Minnesota Prairie Roots

Writing and photography by Audrey Kletscher Helbling

Poetry & more in Paul Bunyan land August 18, 2011

The lake side of the Hackensack Lending Library. To the left stands Lucette Diana Kensack..

Lucette Diana Kensack

SEVERAL SUMMERS AGO while vacationing in northern Minnesota, my family stopped in Hackensack, 50 miles north of Brainerd. The initial draw to this town of 285 was the 17-foot tall statue of Paul Bunyan’s sweetheart, Lucette Diana Kensack. I appreciate kitschy roadside art. What can I say?

Two other discoveries, however, trumped seeing Lucette. A stone’s throw from Lucette, along the shores of Birch Lake, sits the cutest log cabin—a Works Progress Administration project and today home of the Hackensack Lending Library.

And just down the street from Lucette and the library, I found the sweetest pink fairy tale cottage.

Those small-town treasures marked my introduction to Hackensack.

Now, fast forward to last summer. I wasn’t back in Hack, not physically anyway. Rather my poetry was among poems displayed at the town’s annual Northwoods Art and Book Festival. During that event, the featured poets are invited to read their poetry. Fest-goers can also vote for their favorites with six poems selected for “Popular Choice” awards. Six poems are also recognized as “Poems of Merit.” All of the original and unpublished poems are posted without author names attached.

I didn’t attend last year, didn’t win and didn’t deserve to win. My poetry wasn’t worthy of an award.

This year my poetry is back at the Northwoods Festival set for this Saturday, August 20, and I’m more confident that I’ve actually written poems that could win an award. Oh, I’d love to tell you which poem is mine (or it could be both poems that I submitted; I haven’t been told). But I won’t unfairly sway the voting. Suffice to say my rural background shines in my writing.

If Hackensack wasn’t such a long drive from Faribault, I’d be there taking in the poetry, the art, the music, the book-signings, the food. However, if you’re in the Brainerd lakes area or parts north on Saturday, check out the Northwoods Art and Book Festival from 9 a.m. – 3 p.m. and then tell me all about it by submitting a comment.

Voting for the “Popular Choice” awards begins at 9 a.m. and closes at 1 p.m.

If you’re already thinking, “Audrey, I don’t like poetry,” rethink your thinking. I promise you that my poetry rates as down-to-earth, understandable and not at all stuffy.

This whole concept of getting poetry out to the public via a display like the one in Hackensack pleases me. Just like the Roadside Poetry billboards in Fergus Falls. I was fortunate enough to win the spring competition and have my four-line poem plastered across four billboards there.

These new poetry venues, and the increasingly popular sidewalk poetry in cities like St. Paul, Mankato and now Northfield, are bringing poetry to the people. That’s a good thing because, in reality, how many of us actually pick up a book of poetry for leisure reading?

Minnesota poet Todd Boss and designer/animator Angella Kassube are also making poetry even more appealing by utilizing visuals in their acclaimed motion poems. Click here to read some of those.

Poetry has certainly evolved through the years, a necessity to keep writers interested in writing it and readers interested in reading it.

Professionally, I’ve only begun to unfold my wings as a poet. Even publicly calling myself a “poet” still sounds foreign to my ears. But with publication in two magazines and four anthologies, soon to be five (The Talking Stick, Volume 20, published by Park Rapids-based Jackpine Writers’ Bloc); winning the spring 2011 Roadside Poetry competition; inclusion at the Hackensack festival; and recent notification that one of my poems will publish in the Lake Region Writers Network’s first literary magazine, I finally feel worthy of the title “poet.”

The last of four billboards featuring my Roadside Poetry spring poem.

The sweet fairy tale house in Hackensack, located near Lucette and the park and photographed in 2009.

"Curve around the corner/You are free/To change directions/Or your mind," reads this poem by Marlys Neufeld of Hanska and imprinted in a Mankato sidewalk.

HOW DO YOU FEEL about poetry? Do you read it? Why or why not?

© Copyright 2011 Audrey Kletscher Helbling

 

At the WordWalk: Why I won’t eat tuna June 28, 2011

A view of the Minnesota River as seen from Riverfront Park, looking toward downtown Mankato.

THE MANKATO PARK SEEMS, in many ways, an ideal setting for poetry.

The usually playful Minnesota River bumps against the land here, acting on this Saturday afternoon like a willful, unruly child.

On the other side of Riverfront Park, across the tracks, historic buildings stand like forlorn children, neglected, waiting for someone to care.

Overhead, moody skies pout.

I have come here at this late afternoon hour to read the poetry imprinted upon cement. Occasionally the sky spits rain at me as I follow the gray sidewalk which mimics the gray day.

"Curve around the corner/You are free/To change directions/Or your mind," reads this poem by Marlys Neufeld of Hanska.

I read:

Minnesota

Here, the river rests its elbow

before it turns north to meet

the father of them all.

Here we made 38 mistakes

we now try very hard

not to forget.

A snippet of the poem, "Minnesota." I've edited this image so that you can better read the words. The poems are, unfortunately, a bit difficult to read because of a lack of color contrast between the letters and the cement.

The poem by Ikars Sarma of Mankato refers to the hanging of 38 Dakota here on December 26, 1862. A heavy thought to match the heaviness of the sky, the raging of the river, the anger that still simmers over this shameful moment in this city’s history.

I move on.

Susan Stevens Chambers of Good Thunder writes:

Aging Benignly

Ah the terrible beauty

of the not so perfect

body.

In this edited photo, read Susan Stevens Chambers' poem about aging.

Nearby kids scramble up a rock wall as I struggle to lift my aging bones from the sidewalk where I have bent close to read and photograph Chambers’ poem.

Then I laugh at the words penned by Mankato resident Yvonne Cariveau:

Tuna

Craving lunchbox love

I slowly open the lid.

Fish smell breaks my heart.

The poem that causes me to remember all the tuna I ate during my last two years of college.

Exactly. I ate too much tuna in this college town between 1976 and 1978. I could write my own poem about cramming tuna sandwiches while cranking out stories at the Mankato State University (I still can’t call it Minnesota State University, Mankato) student newspaper, The Reporter.

Deadlines and words.

Words and deadlines.

Tuna. Words. Deadlines.

Cariveau’s writing reminds me of those years so long ago when I was young and only beginning my journey into the poetry of life.

WordWalk poems are imprinted on the sidewalk circling this restroom/shelter facility at Riverfront Park in Mankato.

FOR MORE INFORMATION about Mankato’s public sidewalk poetry, WordWalk, click here and here. At least two other Minnesota cities, of which I am aware, have sidewalk poetry: St. Paul and now Northfield.

WHAT’S YOUR OPINION on sidewalk poetry? Do you like it, or not? Would you like to see more such public poetry in Minnesota communities? Why or why not?

© Copyright 2011 Audrey Kletscher Helbling

 

The Ice Man and his dog June 20, 2011

I’LL NEVER SEE THIS GUY again, this man in the muscle shirt with hair shaved scalp-close, fingers cradling a cigarette, a can of Keystone Ice nearly knocking at his knee as he slumps, cross-legged, on a block of Kasota stone by Riverfront Park in Mankato.

Lines harden his forehead. Shadows darken his eyes. Skin exposed to summer sun has already bronzed his face, his upper body, his muscular arms.

I wonder about his life, but don’t ask. Have he and his two buddies, passing the time nearby on their own blocks of hard, hard stone, had hard lives? I can almost see it in their eyes, imagine their lives. Jobs lost. Relationships broken. Regrets. Bars. Beer and cigarettes. Maybe whiskey and women.

But I don’t pry, and only he—the guy with the Keystone Ice—volunteers any information, speaks to me after I approach the trio because I see a photo opportunity in a man and his dog, brick buildings and a riverside railroad track. My eyes sweep across the scene, pushing the view into the lens of my camera, into these images that tell a story.

Rugged life in a river town. A blue collar man’s grimy, steel-toed work shoes. Elevators. Train tracks leading away. Peeling paint. Boarded-up buildings which The Ice Man wishes were torn down and which I tell him should be refurbished.

We disagree. But he still smiles a smile as wide as the manic, muddy Minnesota River raging past the park.

He tells me then, after I snap a series of photos, that he can’t take his dog—a service dog, he claims, and says he has the card to prove it—into Riverfront Park. Dogs are banned from some Mankato parks and this is one of them.

He suggests I photograph his dog next to the white line and words sprayed onto the tar: NO PETS IN PARK.

At first I balk, say, no, I won’t do that.

But then I reconsider, give The Ice Man his defiant moment. As his dog struggles to cross the line into the park, he tugs on the leash, holding her back. He’s already told me how, a day earlier, he hasn’t crossed the line to hear a $15 outdoor concert staged here. Instead, he’s followed the trail nearer the venue site, listened to the music from there. He’s clearly proud of his evasive, I’ve-outsmarted-them tactic.

Then we part ways. I continue reading poetry imprinted upon a sidewalk circling the park’s trail head building. He returns to his hard stone to swig his Keystone Ice beer and smoke his cigarettes.

His life is so different from mine. Yet, for five minutes we’ve connected and the poetry of his life shows in these images of The Ice Man and his dog.

© Copyright 2011 Audrey Kletscher Helbling

 

Off I-94: Artsy Fergus Falls June 17, 2011

The vintage-looking sign on the side of a building in downtown Fergus Falls caught my attention. The Market sells a variety of merchandise from kitchen to bath and body, garden and home accent products and lots more.

UNTIL LAST SATURDAY, I’d never entered Fergus Falls, only driven past this west central Minnesota community along I-94 en route to the Dakotas. After miles and miles of interstate travel, the towns don’t seem to matter any more. On the fringes, one seems like the other—just another rest break, a place to tank up on gas or a quick stop for a bite to eat.

Sadly, that marks the reality of today’s fast-paced, get from point A to point B, world.

But then one day you have a reason to pull off the four-lane, to explore one of these interstate-side communities and you discover a town with a personality and identity, and you wonder why you have not come here before this day.

And so that is how I found Fergus Falls, population 14,500, when I traveled there last weekend to view my Roadside Poetry Project poem displayed on four billboards. (My spring poem has since been replaced by a summer poem.)

After photographing my poem and dining at the downtown Viking Café (click here to read my earlier post on this vintage restaurant), I explored this Otter Tail County seat with my husband, Randy.

Certainly, we saw only a small portion of this riverside town. But I toured enough of Fergus Falls to come up with a single word to describe it: artistic.

I wonder if the folks who live in Fergus also see their hometown as an art community. Or would they choose another word to describe their town?

Here are photos to back up my word selection.

Knit graffiti circled a tree downtown. Bottlecaps were strung on another tree by this one. What a simple and memorable art idea.

Fergus Falls Summerfest happened to be on when we were in town. Here's one section of the event.

Clear Lake, S.D., artist Karlys Wells of Back Porch Art created this gourd art, among my favorite art at the fair.

Even signage can be art, like this on a downtown bakery.

Call it art, or something else, but this Rice Krispie cake in a bakery window display made me laugh out loud.

Kaddatz Galleries, a nonprofit art gallery, showcases the work of Charles Beck and other local artists.

Woodcuts and woodblock prints by one of Minnesota's most-recognized artists, Charles Beck of Fergus Falls. His subjects are the landscapes and nature of Otter Tail County. Until I walked into this gallery, I do not recall having ever heard of Beck. His earthy, rural art appeals to me.

I was impressed with the number of visitors in the Kaddatz Galleries.

The doors to the Fergus Theatre were locked, or I would most definitely have gone inside. The vintage exterior adds so much to the charm of downtown Fergus Falls.

I am a big fan of vintage signs for the character they add to a community.

SO HAVE I CONVINCED you to pull off I-94 in west central Minnesota and explore Fergus Falls? Fergus lies 2 1/2 hours northwest of Minneapolis/St. Paul, mighty close to Fargo, N.D.

Here are several websites to check out and learn more about some of the places highlighted in my photos and story:

www.VisitFergusFalls.com

www.kaddatzgalleries.org

www.fergusarts.org

www.fergusfallssummerfest.com

www.roadsidepoetry.org

www.marketfergusfalls.com

Copyright 2011 Audrey Kletscher Helbling

 

Prairie poetry in Fergus Falls June 12, 2011

SATURDAY MORNING MY HUSBAND and I hit the road, heading north on Interstate 35 and then west on Interstate 94 to the west central part of Minnesota.

This was our destination:

It's approaching noon on Saturday, and we've nearly reached our destination, Fergus Falls.

Because of this:

The first of my four Roadside Poetry billboards in a stretch of ditch along North Tower Road in Fergus Falls.

I got word last Monday that my winning Roadside Poetry Project spring poem will come down on June 17, to be replaced with a summer poem. (Click here to read a previous post about my poem.) So if I wanted to see “Cold earth warmed by budding sun sprouts the seeds of vernal equinox” and my name—all sprawled across four Burma Shave style billboards—we had to get our butts up to Fergus Falls.

So we did, making the 200-mile trip this weekend under big skies that stretched all the way to the Dakotas.

After a few stops, including a swing into Melrose to view an historic Catholic church (more on that in another post), we eventually reached Exit 54 into Fergus some 3 1/2 hours later. We followed Highway 210/West Lincoln Avenue, turned onto North Tower Road and drove past the NAPA Auto Parts store before reaching those poetry billboards. I mention NAPA because Randy works at the NAPA store in Northfield as an automotive machinist and we found it interesting that my poems just happened to be right down the road from the Fergus NAPA store.

We passed right by the NAPA store to reach my billboards just down the road.

When Randy pulled to the side of North Tower Road by my billboards, I determined this was not the safest place to park. So we pulled into the Fastenal parking lot and then descended the steep ditch, wading through tall, and wet, prairie grasses—sweet clover, June grass, alfalfa—and more than a few thistles.

Our shoes and jean legs were soon soaked with moisture. But, you know, that really didn’t matter. I was so focused on viewing my four-line, spring-themed poem and on taking photos that the wet feet and denim seemed more a nuisance than anything worth fretting over on a glorious early Saturday afternoon.

And so, billboard by billboard, we worked our way down the road ditch, stopping by each sign for photos. Eventually I handed the camera over to Randy, who managed to figure out how to turn on the camera, focus it, compose and snap some pictures.

Me posing by the last of the four billboards with my spring poem.

This may be the first and last time my poetry, and my name, will be on billboards, so I savored every letter, every word, every line, every billboard...

Then I snapped this image of my husband, who had plucked a spear of prairie grass and slipped it into his mouth. The frame marked one of those quick clicks of the camera that resulted in a photo that you could never recapture given its spontaneity.

A sweet shot of my husband as he walked away from the final billboard.

I’m uncertain how long we worked the road ditch along North Tower. But long enough to appreciate that this spot on the edge of town, under a sky that always feels bigger, wider, on the open prairie, perfectly fit a poem written by me, a southwestern Minnesota prairie native.

I crouched to capture this image which focuses on the road ditch prairie grasses.

© Copyright 2011 Audrey Kletscher Helbling

 

Beyond poetry anthologies May 21, 2011

Poetic words imprinted upon a paver at the Lake Harriet bandshell in south Minneapolis.

WHAT AN EXCITING time to read, and write, poetry.

Yes.

Read on.

If you’re among those who consider poetry boring, unapproachable, complex and difficult to understand, then you’ve read only boring, unapproachable, complex and difficult to understand poems.

Yes, those types of poems exist.

But today, oh, today, poetry is pushing beyond simply words printed in anthologies to highly-public and engaging venues.

At least three Minnesota communities—St. Paul (Everyday Poems for City Sidewalk), Mankato (WordWalk) and now Northfield (Sidewalk Poetry Contest)—have embraced sidewalk poetry, poems imprinted upon sidewalks.

In Fergus Falls, the Fergus Area College Foundation sponsors a seasonal poetry contest and posts the winning poem on four Burma Shave style billboards. I won the spring Roadside Poetry Project competition. (Click here to read a story published today in The Marshall Independent about my writing and my Roadside Poetry poem.)

The first line in my spring poem posted on four billboards.

In Hackensack, as part of its annual summer Northwoods Art Festival and Book Fair, the Northwoods Art Council has invited Minnesota poets to submit poems for display. Attendees then read and vote for their favorite poems.

But the latest news in the poetry world comes from St. Paul poet Todd Boss and Minneapolis art director/animator/designer Angella Kassube, who have created “motionpoems.” The pair defines these poems as “a hybrid of poetry and film.”

The windmill is the subject of a motionpoem written by Toss Boss. I took this photo at the Rice County Steam and Gas Engines grounds near Dundas last fall.

In short, they bring poems to life via animation. From what I’ve seen and heard online, this approach works, making poetry more accessible, understandable and, dare I say, exciting. But don’t take my word for it. Click here and view several motionpoems, including my favorite, Todd Boss’ THE GOD OF OUR FARM HAD BLADES.

The duo started this project two years ago, creating more than 20 poems. Now they are expanding, collaborating with New York publisher Scribner’s respected annual Best American Poetry anthology, 2011 volume, to produce 12 – 15 motionpoems. They’ll work with writers ranging from Pulitzer Prize winners to emerging writers. Eventually, the motionpoems will be accessible, for free, online.

I see great promise in these new approaches to poetry that reach beyond printed poems and poetry readings. I see the promise for reaching a wider, more receptive audience.

WHAT’S YOUR TAKE on sidewalk or billboard poetry and/or motionpoems? Would you be more likely to read these types of poems than traditionally-published poetry?

© Copyright 2011 Audrey Kletscher Helbling

Roadside Poetry Project photo courtesy of Paul Carney

 

I welcome thee to Minnesota, warm Spring May 17, 2011

Filed under: Uncategorized — Audrey Kletscher Helbling @ 6:52 AM
Tags: , , , , , , , ,

Oh, glorious Spring of warmth and sun, I welcome thee to Minnesota. Thou hath been too long absent.

Thy clouds have overshadowed this land, casting weariness upon the souls of all who dwell here.

Thy waters have poured forth from the heavens and fraught despair in the hearts of those who till the soil.

They who shelter the beasts of the earth have anguished.

But thou hath arrived in green pastures where cattle graze.

The sheep eat of the new grass.

And the mighty trees bask in thy beauty.

The people note the quiet unfurling of the leaves. Thou hath caused them to rejoice.

© Copyright 2011 Audrey Kletscher Helbling

 

Pigs and poetry May 14, 2011

This pig greets diners at Piggy Blue's Bar-B-Que in Austin, Minnesota. This image is posted here for pig illustration purposes only, not because it's specifically related to the following story.

IN A WEEK, my sister-in-law is moving from Minot, North Dakota, to Missouri. In August, my brother-in-law, an Air Force man, will join her and their young son.

She’s leaving early to seed the garden, plant the orchard and ponder the purchase of pigs. This has always been Jamie’s dream, to own a country acreage where she can grow fruits and vegetables and raise an Old McDonald variety of animals.

Chickens, rabbits, goats and a pig or two comprise her animal acquisition list.

But about those pigs…I overheard a man advising her last Saturday to “hold off” on the pigs for awhile. He didn’t give a reason, only suggested she wait.

Her husband, Neil, although supportive of his wife’s plan, also has reservations about the swine. If Jamie wants a pig, Neil says he can shoot one. He would be right. The Missouri Department of Conservation advises residents to “shoot ’em on sight” in an online article about the problem of feral pigs running rampant.

Thankfully we do not have a wild pig problem in Minnesota. Our problem would be an overabundance of deer.

But we do have a book of pig poetry featuring 133 pig poems penned by 103 poets like Robert Bly, Louise Erdrich and Bill Holm. Red Dragonfly Press, a solely poetry not-for-profit literary organization based in Red Wing, published Low Down and Coming On: A Feast of Delicious and Dangerous Poems About Pigs. James P. Lenfestey edited the 232-page anthology printed last October.

Tomorrow (May 15) several of the pig penning poets, including Lenfestey, will read from the book at a “Pig Gig” slated for 2 p.m. at the Litchfield Opera House in Litchfield.

Now if my sister-in-law wasn’t preoccupied with packing for Missouri, I’d propose she check out this pig gig for pig pointers prior to purchasing pigs.

© Text and Piggy Blue’s photo copyright 2011 Audrey Kletscher Helbling

 

Five years after a hit-and-run driver struck my son May 12, 2011

Filed under: Uncategorized — Audrey Kletscher Helbling @ 6:16 AM
Tags: , , , , , , , ,

I live on one of Faribault's busiest residential streets, also a main route for the ambulance.

FIVE YEARS AGO TODAY on May 12, 2006, my then 12-year-old son was struck by a car as he crossed the street to his school bus stop.

Less than a block from home, his slender body slammed against a car and then somersaulted through the air. He landed dazed, shaken and injured along the side of the street.

Fear, unlike any I had ever experienced, gripped my heart and consumed my very being on that cool and drizzly May morning two days before Mother’s Day. In the minutes between my awareness of the accident and the confirmation that my son was OK, I feared the worst—that I had lost my boy.

I had not. He suffered only a broken bone in his hand, a bump on his head, scrapes and a possible rib fracture. Minor injuries, really, compared to what could have been.

For too many parents, the tragic death of a child is reality and I wonder how they cope. Via faith, family and friends? Somehow they manage to go on living.

In my son’s case, I also wonder how the driver copes. He/she fled the scene and has never been found. How can that driver of a blue, 4-door Chevrolet Cavalier or Corsica live with his/her actions?

It is incomprehensible to me that anyone could strike a child with a vehicle and then simply drive away.

Faribault police, early on, suspected the driver had a reason—ie. driving without a license, driving drunk, no insurance, prior record—to leave.

Despite numerous leads, including one which came via an anonymous letter penned by someone with a personal vendetta against a named suspect and another which led investigators to a prison cell, a credible suspect has never been found.

On several occasions police thought they were close to finding the driver. I have not given up hope that the driver can still be found—if conscience finally prevails and/or an individual with knowledge of this too-long-hidden secret chooses to do the right thing and step forward with information.

While the statute of limitations expired three years after the hit-and-run, Neal Pederson of the Faribault Police Department tells me that the case remains open and that his office will follow up on any tips or leads. He noted, however, that if the driver lived out of state for a period of time, the clock stops and the crime could still be investigated and charged.

Anyone with information about the hit-and-run can anonymously call the Faribault Police Department tip line at 507-334-0999 or Crime Stoppers of Minnesota at 1-800-222-8477.

I don’t dwell on finding the driver. A $1,000 reward offered several years ago for information leading to the arrest and conviction of the hit-and-run driver is no longer valid. I always hoped that honesty and decency, not a monetary reward, would be the motivating factors in solving this case.

As five years have passed, many, many times I have thanked God for protecting my son from worse injury.

Sometimes still—when I hear the screaming wail of an ambulance as it passes my house along our busy street or when I read a news story about a hit-and-run or drunk driving death—I think of that May morning when my son was struck.

I try to forget. But a memory like this remains forever.

LAST YEAR I WROTE the following poem, which won honorable mention in the poetry division of a state-wide anthology competition. “Hit-and-Run” printed in The Talking Stick, Volume 19, Forgotten Roads, published by The Jackpine Writers’ Bloc.

Hit-and-Run

 In that moment, I know,

as the rivulets of water course down my body,

as I step from the tub

dripping puddles onto the linoleum,

that the sirens wail

for you,

my boy, my only son.

#

You, who tossed your backpack

over your bony shoulders,

then hurried

toward the street,

toward the bus stop.

#

While I showered,

you crossed carelessly,

your fragile body bouncing

off the car

you had not seen,

flailing in a somersault,

landing hard on the pavement.

Sirens scream, and I know.

#

Panic grips,

holds tight my heart,

my very soul,

as I race from the bathroom,

wrapped in a bath towel,

stand immobile,

watching the pulsating red lights

of the police car

angled on the street,

blocking the path to you.

#

Copyright 2011 Audrey Kletscher Helbling

 

Waiting for the royal wedding April 28, 2011

Filed under: Uncategorized — Audrey Kletscher Helbling @ 7:57 PM
Tags: , , , , , , , ,

Kate can.

Will will.

Vow vows.

We watch.

Camera coverage.

Media mania.

Her hair.

He’s heir.

Princely pair.

Bridal bouquet.

Guarded gown.

Secrets secured.

Time ticking.

Guests gathering.

World waiting.

Copyright 2011 Audrey Kletscher Helbling