flows without understanding of its root source or conclusion. I expect that can apply to both literary and visual art.

Yulia Sholomova’s trio of costumed kitty paintings titled, left to right, “Bedtime Tales,” “Warm mug,” and “Favorite Doll.” (Minnesota Prairie Roots copyrighted photo October 2024)

Or maybe the 11 artists featured in the Paradise Halloween show can tell you exactly what inspired them. Perhaps memories of trick-or-treating or fears or going through a haunted house or a long ago Halloween costume party.

Three top honors were given in the exhibit as judged by artist Tami Resler. (Minnesota Prairie Roots copyrighted photo October 2024)

Yulia Sholomova’s trio of costumed sweet ghost kitties done in acrylics certainly lends itself to warm, cozy feelings. Her “Favorite Doll” painting earned first place in the group show. Sushila Anderson got second place for her “Johnny Cash as Frankenstein” stained glass mosaic. And Caron earned third place for that bug-infested mannequin.

“Cat with Pumpkins 1” by Julie Fakler. (Minnesota Prairie Roots copyrighted photo October 2024)

Julie Fakler, who creates animal portraits and is the executive director of the Paradise, brings her talent to the show in clay, including the cutest cat nestled between pumpkins.

This shows a section of Aaron Dawley’s “Trick or Treat” artwork. (Minnesota Prairie Roots copyrighted photo October 2024)

There are many other pieces to be seen and appreciated, including art by Alison Albright, Aaron Dawley, Justin Delesha, Char Johnson and Sue Leech. It’s a real treat to view this Halloween Group Show, which runs until November 16.

Just inside the gallery door, a creepy clown holds this sign promoting the Halloween bar crawl. Chel Mattson created the poster art. (Minnesota Prairie Roots copyrighted photo October 2024)

FYI: The Paradise Center for the Arts is hosting a Fari “Boo” Bar Crawl fundraiser from 7-11 pm Friday, November 1, at the center and at four downtown Faribault bars. The event includes a costume contest, optional tarot card and psychic readings (for an additional fee), a horror movie, music, snacks and costume awards ceremony. For details, click here.

© Copyright 2024 Audrey Kletscher Helbling

 

Holly Dodge’s collage art, inspired by poet Emily Dickinson, a must-see now in St. Peter October 24, 2024

This shows a section of Holly Dodge’s collage titled “Glossolalia.” (Minnesota Prairie Roots copyrighted photo October 2024)

ONLY DAYS REMAIN until an unusual and particularly interesting art exhibit closes at the Arts Center of Saint Peter on October 26. Mankato poet and visual artist Holly Dodge created the nearly 30 collage pieces of “Gorgeous Nothings” inspired by the poetry of Emily Dickinson.

In a corner of the main floor gallery, Dodge also created a mood setting still life fronting her collage art. (Minnesota Prairie Roots copyrighted photo October 2024)

When I returned home from viewing Dodge’s work, I checked out two books of Dickinson’s poetry from the Faribault library to refresh my understanding of this recluse poet’s writing. She wrote most of her poems between 1862-1865. At one time, I really liked her poetry, maybe even understood some of it. Now? I struggled. Yet, I still delight in these words by Dickinson: “Hope” is the thing with feathers/ That perches in the soul/And sings the tune without the words/And never stops at all.

In this collage, a portion shown here. I see Emily Dickinson. It’s titled “And sweetest in the gale is heard; And sore must be the storm.” (Minnesota Prairie Roots copyrighted photo October 2024)

In viewing Dodge’s art, I could assuredly see the influence of Dickinson. In her artist statement, Dodge writes: “Her (Dickinson’s) fragmented, lyrical, elocutionary methods reminded me of the elements I was cutting out of books.” Dodge cut mostly flora, fauna and anatomical images from books to create her collages.

Titled “Oh Magnamity–My Visitor in Paradise.” (Minnesota Prairie Roots copyrighted photo October 2024)
Titled “I know that He exists. Somewhere–in silence.” (Minnesota Prairie Roots copyrighted photo October 2024)
A collage titled “How softly sinks that troubling Sun In Human Nature’s West” incorporates an anatomical bat cut-out. (Minnesota Prairie Roots copyrighted photo October 2024)

It’s the anatomical aspect that pushed my mind toward scary thoughts. I doubt Dodge intended that. But given we are closing in on Halloween and body parts and birds and bats can be the stuff of fright, I leaned into that perspective.

In the lower gallery, I found the eyeball popping collage, center, among a trio or art pieces hung on a wall. (Minnesota Prairie Roots copyrighted photo October 2024)

I termed Dodge’s collages initially as “ghoulish.” But the more I looked, the more I pondered, the more I connected her creations to Dickinson’s poems, the less I thought unsettling thoughts. Sure there are skulls and a popping eyeball and a chambered heart and bat and birds and such. But intermixed are the loveliness of flowers and plants and even a portrait that could be Emily Dickinson.

Tabletop domed art titled “God gave a loaf to every bird, But just a crumb to me.” (Minnesota Prairie Roots copyrighted photo October 2024)

The thing about art is that it is open to interpretation. We each bring our own experiences, our own biases, our own ideas to any art we view. But then an artist like Dodge, whose talent shines, causes us to pause and look through a clear lens. I could stretch my within to beyond.

Some titles are handwritten on the art. (Minnesota Prairie Roots copyrighted photo October 2024)

Dodge titled many of her pieces directly after the words of Dickinson, who never titled her poems. Titles lend themselves to insights into Dodge’s artwork.

The lower level multi-purpose space where Dodge’s art is also showcased. (Minnesota Prairie Roots copyrighted photo October 2024)
Even the sign directing visitors to the lower level is artsy. (Minnesota Prairie Roots copyrighted photo October 2024)
I didn’t expect to see a grand piano in the lower level gallery space. (Minnesota Prairie Roots copyrighted photo October 2024)

I never tire of viewing art in a gallery like that of the Arts Center of Saint Peter, where Dodge’s collages grace walls on the main level and also downstairs in a space centered by a sitting area and a grand piano. Greater Minnesota is home to some wonderful galleries and to incredible talent.

Another still life by Holly Dodge placed among her framed collages. (Minnesota Prairie Roots copyrighted photo October 2024)

I encourage you, wherever you live, to embrace the art and artists who share their talents in your town, your region. I don’t need to travel to a metro area to see inspiring, thought-provoking art.

Dodge’s piece titled “I could bring you jewels–Had I a mind.” (Minnesota Prairie Roots copyrighted photo October 2024)

In the words of Emily Dickinson, “I could bring You Jewels—had I a mind to.” Holly Dodge has brought us jewels, as have so many other artists who create and share their art here in southern Minnesota.

The Arts Center of Saint Peter is along busy Minnesota Avenue/Highway 169 running through downtown. (Minnesota Prairie Roots copyrighted photo October 2024)

FYI: The Arts Center of Saint Peter gallery hours are 1-5 p.m. Wednesday-Friday, 10 a.m.-5 p.m. Saturday and 1- 5 p.m. Sunday. The center is located at 315 South Minnesota Avenue in the heart of downtown St. Peter.

© Copyright 2024 Audrey Kletscher Helbling

 

At home comfy with Paul Bunyan in Faribault October 22, 2024

Minnesota artist Adam Turman designed this Abbey Road throw (inspired by the Beatles “Abbey Road” visual) for the Faribault Mill. It features the Hamm’s beer bear, Paul Bunyan, the Pillsbury Dough Boy and State Fairchild, all legendary Minnesota icons, against a metro skyline backdrop. (Minnesota Prairie Roots copyrighted photo October 2024)

AS A LIFE-LONG MINNESOTAN, certain things pop out at me as iconic Minnesota. Topping that list—Paul Bunyan and Babe the Blue Ox. I realize we’re not the only place claiming this over-sized legendary lumberjack and his ox as ours. But both are assuredly important in state lore, tourism and business identity, mostly in central and northern Minnesota where our lumber industry is rooted.

This Paul Bunyan sign is just blocks from my home. Granted, Paul is not wearing his usual buffalo plaid flannel shirt. (Minnesota Prairie Roots copyrighted photo September 2023)

Yet, I only need head south a few blocks from my house to see Paul marking Bauers Southside Liquor, once also home to the adjoining Paul Bunyan South gas station and convenience store. It closed years ago as did all the other Paul Bunyan stores in Faribault.

Paul Bunyan’s bed sits by the Faribault Mill along the Cannon River on Faribault’s northside. (Minnesota Prairie Roots copyrighted photo October 2024)
A roadside sign welcomes visitors to hop into Paul Bunyan’s bed. (Minnesota Prairie Roots copyrighted photo October 2024)
The bed showcases several of the Mill blanket patterns. (Minnesota Prairie Roots copyrighted photo October 2024)

Yet, the legendary lumberjack maintains his influence locally. Recently, I spotted an enormous buffalo plaid blanketed “bed” in the parking lot of Faribault Mill, an iconic business since 1865 known for its wool blankets. Signs invited folks to stop, climb onto the Paul Bunyan bed and take photos.

A friend photographs friends who climbed into Paul Bunyan’s bed. (Minnesota Prairie Roots copyrighted photo October 2024)

While I was there, one couple did just that. They were camping in nearby Nerstrand Big Woods State Park with others and headed into Faribault for stops at a local apple orchard and also at the Mill. I tipped them off to other places to visit, especially our historic downtown. I never pass on an opportunity to tell visitors about my community.

A comfy photo op in Paul Bunyan’s bed. (Minnesota Prairie Roots copyrighted photo October 2024)

On this Saturday, after photographing that creative marketing bed, I followed the two couples from Minneapolis into the Mill retail store. I haven’t been inside in a while. To my delight, I found more Minnesota icons on Mill products. I should note here that the Mill has a second mill (acquired in 2022) in Monmouth, Maine (Brahms Mount) which specializes in cotton textiles. Paul Bunyan is also big in Maine folklore.

Adam Turman designed this loon throw pillow displayed on an easy chair upholstered with Faribault Mill blankets. (Minnesota Prairie Roots copyrighted photo October 2024)

I love how Faribault Mill tapped into Minnesota talent. Artist Adam Turman created art for throws and pillows that is distinctly part of Minnesota culture and life. I’ve been a fan of Turman since viewing his art on seasonal-themed murals in neighboring Northfield. His work for Faribault Mill features Paul Bunyan and Babe, the Hamm’s beer bear, the Pillsbury Dough Boy, State Fairchild, loons, a snowy owl, cardinal, Split Rock lighthouse and the Boundary Waters Canoe Area Wilderness.

The Faribault Mill partnered with Hamm’s Beer on these pillows. Hamm’s was first brewed in Minnesota, “the land of sky blue waters,” in 1865. It is no longer made in Minnesota. (Minnesota Prairie Roots copyrighted photo October 2024)

While strolling through the Mill store, I focused on the art-themed merchandise among all the traditional primarily plaid and solid-hued woolen blankets people have come to associate with Faribault’s mill.

Visitors touring the Mill settle on these blanket remnant draped chairs to learn more about the Mill. (Minnesota Prairie Roots copyrighted photo October 2024)

In a room just off the main shop, I spotted folding chairs set up for folks who tour the mill. Tours are available at 11 am and 1 pm Fridays and Saturdays for a fee. Wool blanket remnants drape the chair backs, creating a memorable and colorful scene.

Peanuts themed throws are among Mill merch, shown here in the gathering space for those touring the factory. (Minnesota Prairie Roots copyrighted photo October 2024)

Also memorable are the Linus statue and the Peanuts-themed throws. We Minnesotans are proud of the Peanuts crew created by Charles Schulz, born in Minneapolis and raised in St. Paul. And I am proud of the Faribault Mill, a long-standing business in my community known for its quality made-in-America products. During the two World Wars, the then Faribault Woolen Mill made wool blankets for Army soldiers.

Another photo op, sheep cut-outs photographed inside the entrance to the retail store. (Minnesota Prairie Roots copyrighted photo October 2024)

Today Mill employees continue to create quality products, and not just blankets, at its two plants. The Mill also weaves into the fabric of America via a Paul Bunyan-sized spirit of generosity. For every bed blanket sold, the company donates a blanket to nonprofits serving youth experiencing homelessness in major cities across the U.S. That’s through its Spread the Warmth program. The Mill has also donated blankets to local youth.

The marketing and business teams at Faribault Mill clearly understand the value of connecting with community, of giving back and of drawing customers via creativity. The Paul Bunyan-sized buffalo plaid blanketed bed and the Minnesota art by Adam Turman both grabbed my attention. While the bed has been put to bed for the season—maybe because Paul Bunyan needs his wool blankets back for the forthcoming winter—you can still step inside the retail store and wrap yourself in the warmth of Minnesota from blankets to legendary icons.

© Copyright 2024 Audrey Kletscher Helbling

 

From Owatonna: For the love of signs October 3, 2024

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Among the many signs that drew my interest in Owatonna was this insurance agency sign. The bold colors and layered signage stood out. (Minnesota Prairie Roots copyrighted photo September 2024)

SIGNS, WHETHER HANDWRITTEN on a piece of paper or professionally made to mark a business, fascinate me. They reveal much about the heartbeat and history of a community.

Love this artsy sign. The curving arrow points me directly to Wagner’s. (Minnesota Prairie Roots copyrighted photo September 2024)

On a recent visit to Owatonna’s downtown, I photographed a collection of signs that caught my eye. I lean toward vintage, or those that appear vintage. I also lean toward unusual names and interesting fonts and art.

This candy shop and eatery has a lengthy history in Owatonna. (Minnesota Prairie Roots copyrighted photo September 2024)

Most people likely view a sign only as an identifier or source of information. Clearly not me. I see signage through the lens of a writer and a photographer.

Even if partially missing, I still appreciate the vintage charm of this sign. (Minnesota Prairie Roots copyrighted photo September 2024)
The Kitchen, a downtown Owatonna staple gathering spot. (Minnesota Prairie Roots copyrighted photo September 2024)
A catchy name for a bar. (Minnesota Prairie Roots copyrighted photo September 2024)

Every town, not just Owatonna, offers a potluck of signs, a feast for the eyes. All signs bring something to the table. Something that tastes of local flavor. And I’m not just talking food or drink, although certainly you will find plenty of that along North Cedar Avenue and other streets spoking off Owatonna’s main downtown artery.

This shows partial signage for Central Park Coffee and a mini owl mural, among several owls “hidden” in downtown Owatonna. (Minnesota Prairie Roots copyrighted photo September 2024)
It’s that time of year again, time for all things pumpkin as noted on this sandwich board. (Minnesota Prairie Roots copyrighted photo September 2024)
A long-standing pizza place along North Cedar Avenue. (Minnesota Prairie Roots copyrighted photo September 2024)

I’m also talking about the stories behind those signs. The people who own the businesses, run them, welcome customers inside for a cold one, a cup of coffee, a slice of pizza, a new pair of shoes, a pumpkin truffle, even an insurance policy. Signs are more, much more, than simply signs.

A mostly unreadable (at least to me) ghost sign. (Minnesota Prairie Roots copyrighted photo September 2024)
On the side of Owatonna Shoe is this painting of Princess Owatonna, after whom the city is named. A statue of the princess stands in Mineral Springs Park, the spring and princess being part of local lore. (Minnesota Prairie Roots copyrighted photo September 2024)
The long ago Roxy Theater is honored in the Main Street Mural in a downtown pocket park. (Minnesota Prairie Roots copyrighted photo September 2024)

Signs also hold history. Ghost signs, of which there are several in Owatonna, write of bygone days. Murals paint history, too, of the Roxy Theater and of Princess Owatonna and more.

And then I spotted this vintage gem on a building… (Minnesota Prairie Roots copyrighted photo September 2024)

Wherever you live, whatever community you visit, I encourage you to pause, look and really see the signage. Appreciate the history. Consider the stories. Study the fonts and art. Enjoy the potluck of signs that flavor a place.

© Copyright 2024 Audrey Kletscher Helbling

 

Celebrating my birthday with history & art September 27, 2024

(Minnesota Prairie Roots copyrighted file photo)

NOT EVERYONE WOULD CELEBRATE a birthday by exploring historic ruins and then capping the day by creating art within an historic context. But then I am not everyone.

This week, on my closing-in-on-seventy birthday, I took a day trip to Wasioja and neighboring Mantorville. Randy and I packed our picnic lunches and then hit the road east in late morning. No need to rush and get going too early at our ages.

After a brief stop at a Kenyon thrift shop, which smelled strongly of natural gas, we made a quick exit. But not before warning the shopkeeper that he needed to check on the odor immediately. And don’t turn on a light switch, although the lights were already on, we advised. (The shop was still standing on our return route home.)

Blueberry pie. not from County Seat Coffee Shop. I didn’t photograph that pie piece. (Minnesota Prairie Roots copyrighted file photo)

GOING BACK IN TIME

I digress. In Wasioja, we discovered aged ruins and historic buildings, many connected to Minnesota’s involvement in the Civil War. I was aware of the Civil War recruiting station, but not some of the other sites. I’ll write more on our visits to Wasioja and Mantorville in future posts.

However, I should note now that Randy and I enjoyed slices of homemade blueberry and strawberry/rhubarb pie at County Seat Coffeehouse in Mantorville. It was, after all, my birthday. No sweet treat awaited me at home.

Back home by late afternoon with me feeling a bit tired after being on my feet all day (remember that broken right toe, which makes walking a tad more challenging), I put my feet up. Randy napped.

A promo for a 2022 talk by Mica Anders at the RCHS. (Promo credit of RCHS)

STEPPING BACK IN TIME WITH MICA ANDERS

And then, less than two hours later, we were off to the Rice County Historical Society for an interactive historical presentation by St. Paul genealogist and artist Mica Lee Anders. She was presenting on early (1850-1900) African American residents of Rice County. I’m always up to learning more about the history of this place I’ve called home for 42 years.

Anders made the entire event hands-on engaging by asking attendees to create flower mosaics that will honor the legacies of early African Americans. The flowers will be installed as public art at gravesites in Faribault and Northfield.

Not being especially artistic beyond creating with a camera and with words, I felt initially tentative about the whole idea. But Anders quickly put me at ease, explaining how to go about the process of creating mosaic flowers from glass tiles. We grabbed cupcake tins then scooped tiles in assorted shapes (mostly round) and colors (blues, greens, oranges and yellows) into individual holders. From there, we designed within a donut shape printed on paper. Later, we would transfer our designs onto sticky mesh.

As a perfectionist, I sorted my tiles by size and color before beginning to create. Part of me wanted to pause and take notes on everything Anders was sharing. But art won over being a journalist for the evening. I created. I listened. I asked questions. But I didn’t jot down a single word.

I heard about the success of those early African Americans who lived here. The barber. The young man who would become a doctor. The college grad. But I learned, too, of efforts to hide racial identity. Yet, races intermarried. And, said, Anders, Faribault was a welcoming place to those African Americans who settled here early on. To hear that pleased me greatly. Faribault has not always been a welcoming place for people of color.

The flower mosaic I created. Anders will finish the work. (Minnesota Prairie Roots copyrighted photo September 2024)

CONNECTING HISTORY & ART

Anders’ passion for history, genealogy and honoring the legacies of African Americans in southeastern Minnesota via her research and now her public art project coursed through the meeting room where a small group of us created colorful mosaics. It felt good to be part of something like this, a tangible way to honor those who came before us, who likely faced more struggles than I will ever know.

My mosaic was well thought out. I don’t usually randomly do anything. I used orange and yellow tiles in the outer two rings of my flower to represent the sun. The next ring featured blue round tiles representing the sky—dark blue for stormy days, lighter shiny blue for happier days. I finished my flower with an inner ring of green tiles representing the earth, growth, place.

The birthday cards I received, displayed on a vintage family dresser in my dining room. (Minnesota Prairie Roots copyrighted photo September 2024)

THANKFUL

Thus I began another year of life. Learning. Creating art. Honoring. Celebrating. And feeling incredibly thankful for all the people who care about me. From greeting cards to an audio message, from texts to emails to calls (including a singing of “happy birthday”), I feel cherished and loved.

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FYI: Mica Anders will host more workshops in Rice County (including in Northfield) to talk about early African Americans in southeastern Minnesota and to create flower mosaics. I encourage you to participate. Her project was made possible in part by Springboard for the Arts’ Rural-Urban Solidarity Initiative.

© Copyright 2024 Audrey Kletscher Helbling

 

Train art or graffiti, depending… September 18, 2024

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A dragon (at least that’s what I see) covers an entire boxcar. (Minnesota Prairie Roots copyrighted photo 2024)

ADMITTEDLY, I POSSESS no understanding of train art. Yet, I appreciate it. Not as the graffiti it is by definition, but rather because I see the images and words as art. A traveling art gallery. I doubt railroad companies would agree.

The traveling gallery parked in Faribault earlier this year. (Minnesota Prairie Roots copyrighted photo 2024)

Watch any train pass by or view a line of parked box or tanker cars and you likely will see this art form. Whenever I spot this art, I wonder, “How and when do these artists manage to paint these sprawling words and images without getting caught?”

More art/graffiti I don’t understand. (Minnesota Prairie Roots copyrighted photo 2024)

Then I try to decipher the words, which are mostly indecipherable to me. My eyes can’t separate the often over-sized uppercase letters that jam together. Even standing back to read from a distance usually doesn’t help.

Another look at the dragon from a distance and the words I can’t read. (Minnesota Prairie Roots copyrighted photo 2024)

But occasionally I figure something out and then it’s like a moment of confused clarity. Why this word? Why this art? Why this fiery orange dragon (if that’s really what it is) stretching the length of a boxcar?

An apology. (Minnesota Prairie Roots copyrighted photo 2024)

For the artist, like any visual artist, there is meaning behind the art. I’m just not privy to the backstory. Sure, some of what I’m seeing could be gang graffiti. But mostly, I expect it is not. And if I view the train art in Faribault, for example, that doesn’t mean the work originated locally. Likely it did not. Trains travel all over the country.

The freshly-painted signature of DOLLFACE. (Minnesota Prairie Roots copyrighted photo 2024)

There are exceptions, though. While looking at art on short rows of parked boxcars a few months back in Faribault, a young couple was doing likewise. I asked whether they were the artists. The response from one: “I can neither confirm nor deny.” Later, as I rounded the row of boxcars and the pair were heading for two vehicles parked nearby, I got my answer. There, along the bottom edge of a boxcar, block letters dripped baby blue paint. DOLLFACE had left her signature.

More art by the apologetic artist. (Minnesota Prairie Roots copyrighted photo 2024)
Signature or art, I’m unsure. (Minnesota Prairie Roots copyrighted photo 2024)
An artist’s tag…I think. (Minnesota Prairie Roots copyrighted photo 2024)

Other artists left their signatures, too, or what I can only assume are their signatures, along with dates, messages and social commentary. It’s all a bit of a mystery to me.

Some artists respectfully paint around official markings on rail cars. (Minnesota Prairie Roots copyrighted photo 2024)
An understandable commentary. (Minnesota Prairie Roots copyrighted photo 2024)
More art on boxcars. (Minnesota Prairie Roots copyrighted photo 2024)

But I appreciate the skill, the effort, the creativity, the vibrant hues that go into creating this art form. Long ago, hobos—who today would be termed as “homeless”—rode the rails and left their art upon boxcars primarily as a way to communicate. Train art has a longstanding history in this country.

I found this humorous, painting around the word “PAINTED.” (Minnesota Prairie Roots copyrighted photo 2024)

And that continues today. Perhaps not in the same way. But assuredly as an art form. Or as graffiti, depending on perspective.

© Copyright 2024 Audrey Kletscher Helbling

 

The joy of a Northfield tie dye artist September 12, 2024

My first view of the tie dyed t-shirts. Two days later, I returned and met the artist. (Minnesota Prairie Roots copyrighted photo September 2024)

TIE DYED SHIRTS jolted color against a brown privacy fence along West Seventh Street in Northfield next to Riverside Park on a recent weekday afternoon. The colorful display proved a photographic surprise as I headed for the park.

The shirts have creative designs front and back. (Minnesota Prairie Roots copyrighted photo September 2024)
Prices and payment box, on the honor system. (Minnesota Prairie Roots copyrighted photo September 2024)
Vibrant hues on a heart shirt, one of my favorites. (Minnesota Prairie Roots copyrighted photo September 2024)

Rich, brilliant hues and creative designs instantly drew my attention to this pop-up shop that was as much a place to buy a tee on the honor system as it was an art display.

Artist Rebecca Stull. (Minnesota Prairie Roots copyrighted photo September 2024)

The creative behind the wearable art is Rebecca Stull, who lives in an apartment building behind the fence with her daughter, Lily Joy, age three. I met them two days after I initially spotted and first photographed the tie dye art. I happened to be in Northfield again, same location, aiming for the Northfield Farmers Market in the park. And out came Rebecca and her daughter, the artist carrying bowls of water to set beside the sidewalk for passing dogs.

Rebecca also tie dyed these cute heart onesies. (Minnesota Prairie Roots copyrighted photo September 2024)

I couldn’t believe my luck. To meet Rebecca, to hear her story, excited me. Everyone has a story. Rebecca is new to tie dying, learning as she goes. I would not have guessed that based on the art she produced. She has a two-year online art degree, a good background for creating this art.

A mandala, a favorite design of Rebecca’s. (Minnesota Prairie Roots copyrighted photo September 2024)

This young mother and artist holds a passion for art, for tie dying. She feels a calling, she said, “on a journey to work with Jesus.” That shows in the crosses gracing some of her shirts, including little Lily’s. She also favors mandalas.

Rebecca pulled tees from the fence to show me fronts and backs. (Minnesota Prairie Roots copyrighted photo September 2024)

What I love about Rebecca, besides her tie dye art, is her joy. She exudes positivity, despite struggles. Rebecca shared just enough for me to understand that life hasn’t always been easy for her. But here she is, getting the support she needs, using her creative talents, raising Lily Joy with a joyful spirit.

Rebecca’s storefront, next to her apartment building. (Minnesota Prairie Roots copyrighted photo September 2024)

She told me how thankful she is for a landlord who supports her tie dye creativity.

Lily Joy counts her mom’s t-shirts. (Minnesota Prairie Roots copyrighted photo September 2024)

I encouraged her. It’s clear Rebecca wants the best for her little girl. Some of the monies from her first t-shirt sales paid for Lily Joy to go to the recent Defeat of Jesse James Days carnival. The three-year-old is an enthusiastic marketer of her mom’s tie dyed shirts. As I watched, Lily Joy, walked along the fence line, touching the shirts, counting inventory for her mom.

A cyclist passes Rebecca’s tie dyed t-shirts as he heads to the Northfield Farmers Market on a Friday morning. (Minnesota Prairie Roots copyrighted photo September 2024)

To have met these two blessed me, jolted joy into my day. And it all started with a walk to Riverside Park, 35mm Canon camera in hand.

© Copyright 2024 Audrey Kletscher Helbling

 

A walk in a garden as autumn approaches September 4, 2024

Sunflowers are drooping, like this one in the Rice County Master Gardeners’ Teaching Gardens, Faribault. (Minnesota Prairie Roots copyrighted photo August 2024)

I’M BEGINNING TO FEEL this sense of urgency, as if I need to spend more time outdoors taking in the natural world. It’s not a new feeling, but rather one which rolls into my thoughts at August’s end. When the calendar flips to September, everything shifts. I see it, hear it, smell it, feel it.

A dried oak leaf floats in a pond at the teaching gardens. (Minnesota Prairie Roots copyrighted photo August 2024)

Outside my front door, massive mophead hydrangeas are drying, morphing from green to brown. Once lush phlox are less full. Maple leaves, in hues of orange and yellow, litter the lawn. All over town, trees are beginning to change color.

Golden grasses sway in the gentle wind of early evening. (Minnesota Prairie Roots copyrighted photo August 2024)
Jolts of color still fill the garden. (Minnesota Prairie Roots copyrighted photo August 2024)
Prolific black-eyed susans. (Minnesota Prairie Roots copyrighted photo August 2024)

Crickets chirp. Cicadas buzz. School buses roll past my house. Everything is shifting. And nowhere is that more noticeable than in a garden.

This shows only a section of the teaching gardens. That’s an historic church, on the grounds of the Rice County Historical Society, in the background. The gardens are next to the RCHS museum. (Minnesota Prairie Roots copyrighted photo August 2024)

And so I encourage you, if you live in a place that will soon change to cold and colorless, to enjoy the flowers while they are still blooming, as I did recently at the Rice County Master Gardeners Teaching Gardens.

A mass of coneflowers. (Minnesota Prairie Roots copyrighted photo August 2024)
A rain garden flourishes here. (Minnesota Prairie Roots copyrighted photo August 2024)
A few clematis were still blooming when I walked the gardens. (Minnesota Prairie Roots copyrighted photo August 2024)

Come, walk with me through this space with its beds of blooms, its textured perennials, its overall loveliness.

An array of flowers fill the gardens. (Minnesota Prairie Roots copyrighted photo August 2024)
A muted hue that leans into autumn. (Minnesota Prairie Roots copyrighted photo August 2024)
The gardens include rock art, this one in the Rock Art Snake. (Minnesota Prairie Roots copyrighted photo August 2024)

Or find your own garden in your place. Walk. Sit. Take it all in. And when the season shifts, when the flowers are long gone, when the trees have dropped their leaves, then remember this time, these days. Remember the beauty of it all. Remind yourself in the depths of winter how you paused to appreciate these days of summer transitioning into autumn.

© Copyright 2024 Audrey Kletscher Helbling