IN THE SEA OF CORN which defines southwestern Minnesota, an island emerges.
Copyright 2013 Audrey Kletscher Helbling
IN THE SEA OF CORN which defines southwestern Minnesota, an island emerges.
Copyright 2013 Audrey Kletscher Helbling
YOU WOULD THINK, considering I am a native of southwestern Minnesota, that I would have visited Blue Mounds State Park many times.
But I hadn’t, ever, and it has been on my list of must-see places for the past several years. That and the Brandenburg Gallery in Luverne, four miles to the south. That would be Jim Brandenburg, perhaps Minnesota’s best-known nature photographer. He grew up in rural Luverne, near the South Dakota border.
Recently my husband and I traveled to this corner of Minnesota specifically to see these two sites. It was well worth the long drive that took us through many small agricultural communities, past acres and acres of cropland, and past hundreds of wind turbines which define so much of the landscape in this region now. While I understand their energy value, these unnatural giants, in my opinion, have ruined the aesthetics of the prairie. I like my prairie big, open and wide, without monstrosities to detract from its natural beauty.
Thankfully, preserved and protected prairie remains in places like Blue Mounds State Park and nearby Touch the Sky Prairie and in Brandenburg’s images.
On the Saturday we hiked Blue Mounds, strong winds buffeted the land, bending prairie grasses as we climbed a hillside,
examined and walked upon clumps of huge rock,
admired towering cliffs of Sioux quartzite,
bent low to study the prickly pear cactus, an unexpected plant in this northern climate. In the distance, we glimpsed the park’s herd of bison.

Just inside the park entry, I spotted this couple getting wedding photos taken among the prairie grasses and wildflowers.
I stopped more often than not to photograph wildflowers and the prairie grass and rocks and the overall scenery in this stunning spot on the prairie, unlike any I’ve ever viewed in Minnesota.
This prairie differs from the flat, cropped agricultural prairie of my youth. This prairie rolls and rises and meets the sky and feels wild and rugged and untamed. I almost expected to see horses galloping across the land, like a scene out of a western. It has that feel.
I observed sheep and cattle grazing in an abundance of rocky pastures nestled between corn and soybean fields. And from the hilltops, the land seemed to stretch in to forever in all directions.
BONUS PHOTOS:
CHECK BACK for more posts from this region of Minnesota. I’ll take you into Luverne to view the Brandenburg Gallery and other points of interest.
© Copyright 2013 Audrey Kletscher Helbling
MY HOMETOWN IS SO SMALL…
…that on a Sunday evening, as the sun slides toward the prairie, I can stand in the middle of the street by my mom’s house and photograph her shadow and that of my husband and myself.

The shadows of my 81-year-old mom, left, my husband in the middle and me on the right, on a residential street in Vesta, Minnesota.
We plant our feet on the asphalt and laugh at our 25-foot tall, long-legged selves.
As we pose and wave and I struggle to hold my camera still for the laughter, I imprint this moment upon my memory: Prairie light and prairie sky and prairie town. And two people I cherish and love beside me, laughing in the moment at our silly shadows on a splendid summer evening.
© Copyright 2013 Audrey Kletscher Helbling
WE STOOD ALONG THE EDGE of the gravel road Saturday evening, my 13-year-old nephew and I, mesmerized by the glorious golden sun pinking the sky above and below a layer of blue grey.
I raised my camera. He lifted his phone. We snapped several photos, compared, wished for better zooms to photograph the prairie sky north of Lamberton in southwestern Minnesota.
“It’s what I miss most about this place, the sunrise and the sunset,” I said.
“And the stars,” Stephen added.
Sun and stars.
He was right. The stars, too.
Copyright 2013 Audrey Kletscher Helbling
ON THE WAY WEST TO FARGO, the land is wide, the sky big.
Fields and farm sites—punctuated by occasional cities, like Sauk Centre, Alexandria and Fergus Falls, and exits to small towns—once west of St. Cloud, define the Interstate 94 corridor leading northwest to the North Dakota border.
It is a place that can be both unsettling and freeing, depending on your perspective, your mood, your experiences.
Raised on the southwestern Minnesota prairie, even I am sometimes overwhelmed by the infinite spaciousness of this prairie, this sky.
I ground myself with my camera, locking on scenes that root me to the earth, give me the security of feeling tethered.
And when I do that, I notice the details of lines and shapes—in fence posts and grain bins, a lone farmhouse or a single tree, the angle of a barn roof or the vertical rise of a silo.
I still feel small in this expanse. But I, at least, feel less lost in the vastness.
Copyright 2013 Audrey Kletscher Helbling
MY HEART BELONGS to my native prairie. Always has, always will.
Even after three decades away from southwestern Minnesota, I remain connected to the sky and to the land, to the place that shaped me as a person, a writer, a photographer.
In an environment as stark as the prairie, you notice details.

Even in southeastern Minnesota, where I’ve lived for three decades, expanses of prairie exist like this sunset scene.
And so, on a recent Saturday, as my husband and I traveled south and east from Cleveland to Kilkenny (that’s in southeastern Minnesota, not Ohio and Ireland), I observed daylight evolve into evening, the sun slipping in a slim band of rosy peach across the horizon.
In that moment my soul yearned for the land I left at age 17, the prairie, the place of my heart.
© Copyright 2013 Audrey Kletscher Helbling
THOSE WHO CATEGORIZE the southern Minnesota prairie as flat, boring and in the middle of nowhere truly have not seen.
Perhaps you are one of them—a traveler passing through this land defined by horizontal lines. Your patience for the endless miles of vast sky and open space expires shortly after you exit the city.

The horizontal lines of railroad tracks, utility wires and farm buildings define this scene near Janesville along U.S. Highway 14.
You cannot fathom how anyone can live here, let alone appreciate this landscape.
But I challenge you, the next time you are hurrying from City A to City B, to look beyond the pavement, beyond the preconceived ideas you have about rural Minnesota and specifically of the prairie.
View this landscape as an artist’s canvas. Before your eyes, you will begin to see the bold lines, the wispy strokes, the colors (or lack thereof), the composition of a scene.
You will feel the strength of the artist’s brush in the wind.
You will read poetry in the simplicity of the uncluttered landscape and in the fortitude and kindness of those who inhabit this place.
And then, perhaps, you will begin to connect to a land which possesses an infinite beauty unlike any other.
© Copyright 2012 Audrey Kletscher Helbling
NEARLY 10 HOURS in a vehicle traveling almost 600 miles round trip to Fargo, North Dakota, under the gloomiest of grey November skies can test one’s endurance.
The eyes began to wander, to lock onto the slightest patches of color in an otherwise dull and monotone landscape.
Billboards offer a diversion as do the semis which follow Interstate 94, some forking north toward Canada, others continuing even farther west into the endless grey expanse.

A section of the journey where there are still hills. My eyes focus on the brilliant red hue of the barn.

Near Barnesville, a short distance east of Fargo and Moorhead, piles of corn brighten the muted landscape.

Hunters in bright orange roam fields during the opening weekend of firearms deer hunting in Minnesota.
Red barns and piles of golden corn and deer hunters in blaze orange distract me from the barren greyness of this journey to the Red River valley. I wonder at that use of the word “valley,” for I see no indentations in the earth to suggest a valley.

This quaint country church in the distance somewhere east of Fargo/Moorhead always calms my spirits.
I am a prairie native. But even for me, the flat land west of Fergus Falls and into Fargo/Moorhead challenges my spirit. I feel insecure and diminished in this place and that unsettles me.
How can a place seem so flat that I feel as if I will step off the earth should I journey any further than the northwestern fringes of Fargo?
© Copyright 2012 Audrey Kletscher Helbling

Just west of Shieldsville, not far from our Faribault home in southeastern Minnesota, my husband and I began our 120-mile journey to southwestern Minnesota on a foggy Saturday morning.
I NEVER TIRE of the big sky and infinite land that stretch far before me as I travel back to my native southwestern Minnesota. I wonder sometimes how I ever could have left this place that brings such solace to my soul, such respite to my heart, such peace to my mind.

A farm site somewhere along the route which took us through or past Shieldsville, LeCenter, Cleveland, St. Peter, Nicollet, Courtland, New Ulm, Essig, Sleepy Eye, Cobden, Springfield and Sanborn corners, ending in rural Lamberton.
When I see this land, walk this land, the longing to be back here, permanently rooted again, tugs at my very core. I miss the prairie that much and the older I get, the more I appreciate this rural place from whence I came.

This image, among all those I took, emphasizes the expanse of sky and land which define the prairie.
It is that early-life connection, that growing up as a child of the prairie, that intimate familiarity with the land and the seasons and life cycles, the dirt under fingernails, the rocks lifted from fields, the cockleburs yanked from bean rows, the roar of the combine and the distinct putt-putt of the John Deere tractor, the calf shit clinging to buckle overshoes, the fireball of a sunset, the sights and sounds and smell and feel of this prairie place that shaped who I became as a person, a writer, a photographer.

These towering elevators and corn pile at Christensen Farms near Sleepy Eye break up the flat landscape.
In this season, as the earth shifts from growth to harvest to dormancy, I notice even more the details etched into the prairie. The sky seems bigger, the land wider and all of us, in comparison, but mere specks upon the earth.
MORE PHOTOS from that road trip to the prairie:

This is not a prairie scene because the prairie has no hills. Rather, I shot this near the beginning of our journey, west of Shieldsville.

Another scene from just west of Shieldsville. It is the muted colors of the landscape that I so appreciate in this photo.

Driving through Sleepy Eye, a strong agricultural community where I lived and worked briefly, decades ago, as a reporter and photographer for The Sleepy Eye Herald-Dispatch. Sleepy Eye is most definitely on the prairie.

I ended my Saturday by walking my middle brother’s acreage north of Lamberton as the sun set, my favorite time of day on my native southwestern Minnesota prairie. I grew up about 25 miles northwest of here near Vesta.
© Copyright 2012 Audrey Kletscher Helbling
Recent Comments