Minnesota Prairie Roots

Writing and photography by Audrey Kletscher Helbling

Love’s memory May 17, 2014

Filed under: Uncategorized — Audrey Kletscher Helbling @ 6:00 AM
Tags: , , , , ,

Bouquet 1

CERTAINLY HE DIDN’T RECOGNIZE the significance of his choice—yellow and orange sweetheart roses in a vase tied with a yellow gingham ribbon.

Even I didn’t realize until the day after how the color choice and the ribbon transcended time. Men don’t often notice these details. And I nearly missed them in the bouquet he gave me.

On May 15, 1982, yellow sweetheart roses and babies breath ringed my short-cropped hair on our wedding day.

Bouquet, roses close-up

On Thursday, our 32nd wedding anniversary, my husband gave me a bouquet of yellow and orange sweetheart roses accented with babies breath.

Yellow roses were my bridal day flower of choice, along with daisies.

Bouquet, yellow gingham ribbon

I also stitched yellow and white checked aprons for my cousins who waited on tables at our wedding reception.

Bouquet, orange roses

It took me an entire day to connect the past to the present. And when I did, I leaned in and breathed even more deeply the fragrance of love’s memory.

© Copyright 2014 Audrey Kletscher Helbling

 

Honoring the small town feed mill March 6, 2014

The Lonsdale Feed Mill.

The Lonsdale Feed Mill.

SOME TERM THEM “Cathedrals of the Prairie.”

Feed mill, close-up top

I know them simply as “the elevator” or “the feed mill,” the grey structures which, for years, have graced our farming communities.

Feed mill, back of

 They hold memories for me of bouncing in the pick-up truck, seated beside my farmer father, to the Vesta Feed Mill.

Feed mill, truck

Deafening roar of machines grinding corn.

Feed mill, bags of feed

Dust layering surfaces. The memorable smell of ground feed, as memorable as the scent of freshly-cut alfalfa. Stacked bags awaiting pick-up or delivery.

Feed mill, front 2

Like barns, these feed mills and elevators are disappearing from rural America, replaced by more modern structures. Or simply falling apart.

I hold on to fading memories. And I promise to pay photographic reverence to these Cathedrals of the Prairie whenever I can.

Copyright 2014 Audrey Kletscher Helbling

 

My “farm wife” mother inspires my winning poetry February 28, 2014

MY 81-YEAR-OLD MOM inspires me.

She inspires me to live my life with the same positive outlook, grateful heart and kindness she’s exuded her entire life.

And she inspires my poetry. In recent poetry writing endeavors (click here and here), she has been the subject of my poems. This surprises her.

When I informed Mom that my poem, “The Farmer’s Wife, Circa 1960,” had been selected for inclusion in Poetic Strokes 2014, a regional poetry anthology published by Southeastern Libraries Cooperating, she responded with a humbleness that truly reflects her character.

“I didn’t know I led such an interesting life,” Mom said.

To most, she likely hasn’t. She grew up on the southwestern Minnesota prairie, attended Mankato Business College after high school, then worked at a government office in Marshall until marrying my father shortly thereafter and settling onto a farm near Vesta.

My parents holding my older brother, Doug, and me in this January 1957 photo.

My parents, Elvern and Arlene Kletscher, holding my older brother, Doug, and me in this January 1957 photo. Rare are the photos of my farm wife mother.

There she assumed the role of farm wife, the title given rural women long before stay-at-home mom became a buzzword. She no longer lives on the farm, having moved into my paternal grandmother’s home in Vesta decades ago.

As an adult, I now understand that her life as a farm wife was not particularly easy—raising six children on a limited income; doing laundry with a Maytag wringer washer; tending a garden and then canning and freezing the produce; doing without an indoor bathroom…

I sometimes wonder how her life would have unfolded
had she not locked eyes with my father on the dance floor…

–Lines one and two from “The Farmer’s Wife, Circa 1960”

Although I’ve never asked, I expect she dreamed of time just for herself. On rare occasions she and my dad would go out on a Saturday evening.

With those thoughts, I penned “The Farmer’s Wife, Circa 1960.” As much as I’d like to share that poem with you here, today, I cannot. That debut honor goes to Poetic Strokes, a copy of which will be gifted from me to my mom, the woman who has led an extraordinary life. Not extraordinary in the sense of great worldly accomplishments, but rather in the way she has treated others with kindness, compassion and love. Her depth of love for family, her faith and her empathy and compassion have served as guiding principles in my life.

I am proud to be the daughter of a farmer’s wife.

The cover of Poetic Strokes/Word Flow. Image courtesy of SELCO.

The cover of Poetic Strokes/Word Flow. Image courtesy of SELCO.

I AM HONORED, for the sixth time, to have my poetry published in Poetic Strokes, a Library Legacy funded project (through Minnesota’s Arts and Cultural Heritage Fund) that promotes poetry in southeastern Minnesota and specifically in SELCO libraries. Each library will have a copy available for check out near the end of March or in early April, National Poetry Month.

This year my county of Rice joins Winona County with the highest number of poets, six from each county, included in the Poetic Strokes section of the anthology. I am the sole Faribault poet with five from nearby Northfield.

Twenty-three poems from 21 poets in five of SELCO’s 11 counties will be published in Poetic Strokes 2014.

There were 196 poems submitted by 112 poets. Two published poets with PhDs in English literature and a third poet who is a former English teacher, fiction writer and contributor to the League of Minnesota Poets judged the entries.

Says SELCO Regional Librarian Reagen A. Thalacker of the judging process:

The general sense I received when the poems came back is that our judges felt that there was a great variety in subject matter and skill and that they were impressed with many of those that were submitted. There was also the overwhelming sense of having enjoyed thoroughly the opportunity to read the works submitted.

Additionally, the anthology includes 28 poems penned by youth ages 14 – 18 (or in high school) residing within SELCO counties. Twenty-eight poems chosen from 111 submissions will be featured. What an encouragement to young poets to be published in the Word Flow portion of this project.

For me, a seasoned poet, selection of “The Farmer’s Wife, Circa 1960” encourages me to keep writing in a rural voice distinctly mine, inspired by the land and the people I love.

FYI: Click here to read a full report on Poetic Strokes/Word Flow 2014, including a list of poets selected for inclusion in the anthology.

© Copyright 2014 Audrey Kletscher Helbling

 

“Sold, to bidder number…” February 27, 2014

Filed under: Uncategorized — Audrey Kletscher Helbling @ 6:00 AM
Tags: , , , , , ,
Turek's Auction Service, 303 Montgomery Ave. S.E. (Highway 21), Montgomery, has been "serving Minnesota since 1958." Daniel Turek, Sr., started the third-generation family business now operated by Dan, Jr. and Travis Turek. They sell everything from antique vases to real estate.

Turek’s Auction Service, 303 Montgomery Ave. S.E. (Highway 21), Montgomery, has been “serving Minnesota since 1958.” Daniel Turek, Sr., started the third-generation family business now operated by Dan, Jr. and Travis Turek. They sell everything from antique vases to real estate.

YEARS, MAYBE EVEN A DECADE or more, have passed since I attended an auction.

But once upon a time my husband and I frequented auctions, bidding mostly on furniture. Our prized dining room table came from a neighbor’s household and farm auction back in my hometown of Vesta. The matching chairs were from a sale near Morristown.

Auctions appeal to me for many reasons. There’s a certain camaraderie yet competitiveness, friendliness yet aloofness, thrill yet disappointment.

When you outbid someone or snare merchandise at a bargain price, it’s a heady feeling.

But it’s more than that. The rhythm of an auction, the mesmerizing cadence of the auctioneer’s voice, the slight nod of the head, the closeness of the crowd, the commonality of community, Styrofoam cups brimming with steaming coffee, all create an unforgettable experience.

Perhaps it’s time I attend an auction again.

© Copyright 2014 Audrey Kletscher Helbling

 

Small town patriotism February 26, 2014

American pride along First Street, Montgomery, Minnesota.

American pride along First Street, Montgomery, Minnesota.

EVERY MORNING as an elementary school student in rural Minnesota, I joined my classmates in facing the corner of the classrooom to gaze upon the American flag. Hands across hearts, we recited the pledge:

I pledge allegiance to the flag
of the United State of America
and to the Republic for which it stands,
one nation under God, indivisible,
with Liberty and Justice for all.

The same photo, edited.

The same photo, edited.

Those words imprinted upon my memory, instilled a sense of pride in my country and a realization that I live in a nation blessed.

And edited again...

And edited again…

Precious words. Somewhat muddied now. But still, ever so dear.

© Copyright 2014 Audrey Kletscher Helbling

 

Memories of my uncle’s service station in Vesta, Minnesota January 31, 2014

FOR DECADES, MY UNCLE HAROLD RAN the filling station along Minnesota State Highway 19 in Vesta.

The vintage Midland gas pumps purchased by my Uncle Milan at the gas station auction. My brother Brian recently bought the pumps from Milan with plans to restore them.

The vintage Midland gas pumps purchased by my Uncle Milan at the gas station auction. My brother Brian recently bought the pumps from Milan with plans to restore them.

It’s not the gas pumps nor the tires nor the anything vehicle related, really, that imprinted most upon my memory about his gas station.

Rather, it’s the vending machine that dispensed salted peanuts. And the pop machine, which, when pulled opened, rattled with icy cold bottles of 7-Up and Orange Crush and Hires root beer. Rare treat of soda drunk too fast. Burps stinging my nose. And salty peanuts in hand, their paper thin wrappings wafting to the floor.

I remember, too, the step down from the store interior through the tight doorway into the shop which smelled of oil and rubber and grime. The magical place of the hoist. Vehicles seemingly levitated into the air.

Vintage gas cans in my brother's garage.

Vintage gas cans in my brother’s garage.

This, a garage where my uncle and the mechanic I remember, Gary, changed tires and oil, replaced belts, fixed whatever needed fixing.

A gas nozzle from the Midland gas pump.

A gas nozzle from the Midland gas pump.

Outside, they pumped gas at this full service station. Rag pulled from back pocket to wipe the dipstick and check the oil. Wipers slapping against windshield as a squeegee washed away dust from gravel roads and crops and remnants of bugs splattered upon glass.

Memories, too, of boarding the Greyhound here, bound for Minneapolis. Me, a young farm girl with blue floral suitcase tucked inside the bowels of the bus, paper ticket in hand, ascending the steps. Alone. En route to visit my Aunt Rachel and Uncle Bob along Bryant.

When gas was only

The price on the old gas pump: only $1.41.9 a gallon.

Memories, still holding tight all these decades later, years removed from affordable gas and full customer service.

THOSE ARE MY MEMORIES. My uncle’s differ, yet intermingle with mine. Uncle Harold started driving gas truck part-time in the early 1950s for City Service in Vesta, eventually hired on full-time under new ownership in a new location at The Old Log Cabin. More on that later. He figured, Harold says, that delivering bulk gas for the new Midland service station would be better than farming.

My uncle's gas station with the fuel delivery truck parked by The Old Log Cabin. Photo from Envisioning a Century, Vesta, 1900-2000.

My uncle’s gas station, right, with the fuel delivery truck parked out front. Photo from Envisioning a Century, Vesta, 1900-2000.

Oh, the stories he could tell of his years working at, managing and then eventually purchasing the station, renamed Harold’s Service, in 1966. If I had all day to listen.

Tales of rescuing stranded motorists during harsh winters on the prairie. After he sold the station’s tow truck, Harold and crew would use the bulk fuel truck to pull vehicles from ditches and snowdrifts along Highway 19. He recalls upwards of 20 travelers once waiting out a snowstorm at the station. Another time four stranded motorists played poker until closing time, at which time they were dropped off at snow homes in town, houses with empty beds. This, all before the days of snow gates installed to close the highway.

He sold snow tires and changed oil, washed cars in the east stall of the garage, delivered bulk gas and fuel and even fertilizer (for awhile). Pumped gas. Fixed whatever needed fixing. At one time he employed as many as four mechanics.

Open every day until 9 p.m. Open until noon on Sunday.

Was it a better life than farming? For awhile, Harold says. Before gas prices shot up and it took a lot of money to buy a tanker full of gas to operate his business. Good before three other places in town started selling batteries. Good before the fertilizer plant added gas pumps. Good before car washes.

Decades later, Harold accepted a job as maintenance worker for the City of Vesta, leaving his middle son to run the station. When Randy found a job in nearby Marshall several months later, the station closed. That was in 1991.

Today the service station is gone, replaced by another automotive business. The old building that housed the station was moved west of town and remodeled into a second home.

Oh, the stories The Log Cabin, built in 1937 and for decades operated as a “beer joint”, Harold’s moniker, not mine, could tell. “It was a pretty wild place…with drunks and fights,” my uncle remembers. “It was a pretty rough place for awhile.”

He also recalls delivering gas for City Service to the tavern, which had a single pump. There’d never be money for the gas Harold brought. But the guy who delivered beer had no trouble collecting payment.

I’d like to see The Log Cabin again, the place where I accompanied my dad, boarded the Greyhound, later filled my 1976 Mercury Comet with gas.

I’d imagine, too, the beer drinkers who packed the former tavern, crammed into booths in the area where my uncle had his office and front counter. I’d think about that and all those stranded travelers once waiting out a prairie blizzard at Harold’s Service.

BONUS PHOTO:

The gas can in my brother Brian's garage that my siblings and I covet because we attended Wabasso High School. Our mascot was a white Rabbit.

My siblings and I covet this gas can in our brother Brian’s garage because we attended Wabasso High School. Our mascot was a white Rabbit.

Copyright 2013 Audrey Kletscher Helbling

 

My enduring appreciation of barns January 6, 2014

Filed under: Uncategorized — Audrey Kletscher Helbling @ 6:00 AM
Tags: , , , , , ,

Barn on the way to Northfield

OLD BARNS ALWAYS TURN my head, including this one along Minnesota Highway 3 between Faribault and Northfield.

Weathered wood, a strong roof line, the physical bulk of the barn, the work once done therein, the stories this agrarian building could tell all cause me to notice and ponder.

It is my own rural roots, my years of laboring in a barn—scooping manure, pushing wheelbarrows heaped with ground corn, shoveling scoops of smelly silage, lugging tall cans of frothy milk—which connect me to this anchor farm building.

Though decades have passed, those memories remain strong, unweathered by time or age.

© Copyright 2014 Audrey Kletscher Helbling

 

Fifties flashback in a Wisconsin cornfield November 14, 2013

Back in the day, picking corn

IF NOT FOR THE TRAFFIC that surrounds me on this four-lane on a Saturday afternoon, I might be traveling directly into a rural scene from the fifties or sixties.

For there, over to the right along this Appleton, Wisconsin, area roadway, a farmer works the field with his Case tractor towing a pull-behind corn picker that drops ears of corn into a wagon.

I get one chance to photograph the scene, but plenty of time to ponder why this farmer chose to harvest his crop with vintage farm machinery.

Is he simply trying to reclaim an era when farmers worked with the wind at their backs, the sun upon their faces, the scent of plant and earth in the air, embracing harvest from the seat of an open air tractor?

(NOTE: This photo was taken in mid-October.)

© Copyright 2013 Audrey Kletscher Helbling

 

I’m not anti pumpkin, but… October 30, 2013

The $10 ginormous pumpkins.

The ginormous $10 pumpkins.

JUST DAYS BEFORE HALLOWEEN, Steve Twiehoff of Twiehoff Gardens, a family run produce business on Faribault’s east side, was trying to pitch an 85-pound pumpkin to me. For $10, the pumpkin would be mine and Steve would even load it into the van.

“The neighbor kids will love you,” Steve encouraged.

One of two wagonloads of pumpkins at Twiehoff's Garden.

One of two wagonloads of pumpkins at Twiehoff’ Gardens.

But truth be told, I don’t intend to purchase a pumpkin, big or small, this year.

All sizes of pumpkins are available.

All sizes of pumpkins are available.

Does that cast me in the role of a pumpkin Grinch? Maybe.

Late afternoon sunshine slants through the open poleshed door, spotlighting pumpkins for sale at Twiehoff Gardens.

Late afternoon sunshine slants through the open poleshed door, spotlighting pumpkins for sale at Twiehoff Gardens.

In reality, the lack of a pumpkin purchase projects my present life phase as an empty nester. With no kids in the house, there’s no need to carve a jack-o-lantern. Not that I ever did; that was my husband’s job.

In 1994, my daughters, Amber, left, and Miranda, right, dressed as a butterfly and Dalmatian respectively. Their 10-month-old brother, Caleb, was too young to go trick-or-treating.

In 1994, my daughters, Amber, left, and Miranda, right, dressed as a butterfly and Dalmatian respectively. Their 10-month-old brother, Caleb, was too young to go trick-or-treating.

I focused, instead, on creating homemade costumes for our trio. Those ranged from taping hundreds of cotton balls onto a garbage bag for a sheep costume to stitching strands of red yarn onto trimmed panty hose for Raggedy Ann’s hair to dabbing black spots onto a white t-shirt for a Dalmatian to painting butterfly wings. What moms won’t do.

Five years later Caleb headed out the door dressed as an elephant.

Five years later Caleb headed out the door dressed as an elephant.

I also transformed kids into an elephant, angel, pirate, cowboy and even a skunk, plus a few more characters/animals I’ve long forgotten.

Yes, I’ve done the Halloween thing. So, if for a few years I fail to buy a pumpkin, please excuse me.

© Copyright 2013 Audrey Kletscher Helbling

 

On ARTour: Inside an old milkhouse October 23, 2013

I FEEL COMFORTABLY AT HOME in the old milkhouse, Kittens underfoot. The smokey scent of a wood burning stove warming a kettle of apple cider. Pipelines, that once carried fresh milk, poking through the wall.

Some of Lessing's ceramics displayed outside The Milkhouse Studio.

Some of Glynnis Lessing’s ceramics displayed outside The Milkhouse Studio.

This is the studio of ceramics artist Glynnis Lessing. This weathered building forked off a circular farm drive along Minnesota Highway 3 just north of Northfield. This land the artist’s home since relocating from Chicago with her family about a year ago.

Tools of the trade on a milkhouse windowsill.

Tools of the trade on a milkhouse windowsill.

I have come here, to The Milkhouse Studio, on a Sunday afternoon for the South Central Minnesota Studio ARTour, a once-a-year opportunity to meet local artists where they create.

A sign advises visitors of chickens on the farm.

A sign advises visitors of chickens on the farm.

This rural setting reminds me of my childhood, growing up on a southwestern Minnesota dairy farm where I labored many hours in the milkhouse and barn.

Milking equipment remains in the milkhouse.

Milking equipment, right, remains in the milkhouse next to Lessing’s creations.

Although I never imagined a milkhouse as an artist’s studio, for Lessing it seems the perfect fit—creating in this place where her grandfather milked cows in the adjoining barn. Worked with his hands, just like her. In these aged buildings, on the land.

Love these nature-themed mugs.

Love these nature-themed mugs.

Love these bowls, too.

Love these bowls, too.

And then I noticed the leaf that had settled inside the mug. So fitting.

And then I noticed the leaf that had settled inside the mug. So fitting.

I can see the influence of rural life in Lessing’s pieces. Branches and birds. Leaves and blades of grass. An earthy quality that appeals to me and causes me to reflect on my rural roots.

The Milkhouse Studio front door. Lots of history and memories here.

The Milkhouse Studio front door. Lots of history and memories here.

My memories: Felines circling around a battered hubcap to lap warm milk fresh from the cows. Frothy milk dumped, through a strainer, into the bulk tank. Sudsy water swished inside a milk bucket with a stiff brush. Yellow chore gloves drying atop an oil burning stove in the milkhouse…

Tucked into a corner of a milkhouse windowsill.

Tucked into a corner of a milkhouse windowsill.

FYI: To learn more about the history of the old milkhouse, click here to read Lessing’s blog post on the subject.

And for more info about Lessing the artist, click here.

To read my first post about the South Central Minnesota Studio ARTour, click here. Please check back for more posts from artists’ studios.

© Copyright 2013 Audrey Kletscher Helbling