Minnesota Prairie Roots

Writing and photography by Audrey Kletscher Helbling

Up close with an Amish family in southeastern Minnesota October 15, 2013

HIS NAME SURPRISES ME. Dennis. “It is not,” I insist to my husband, “in The Book of Amish.”

Not that a Book of Amish exists. I have made that up. But in my mind, this trim Amish carpenter with the dark beard, suspenders criss-crossing his back and a tape measure hooked on his black pants, should bear a biblical name like Samuel, Jacob or Daniel.

Dennis sounds too Englisch.

His surname of Hershberger, however, seems appropriate although the German in me would like to insert a “c” and make that Herschberger.

Driving Fillmore County Road 21 north of Canton toward Henrytown then west to Dennis and Mary Hershberger’s farm in early October 2012. This is deep in Minnesota Amish country.

The photographer in me would also like very much to photograph this young Amish father who crafts the most beautiful, gleaming furniture you can imagine on his farm north of Canton and west of Henrytown in southeastern Minnesota. But I know that to photograph him would violate his trust and hinder my welcome to Countryside Furniture.

Inside Countryside Furniture, with furniture crafted by Dennis and crew.

So I keep my camera low, tugging it to my side as I watch the Hershberger children, 17-month-old Simon and his 3-year-old sister, whose name I never do learn, wheel a faded red wagon. I am mostly intrigued by Simon in the plain handcrafted blue dress that skims his ankles above pudgy bare feet hardened to the stones and rough grass underfoot. His face is still edged with the softness of a baby, but emerging into that of a little boy. Straight cut bangs ride high on his forehead with wisps of hair tickling his ears in a bowl cut hair style.

Jars of canned goods line the shelves in Mary’s shop.

When I amble next door, the siblings follow me into their mother’s shop, rattling round and round with the wagon like a car on a racetrack.

I admire the rows of canned produce (bright orange carrots, golden nuggets of corn, jade spears of dill pickles), the faceless Amish dolls snug in a cradle, the tight weave of cotton rag rugs…

Faceless handcrafted Amish dolls in a handcrafted cradle.

I lift bars of homemade soap and breathe in their perfumed scent.

A pathway in the crafts store where Simon and his sister circled their wagon.

Then my attention turns again toward little Simon and his sister as they drop marbles onto a colorful tower before darting outside. Clack, clack, clack.

The siblings dropped marbles down the colorful tower on the right.

Through the open shop door, I watch a horse and buggy wheel into the farmyard, steering toward the weathered red barn. A boy, perhaps 10 years old, strolls toward the farmhouse and I lift my right hand to wave. He hesitates, then returns my greeting.

I turn my attention back to Mary’s merchandise. We must choose something to purchase now. It is expected. So Randy picks two jars of Mary’s Preserves. We head back to the furniture showroom, a small outbuilding with white walls and a low ceiling, with two jars of strawberry and tripleberry jams.

We make small talk. Dennis asks where we’ve come from. “Faribault,” I tell him.

“Along Interstate 35,” he notes, then tells us of a good customer from our community.

A close-up of the furniture Dennis and his crew craft.

I ask Dennis’ permission to photograph his fine furniture and he gives his OK. Then we return, with Simon still tugging that wagon, to Mary’s shop. As we walk, Dennis lifts his son off the ground, snugs the boy against his right hip, then speaks to him in a language I can only assume is a German dialect. I expect Simon may be getting a gentle admonition about taking the wagon inside his mother’s shop.

Randy pays $4.50 for the jam. We thank Dennis for the gracious welcome to his farm.

My final shot of the Hershberger farmyard: the barn, the buggies, the stack of wood.

As we head to the car, I photograph the red barn, the two buggies parked next to it and the rough-hewn lengths of stacked wood which Dennis and his helpers will soon craft into fine furniture.

Even though I couldn’t photograph the Hershbergers, the visuals of this place, of this Amish family, of this experience, have imprinted upon my memory. And sometimes that is better than a photo.

A picturesque farm near the Hershberger place, rural Fillmore County, Minnesota, taken in early October 2012.

FYI: Dennis Hershberger also sells his furniture at Countryside Furniture, located at Old Crow Antiques in Canton, at the intersection of U.S. Highway 52 and Fillmore County Road 21. The Hershberger farm is about five miles northwest of that intersection.

Old Crow Antiques is a great place to stop for information on local Amish farms.

This story and these images are from an October 2012 visit to the Hershberger farm.

© Copyright 2013 Audrey Kletscher Helbling

 

In which I meet Amish quilter Fannie Miller on her Lenora farm October 11, 2013

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THE AMISH HAVE ALWAYS intrigued me. I can’t explain specifically why, except to admit that perhaps I am a bit envious of their minimalist lifestyle, one likely similar to that of my farmer forefathers.

Never have I gotten a closer look at Amish life than on an early October 2012 day trip to the Lenora/Canton/Harmony area of southeastern Minnesota.

My first glimpse of the Amish began in unincorporated Lenora in southeastern Fillmore County where my husband and I were searching for the historic Lenora Methodist Church. Unable to initially locate the church (how we could miss it in tiny Lenora is beyond me), we stopped at Summer Kitchen Antiques, which was closed, and then began driving east onto a gravel road.

An Amish buggy approaches our car just on the outskirts of Lenora.

Just barely past the antique shop, an Amish buggy came into view and I raised my camera to snap two quick photos through the passenger side windshield. Now I know how the Amish forbid face photos, and I am (mostly) respectful in their close presence. But when they are traveling on a public roadway in a region that markets itself as a “see the Amish” destination, from which the Amish benefit financially, I do not feel obliged to keep my camera tucked away.

A close-up look at the approaching buggy shows a young Amish boy reading a book to his little sister as their mother guides the horse and buggy down the gravel road.

After that initial sighting, we came upon a roadside sign advertising quilts and table runners less than one-quarter of a mile from Lenora. My excitement heightened as we turned into the Amish farmyard, even though I was acutely aware I’d need to keep my shutter button finger mostly still.

That proved to be a challenge as I desired more than anything to photograph the red-haired pre-teen Amish girl with the pinkish birthmark splotched across her right cheek lolling on the feather-littered lawn next to her younger brother with the bowl-cut auburn hair.

When I cannot take a photo, I imprint visual details upon my mind.

Fannie Miller’s brick house is on the right, her shop in the attached lean-to just to the left.

The siblings directed us toward a lean-to attached to a stately and aging brick house adjacent to a wood-frame house. Dogs roamed while a third one, tethered to a thick chain in a pole shed next to an Amish buggy, barked with a ferocity that made me thankful he was restrained.

My first glimpse of the Millers’ dog chained in the pole shed.

The pungent smell of silage wafted across the yard as, across the gravel road, a farmer pushed the fermented corn with his tractor and loader.

Stepping onto the lean-to porch, I eyed a handwritten “no photos” sign and pulled my camera close to my side. Randy made a point of pointing out the warning to me, as if I couldn’t see it.

And then we met Fannie Miller, whose name aptly describes her rotund physical appearance. She settled onto a chair and watched as I caressed her fine handiwork, praised her stitching. I admired the sturdy, blue built-in wall of cupboards in the corner and told Fannie so.

I wished, in that moment, that I could photograph the entire scene before me and through the doorway into the next room where Fannie’s husband napped in a chair by the wood-burning stove. His chin dipped, his scruffy beard defining my side view of the old man sleeping. In the corner I spotted a patchwork quilt snugged across a single bed. I dared not look more for fear Fannie would banish me from her home.

I hang my laundry outside, so I was particularly intrigued by this circular drying rack onto which handkerchiefs were clipped on the porch of Fannie’s house.

I remember thinking, though, before exiting Fannie’s shop, before asking her if I could photograph hankies drying on her porch on this Monday wash day in October, how perfect and lovely the natural light that filtered into the two rooms of her house.

The children ran into this house after I stepped out of Fannie’s shop.

She granted me permission to photograph outside, as long as I did not photograph the children. I told her I would respect her request, then watched the red-haired siblings scamper inside their house.

Just another buggy parked on the Miller farm. I was surprised to see the round bales.

I snapped several more building and buggy photos, though not too many as to overstay our welcome, before passing by the now placid chained dog and turning onto the gravel road back to Lenora.

My final photo on the Miller farm, of the dog turned docile.

PLEASE CHECK BACK for another post about the Amish in the Canton and Harmony areas.

Click here to read my previous post about the historic Lenora United Methodist Church.

© Copyright 2012 Audrey Kletscher Helbling

 

Celebrating Amber & Marc’s marriage October 1, 2013

Eleven round tables, which will seat up to 10, filled the reception space. The groom's parents and grandparents and other family members were seated at the table in the foreground.

Eleven round tables, which will seat up to 10 each, filled the reception space. The groom’s parents and grandparents and other family members were seated at the table in the foreground.

WHEN THE BRIDE AND GROOM, my eldest daughter and her new husband, envisioned a reception venue, they pictured a warehouse type space.

The couple arrives at the reception venue in the Bachrach Building in historic downtown Faribault. The social hour was held in the first floor Atrium and the reception in the second floor The Loft. The exterior floral pieces were created by my floral designer sister, Lanae Feser of Waseca Floral. Photo by and courtesy of Rochelle Louise Photography of Minneapolis.

The couple arrives at the reception venue in the Bachrach Building in historic downtown Faribault. The social hour was held in the first floor Atrium and the reception in the second floor The Loft. The exterior floral pieces were created by my floral designer sister, Lanae Feser of Waseca Floral. Photo by and courtesy of Rochelle Louise Photography of Minneapolis.

Marc specifically wanted exposed brick walls. Initially, I could not think of any place in Faribault fitting their vision. And then I remembered The Loft (probably Faribault’s best kept secret) in the historic Bachrach Building and invited the engaged couple to drive down from the metro to view the venue.

The couple looks at The Loft space with the bride's dad earlier this year.

The couple looks at The Loft space with the bride’s dad earlier this year.

The minute they walked into the second floor Loft, I knew they had found the perfect place to celebrate their marriage.

Beautiful natural light filters in through west facing windows as the newlyweds settle in at their sweetheart table.

Beautiful natural light filters in through west facing windows as the newlyweds settle in at their sweetheart table.

And celebrate we did in this room of exposed brick and limestone walls, a wooden floor upon which to dance and a bank of western windows flooding the room with natural light. Professional photographers Rochelle and Tom Muellenberg of Minneapolis based Rochelle Louise Photography raved about the beautiful lighting.

The bride's sister and maid of honor, Miranda, speaks and toasts the couple.

The bride’s sister and maid of honor, Miranda, speaks and toasts the couple.

As the sun set, we laughed and dined and talked and danced and raised our glasses thrice to toast the newlyweds.

BONUS RECEPTION PHOTOS:

wed

One of my favorite photos, converted to black and white to avoid the distraction of color. I love the emotions caught in this image.

The groom walks past the bride's parents' table.

The groom walks past the bride’s parents’ table, left.

The bride was beautiful in her stunning vintage replica dress.

The bride was beautiful, from all sides, in her stunning vintage replica dress.

Just look at how the natural light plays on the brick walls as the Rev. Robert Snyder, retired pastor of Trinity Lutheran Church, leads the group in prayer.

Just look at how the natural light plays upon the brick walls and faces as the Rev. Robert Snyder, retired pastor of Trinity Lutheran Church, leads the group in prayer.

Faribault based Arna Farmer Catering catered the meal of chicken breast in white wine sauce, roasted sweet potatoes and a mixed vegetable medley. Dessert of apple crisp and bars was served later. There was no wedding cake.

Faribault based Arna Farmer Catering & Cakes catered the meal of chicken breast in white wine sauce, roasted sweet potatoes, a mixed vegetable medley and bread (which is not shown here because I seldom eat bread). Dessert of apple crisp and bars was served later. There was no wedding cake. The food was outstanding. I’d recommend Arna and crew for the food and service anytime. Excellent.

The father of the bride, my husband Randy, starts his speech. He asked me to help write the speech since I am, um, yes, a writer. It was a hit with a mix of memories, humor and seriousness.

The father of the bride, my husband Randy, starts his speech. He asked me to help write the speech since I am, um, yes, a writer. It was a hit with a mix of memories, humor and seriousness. Our daughter and her husband watch from their corner sweetheart table.

My husband and I agreed that he should use several props to make his speech memorable. Here he pulls out Amber's favorite childhood doll, Sal, whom she dragged everywhere. Randy introduced the groom to Sal before handing over Amber's treasured doll.

My husband and I agreed that he should use several props to make his speech memorable. Here he pulls out Amber’s favorite childhood doll, Sal, whom she dragged everywhere. Randy introduced the groom to Sal before handing over Amber’s treasured doll. We also gave Amber a complete set of the Fox easy reader chapter books, including “Fox in Love,” by the Marshall brothers. They were among her favorites as a little girl. The DJ, per our request, also played a snippet of a Spice Girls song. That all-female band was one of Amber’s favorites as a teen. Randy concluded his speech by focusing on a parent’s love and welcoming Marc to our family.

The obliging DJ, Taylor from Taylor Made Tunes.

The obliging DJ, Taylor from metro based Taylor Made Tunes.

The Kletscher cousins (my side of the family) and significant others minus my daughter (who was out decorating the wedding car) and my niece Hillary, who'd already left.

The Kletscher cousins (my side of the family) and spouses/significant others minus my daughter (who was out decorating the wedding car) and minus my niece Hillary, who’d already left. That’s my son, Caleb, third from the left in the white shirt in the back row. He was an usher.

Meet the Schmidts: Jon Eric, the groom's brother and best man, left; the bride, Amber; the groom, Marc; and Jon Eric's wife, Stephani. Photo courtesy of Jon Eric Schmidt.

Meet the Schmidts: Jon Eric, the groom’s brother and best man, left; the bride, Amber; the groom, Marc; and Jon Eric’s wife, Stephani. Photo courtesy of Jon Eric Schmidt. Jon Eric and Stephani were married earlier this year in their native California.

The single ladies celebrate after one of them catches the bouquet.

The single ladies celebrate after one of them catches the bouquet. Much to my relief, there was no garter toss.

The celebration ended shortly after the couple left at 9:30 p.m.

The celebration ended shortly after the couple left at 9:30 p.m. That’s Sal peeking out of the cloth bag carried by the bride.

FYI: Click here to see photos of the reception set-up in the second floor Loft and the first floor Atrium, where the social hour was held.

You will find more information about Arna Farmer Catering & Cakes by clicking here.

For info about Rochelle Louise Photography, click here. And to view Rochelle’s blog post about Amber and Marc’s wedding, click here.

To learn more about Waseca Floral, click here.

To view earlier wedding posts, check Minnesota Prairie Roots archives from the past week.

© Copyright 2013 Audrey Kletscher Helbling

Photo by Rochelle Louise Photography is copyrighted and used here with permission.

 

Before the wedding, in black & white September 27, 2013

ARRIVING AT TRINITY LUTHERAN CHURCH in Faribault prior to the appointed family photo time at my daughter’s wedding on Sunday, September 22, I managed to sneak in a few photos without intruding. I hope.

Randy and I had come a bit earlier than we were supposed to be there. But I figured the parents could bend the rules ever so slightly as long as I stayed inside the church and did not follow the wedding party outdoors for the professional photo shoot.

Here are a few of my favorite pre-ceremony images, converted to black and white:

My daughter Amber, the bride.

My daughter Amber, the bride.

The bride lifts up her dress as she walks through the narthex.

The bride lifts her dress as she walks through the narthex.

Details inside the women's dressing/prep room.

Details inside the women’s dressing/prep room.

Miranda, the maid of honor, poses for a snapshot in the women's dressing room.

Miranda, the maid of honor, poses for a snapshot in the women’s dressing room.

Barb, the pianist, practices.

Barb, the pianist, practices.

Tim, an usher, waits.

Tim, an usher, waits.

And back in the changing room, the bride uses her smart phone.

And back in the changing room, the bride uses her smart phone.

On Monday I’ll bring you more images shot before the service, this time in color, including long-awaited (at least I think you’re waiting) photos of the bridal gown.

FYI: Click here and here to see the first two posts in this “My daughter’s wedding” series.

© Copyright 2013 Audrey Kletscher Helbling

 

A photo essay: A peek at wedding prep details September 20, 2013

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Only 115 chair sashes and napkins to iron.

Only 115 chair sashes and napkins to iron.

Listening to Peter Ostroushko's original score, "Minnesota, A history of the land," while ironing. Also listening to Christian radio station KTIS.

Listening to Peter Ostroushko’s original score, “Minnesota, A history of the land,” and a Josh Groban CD while ironing. Little did I know when I chose the Groban music that “Jesu, Joy of Man’s Desiring” would be among the selections. Also listening to Christian radio station KTIS to de-stress and focus.

Vintage blue canning jars have been rented and readied for bridal party and table bouquets.

Vintage blue canning jars rented and readied for bridal party and table bouquets.

The son's (usher's) shoes are shined, awaiting his arrival home from Boston.

The son’s (usher’s) shoes are shined, awaiting his arrival home from Boston.

Hydrangea have been picked and are drying in the garage, awaiting placement in urns outside the reception venue.

*Hydrangea have been picked and are drying in the garage, awaiting placement in urns outside the reception venue.

The father-of-the-bride has been fitted for, purchased and picked up his suit. He is anxious to have all those hydrangea out of the garage.

The father-of-the-bride has purchased his suit and his speech is written. (He is anxious to get the hydrangea out of the garage.)

Wedding programs are printed.

Wedding programs are printed.

And the couple is checking out wedding shot locations.

And the engaged couple is scouting out wedding photo locations.

* NOTE: Remember the story of the hydrangea thief?  I awoke one July morning to find about a dozen hydrangea plucked from the bushes in front of my home and strewn across the lawn and street.  Click here to read that vandalism post.  Not knowing whether the flower thief would return, my floral designer sister decided to supply the hydrangea for the wedding party and table bouquets and pew decorations. That way I would not need to worry about the hydrangea. Thank you, Lanae. The thief never returned. Two weeks ago I discovered that flowers in the beautiful urns outside the reception venue were dead. So I harvested nearly 40 hydrangea to fill those pots.

Copyright 2013 Audrey Kletscher Helbling

 

Chasing the light in Luverne September 18, 2013

An overview of the gallery's inviting first level.

An overview of the gallery’s inviting first level.

WALK INTO THE BRANDENBURG GALLERY in Luverne with a camera and you likely will feel unworthy and intimidated, but mostly in awe.

Brandenburg is among natives honored on a lower level hallway Rock County Hall of Fame. He's on the lower right.

Brandenburg is among native residents honored in a lower level hallway Rock County Hall of Fame. He’s on the lower right, inducted in 1992. Brandenburg graduated from Luverne High School in 1963 and, after college, worked as picture editor at the nearby Worthington Daily Globe while also freelancing for National Geographic. He left the Globe in 1978 to do contract work for National Geographic.

This gallery houses the work of native son Jim Brandenburg, probably Minnesota’s best-known nature photographer.

A Brandenburg bison photo hangs to the left and the photographer talks about his work in a video, right.

A Brandenburg bison photo hangs to the left and the photographer talks about his work in a video, right.

For more than three decades, Brandenburg traveled the globe photographing for National Geographic. Yes, he’s that good. He’s accumulated numerous awards and has been published in so many places I can’t possibly list them all. (Click here to read his biography.)

Some of Brandenburg's photo books.

Some of Brandenburg’s photo books.

For years I’ve wanted to tour this gallery in the extreme southwestern corner of my state, to view, close up, the images I’ve seen in books, plus more. I wanted to study his photos—the light, the angles, the perspective.

Light plays upon walls, floors and Brandenburg photos in a stairway display.

Light plays upon walls, floors and Brandenburg photos in a stairway display.

Brandenburg is known for his focus on light. Light, as all serious photographers understand, can make or break a photo. This noted photographer features some of his best “light” photos in a published collection, Chased by the Light—A 90-Day Journey. Images from that book are among those showcased in the gallery.

The first floor of the gallery, which doubles as the Luverne Chamber of Commerce office, is artfully and comfortably decorated.

The first floor of the gallery, which doubles as the Luverne Chamber of Commerce office, is artfully and comfortably decorated. Here are three of Brandenburg’s prairie photos. The tall grass prairie, he says, played in to his development as a photographer. He calls prairie grass magical.

Given my deep love for my native southwestern Minnesota prairie, I most appreciate Brandenburg’s prairie images, displayed on the first floor of the gallery. If you doubt that beauty exists on the prairie, you won’t after seeing these photos.

Brandenburg's published books include Brother Wolf--A Forgotten Promise.

Brandenburg’s published books include Brother Wolf–A Forgotten Promise. The photographer says he swapped a hunting rifle for a camera and never tires of capturing an animal with his camera. The red fox , not the wolf as one would expect, is his favorite animal.

The gallery’s lower level offers a variety of images, but focuses on scenes from Minnesota’s northwoods, where Brandenburg now lives and works near Ely. Think mostly wolves.

The lower level gallery, also a conference space.

The lower level gallery, also a conference space.

After meandering through the gallery, I contemplated not only the talent Brandenburg possesses as a photographer, but his deep knowledge of the natural world and the patience required to wait for the ideal light or for an animal’s arrival. To anticipate, to react or not, to click the shutter button at the precise moment takes a certain talent. And I was graced, for an hour, to walk in the light of such incredible talent.

The entry to the gallery, located in the Rock County Courthouse square.

The gallery, located in the Rock County Courthouse square.

FYI: The Brandenburg Gallery, 213 East Luverne St., is open from 8 a.m – 5 p.m. Monday – Friday and from 10 a.m. – 5 p.m. Saturdays. There is no admission fee. Note that I had difficulty finding the gallery as the address does not seem to coincide with the street on which the gallery is located. When you see the courthouse, you’ve found the gallery, located right next door in the old county jail, now the Rock County Veterans Memorial Building. The building is actually along McKenzie Street.

A familiar scene to me, autumn leaves photographed in the Big Woods of Minnesota, within 20 miles of my home.

A familiar scene to me, autumn leaves photographed in the Big Woods of Minnesota, within 20 miles of my home.

Also, note that I asked permission to photograph in the gallery and was given the OK to do so.

FYI: Please click here to read my first in a series of posts, on Blue Mounds State Park, from the Luverne area.

© Copyright 2013 Audrey Kletscher Helbling

 

Rugged Blue Mounds State Park on the southwestern Minnesota prairie September 17, 2013

Welcoming visitors to Blue Mounds State Park in rural Rock County, Minnesota.

Welcoming visitors to Blue Mounds State Park in rural Rock County, Minnesota.

YOU WOULD THINK, considering I am a native of southwestern Minnesota, that I would have visited Blue Mounds State Park many times.

But I hadn’t, ever, and it has been on my list of must-see places for the past several years. That and the Brandenburg Gallery in Luverne, four miles to the south. That would be Jim Brandenburg, perhaps Minnesota’s best-known nature photographer. He grew up in rural Luverne, near the South Dakota border.

Hundreds of windmills now define this region of southwestern Minnesota.

Hundreds of windmills now define this region of southwestern Minnesota.

Recently my husband and I traveled to this corner of Minnesota specifically to see these two sites. It was well worth the long drive that took us through many small agricultural communities, past acres and acres of cropland, and past hundreds of wind turbines which define so much of the landscape in this region now. While I understand their energy value, these unnatural giants, in my opinion, have ruined the aesthetics of the prairie. I like my prairie big, open and wide, without monstrosities to detract from its natural beauty.

Beautiful natural scenery.

Beautiful natural scenery.

Thankfully, preserved and protected prairie remains in places like Blue Mounds State Park and nearby Touch the Sky Prairie and in Brandenburg’s images.

Hiking the path up and through the prairie grass.

Hiking the path up and through the prairie grass.

On the Saturday we hiked Blue Mounds, strong winds buffeted the land, bending prairie grasses as we climbed a hillside,

Mounds of flat rock naturally planted upon the prairie.

Mounds of flat rock naturally planted upon the prairie.

A close-up shot of that in-ground flat rock.

A close-up shot of that in-ground flat rock.

examined and walked upon clumps of huge rock,

My husband inside the portion of the park where rock was once quarried.

My husband inside the portion of the park where rock was once quarried.

An impressive quarry wall of Sioux quartzite.

An impressive quarry wall of Sioux quartzite.

admired towering cliffs of Sioux quartzite,

The prickly pear cactus seemingly grows right out of the rock.

The prickly pear cactus seemingly grows right out of the rock.

bent low to study the prickly pear cactus, an unexpected plant in this northern climate. In the distance, we glimpsed the park’s herd of bison.

One example of the many prairie wildflowers.

One example of the many prairie wildflowers.

Look at the size of that Sioux quartzite rock compared to my husband.

Look at the size of that Sioux quartzite rock compared to my husband.

Just inside the park entry, I spotted this couple getting wedding photos taken among the prairie grasses and wildflowers.

Just inside the park entry, I spotted this couple getting wedding photos taken among the prairie grasses and wildflowers.

I stopped more often than not to photograph wildflowers and the prairie grass and rocks and the overall scenery in this stunning spot on the prairie, unlike any I’ve ever viewed in Minnesota.

From a gravel road that loops past the park, I photographed this rugged rock line.

From a gravel road that loops past the park, I photographed this rugged rock line.

This prairie differs from the flat, cropped agricultural prairie of my youth. This prairie rolls and rises and meets the sky and feels wild and rugged and untamed. I almost expected to see horses galloping across the land, like a scene out of a western. It has that feel.

Pasture land near the park for these grazing sheep. Note their wool clinging to the fence.

Pasture land near the park for these grazing sheep. Note the tufts of wool clinging to the fence.

I observed sheep and cattle grazing in an abundance of rocky pastures nestled between corn and soybean fields. And from the hilltops, the land seemed to stretch in to forever in all directions.

BONUS PHOTOS:

No rock climbing for us, but if you're a rock climber, Blue Mounds allows this sport.

No rock climbing for us, but if you’re a rock climber, Blue Mounds allows this sport.

Photographing wildflowers is more my type of "sport."

Photographing wildflowers is more my type of “sport.” That proved a challenge in the wind.

Farms like this border Blue Mounds State Park.

Farms like this border Blue Mounds State Park.

We followed this gravel road around the park and past a country church in the distance.

We followed this gravel road around the park and past a country church in the distance.

Sheep graze in a pasture near the country church.

Sheep graze in a pasture near the country church.

And because I value detail, I set my camera on the prairie and took this shot.

And because I value detail, I set my camera on a rock on the prairie and took this shot.

CHECK BACK for more posts from this region of Minnesota. I’ll take you into Luverne to view the Brandenburg Gallery and other points of interest.

© Copyright 2013 Audrey Kletscher Helbling

 

Forever rooted to rural Minnesota September 13, 2013

Rural, barn and bins

RURAL MINNESOTA LONG AGO claimed my heart. It is the place where I grew up, the land I love, the connection to earth and sky and elements that, despite more than three decades of living in town, has never vanished.

Rural, roof collapsing

I’m rooted to the land and I find myself often longing to turn onto the gravel driveway, to swing open the creaky barn door, to follow the corn rows.

Rural, barn with windmill

I ache for the days when I lived on the farm. Sunset and sunrise unbroken by buildings. Wind rustling. The heady scent of freshly-mown alfalfa. The rich earthy smell of the land at planting time and harvest. Wagons brimming with corn. Quiet. Stars studding the blackness.

Rural, barn quilt

Today I still claim rural Minnesota—in my memory, through the lens of my camera, in the words I write. And that is my solace, the road I follow back home.

FYI: These edited photos were taken earlier this summer in the Vernon Center/Amboy/Truman area of southern Minnesota.

© Copyright 2013 Audrey Kletscher Helbling

 

A photo essay: Life on a Saturday in southern Minnesota September 8, 2013

IF EVER I DOUBT carting my camera with me nearly everywhere, I need only consider the photos I snapped on Saturday in rural Minnesota. The images show snippets of everyday life, of moments and places that seem not extraordinary at first pause, but which are extraordinary for the stories they tell. This is life.  These are the moments of our days, the Main Streets of our towns, the way we live.

And I delight in all of it, in this place I call home, this southern Minnesota.

Mid-morning Saturday, while I was watering my flowers, a mini tractorcade puttered past my Faribault home. By the time I realized what I was seeing and retrieved my camera from my office, I

Mid-morning Saturday, while watering flowers, a mini tractorcade puttered past my Faribault home. By the time I realized what I was seeing and retrieved my camera from my office, I was able to photograph only the tail end of the line. Lesson learned: Grab my Canon before going outside to water flowers.

Over in Owatonna in the afternoon, I shot this signage in the heart of downtown. Walt the Barber. I expect he could spin a story or ten.

Over in Owatonna in the afternoon, I shot this signage in the heart of downtown. Walt the Barber. I expect he could spin a story or ten.

Perhaps Owatonna's best-known historic building,

Perhaps Owatonna’s best-known historic building, the old National Farmer’s Bank Building, considered by some to be “the most beautiful bank in the world.” I’ve toured it previously and can vouch for the accuracy of that description. Chicago architect, Louis Sullivan, designed the bank, built in 1908. It’s a must-see.

On the opposite side of the street from the bank, I spotted this cooler of fresh sweetcorn outside of Party-Plus of Owatonna.

On the opposite side of the street from the bank, I spotted this sign in the front window and this cooler of fresh sweetcorn outside of Party-Plus of Owatonna. My husband had already purchased sweetcorn earlier in the day for more money, so we didn’t need any. If you’re looking for anything party related, this store offers a great inventory of products.

I stopped at family-owned Owatonna Shoe and snapped 40 photos, the best of which I will share in a later post. For now you'll have to settle for this exterior shot.

I stopped at family-owned Owatonna Shoe and snapped 40 photos, the best of which I will share in a later post. For now you’ll have to settle for this exterior shot with that delightful OPEN TODAY til 5:00 postscript. I’ll also feature photos from “Steele County: Butter Capitol of the World,” an exhibit at the Steele County History Center and my reason for visiting Owatonna on Saturday.

I love beautiful historic architecture. Driving by Kristi's Clothing in downtown Owatonna, I zipped down the window and shot this image of one splendid detailed building.

I love beautiful, historic architecture. Driving by Kristi’s Clothing in downtown Owatonna, I zipped down the window and shot this image of one stunning building. Look at that sweet balcony and the detailed art.

Instead of bar hopping, this bridal party stopped at an Owatonna ice cream shop for sweet treats. I captured this scene as my husband and I were leaving the downtown area.

Instead of bar hopping, this bridal party stopped at an ice cream shoppe. I captured this scene as my husband and I were leaving downtown Owatonna and heading back to Faribault via County Road 45. No Interstate 35 for us due to road construction.

The Congregational United Church of Christ posted this sign on its message board along the main drag through Medford.

The Congregational United Church of Christ posted this message in the heart of Medford. I love these faith-based messages because they always cause me to reflect. Mini sermons, I call them.

Copyright 2013 Audrey Kletscher Helbling

 

A photo essay: The wheels go round and round September 5, 2013

THE SONG REPEATS in my head. The wheels on the bus, except I’ve substituted tractor, go round and round. Round and round.

Everywhere I turned, wheels/tires/circles fell in to my line of vision at the Rice County Steam and Gas Engines Show.

The wheels on the tractors go round and round. Round and round…

The tractor parade on Sunday afternoon. This year's feature tractor was the Massey-Harris.

The tractor parade on Sunday afternoon.

Among the oldest of wheels.

Among the oldest of wheels.

An old steering wheel.

An aged steering wheel.

Oh, to overhear this conversation between the wheels of a John Deere tractor.

Oh, to overhear this conversation between the wheels of a John Deere tractor.

Rims at the flea market.

Rims at the flea market.

Adding 100-pound wheel weights for the tractor pull.

Adding 100-pound wheel weights for the tractor pull.

The wheels on the tractor go round and round at the tractor pull.

The wheels on the tractor go round and round at the tractor pull. I had to walk away as the noise was deafening and I am already deaf in one ear.

More my type of wheel, at the flea market.

More my type of wheel on a Unique “Dependable” Typewriter for sale at the flea market.

The merry-go-round wheel goes round and round.

The merry-go-round wheel goes round and round.

© Copyright 2013 Audrey Kletscher Helbling