Minnesota Prairie Roots

Writing and photography by Audrey Kletscher Helbling

Reconnecting to southwestern Minnesota, root place of my creativity May 22, 2018

Near Morgan, Minnesota.

 

THERE IS NO PLACE, none, that I’d rather be this time of year than in rural southwestern Minnesota. It is the place of my heart, of my memories, of everything that shaped me into the person, the writer and photographer that I am today.

 

 

This place of wide skies and dark rich soil in some of Minnesota’s best farm land claims me still, decades after I left. I left not because I disliked this place, but for education and opportunity. Like so many of my generation.

 

In a reminder of decades past, a vintage tractor works the land on the edge of Delhi.

 

When I return to visit family here, I feel an ache of absence, that longing for a return to the familiar.

 

 

I realize those who’ve never lived on the prairie often fail to recognize its value, its beauty, its power in inspiring creativity. To many, even my own children, southwestern Minnesota seems the middle of nowhere. But to me, this land has always inspired. And it’s somewhere. Home.

 

 

Between Echo and Delhi.

 

A long familiar landmark tree along Minnesota State Highway 19 near the Belview corner.

 

When you’ve lived in a place so stark, in a place that exposes you to the elements, where life evolves around the land, you learn to appreciate the details. Like the endless wind. The spaciousness of land and sky. The scent of tilled soil. Rows of corn erupting green from the earth. A lone tree along a highway.

 

 

 

 

Acre after acre after acre across this land, I take in the rural scenes of farmers working fields, rushing to get crops in during a particularly late planting season.

 

Near Morgan, Minnesota.

 

I notice vehicles kicking dust along gravel roads,

 

Parked near the grain elevator in Morgan.

 

small town grain elevators,

 

 

a school bus splashing color into the landscape. I see it all in this place, this middle of somewhere.

 

A rural-themed license plate on a vehicle driving past Echo on a recent weekday morning. I confirmed with writer and photographer Ruth Klossner that this was her vehicle. She was on her way to interview a source for a magazine article. Ruth collects cow items of all sorts and opens the doors of her Bernadotte home for visitors to view the massive collection.

 

This is my joy, to each spring return to my Minnesota prairie roots, to reconnect to the land, to embrace the birth source of my creativity.

© Copyright 2018 Audrey Kletscher Helbling

 

A mother’s gift to her writer daughter May 11, 2018

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The only photo I have of my mom holding me. My dad is holding my oldest brother.

 

I SOMETIMES WONDER how my mom did it? How did she raise six kids and manage a household without the modern conveniences of today? No microwave. No bathroom or telephone or TV or automatic washing machine (for many years). An endless list of “no” whatever.

She planted a massive garden, canned and froze fruits and vegetables. Baked bread and assorted sweets from scratch. Mended clothes. She could do most anything.

 

Mom’s journals stacked in a tote.

 

And she wrote. Daily. Mom documented the happenings of farm life in southwestern Minnesota, even before she became a wife and a mother. I have those journals now, stacked inside a plastic tote. Musty-smelling spiral bound stenographer notebooks filled with her words. History inked in her beautiful signature flowing cursive.

They are my most treasured tangible part of her, a collection of information that is not personal, yet is. She writes not of feelings, but of weather and work, going to church and town and to relatives’ homes. She writes, too, of illness and new babies and skinned knees. While I’ve only read bits and pieces of assorted journals, I know that eventually I will read every word. Her single-paragraph daily entries of three to six lines or so document rural life. From her perspective as a wife and mother.

She became a mother in mid-July of 1955, two months shy of celebrating her first wedding anniversary. She writes:

Got to the hospital at 1:15 a.m. & baby was born at 3:20 a.m. He weighed 8 lb. Has a lot of hair. Folks visited me.

On her first Mother’s Day—months before my birth—Mom visited her parents, noting that her mother had gone to the Heart Hospital two days prior. Seven months later her mother died of a heart attack. I was only months old. I will always hold a certain sadness in my grandma’s early untimely death, knowing her only through the memories of others who spoke of a woman with the kindest of hearts. Just like my mom.

Through all the challenges of life, Mom has maintained a positive and cheerful attitude. She’s kind and compassionate and uncomplaining. That has been part of her gift to us, her six children, born between 1955 and 1967. Three girls. Three boys.

 

My mom and I at our extended family Christmas gathering in late December 2017.

 

Eight days before my birth, Mom put up 32 jars of grape jelly and 18 ½ quarts of tomato juice with her sister Dorothy. “Sure was tired,” she wrote. If I was about to give birth, I’d feel tired, too. But she never complained.

On my birthday, Mom writes:

Woke up at 3:00 a.m. Got to hospital at 4:20 & baby was born at 4:56 a.m. She weighed 8 lb. 12 oz.

Talk about cutting it close. But then the hospital was a 20-mile drive and my parents had to find someone to watch my oldest brother. Dorothy stayed on for several days after my birth to help with washing, ironing, cleaning and other tasks while Mom recovered and adjusted to having two kids under two.

 

My mom saved everything, including this Mother’s Day card I made for her in elementary school. I cut a flower from a seed catalog to create the front of this card.

 

And so the years passed with more babies birthed. I wondered if Mom had any special memories of Mother’s Day. I paged through several journals from the 1960s to find entries about Mother’s Day programs at Vesta Elementary School. She noted the gifts we three oldest kids gave her—tomato plants, a hammered dish and on May 8, 1964, a writing pad. From me.

 

I took this photo nearly two years ago of my mom holding my granddaughter’s hand. Minnesota Prairie Roots file photo July 2016.

Now more than ever, as age steals my mom’s memory and she no longer keeps a journal, I appreciate her writing. Her words reveal a hardworking woman who valued her family and faith and farm life. That Mom took the time to write shows her deep appreciation, too, for the written word. She passed that along to me. I am grateful. But most of all I am grateful for a mom who loved me and my siblings with such depth. She was, and remains even in her advancing octogenarian years, an example of kindness and compassion and goodness that I strive to emulate. She is my mother. And I love her.

 

© Copyright 2018 Audrey Kletscher Helbling

 

Connecting with comfort via greeting card verses April 17, 2018

Each of these boxed card collections from Warner Press includes a greeting card verse that I wrote. Minnesota Prairie Roots file photo.

 

ON SEVERAL OCCASIONS, I’ve walked into a Minnesota church basement or fellowship hall and noticed boxed greeting cards from Warner Press for sale. I write greeting card verses for that Indiana based Christian company and have done so for many years.

Typically, a half dozen or fewer of my submitted verses are selected for publication annually. It’s not a lot, but still an opportunity to challenge myself. Writing greeting card verses is difficult because you need to come up with something creative and new, something that hasn’t been published a million times already in a card. And you need to deliver those words in a succinct message.

 

My verses are published in these four recently-released cards, included in the Warner Press boxed card collections. Two are in the “Get Well, Comfort in God’s Care” collection, one in the “All Occasion, Peaceful Pastures” and the fourth in “Confirmed in Christ.” Because the verses are copyrighted, I can’t show you what I wrote.

 

I’ve found that I am most gifted at penning verses which encourage people, whether they are facing health issues, the loss of a loved one and/or other challenges.

I expect that ability to offer hope is rooted in my own experiences. When you’ve dealt with health issues—for me debilitating osteoarthritis followed by total hip replacement at a fairly young (50) age, three months of battling whooping cough, healing from a broken shoulder and more—you can empathize. And empathy translates into words of comfort and hope.

Likewise, I’ve lost enough loved ones and friends to pull sympathetic thoughts from the grief of my heart to offer comfort and hope.

 

One of the things I most appreciate about Warner Press is the company’s recognition of the writer and designer with their names listed on the back of each greeting card.

 

Comfort and hope. Those are powerful words. I hold the ability to offer healing to others through the ministry of greeting cards. More than ever today, we are a nation, a people, in need of healing. We each have the power within us to show empathy and care to others whether through our actions, written words, spoken words, prayer and, yes, even silence. Sometimes it’s better to remain quiet and to just listen, love and support.

In this day and age of instant communication, printed greeting cards still hold value. They connect us on a level that a screen can’t. When you give a card, you take the time to pause, to pick up a pen, to sign your name and perhaps add a personal note. For the person on the receiving end, that’s a gift—tangible evidence that you care. And that can make all the difference to someone in need of comfort and hope.

 

TELL ME: Do you see value in printed greeting cards? Do you still give and receive them?

Disclaimer: I am paid for the greeting card verses I write for Warner Press.

© Copyright 2018 Audrey Kletscher Helbling

 

Writing in Minnesota in January January 4, 2018

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SIX-THIRTY a.m. and the furnace flutters, taking wing in the morning cold.

I stir, too, beneath a layer of blankets topped by an extra fleece throw. I’m in no hurry to exit my warm bed, even if I am a morning person. The dark and cold of a Minnesota winter hold me there, pressed between flannel sheets rough as sandpaper.

Outside traffic rushes by in sub zero temps, drivers shivering inside vehicles warming on the way to work. I’m lucky. My office is only a room away.

Soon enough I rise, dress in jeans and a t-shirt layered by flannel and a zip-up sweatshirt during this Minnesota cold snap. Banana-laced oatmeal and a coffee fuel my body. I settle at my desktop computer to write.

The beginning of the year launches submission season. I focus on writing poetry, fiction and creative nonfiction for numerous regional contests. Submission guidelines roll into my email as I note details and push myself to meet deadlines. Every year I doubt myself. But then the ideas come and the words emerge from my fingertips, pulled from the bank of experiences and memories and places that shape my writing. Even in fiction some truth prevails.

And so I write, not because anyone makes me write. But because I must write words that flutter, take wing, rise in the cold of a January morning in Minnesota.

© Copyright 2018 Audrey Kletscher Helbling

 

Words matter & my hope for 2018 December 29, 2017

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Some of the quotes posted on my refrigerator.

 

WORDS HOLD INCREDIBLE power—to hurt, to heal, to build, to tear down, to discourage, to embolden, to darken, to enlighten…

 

A wall of quotes…I love this public posting of inspiring words discovered this past September inside the Jack Pine Center in Pequot Lakes.

 

During my life, I’ve felt the sting of unkind words unleashed by teen bullies, by a teacher who should never have been a teacher, by individuals angered with my writing, by those who spoke (or wrote) without first considering how deep their words would wound me. Oftentimes it is those we love most who hurt us the most.

Perhaps you can relate. And if you can’t, I am thankful you can’t.

I expect my words have also at times hurt others. And I’m sorry for that.

 

 

As a professional wordsmith, I strive to use words in a positive way. I realize the power in the words I write and in the words I speak. I accept that responsibility.

 

 

 

 

Often I turn to words to inspire me, to give me hope and refocus my thinking when I need a shift in mindset. With that thought, I want to share some of the quotes currently posted on my fridge and in my office.

 

Inspirational quotes posted on my desk, on the shelf above my desktop screen. Minnesota Prairie Roots file photo.

 

Hope is the thing with feathers that perches in the soul, and sings the tune without the words, and never stops at all. —Emily Dickinson.

I can do all things through Christ who strengthens me. —Philippians 4:13

Keep your heart brave and your imagination wild. (from a Hallmark bag)

Let your roots grow down into Him and let your lives be built on Him. Then your faith will grow strong in the truth you were taught and you will overflow with thankfulness. —Colossians 2:7

Without a love for books the richest person is poor. —unknown

Rejoice in hope, be patient in tribulation, be constant in prayer.— Romans 12:12

Sometimes it’s nice to get an unexpected hug for no other reason than just because you’re loved. So while you’re reading these words, don’t think of them as just words…Think of each one as a hug for your heart from mine.  —Barbara J. Hall

It is my hope that in 2018 we as individuals, as communities, as a nation, as a world, will grow kinder in our use of words. I hope we will think before we speak/write, considering the power of our words.

Thoughts? Or a favorite quote you’d like to share?

© Copyright 2017 Audrey Kletscher Helbling

 

Celebrating Laura Ingalls Wilder at a Chicago museum & I’m in December 18, 2017

Follow U.S. Highway 14, the Laura Ingalls Wilder Historic Highway, west across the prairie to Walnut Grove, Minnesota, and then on to De Smet, South Dakota. Minnesota Prairie Roots file photo.

 

MINNESOTA PRAIRIE ROOTS. My blog name honors my roots in Redwood County where Laura Ingalls Wilder, celebrated author of the Little House book series, lived for awhile as a child. Walnut Grove lies just 20 miles distant from my childhood home. It is a place where earth and sky spread wide, where fertile black soil grows tall corn and the wind seldom stops blowing.

 

The American Writers Museum in Chicago. Photo courtesy of Lee Engquist.

 

Some 500 miles to the south and east of Walnut Grove lies Chicago. Windy, yes. But otherwise distinctly different. Nothing prairie-like here in this city. Until you look close, to the new American Writers Museum which opened in the heart of Chicago in May.

 

An overview of a section of the Laura Ingalls Wilder exhibit. Photo courtesy of Laurel Engquist.

 

I’ve not visited the museum. Yet, I hold a connection to this acclaimed museum now showcasing a temporary exhibit, “Laura Ingalls Wilder: From Prairie to Page.” I grew up with the Little House books read by an elementary school teacher each day after lunch. That was long before the books grew in popularity, long before the TV series, long before Walnut Grove became a destination for Laura fans.

 

My Laura Look-A-Like Contest photo close-up in the exhibit. Photo courtesy of Laurel Engquist.

 

But my love of Laura’s writing and my native prairie roots are not my only connections to this exhibit which runs through spring 2018. A photo I took several years ago during a Laura Look-Alike Contest in Walnut Grove is included in the exhibit.

 

Laura Look-A-Like contestants gather for a group shot in a Walnut Grove city park in July 2013. Minnesota Prairie Roots file photo 2013.

 

Awhile ago, Boston-based Amaze Design contacted me about using the image. The design company manages content development for the museum.

 

This section features noted American authors. Within the museum is info highlighting Minnesota writers F. Scott Fitzgerald, Sinclair Lewis, Charles Schulz and more. Photo courtesy of Laurel Engquist.

 

An exhibit in the Children’s Literature Room. Photo courtesy of Laurel Engquist.

 

Another exhibit focuses on the writing process. Photo courtesy of Laurel Engquist.

 

From what my friend Laurel, who recently toured the 11,000 square foot literary museum tells me, the place is impressive. Located on the second floor of a building at 180 N. Michigan Avenue, it includes 13 permanent exhibits in six galleries plus temporary exhibits. Laurel spent hours there wandering, reading, observing and participating in interactive aspects of displays. She was surprised to find my Laura Look-Alike photo as part of the American Voices Exhibit.

 

The prairie near Walnut Grove is especially beautiful in the summer. I took this photo at the Laura Ingalls Wilder dug-out site north of Walnut Grove many years ago. Minnesota Prairie Roots file photo.

 

I’m honored to have my work included. I’m proud of my prairie roots, of my rural upbringing in a part of Minnesota made famous by a much-loved American writer.

 

FYI: If you’re wondering how Amaze Design found my photo, look no further than searching the internet. I also have photos included in exhibits at the Children’s Museum in St. Paul and in the World War II Museum in New Orleans. All found my work online, on this blog.

 

Disclaimer: Amaze Design paid for rights to use my Laura Look-A-Like image in the exhibit.

© Copyright 2017 Audrey Kletscher Helbling

Thanks to friends Laurel and Lee Engquist for permission to share their photos.

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The importance of Veterans Day to me as a writer & veteran’s daughter November 10, 2017

U.S. Army Cpl. Elvern Kletscher, my father, in the trenches in Korea.

 

WHEN I CONSIDER Veterans Day, I think beyond a general blanket of gratitude for those who have served, and are serving, our country. I see a face. I see my soldier father, an infantryman on the battlefields of Korea and recipient of the Purple Heart.

 

My dad carried home a July 31, 1953, memorial service bulletin from Sucham-dong, Korea. In the right column is listed the name of his fallen buddy, Raymond W. Scheibe.

 

My dad, Elvern Kletscher, died in 2003. But his memory remains strong in my heart as do the few stories he shared of his time fighting for his country. He witnessed unspeakable, violent deaths. And, yes, he killed the enemy, often telling his family, “It was shoot or be shot.” I cannot imagine shooting someone so near you can see the whites of their eyes.

 

My father, Elvern Kletscher, on the left with two of his soldier buddies in Korea.

 

Atop Heartbreak Ridge, Dad picked off a sniper who for days had been killing off American soldiers. He suffered a shrapnel wound there.

But his wounds ran much deeper than the physical. His wounds stretched into a lifetime of battling post traumatic stress disorder, long unrecognized. He told stories of diving to the earth when a neighbor fired at a pheasant, the sound of gunfire triggering all those horrible war memories. The neighbor laughed. Likewise, guns shot at a small town parade sent him ducking for cover.

 

My dad’s military marker in the Vesta City Cemetery. Minnesota Prairie Roots file photo.

 

I can only imagine the demons my father fought. You cannot walk away from war-time death and violence unchanged. Only much later in life, as the decades passed and awareness of PTSD grew, did my dad find some comfort in talking to other vets with similar experiences.

 

Soldiers receive The Lord’s Supper in Korea, May 1953. Photo by my soldier father, Elvern Kletscher.

 

Dad’s strong faith also pulled him through his emotional turmoil, during and after war.

Now, as I look back, I wish I had been more understanding, more grateful. But I can’t change that. Rather, I can choose to honor my dad by writing, an expression of the freedom he fought to preserve.

 

I wrote a story (“Faith and Hope in a Land of Heartbreak”) about my dad’s war experiences in this book, published in 2005 by Harvest House Publishers.

 

As a writer, I hold dear the value of my freedom to write. No one censors my writing or tells me what to write. I treasure that. I cringe at the current overriding criticism of the press in this country, the constant allegations of “fake news.” I worry about this negative shift in thought, the efforts to suppress and discredit the media. My dad fought to keep us free. And that freedom includes a free press.

 

 

That struck me Thursday evening as I gathered with 13 Faribault area writers at a Local Authors Fair at Buckham Memorial Library. Here we were, inside this building packed with books and magazines and newspapers and more, showcasing our writing. No one stopped us at the door to check if our writing met government standards. No one stopped us from selling our books. No one stopped us from engaging in free conversation with each other and with attendees.

I am grateful to those who assured, and are assuring, that I will always have the ability to write without censorship in a country that still remains free.

 

© Copyright 2017 Audrey Kletscher Helbling

 

Meet me at the Faribault library Thursday evening November 8, 2017

 

A snippet of the display I’ve created for the Local Authors Fair at Buckham Memorial Library.

 

TOMORROW EVENING (November 9) I join 13 Faribault area writers as we showcase the craft of writing at Buckham Memorial Library’s Local Author Fair.

I’m ready with a display of sample published works, educational hand-outs, free candy and a Minnesota anthology for you to buy. I have limited copies of Fine Lines, The Talking Stick, Volume 26 in which five of my works published this year.

 

Grab a mini candy bar from my table and get a bonus quote about the craft of writing.

 

The drop-in event on the second floor Great Hall features each writer at his/her own table. So simply circulate, meet the authors and engage in conversation. You have only one hour, from 6 – 7 p.m., to meet everyone.

Here’s a sample of my writing, an award-winning poem printed in 2014 in Symmetry, The Talking Stick, Volume 23, and published by The Jackpine Writers’ Bloc:

 

This auction barn in Montgomery inspired my poem, “Sunday Afternoon at the Auction Barn.” Minnesota Prairie Roots file photo.

 

Sunday Afternoon at the Auction Barn

 

Shoulder brushes shoulder as bidders settle onto plank benches

in the tightness of the arched roof auction barn,

oil stains shadowing the cement floor below their soles,

where a farmer once greased wheel bearings on his Case tractor.

 

The auctioneer chants in a steady cadence

that mesmerizes, sways the faithful fellowship

to raise hands, nod heads, tip bidding cards

in reverent respect of an ancient rural liturgy.

 

Red Wing crock, cane back rocker, a Jacob’s ladder quilt,

Aunt Mary’s treasured steamer trunk, weathered oars—

goods of yesteryear coveted by those who commune here,

sipping steaming black coffee from Styrofoam cups.

 

Find me, introduce yourself and ask me about my passions—writing and/or photography—and hear my story.

 

© Copyright 2017 Audrey Kletscher Helbling

 

Let’s talk writing & photography at a Local Authors Fair November 3, 2017

A promo posted at Buckham Memorial Library for the November 9 Local Authors Fair.

 

TERM ME A WRITER, author, poet, blogger, storyteller, wordsmith, photographer, artist. All fit me and my passions—writing and photography.

 

Buckham Memorial Library, Faribault. Minnesota Prairie Roots file photo.

 

Next week I’ll share those passions at a Local Authors Fair from 6 – 7 p.m. Thursday, November 9, in the Great Hall of Buckham Memorial Library in Faribault. You’re invited to come and visit with me and 13 area writers.

 

My poem initially published in In Retrospect, The Talking Stick, Volume 22, an anthology published by The Jackpine Writers’ Bloc based in northern Minnesota. This past spring Rochester Minnesota composer David Kassler transformed the poem into a song performed by a Chamber Choir at two concerts in Rochester. Minnesota Prairie Roots file photo 2017.

 

This informal drop-in fair presents a wonderful opportunity to network and to show folks my work—I’m bringing lots of samples. I’m ready, too, to talk about the craft of writing. Writing truly is a craft honed through decades of experience. From pounding out hard news stories under deadline to penning poetry to blogging and more, I’ve covered most aspects of writing. As a wordsmith, I remain passionately passionate about my love of language and of storytelling.

 

A serene country scene in Redwood County, Minnesota, where I grew up. Minnesota Prairie Roots file photo.

 

Through the years, my voice has evolved. I write with a strong sense of place rooted in my native southwestern Minnesota. That stark land created in me an awareness of details—of heat shimmering waves above cornfields, of a whipping prairie wind driving snow across gravel roads, of rough cow tongues slurping water from drinking cups…

 

In 2012, my poem, “Her Treasure,” was selected for inclusion in a poet-artist collaboration at Crossings at Carnegie in Zumbrota. Connie Ludwig, right, created a watercolor, “Pantry Jewels,” inspired by my poem. See the art behind me. This is an example of my rural-rooted poetry. Minnesota Prairie Roots file photo 2012.

 

I write in a way that’s earthy and accessible. Rural. Homey. Comfortable. When you read my work, you understand me. I am genuine and unpretentious.

 

Me shooting lake scenes while on a boat ride on a lake south of Park Rapids in mid-September. Photo courtesy of Jackie Hemmer at Who Will Make Me Laugh.

 

And I’m ready to answer questions about writing and photography at the Authors Fair. I’ve even prepared hand-outs with basic writing and photography tips, including a poetry tutorial dissecting my published poem “This Barn Remembers.”

 

 

In addition, you can purchase a recently-published anthology, Fine Lines, The Talking Stick, Volume 26, which includes five of my works: my award-winning short story, “Art Obsession,” another short story, two pieces of creative nonfiction and a poem. The collection features writing by 99 other Minnesota authors. I will have limited copies available for $10.

And then just to sweeten the pot, I’m giving away chocolate. Grab a mini candy bar and let’s talk about the craft of writing and the art of photography.

 

© Copyright 2017 Audrey Kletscher Helbling

 

To the Minnesota northwoods for a book release party September 20, 2017

 

 

TWO READINGS BEFORE MINE, Norma Thorstad Knapp stepped to the microphone to share “How Much She Had Lost.” As she read of her aging mother’s desire to waltz one more time, emotions rose. My throat constricted. Tears seeped from my eyes. Thinking of my 85-year-old mother, I wondered how I could possibly compose myself enough to read my short story.

 

I pose in front of Blueberry Pines Golf Club, setting for The Talking Stick book release party. Photo by Randy Helbling.

 

I signaled my husband for a tissue, then wiped my eyes. I sipped water through a straw. And I struggled to pull myself together before I stood behind the podium in this room full of writers and their supporters gathered at Blueberry Pines Golf Club between Menahga and Park Rapids for the release of Fine Lines, The Talking Stick, Volume 26.

 

 

Too soon, Sharon Harris, co-editor along with her niece, Tarah L. Wolff, introduced me and my story, “Art Obsession.”

 

Reading “Art Obsession.” Photo by Larry Risser Photography, Minneapolis.

 

I was on, reading the words that this year earned an honorable mention in fiction. Four other pieces, among the six I submitted, also published: “Grocery Shopping” (fiction); “A Lot of Prairie and a Little New York” and “The Weekly Phone Call” (both creative nonfiction); and “Not Quite Perfect Penmanship” (poetry).

 

 

 

 

It’s an honor to have my writing published in this outstanding collection of works by Minnesota writers or those with a strong connection to Minnesota. The 2017 anthology includes 152 pieces by 100 writers. I don’t envy the task of The Jackpine Writers’ Bloc editorial board in selecting stories and poems for publication from among 370 submissions by 159 writers. Noted writers LouAnn Shepard Muhm, Marge Barrett and Rochelle Hurt selected the first and second place winners from the board’s top picks.

As I listened to stories and poems for several hours with minimal comprehension of time, I delighted in the talent of these writers. Marlene Mattila Stoehr drew me in with her “Spurned Heirloom” poem that left me pondering whether my family treasures will some day, too, end up as thrift store cast-offs.

I laughed at Charles Johnson’s “Jimmy Gets an Earful” poem that sounded, oh, so Minnesotan to my ears.

 

The book cover photo was taken by Tarah L. Wolff.

 

A strong sense of place, of Minnesota, imprints upon the pages of The Talking Stick. I can relate to the settings, the experiences, the observations and more crafted into so many of the pieces in this exceptional anthology.

 

After the readings, some of us socialized. That’s Randy and me at the end of the table. I am seated next to Sharon Harris. Photo courtesy of Larry Risser Photography, Minneapolis.

 

This book is a labor of love for co-managing editor Sharon Harris. She holds a passion for writing and for this area of Minnesota. After the readings, a group of us gathered in the bar to celebrate and to talk. I’d never met Sharon, although we’ve corresponded and talked via phone many times through the years. Past commitments have kept me from attending previous The Talking Stick release parties. Sharon is as delightful in person as I anticipated. Her appreciation for the craft of writing is evident in her dedication to creating this anthology.

 

 

I felt an energetic vibe and sense of community among all of the writers. We share a love of writing. That passion flowed in words read to an appreciative audience gathered on a grey Saturday afternoon in a sprawling log cabin style building tucked among the jackpines of northern Minnesota.

Updated below at 4:30 p.m. September 20

FYI: I will be signing and selling (limited) copies of the anthology during a Local Authors Fair from 6 – 7 p.m. November 9 at Buckham Memorial Library in Faribault. Fine Lines, The Talking Stick Volume 26 is also available for purchase online. Check amazon.  Or order through The Talking Stick website by clicking here.

Photos by Larry Risser Photography are copyrighted and used with permission here.

Copyright 2017 Audrey Kletscher Helbling