Minnesota Prairie Roots

Writing and photography by Audrey Kletscher Helbling

St. Mary’s of Melrose, Part II July 17, 2011

STARK CHURCHES appeal to me. The ones with the simple wooden cross, the white clapboard siding, the time-worn pews settled upon plain plank floors.

But the ornate houses of worship likewise snag my soul with crosses of gold, walls of brick and gleaming, carved pews.

One of the many ornate carvings at St. Mary's Catholic Church in Melrose.

I am most comfortable with, most accustomed to, the unadorned churches of the Lutherans, my religious heritage. We keep things simple. No cluster of burning candles. No wafting incense. No pools of holy water. Minimal, if any, gold.

Perhaps for that reason, when I step into an historic Catholic church, I feel like I’ve entered a foreign land. I am often awed by the opulence, by the details that visually overwhelm me.

The side aisle on the left leads to an ornate altar in St. Mary's which is on the National Register of Historic Places.

That’s exactly how I felt upon entering St. Mary’s Catholic Church of Melrose, featured here in an earlier post. Overwhelmed. But good overwhelmed. Because I could not possibly present all of the images I wanted to share with you in a single post, here are the remainder.

No matter your religious affiliation, you simply have to appreciate a place like St. Mary’s. What beauty. What art. What history. What heavenly splendor.

This was the top or bottom of something. Can't recall what. But it sure is stunning.

Look at this gorgeous, carved door, will you?

Golden statues. Beautiful.

Just look at this detailed side altar. I could have spent hours in St. Mary's.

And then I discovered these collection baskets hanging from a rack. We Lutherans don't have wicker baskets with long handles. These contrast so sharply with the the ornateness in the church and that is why I so appreciated this grouping.

St. Mary's Catholic Church stands strong as a fortress in Melrose, next to the turkey plant, its towering steeples visible from nearby Interstate 94 in west central Minnesota.

© Copyright 2011 Audrey Kletscher Helbling

 

A virtual tour of Mankato’s sculpture walk July 9, 2011

Louise Peterson of Guffey, CO. created this $20,000 bronze sculpture of a playful Great Dane titled "Tickled."

DEAR READERS,

I realize that some, maybe even many, of you, do not live anywhere near Mankato, the southeastern Minnesota community where I recently viewed sidewalk sculptures.

Heck, some of you don’t even live in states bordering Minnesota. Your chances of ever seeing these 25 pieces of art in person are about zilch.

So, for those of you who will view the City Art Walking Sculpture Tour only via Minnesota Prairie Roots, I’ve pulled together one last blog post. Please read my previous two posts for more details and photos of this community art project by first clicking here and then here.

This whole concept of bringing art to the streets through a rotating sculpture tour pleases me immensely. What a grand idea. Such art adds to the vibe of a downtown, to its art, history and culture.

Thank you, Mankato, and everyone who supported this cause financially, for bringing these sculptures to southeastern Minnesota, within quick driving distance of my Faribault home.

Yours gratefully,

Audrey Kletscher Helbling at Minnesota Prairie Roots

Sioux Falls artist Darwin Wolf's $13,500 sculpture, "The Fountain of Life," references Jesus washing Peter's feet at the Passover. It emphasizes the healing, life-giving qualities of water.

"Poco a Poco" a $12,000 bronze sculpture by Pokey Park of Tucson, Arizona, highlights the tortoise, representative of wisdom in American Indian culture. The building in the background houses Number 4 American Bar & Kitchen.

"Fowl Ball" celebrates geese, ducks, turkeys and chickens in this $7,600 forged and welded weathered steel sculpture by Lee W. Badger of Hedgesville, West Virginia.

All of the sculptures are marked with informational signage.

Dee Clements of Loveland, Colorado, created the $6,000 bronze "The Farmer's Wife," one of my favorite exhibit pieces.

To fully appreciate these sculptures, you must notice the details, including the Korean woman clenching her walking stick in "The Farmer's Wife."

Details define "Reading Magic," a $8,500 bronze sculpture by Julie Jones of Fort Collins, Colorado.

"Spirit of Energy," a $8,400 bronze by Karen Crain of LIttleton, Colorado, represents three renewable energy resources: sun, wind and water.

© Copyright 2011 Audrey Kletscher Helbling

 

The endearing smiley face June 29, 2011

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I URGED HIM to speed up, to catch up to that yellow jeep ahead of us.

“I want to take a picture,” I explained, and my husband obliged although he thought me a bit crazy.

And maybe I am sometimes. But that canary yellow jeep, the single visual jolt of brightness on yet another recent dreary weekend, tripped something in my brain.

If you live in Minnesota, I expect you’ll understand. I mean, honestly, weren’t you tired of all the cold and rain and gloom on the heels of a long and snowy winter? (Remind me of that tomorrow when the temperature is predicted to reach 100 degrees or higher.)

So, given that context, the yellow jeep with the smiley face wheel cover made me smile as we traveled on U.S. Highway 14 between Mankato and Eagle Lake recently.

Smiley faces, no matter where I spot them, always increase my happiness quotient.

My appreciation of smiley faces stretches back further than I’d like to admit these days. This happiness symbol popped up everywhere when I was in high school, which would be, yes, the 1970s. Oh, how I wish I still had my smiley face bulletin board and my smiley face button.

So there, that should explain why I wanted to photograph the yellow jeep on a drizzly Saturday afternoon along a Minnesota highway. The smiley face represents a link to my past, to those turbulent teen years when I needed a bright smile as much then as I sometimes still need one some four decades later.

I can’t think of another symbol with such upbeat universal appeal. Can you?

Do you, like me, have fond memories of the smiley face? I’d like to hear.

© Copyright 2011 Audrey Kletscher Helbling

 

Hail St. Mary’s of Melrose June 26, 2011

The steeples of St. Mary's Catholic Church of Melrose.

I STOOD THERE. Just stood there. For minutes, taking in the glorious splendor before me.

The cornflower blue of the arched ceiling. The pillars. Pews—endless carved pews stretching from the fonts of holy water to the steps leading to the altar.

A view from the back of St. Mary's Catholic Church looking toward the main altar.

I didn't even try to count the hand-carved pews that grace this church. But they are many.

A stone font holding holy water at the back of the church.

Such beauty. Such holiness. Such wonderment.

Opulent, stained glass windows bedecking the sanctuary like jewels on a crown.

One of too many stained glass windows to count.

Statues fit for the finest of museums.

This statue of Jesus and Mary sits at the back of the church.

And then I moved, not sure which direction to go, wondering how I could possibly see every detail. Prayerful hands. Flickering candles. The frayed ends of the bell pull. Gold-leaf stenciled crosses. Worn wood. Angels in flight above the altar.

Clustered candles of prayer at St. Mary's.

Bell ropes dangle by the balcony stairway. Two stairways lead to the balcony.

A gold-leafed stenciled cross borders a side wall of the sanctuary.

My eyes swept across the Church of St. Mary’s, or St. Mary’s Catholic Church of Melrose. Choose the moniker you prefer.

The name and the denomination of this 1898 church mattered not to me. I cared only for the heavenly feel of this holy place.

How could I not be impressed by this multi-steepled house of worship next to the turkey plant and soaring above the landscape 100 miles northwest of the Twin Cities?

How many times, if you travel Interstate 94 in central Minnesota, have you noticed those steeples while zipping by Melrose, but never taken the time to drive into town? Placed on the National Register of Historic Places in 1993, this Catholic church is worth a stop if you appreciate craftsmanship, art, history and reverent beauty beyond belief.

The church rises above the land, defining Melrose.

The 113-year-old building was constructed by the parishioners of St. Boniface and renamed St. Mary’s when St. Boniface and St. Patrick’s parishes merged in 1958.

History runs deep here. You will see it in the hitching post out front, smell it in the incense, hear it in the creak of steps leading to the locked balcony.

And if you listen closely, you can almost hear the whispered prayers of those who have come here on bended knees to lift up their sorrows to the Lord.

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I COULD NOT POSSIBLY share my many photos of St. Mary’s with you in one blog post. Please check back for more images in a future post.

© Copyright 2011 Audrey Kletscher Helbling

 

A Lake Agnes love story June 24, 2011

IT APPEARED TO BE nothing short of a love story played out on a west central Minnesota lake.

Two love birds—or more accurately, ducks—met along the shoreline of Lake Agnes in Alexandria which, to those of you who do not live in Minnesota, claims to be the birthplace of America what with the Kensington Runestone and all found here.

But I digress.

The mallards cared not one wit about the vikings or the Runestone or even me, watching their every move. The drake and the hen had eyes only for each other.

And so the romance spawned on Lake Agnes, on this lake with the name of Greek (not Scandinavian) origin meaning pure/holy/chaste.

© Copyright 2011 Audrey Kletscher Helbling

 

A historic bank and White Buffalo Calf Woman June 23, 2011

SET ME IN FRONT of an architecturally-stunning historic building and I’m in history heaven.

Just look at the lines, the colors, the window leading, the carvings…of the Old First National Bank of Mankato building, now a Verizon Wireless Center reception hall.

I didn’t step inside the former bank, didn’t even try a door. I was content last Saturday afternoon to view the exterior with its Prairie School style architecture.

“It’s like that bank in Owatonna,” my husband said as we gawked at the building built of brick, Mankato limestone and terra cotta along Civic Center Plaza in downtown Mankato.

He was, of course, referring to Chicago architect Louis Sullivan’s “jewel box,” National Farmer’s Bank in Owatonna, a brick building with terra cotta accents, splendid for its stained glass windows, arches and other architectural details.

The Mankato building features Frank Lloyd Wright-inspired stained glass and detailed ornamentation along the roof line.

And now it also showcases a bronze sculpture of White Buffalo Calf Woman by South Dakota artists Lee Leuning and Sherri Treeby as part of Mankato’s City Art Walking Sculpture Tour.

 

If you peer at the woman’s face, examine her beaded moccasins and the trim on her buckskin dress and pouch, you’ll notice how the colors mimic those of the historic bank building. Whether this Native American sculpture’s placement was planned or accidental, I don’t know, but it fits seamlessly with the historical vibe of the locale, enhancing the whole art viewing experience.

The city of Mankato, apparently named after a varied translation of the Dakota word Mahkato, meaning “blue earth,” owns a place in Minnesota and national history for the mass hanging of 38 Dakota here on December 26, 1862. Three hundred warriors were accused of killing civilians and soldiers and of other crimes during the U.S.-Dakota Conflict. After a public outcry, President Abraham Lincoln commuted the sentences of all but 38. Certainly, Mankato is not proud of this moment in history. But efforts have been made to honor the Dakota at monuments in the city.

And now sculptures like White Buffalo Calf Woman also help heal and educate the public about the Native American culture. According to information on the sculpture placard, this prophetess is the only religious icon accepted by all Native American tribes. She “brings a message of healing, hope and peace among the races to all the people.”

More than just art, I also got a history lesson along a Mankato city street on a Saturday afternoon in June.

PLEASE VIEW MY JUNE 20 post for more photos and information about the Walking Sculpture Tour. Additional images will be forthcoming.

© Copyright 2011 Audrey Kletscher Helbling

 

Mankato brings art to the sidewalks with walking sculpture tour June 21, 2011

Martin Eichinger of Portland, Oregon, created this graceful "Bird in the Hand" bronze sculpture valued at $14,500 and posed near the City Center.

You'll find "Play Thing" by Ryszard, Denver, Colorado, and sculpted from Colorado marble, in North Mankato.

MAYBE IT’S BECAUSE I grew up without much art—no paintings, no piano, no library—that I so appreciate the visual, performing and literary arts.

I still can’t paint a painting or read a musical note. But I value those two art forms and words, which have always been a part of me, who I am.

Several years ago I walked the Bemidji Sculpture Walk and I quickly became enamored with the idea of placing sculptures in a community and then swapping them out a year later for new sculptures. The touring sculptures scattered primarily through-out Bemidji’s downtown impressed me as an ingenious way to get art before the general public.

Now I needn’t drive hours and hours and hours to view such public art. In 45 minutes I can reach downtown Mankato and view the 25 sculptures positioned there and in North Mankato as part of the City Art Walking Sculpture Tour. For free.

On Saturday, while in Mankato for a graduation reception, my husband and I made it a point of afterward checking out those sculptures. We missed seeing only a few of the art pieces, including one along Belgrade Avenue that was vandalized and, ironically, titled “Look and You Will Find.” We found only an empty block of Minnesota limestone, donated by Vetter Stone, where the sculpture once stood.

Mahtomedi artist Kate Christopher's $6,900 bronze sculpture, "Look and You Will Find It," was vandalized. The art piece symbolized HOPE.

I expected to find a bustling downtown Mankato. Obviously I have not been downtown for many years. Nearly all of the shopping has moved to the fringes of the city, into the malls and big box stores, and the downtown houses primarily office buildings, restaurants, bars, a hotel and the Verizon Wireless Center. Honestly, except for the sporadic motor traffic on Second Street and a few pedestrians, the place was basically deserted around mid-afternoon. Granted, the weather was less than ideal with on-again-off-again rain. We could park almost anywhere we wanted and walk to the sculptures within a several-block area.

We spotted only two other individuals walking around viewing the sculptures. Dana Parlier of Brooklyn, New York, created this resin sculpture, "Cubist Woman." The man-made concrete canyons of New York City inspired this contemporary art, which seems to match the modern look of the building.

The art pieces certainly present a reason to visit downtown Mankato and then cross the Minnesota River to North Mankato to view several more sculptures. I’m not going to tell you I liked every sculpture, because I didn’t. But that’s OK; no one expects that. Sometimes first impressions change though. When I spotted “Twenty Seven (China)” from across the street, I honestly thought it looked like a mess of twisted junk. But up close, the steel sculpture of recycled bicycle parts—mostly handle bars—grew on me. Joe Forrest Sacke’s $3,500 conglomeration seemed modernish and hippyish and vintageish jumbled into one. Art will surprise you that way.

Joe Forrest Sacke's "Twenty Seven (China)."

You can vote for your favorite, for The People’s Choice Award. We didn’t, although I narrowed my favorites down to three. Voting booths are strategically located through-out the Walk area.

One of my three favorite sculptures, "White Buffalo Calf Woman," a bronze piece created by Aberdeen, South Dakota, artists Lee Leuning and Sherri Treeby. Notice how the dominant color in the sculpture blends with the building's color. Wait until you see the building on the other side of this Native American woman. You will be wowed. I'll share those images with you in another post.

This bronze piece, "The Farmer's Wife," by Dee Clements of Loveland, Colorado, is also among my three favorite sculptures. A photo Clements took in a Korean village inspired this art creation.

The detail in this bronze, "Reading Magic," by Julie Jones of Fort Collins, Colorado, appeals to me and makes it one of my top favorites among the 25 sculptures in the exhibit.

Banners draw visitors to the sculptures and to voting spots in downtown Mankato.

I also noticed, and I don’t know whether this was on purpose, but the sculptures often seemed to jive, architecturally and environmentally, with the buildings they were situated near.

Mankato is committed for the next five years to bringing these rotating sculptures into the community via a partnership with the Sioux Falls-based SculptureWalk program. Of course, this all costs money and with the help of a grant, business sponsorships, donations and more, Mankato has managed to bring this art directly to the people.

It’s a grand idea. I expect to return to Mankato to see next year’s art and perhaps other area attractions. Even though I attended college here for four years, I really didn’t appreciate the city. And so much has changed since 1978.

For someone like me, who doesn’t venture into Minneapolis to engage in the art scene there, mostly because I don’t like the congestion and busyness of the metro, outstate art opportunities like City Art in Mankato offer me culture at a quieter, more enjoyable (at least for me) pace.

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SINCE I CAN’T POSSIBLY show you all of my photos in one post, I’ll bring you more images in future stories.

© Copyright 2011 Audrey Kletscher Helbling

 

Rock ‘n rolling in Hamburg June 18, 2011

LAST SUNDAY MY HUSBAND and I drove into Hamburg, just because we’d never been there. It was along the meandering path we chose for our trip back to Faribault from west central Minnesota.

We didn’t hang around in Hamburg, simply went into town, turned around and drove back out. As we passed the community hall in this town of around 500, I snapped this photo. I appreciated the vintage look of the building and wondered how many times locals have gathered here to celebrate.

I imagined dance feet scuffing oak floors, brides launching bouquets, crepe paper streamers sagging from the ceiling, gray-haired ladies sipping coffee, accordions weaving in and out.

I did not imagine Rock ‘N Roll Wrestling. Who would?

But when I later did an online search of Hamburg, I discovered wrestling at the community hall. Surprise. Tonight wrestlers will rock the walls of the community hall as pro-wrestler Rock ‘N Roll Buck ZumHofe brings his wrestling show back to his hometown beginning at 7:30 p.m.

So much for my contemplative visions of a wedding reception and dance or a 50th wedding anniversary party, although I expect those are also part of this building’s history.

Tonight it’s all about wrestling, which I may have watched when I was a kid (and even as recently as 30 years ago.) Vern Gagne, Dr. X, The Crusher, and, yes, even Rock ‘N Roll Buck ZumHofe, are names I remember.

No, I won’t be in Hamburg tonight to relive my days of pro-wrestling devotion at this town’s annual Zummerfest celebration. My interest has vanished and is now limited to the occasional glimpse I catch of wrestlers when the guys in my house are flicking television channels.

However, I expect plenty of faithful fans to fill the old hall. If you wish you could be there but can’t make tonight’s gig, Rock ‘N Roll Wrestling will be in nearby Glencoe on June 25 and in Wabasha on June 26.

According to ZumHofe’s website, you’ll be treated to “old fashion fun wrestling in a format that is nostalgic as well as new and highly entertaining.”

DO YOU HAVE MEMORIES of watching pro-wrestling on television or in person? Do you still watch/attend these wrestling bouts?

AND IF YOU HAVE memories of the Hamburg Community Hall or know anything about its history, please submit a comment. I’d like to hear your stories.

© Copyright 2011 Audrey Kletscher Helbling

 

My visit with Otto the otter

BECAUSE WE MISSED the turn, we missed the kids—the kids perched like birds on a telephone wire atop Otto the Otter.

They would have added so much to these photos of the otter statue along Grotto Lake in Adams Park in Fergus Falls. Oh, well. They were flying past their dad back to the playground when we pulled into the parking lot.

So this would be just me and the husband, whom I couldn’t convince to pose with Otto. I did. But since I don’t look nearly as cute as those kids, you won’t see me leaning lamely against the otter in an image published here. That’s reserved for the family photo album.

I chose to ignore the spouse’s suggestion that I clamber atop an overturned picnic table and scramble onto Otto’s back. Like, do you think I’m 10 or something? I have an artificial hip, remember. Do you want me tumbling off this weaselly animal onto a pile of goose poop, tending me while waiting for the ambulance to haul me to Lake Region Healthcare?

Surely not.

Except for the goose-pooped lawn, our visit with Otto rated as fairly enjoyable. I mean, I really do appreciate viewing kitschy outdoor art like this gigantic otter statue under a beautiful summer sky in ideal temperatures (meaning 70ish and no humidity) that rank as nothing short of Minnesota weather perfect.

It’s just that I should have scraped the goose crap from my shoes before removing them, slipping my feet into flip flops and placing the poop-slimed shoes into the trunk of our car.

For purposes of this story, I have staged this shoe photo, without the goose poop, as a visual reminder to always, always wipe the goose poo from your shoes before placing them inside a vehicle.

© Copyright 2011 Audrey Kletscher Helbling