Minnesota Prairie Roots

Writing and photography by Audrey Kletscher Helbling

Reflections on Independence Day July 4, 2011

A flag and portrait of George Washington at the former District 20 Millersburg School, now a museum.

“I PLEDGE ALLEGIANCE to the flag of the United States of America and to the Republic, for which it stands, one nation under God, indivisible, with liberty and justice for all.”

As a child, my school days began with that pledge. My classmates and I arose from our desks at Vesta Elementary School, turned toward the American flag in the corner, placed our hands across our hearts, fixed our eyes upon the stars and stripes, and recited the pledge in unison.

I doubt we ever thought too much about the rote words we spoke. They were simply part of our routine, something we did, although I do recall feeling a sense of pride in speaking those words daily.

So much has changed in the decades since then. The Pledge of Allegiance, in most cases, has been banned from public schools in the name of political correctness. We are no longer one nation under God. While the U.S. remains one country, we as individuals are certainly divided in our views of anything and everything. That’s as it should be in a democracy. Liberty and justice have managed to prevail.

As we celebrate our nation’s Independence Day, it would be wise for all Americans to reflect on the Pledge and the words of other documents and songs that focus on the flag and freedom.

We hold these truths to be self-evident, that all men are created equal, that they are endowed by their Creator with certain unalienable Rights, that among these are Life, Liberty and the pursuit of Happiness.—The Declaration of Independence, signed on July 4, 1776

Vietnam veteran Joel Kukacka's patriotic garage in the hamlet of Heidelberg, Minnesota.

Oh, say does that star-spangled banner yet wave
O’er the land of the free and the home of the brave?
—The Star Spangled Banner

An American flag painted on a shed in Dundas in southeastern Minnesota.

Congress shall make no law respecting an establishment of religion, or prohibiting the free exercise thereof; or abridging the freedom of speech, or of the press; or the right of the people peaceably to assemble, and to petition the Government for a redress of grievances.—The Bill of Rights, Amendment I

Weeks after a devastating Sept. 2010 flash flood in Hammond, in southeastern Minnesota, an American flag marked a ravaged business.

God bless America,
Land that I love,
Stand beside her and guide her
Thru the night with a light from above;

From the mountains, to the prairies,
To the oceans white with foam,
God bless America,
My home, sweet home.
God bless America,
My home, sweet home.

Flags decorate a vintage tractor at the Rice County Steam & Gas Engines Show near Dundas.

© Copyright 2011 Audrey Kletscher Helbling

 

Ominous skies near Nerstrand July 2, 2011

Filed under: Uncategorized — Audrey Kletscher Helbling @ 10:40 AM
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HAD I NOT KNOWN about the storm damage earlier that evening in southwestern Minnesota, I may not have worried so much.

Had my sister not called from Waseca and advised my husband and me to “get home,” I may not have worried so much.

Had the clouds not turned dark and foreboding, looming low enough to nearly brush the earth, I may not have worried so much.

Had my friend Fritz kept quiet and not shared her tales of tornado terror, I may not have worried so much.

But Friday evening when a strong storm hit my hometown of Vesta, when my sister warned of the approaching storm, when the sky threatened and when Fritz told her stories, I worried. I cannot help myself. Storms scare me.

And here are the images, taken at a farm near Nerstrand where I was attending a party, to prove why I was concerned.

Despite my fear, I must admit that the skies held a certain ominous beauty.

Spectacular lightning—our own fireworks show—crisscrossed the sky for hours. I attempted a few lightning shots, but could never get the timing right. And when you’re scared, holding the camera still enough for a slow shutter speed doesn’t work. Rain also kept me from pulling out my Canon.

The evening ended without any severe storms in our locale, despite skies that I swore would drop a tornado at any minute.

But in my hometown, the results were different. If you haven’t read my earlier post today about the storm in Vesta, click here. My brother was stopped twice trying to get into town to check on our mom, who is OK.

After the ominous clouds and the rain, this rainbow appeared.

© Copyright 2011 Audrey Kletscher Helbling

 

Storm rips through my hometown of Vesta

WHENEVER ONE of my siblings calls saying, “I just want you to know Mom is OK, but…,” I prepare myself mentally for her latest health crises.

But Friday evening when my sister Lanae reached me via cell phone while my husband and I were en route to a party near Nerstrand Big Woods State Park, the news was totally unexpected.

My hometown of Vesta in Redwood County in southwestern Minnesota had been struck by straight-line winds.

While my mom’s house—once the retirement home of my paternal grandparents—had gone apparently unscathed, other structures in town were damaged. But at least my mother and aunts and uncles and a niece were safe.

In my sister’s early report, which came second-hand via relatives in the area, she shared that half the roof was ripped off our home church, St. John’s Lutheran. Hours later, after arriving home from the party, I found photos in my email in-box of the storm’s destruction. I nearly broke down and cried when I saw my home church with the partially missing roof.

St. John's Evangelical Lutheran Church in Vesta with the roof half ripped off during the Friday evening storm.

The images also showed damage to the grain elevator and bins in Vesta and trees down on the home place half a mile from town.

Damage to one of the grain bins at the local elevator.

The grain elevator complex, the visual defining landmark in the farming community of Vesta, was ravaged by winds. You'll see the damage near the top of the old grain elevator.

A close-up of the damage wrought upon the old elevator.

Another shot showing some of the debris and damage at the elevator complex.

The wind toppled trees on the farm where I grew up a half mile south of Vesta.

During that phone conversation with my sister, as my husband and I drove along the gravel road toward the gathering with friends, I wanted nothing more than to turn around, pack our suitcase and drive to Vesta 2 ½ hours away.

That’s exactly how I felt more than three decades ago when I lived in Gaylord and the farm where I grew up was hit by a tornado, taking down a silo and tossing grain wagons around the field.

But on this Friday evening, with storms rolling in from the west, I knew this was not practical. I would need to rely on my siblings to keep me informed. My middle brother, who lives in Lamberton some 25 miles away, was on his way to Vesta. I called my two daughters to tell them about the storm.

I wanted so much, though, to also speak with my mom. I needed the comfort of hearing her voice. I wanted to learn about her storm experience. But the phone lines were down in Vesta. Even though Mom owns a cell phone, I doubt she remembers how to use it. She’s never quite adjusted to technology.

And so now it’s Saturday morning and I am exhausted after a night of tossing and turning. Storms do that to me.

Thoughts of my home church—where I was married and attended the funerals of my father, Grandma Kletscher, Grandpa Bode and Uncle Mike—churned through my mind. I worried about where congregants will worship, whether the interior of the church was damaged, if the church, my home church, can be repaired.

I hope today to get some answers and, if I do, I’ll pass that information along to you.

I’ll also share images I shot last night of the storm clouds hanging dark and ominous over the farm site where we gathered with friends for an early Fourth of July celebration.

Nature provided the fireworks—lightning bolt after lightning bolt zig-zagging horizontally across the forbidding sky for hours. Except for some wind and rain, our area escaped the storm that ravaged Vesta and Marshall and other communities to the west.

IF YOU HAVE STORM stories to share from last evening, please submit a comment. KLGR Radio in Redwood Falls is this morning reporting winds of up to 100 mph in Redwood County and the sightings of possible funnel clouds. Click here to read that news report.

FOR THOSE OF YOU UNFAMILIAR with southwestern Minnesota, Vesta sits along State Highway 19 half way between Redwood Falls and Marshall.

Photos courtesy of Brian and Vicki.

©  Copyright 2011 Audrey Kletscher Helbling

 

MPR debuts Minnesota architecture series with my submission July 1, 2011

LAST WEEK MINNESOTA Public Radio’s “State of the Arts” blogger Marianne Combs put out a call for photos and stories celebrating the great architecture of Minnesota.

I figured given how much I appreciate old buildings—and that would be considerably—I could submit an entry. But what building would I choose?

I started going through my photo folders in search of an image I considered most worthy of submission. FYI, I even have a folder labeled “architecture.”

Faribault topped my choices since this southeastern Minnesota community, my home since 1982, has many, many buildings on the National Register of Historic Places. And, yes, architecturally, these structures are jewels.

Then I considered images from Lucan, Morgan, Hanley Falls, Wood Lake, West Concord, Mantorville, Alexandria, Northfield and a few other towns I can’t immediately recall. Yes, the list was long.

But something kept tugging at me—my loyalty to my hometown of Vesta. Now those of you familiar with Vesta, population around 350 and with a block-long main street, are likely wondering what on earth I found in this southwestern Minnesota prairie town of architectural worth.

Here is the building I chose and which debuted Marianne Combs’ Minnesota architecture series this afternoon. You can click here to read why I chose the Vesta Municipal Liquor Store.

 

© Copyright 2011 Audrey Kletscher Helbling

 

A misplaced torch at a veterans’ memorial

TYPICALLY, I WOULD NOT criticize a veterans’ memorial project. I respect those who have served our country and those who lead efforts to honor them via public memorials.

However, last week when I saw the latest addition to the in-progress Rice County Veterans Memorial Expansion Project at the county courthouse in Faribault, I could not believe what I was seeing.

There, guiding my eyes toward a center bronzed eagle and dove, was a flashing neon flame depicting “our never ending vigilance.”

The new, fake torch at the Rice County Veterans Memorial at the courthouse in Faribault. Here you see the wing tip of the bronzed eagle below the torch. I have not edited this image taken one evening last week.

My initial reaction has not changed since I stopped that night to closer inspect and photograph this neon torch better suited for a casino—anything but a veterans’ memorial.

As we all know, first impressions count. In this case, the neon flame certainly does not fit. This is supposed to be a place of reverence, of quiet meditation, of respectful honor for those who have served the United States of America. A fake, flickering fire does not portray that message of honor.

I am disappointed.

Prior to installation of this imitation torch, a fuel-fed torch burned near the historical Civil War statue which has long graced the courthouse lawn. Apparently that flame went out all too often, leading to its removal and installation of the Vegas style torch.

The long-standing Civil War statue sets a historical mood for the Rice County Veterans Memorial. I shot this image last fall.

To the right, in this unedited photo, you'll see a side view of the historical Civil War marker. In the center is the torch and the bronzed eagle and dove with flags and the courthouse in the background.

I could go on and on about how much I dislike this cheapening alternative, how it fails to fit the historical context of this place, the courthouse architecture or the long-standing Civil War marker. I won’t because I’ve said enough.

View my photos and tell me what you think. I’d like your opinion.

But even more, if you agree that this style of torch does not belong at a veterans’ memorial, offer a solution. I have none. Except to pull the plug.

Honorary pavers line sidewalks leading to the center of the Rice County Veterans Memorial in this image taken last fall.

© Copyright 2011 Audrey Kletscher Helbling

 

The endearing smiley face June 29, 2011

Filed under: Uncategorized — Audrey Kletscher Helbling @ 7:39 AM
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I URGED HIM to speed up, to catch up to that yellow jeep ahead of us.

“I want to take a picture,” I explained, and my husband obliged although he thought me a bit crazy.

And maybe I am sometimes. But that canary yellow jeep, the single visual jolt of brightness on yet another recent dreary weekend, tripped something in my brain.

If you live in Minnesota, I expect you’ll understand. I mean, honestly, weren’t you tired of all the cold and rain and gloom on the heels of a long and snowy winter? (Remind me of that tomorrow when the temperature is predicted to reach 100 degrees or higher.)

So, given that context, the yellow jeep with the smiley face wheel cover made me smile as we traveled on U.S. Highway 14 between Mankato and Eagle Lake recently.

Smiley faces, no matter where I spot them, always increase my happiness quotient.

My appreciation of smiley faces stretches back further than I’d like to admit these days. This happiness symbol popped up everywhere when I was in high school, which would be, yes, the 1970s. Oh, how I wish I still had my smiley face bulletin board and my smiley face button.

So there, that should explain why I wanted to photograph the yellow jeep on a drizzly Saturday afternoon along a Minnesota highway. The smiley face represents a link to my past, to those turbulent teen years when I needed a bright smile as much then as I sometimes still need one some four decades later.

I can’t think of another symbol with such upbeat universal appeal. Can you?

Do you, like me, have fond memories of the smiley face? I’d like to hear.

© Copyright 2011 Audrey Kletscher Helbling

 

Appreciating mom-and-pop businesses like Mutch Hardware June 27, 2011

Buildings across the street reflect in the windows of Mutch Northside Hardware in North Mankato where these signs hang on a front plate-glass window.

“Grass Seed and Fertilizer.”

“We cut glass and plexiglass.”

I didn’t need grass seed or fertilizer or any glass cut. Yet, the signage drew me to the storefront plate-glass window of the hardware store along Belgrade Avenue in North Mankato. How often do you see business signs like this with letters printed in near-perfect penmanship between two penciled ruler lines on white tagboard?

After I admired the simplicity of this advertising in a world of mass-produced, flashy, signage, I noticed the old screen door. That did it. I was smitten with this place, this Mutch Northside Hardware that, from the exterior, reminded me of the small town hardware stores of my youth.

You know, the kind of store where you can buy everything and anything. The place packed with merchandise from floor to ceiling, aisles narrow as a sidewalk crack. Nails and bolts jumbled in scarred cubbies. Belts dangling from hooks on pegboard. Wooden floors that creak.

Mutch Hardware is crammed with merchandise, some of it displayed in the window fronts.

An old ACE Hardware sign decorates the front door where a handwritten sign is posted listing store hours.

I could almost hear the vintage screen door slam shut behind me as I stood outside the closed hardware store, hands cupped around my eyes, peering inside. It was late Saturday afternoon and I was hours too late to step inside Mutch Hardware, much to my disappointment.

But that didn’t stop a flood of memories from washing over me. Memories of going to town with my dad, stopping at Joe Engel’s Hardware store on Vesta’s main street to pick up a few bolts or maybe a belt or something else for the farm.

My siblings and I had another reason for hitching a ride to the southwestern Minnesota hardware store with our dad. Joe Engel’s supplied our ammo—coiled rolls of red-perforated paper pocked with gun powder for our toy cap guns. This was the 1960s, and even though not politically-correct today, an era of playing “Cowboys and Indians.” I remember those days with a depth of fondness that I doubt today’s tech-oriented kids will ever experience.

I would like to take each of them inside a business like Mutch Hardware, where I expect helpful, personal service, care and friendliness accompany each purchase. Places like this seem rare in our fast-paced world of big box stores run by corporations in far away cities. Few mom-and-pop stores can survive in today’s economy. That is reality.

I’m not a prima donna; I shop chain stores as much as anyone. Yet when I see a business such as Mutch Northside Hardware in North Mankato, I take notice. I appreciate the hardworking men and women who, as independent business owners, still offer us a shopping option.

Outside Mutch Northside Hardware, a place reminiscent of bygone days.

DOES AN OLD-FASHIONED mom-and-pop type business like Mutch Northside Hardware exist in your community, or do you know of one somewhere? I’d like to hear. Tell me about it by submitting a comment.

This image of a section of Belgrade Avenue in North Mankato shows the following businesses, from left: Like-Nu-Cleaners, Christy's Cafe, Mutch Northside Hardware, Skillings & Associates, Dino's Gourmet Pizzeria, Craft-n-Floral Center, the U.S. Post Office, Frandsen Bank & Trust and Bobby Joe's Pub.

© Copyright 2011 Audrey Kletscher Helbling

 

A Lake Agnes love story June 24, 2011

IT APPEARED TO BE nothing short of a love story played out on a west central Minnesota lake.

Two love birds—or more accurately, ducks—met along the shoreline of Lake Agnes in Alexandria which, to those of you who do not live in Minnesota, claims to be the birthplace of America what with the Kensington Runestone and all found here.

But I digress.

The mallards cared not one wit about the vikings or the Runestone or even me, watching their every move. The drake and the hen had eyes only for each other.

And so the romance spawned on Lake Agnes, on this lake with the name of Greek (not Scandinavian) origin meaning pure/holy/chaste.

© Copyright 2011 Audrey Kletscher Helbling

 

A historic bank and White Buffalo Calf Woman June 23, 2011

SET ME IN FRONT of an architecturally-stunning historic building and I’m in history heaven.

Just look at the lines, the colors, the window leading, the carvings…of the Old First National Bank of Mankato building, now a Verizon Wireless Center reception hall.

I didn’t step inside the former bank, didn’t even try a door. I was content last Saturday afternoon to view the exterior with its Prairie School style architecture.

“It’s like that bank in Owatonna,” my husband said as we gawked at the building built of brick, Mankato limestone and terra cotta along Civic Center Plaza in downtown Mankato.

He was, of course, referring to Chicago architect Louis Sullivan’s “jewel box,” National Farmer’s Bank in Owatonna, a brick building with terra cotta accents, splendid for its stained glass windows, arches and other architectural details.

The Mankato building features Frank Lloyd Wright-inspired stained glass and detailed ornamentation along the roof line.

And now it also showcases a bronze sculpture of White Buffalo Calf Woman by South Dakota artists Lee Leuning and Sherri Treeby as part of Mankato’s City Art Walking Sculpture Tour.

 

If you peer at the woman’s face, examine her beaded moccasins and the trim on her buckskin dress and pouch, you’ll notice how the colors mimic those of the historic bank building. Whether this Native American sculpture’s placement was planned or accidental, I don’t know, but it fits seamlessly with the historical vibe of the locale, enhancing the whole art viewing experience.

The city of Mankato, apparently named after a varied translation of the Dakota word Mahkato, meaning “blue earth,” owns a place in Minnesota and national history for the mass hanging of 38 Dakota here on December 26, 1862. Three hundred warriors were accused of killing civilians and soldiers and of other crimes during the U.S.-Dakota Conflict. After a public outcry, President Abraham Lincoln commuted the sentences of all but 38. Certainly, Mankato is not proud of this moment in history. But efforts have been made to honor the Dakota at monuments in the city.

And now sculptures like White Buffalo Calf Woman also help heal and educate the public about the Native American culture. According to information on the sculpture placard, this prophetess is the only religious icon accepted by all Native American tribes. She “brings a message of healing, hope and peace among the races to all the people.”

More than just art, I also got a history lesson along a Mankato city street on a Saturday afternoon in June.

PLEASE VIEW MY JUNE 20 post for more photos and information about the Walking Sculpture Tour. Additional images will be forthcoming.

© Copyright 2011 Audrey Kletscher Helbling

 

Mankato brings art to the sidewalks with walking sculpture tour June 21, 2011

Martin Eichinger of Portland, Oregon, created this graceful "Bird in the Hand" bronze sculpture valued at $14,500 and posed near the City Center.

You'll find "Play Thing" by Ryszard, Denver, Colorado, and sculpted from Colorado marble, in North Mankato.

MAYBE IT’S BECAUSE I grew up without much art—no paintings, no piano, no library—that I so appreciate the visual, performing and literary arts.

I still can’t paint a painting or read a musical note. But I value those two art forms and words, which have always been a part of me, who I am.

Several years ago I walked the Bemidji Sculpture Walk and I quickly became enamored with the idea of placing sculptures in a community and then swapping them out a year later for new sculptures. The touring sculptures scattered primarily through-out Bemidji’s downtown impressed me as an ingenious way to get art before the general public.

Now I needn’t drive hours and hours and hours to view such public art. In 45 minutes I can reach downtown Mankato and view the 25 sculptures positioned there and in North Mankato as part of the City Art Walking Sculpture Tour. For free.

On Saturday, while in Mankato for a graduation reception, my husband and I made it a point of afterward checking out those sculptures. We missed seeing only a few of the art pieces, including one along Belgrade Avenue that was vandalized and, ironically, titled “Look and You Will Find.” We found only an empty block of Minnesota limestone, donated by Vetter Stone, where the sculpture once stood.

Mahtomedi artist Kate Christopher's $6,900 bronze sculpture, "Look and You Will Find It," was vandalized. The art piece symbolized HOPE.

I expected to find a bustling downtown Mankato. Obviously I have not been downtown for many years. Nearly all of the shopping has moved to the fringes of the city, into the malls and big box stores, and the downtown houses primarily office buildings, restaurants, bars, a hotel and the Verizon Wireless Center. Honestly, except for the sporadic motor traffic on Second Street and a few pedestrians, the place was basically deserted around mid-afternoon. Granted, the weather was less than ideal with on-again-off-again rain. We could park almost anywhere we wanted and walk to the sculptures within a several-block area.

We spotted only two other individuals walking around viewing the sculptures. Dana Parlier of Brooklyn, New York, created this resin sculpture, "Cubist Woman." The man-made concrete canyons of New York City inspired this contemporary art, which seems to match the modern look of the building.

The art pieces certainly present a reason to visit downtown Mankato and then cross the Minnesota River to North Mankato to view several more sculptures. I’m not going to tell you I liked every sculpture, because I didn’t. But that’s OK; no one expects that. Sometimes first impressions change though. When I spotted “Twenty Seven (China)” from across the street, I honestly thought it looked like a mess of twisted junk. But up close, the steel sculpture of recycled bicycle parts—mostly handle bars—grew on me. Joe Forrest Sacke’s $3,500 conglomeration seemed modernish and hippyish and vintageish jumbled into one. Art will surprise you that way.

Joe Forrest Sacke's "Twenty Seven (China)."

You can vote for your favorite, for The People’s Choice Award. We didn’t, although I narrowed my favorites down to three. Voting booths are strategically located through-out the Walk area.

One of my three favorite sculptures, "White Buffalo Calf Woman," a bronze piece created by Aberdeen, South Dakota, artists Lee Leuning and Sherri Treeby. Notice how the dominant color in the sculpture blends with the building's color. Wait until you see the building on the other side of this Native American woman. You will be wowed. I'll share those images with you in another post.

This bronze piece, "The Farmer's Wife," by Dee Clements of Loveland, Colorado, is also among my three favorite sculptures. A photo Clements took in a Korean village inspired this art creation.

The detail in this bronze, "Reading Magic," by Julie Jones of Fort Collins, Colorado, appeals to me and makes it one of my top favorites among the 25 sculptures in the exhibit.

Banners draw visitors to the sculptures and to voting spots in downtown Mankato.

I also noticed, and I don’t know whether this was on purpose, but the sculptures often seemed to jive, architecturally and environmentally, with the buildings they were situated near.

Mankato is committed for the next five years to bringing these rotating sculptures into the community via a partnership with the Sioux Falls-based SculptureWalk program. Of course, this all costs money and with the help of a grant, business sponsorships, donations and more, Mankato has managed to bring this art directly to the people.

It’s a grand idea. I expect to return to Mankato to see next year’s art and perhaps other area attractions. Even though I attended college here for four years, I really didn’t appreciate the city. And so much has changed since 1978.

For someone like me, who doesn’t venture into Minneapolis to engage in the art scene there, mostly because I don’t like the congestion and busyness of the metro, outstate art opportunities like City Art in Mankato offer me culture at a quieter, more enjoyable (at least for me) pace.

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SINCE I CAN’T POSSIBLY show you all of my photos in one post, I’ll bring you more images in future stories.

© Copyright 2011 Audrey Kletscher Helbling