Minnesota Prairie Roots

Writing and photography by Audrey Kletscher Helbling

Showcasing the talent of Faribault’s student artists March 14, 2017

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The art exhibit threads along hallways, into corners and into a room on the second floor of the Paradise.

 

EVERY TIME I VIEW the annual Student Exhibit at the Paradise Center for the Arts, I want to snatch several pieces from the walls for my art collection. I’m that impressed by the student art. And I’m not just saying that because I want to be nice and tell the kids they do a great job. My praise is genuine.

 

Gracie, a sixth grader from Faribault Lutheran School, created this cat art.

 

The soulful eyes drew me to this drawing by Faribault Middle School eighth grader Victoria.

 

Variations of a block print by Adreanna, a student at Roosevelt Elementary School.

 

From block prints to paintings to collages to weavings to drawings done in a range of mediums, this art is diverse, introspective, often colorful and worthy of showcasing.

 

Abstract art created by students from Divine Mercy Catholic School.

 

Twelfth grader Derek from the Faribault Area Learning Center drew this fox.

 

Lincoln Elementary School students created this art.

 

What I especially appreciate about this second floor show is the opportunity for students to put their art out there in a public venue. I expect one day the works of some of these artists will hang in the Paradise’s main floor galleries or in other galleries.

 

This photo shows part of high school student Audrey Petersen’s “Peacock Feathers” acrylic on canvas. Her art is currently displayed in the Corey Lyn Creger Memorial Gallery.

 

Already the Corey Lyn Creger Memorial Gallery in the Paradise is devoted to artwork by a high school student artist.

 

Student artist Faith created this cartoon style character.

 

Lots of variation in the art showcased on this wall.

 

Roosevelt Elementary fifth grader Jose painted this portrait.

 

It’s reaffirming for young people to have their talents validated and appreciated, whether on the floor of a basketball court, the stage of a theater or in the hallways and rooms of an art center. All too often the arts lag behind sports in societal importance. Arts are to be valued, too.

 

Art angles into a corner.

 

A streetscape by Brooklyn, Faribault Lutheran School fourth grader.

 

I angled my camera upward to photograph this floral art by Faribault Middle School eighth grader Baylee.

 

To the students from the nine Faribault schools—Roosevelt, Jefferson, Lincoln, Faribault Middle School, Faribault Area Learning Center, Faribault Lutheran School, Cannon River STEM School, Divine Mercy and the Minnesota State Academy for the Blind—with artwork on display, thank you. I enjoyed your creativity.

 

So much creativity…

 

This skull art by Faribault Middle School eighth grader Bailey features symmetry.

 

The variety of subjects and artist styles and mediums impresses.

 

I see a lot of potential as these artists continue to grow and learn.

 

Bold, vivid art by students from Divine Mercy Catholic School.

 

FYI: The Student Exhibit will be on display until April 1 at the Paradise, 321 Central, in downtown Faribault.

Please check back for a story on art created by students from the Minnesota State Academy for the Blind.

© Text copyright 2017 Audrey Kletscher Helbling

Artwork is the copyright of each artist and photographed with permission from the Paradise Center for the Arts.

 

The art of Dana & Judy in the Paradise March 13, 2017

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An overview of Judy Saye-Willis’ exhibit, “From Garden to Gallery: Natures Gentle Colors.”

 

EVERY ARTIST, whether a sculptor, painter, wordsmith, photographer or anything in between, brings values and background into his/her work.

 

A section of Dana Hanson’s portrait of Christ, titled “All For You.”

 

For Faribault artist Dana Hanson, faith clearly inspires her art.

 

Nature’s influence is seen both in the subject and in the weld (a plant) dye used in this art by Judy.

 

For Northfield artist Judy Saye-Willis, the natural world seems the most influential.

 

Dana’s “You Are Loved” faith-based painting.

 

They are two diverse artists currently exhibiting at the Paradise Center for the Arts in Faribault. Dana paints with a brush, oil on canvas. Judy works with fabric and dyes as a fiber artist in this particular From Garden to Gallery—Natures Gentle Colors collection.

 

In her One Color Series, Judy dyed each piece in a single color dye bath.

 

Both infuse passion and devotion into their work. Judy uses natural dyes to color fabric. Rhubarb root, black walnut, sumac, goldenrod, prairie wildflowers and more are dye sources for this artist who, like me, grew up on a southwestern Minnesota farm. Judy played in the fields and pastures of the prairie and I can see that in her art. She holds a closeness to the land.

 

This trio of paintings is titled MESSENGERS OF HOPE with the horses subtitled, from left to right, “Light,” “Passion Fire” and “Grace.”

 

Dana’s art sometimes comes to her, she says, in visions—her faith-based horse paintings inspired during worship. There is symbolism in her work, threads of light and hope. Her art is her visual ministry, Dana writes on her website.

 

A close-up of Judy’s panel tagged as “When Life Gives you Lemons make Art.” She used lemon juice for a discharge and dyed in cochineal. The repetition in the art is in the style of Andy Warhol.

 

I appreciate the artistic talents of both artists. I appreciate also their dedication to the craft. I appreciate the strength of their work.

 

“His Light” by Dana.

 

How I interpret their artwork may or may not match their intentions. But that’s the thing about art. We each bring to art our values, our backgrounds, our experiences. When our eyes lock on a piece of art, we react as only we can, with introspection that is uniquely and individually ours.

 

The Paradise Center for the Arts is housed in an historic former theater in downtown Faribault.

 

FYI: Dana and Judy’s exhibits will continue through March 27 in the main floor galleries at the Paradise Center for the Arts, 321 Central Avenue, Faribault. These photos are only a sampling of the artwork in their exhibits.

© Text copyright 2017 Audrey Kletscher Helbling
Artwork copyrighted by the artists and photographed with permission.

 

In Minnesota: Neither rain nor snow or… March 12, 2017

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…shall stop my husband from grilling in our Faribault backyard.

Grilling conditions: 19 degrees Fahrenheit and heavy snow falling around 6 p.m. Sunday

On the menu: Chicken breasts, baby red potatoes and asparagus.

Bonus for the husband’s work lunches: brats

TELL ME: Would you grill in these conditions or worse? Let’s hear.

© Copyright 2017 Audrey Kletscher Helbling

 

Promoting Faribault March 10, 2017

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A snippet of Faribault’s just-published 2017 tourism guide cover shows Faribault’s signature angled name graphic overlaid on a photo taken along Central Avenue.

 

NEARLY 35 YEARS AGO, I moved to Faribault, relocating to this southeastern Minnesota city after my May 1982 marriage. My husband had the more secure job in an area with more employment opportunities.

I’ve grown to love this community and its people. I can go almost anywhere in town and run into a friend or acquaintance. While Faribault, with a population of around 23,000 still seems big to me in comparison to my rural southwestern Minnesota hometown of under 400, I feel here the closeness of a small town. Paths cross at events and in churches, schools, grocery stores, shops, restaurants, parks and more. That creates a sense of community.

Among events fostering community closeness is the monthly May – August Car Cruise Night along Central Avenue in our historic downtown. The well-kept aged buildings in Faribault’s central commercial district are among our strongest assets and provide an ideal backdrop for car enthusiasts to gather.

For a blogger like me, Car Cruise Night presents an abundance of photographic opportunities. I enjoy the challenge of coming up with new and creative ways to photograph the car show, showcased many times on Minnesota Prairie Roots.

 

My July 2016 Car Cruise Night photo is the cover of the 2017 Faribault tourism guide.

 

Now my car shoots have extended beyond this space to tourism. A photo I shot at the July 2016 Car Cruise Night graces the cover of the just-released 2017 Visit Faribault Minnesota tourism guide published by the Faribault Daily News in collaboration with the Faribault Area Chamber of Commerce and Tourism. I am delighted and honored to have my work chosen by a committee for this placement.

In a single photo, potential visitors get a snapshot of Faribault. In the backdrop architecture, they see the history and the care Faribault has taken to preserve historic buildings. In the people and cars, they see a fun event. In the green Faribault banner and lush, hanging flower basket, they see community pride.

 

My original photo from the July 2016 Car Cruise Night. The left side of this photo is printed on page 22 of the tourism guide in the section titled “Explore historic downtown.” Minnesota Prairie Roots file photo.

 

But there’s more to this photo than seen in the vertical tourism guide cover. I shot the image in a horizontal format, my view stretching along nearly the entire length of the 200 block (west side) of Central Avenue. The 1884 Fleckenstein building, beautifully renovated and restored by Faribault-based Restoration Services, Inc., anchors the image on the right. But just look at all those buildings beyond. I cannot say enough about how lovely the historic architecture in downtown Faribault.

Of course, Faribault is about much more, so much more. I’ve also had the opportunity recently to pen pieces on River Bend Nature Center and the historic murals in our downtown for the tourism website. I’m proud to promote Faribault, pronounced fair-uh-boh. That would be French in a community that’s today culturally diverse.

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TELL ME: What would you like to know about Faribault? Or, what do you know about Faribault? Or, what do you love about Faribault?

FYI: In addition to my cover photo, my Midway photo from the Rice County Fair is printed in an ad on page 20 and a photo I took of Twiehoff Gardens & Nursery is published on page 30.

© Copyright 2017 Audrey Kletscher Helbling

 

A new spin on carrot cake, four-year-old style March 9, 2017

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WHEN MY GREAT NEPHEW Landon turned four last week, he asked for a carrot cake. What preschooler chooses that flavor of birthday cake? A kid who loves vegetables and, as far as I have observed, every food. I’ve even watched Landon eat an ear of raw sweetcorn just pulled from the stalk.

His mom, Amber, makes one delicious carrot cake. She bakes and cooks from scratch. No boxed mixes or convenience foods for her or her family. Or guests. Lucky me.

I could end this story here by singing praises about the carrot-cake-baking mom and the boy who loves carrot cake.

Landon, with help from his nearly two-year-old sister Evelyn, sticks raw carrots into his carrot cake. And, yes, he chose to wear a Halloween shirt at his birthday party. When you’re four, you can do that.

But Landon is Landon and he took this carrot cake thing a bit further. As Amber finished prepping his birthday meal of spaghetti and meatballs, Landon pulled a chair up to the kitchen counter. He then reached into a container of raw carrots, celery, radishes and peppers and pulled out the carrots. As we watched, Landon poked the carrots, like candles, into his birthday cake. How’s that for a veggie loving four-year-old?

© Copyright 2017 Audrey Kletscher Helbling

 

Ice cream season, or not March 8, 2017

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peanut-buster-parfait

 

SPRING HAS UNOFFICIALLY arrived in Faribault. The walk-up/drive-through Dairy Queen along Lyndale Avenue is open.

Sunday afternoon I clipped a $1.99 Peanut Buster Parfait coupon from the Faribault Daily News to celebrate. DQ is a rare treat for Randy and me, afforded only when money-saving coupons are available. Opening weekend at the DQ always brings deals. Perfect.

I envisioned sitting on the DQ patio under sunny blue skies in predicted 60-degree temps. Perfect.

But forecasts do not always equal reality. I suggested Plan B—going to a park. In hindsight, I wonder what I was thinking. After an attempt to eat our parfaits on a park bench, I caved and headed back to the warmth of the van. There we sat, savoring ice cream, peanuts and fudge while grey skies hung and the temp locked at 48 degrees in a still slightly snowy landscape.

Monday brought much warmer temps, like those promised on Sunday, along with intense wind followed by storms. Remaining snow melted.  And two tornadoes touched down, causing damage near Zimmerman and Clarks Grove. These are the earliest tornadoes of the season ever in Minnesota, breaking a record set in 1968. Here in Faribault, we experienced heavy rain and even small hail for a brief time Monday evening. A light dusting of snow fell overnight. The Dairy Queen may be hinting at spring. But winter seems determined to cling to March in Minnesota.

© Copyright 2017 Audrey Kletscher Helbling

 

Beyond violence, two artists show that hope rises March 7, 2017

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A portrait of Barb Larson by Faribault artist Dana Hanson.

A portrait of Barb Larson by Faribault artist Dana Hanson.

TUCKED INTO TWO CORNERS in two galleries are two tributes by two artists.

Both honor Barb Larson, murdered on December 23, 2016, in an act of domestic violence. She was a long-time friend to artist Judy Saye-Willis and an acquaintance to artist Dana Hanson. Both chose to remember Barb in their exhibits currently showing at the Paradise Center for the Arts in historic downtown Faribault.

Dana painted an oil on canvas portrait of Barb, the Faribault Area Chamber of Commerce & Tourism employee who stopped occasionally to place orders at the bakery where Dana works. “I just wanted to do something positive to remember…she was genuine and very nice,” Dana said. The result is her “In Memory of Barb Larson” painting, based on a photo.

This series of fiber art pieces by Northfield artist Judy Saye-Willis also honors Barb Larson. The pieces, from left to right, are titled "Darkness of Death 1", "Darkness of Death 2", "Destruction", "Hope", "Hope Rising" and "The Light of Hope".

This series of fiber art pieces by Northfield artist Judy Saye-Willis focuses on death and hope. The pieces, from left to right, are titled “Darkness of Death 1,” “Darkness of Death 2,” “Destruction,” “Hope,” “Hope Rising” and “The Light of Hope.”

Judy’s artwork themed on death and hope spans half a wall and includes six pieces. Three framed works were already completed prior to Barb’s murder. They are an expression of “what’s happening in our culture today,” she said, specifically citing ISIS and the violence in Aleppo, Syria, as inspiring the art. But, once the events of December 23 unfolded locally, Judy created three more related fiber art pieces using natural dye materials. The result is a compelling series of framed art and panels focusing on death and hope.

I angled my camera up to photograph "Darkness of Death 2."

I angled my camera up to photograph “Darkness of Death 2.” When Judy created this scene with blood dripping and an executioner’s mask, she was thinking of ISIS and the violence/situation in Aleppo.

“…I was feeling raw, emotional with nowhere to go with it,” Judy said. “It (Barb’s murder) was senseless. I went to my studio and started the first piece. I tried three times to dye the piece black, unsuccessfully. I called it “The Darkness of Death 1.”

Simply titled: "Hope."

Madonna and child, simply titled: “Hope.”

Once she finished the black panel, Judy transitioned into the theme of hope. That was prompted by a Catholic church official she heard talking about faith and hope on the morning of December 23 (the day of Barb’s murder) on CBS This Morning. The result is two more hope-inspired fiber art panels.

As I viewed both artists’ tributes to Barb Larson, I could see the emotion within the artwork. Dana succeeds, through the strokes of her brush and the paint colors she chose, to portray the woman described as vivacious and friendly by those who knew her. Genuine warmth glows in Dana’s painting of Barb. I can see Barb’s personality in that portrait.

Judy’s art differs significantly, leaving more open to interpretation, more room for the viewer to insert his/her experiences, emotions and reactions. In the first three darker pieces, beginning with the length of black-dyed cloth, there is no ignoring the darkness of a violent death. That Judy chose to confront and share that in her work makes a powerful visual public statement whether considering the violence in Aleppo or the violence in Faribault.

"Hope Rising," says Judy Saye-Willis, "is about moving forward from tragedy."

“Hope Rising,” says Judy Saye-Willis, “is about moving forward from tragedy.”

Equally as important are the three hope-inspired pieces that follow. Those, too, make a powerful visual public statement.

A close-up of "The Light of Hope," which Judy calls her strongest piece.

A close-up of “The Light of Hope,” which Judy calls the strongest piece in this series.

Through their art, Judy and Dana have opened the conversation about domestic and other violence in a deeply personal, emotional and introspective way.

Dana’s exhibit includes a trio of horse paintings titled MESSENGERS OF HOPE. They are, left to right, subtitled “Light,” “Passion Fire” and “Grace”

And any time we begin to think and talk about these difficult issues, hope rises.

FYI: At noon today, HOPE Center and the Faribault Chamber are rallying at the Chamber office (where Barb Larson was murdered) as part of a statewide effort, “It Happens Here: A Statewide Day to End Domestic Violence.”

© Copyright 2017 Audrey Kletscher Helbling

Artwork photographed with permission of the artists.

 

“It Happens Here” events raise awareness about domestic violence in Minnesota March 6, 2017

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FROM BEMIDJI IN THE NORTH to Albert Lea near the Iowa border, from the prairie land of Wheaton to the river bluffs of Red Wing and from the small town of Glenwood to sprawling Minneapolis, Minnesotans are coming together on Tuesday. United from rural to urban, communities are breaking the silence. They—survivors, advocates and others—are gathering to say “no more” to domestic violence.

The list of communities participating in the "It Happens Here" event is posted on the Minnesota Coalition for Battered Women Facebook page.

The list of communities participating in the “It Happens Here” event is posted on the Minnesota Coalition for Battered Women Facebook page.

It is part of a statewide effort, “It Happens Here: A Statewide Day to End Domestic Violence.” Events begin at noon (unless otherwise noted), including at the Faribault Area Chamber of Commerce & Tourism office. Chamber staffer Barb Larson was murdered there on December 23, 2016, by her ex-husband. HOPE Center is co-hosting the rally with the Chamber.

Gatherings across Minnesota will focus on the key areas of empathy, refuge, healing and solutions.

That starts with each of us. Individually. We must care about victims of domestic abuse and violence and about those who love them. We must care about the communities affected by domestic violence.

We must support the places that offer refuge to victims. Places likes HOPE Center provide help and hope.

We must encourage healing.

And we must work together to end domestic violence, defined as “a pattern of behavior used to gain or maintain power and control over an intimate partner.” That can take the form of physical, psychological, mental, emotional, spiritual, technological and financial abuse. One in three Minnesota women are victims of domestic violence.

One is one too many.

© Copyright 2017 Audrey Kletscher Helbling

 

Don’t tell me you’re “fine” when you’re not & other insights March 5, 2017

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HOW ARE YOU? I’ve never liked that question, even realizing the underlying kindness that laces those three trite words.

The standard answer of “I’m fine” is expected. The truth most often is not.

 

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Now Minneapolis writer Nora McInerny Purmort—who has faced her share of “I’m not fine” days—tackles the “How are you?” question in a podcast series from American Public Media. Terrible, (Thanks for Asking) is a must-listen series in which Nora seeks only honest responses to “How are you?”

I’ve listened to one podcast thus far. “Unbroken” features an interview with sexual assault survivor Sarah Super. It’s an incredible, horrible, powerful and, yes, sometimes graphic, story. But so worth your time for the insights revealed. Sarah is one strong woman. And we can learn so much from her about the importance of speaking up, of being heard and more.

Both she and Nora address the issue of silence. And, yes, I picked that from the interview because silence is all too pervasive. I’m talking the hard, uncomfortable silence that those who have suffered trauma, those who are dealing with health issues, those who are facing unimaginable difficulties and challenges hear. Yes, hear. Silence truly can be deafening.

Sarah cites the reason many friends and loved ones remained silent following her assault: “I didn’t know what to say or do.”

Puh-lease.

“Your silence,” Sarah says, “feels like apathy.” The definition of apathy is lack of interest, enthusiasm or concern. Lack of. Imagine how that feels to your loved one who is hurting. Lack of.

Nora reiterates Sarah’s thoughts: “Silence hurts when you are on the other end of something awful.”

In an interview with National Public Radio about her podcast series, Nora repeats, “The worst thing—and it doesn’t matter if you’re dealing with death, or if you’re dealing with all of these other things that we’ve talked to people about—silence is the worst thing you can hear from people.”

She gets it. Within six weeks, this young woman lost her father to cancer, miscarried and then lost her husband to brain cancer. Since then, Nora has authored the book It’s Okay to Laugh (Crying Is Cool, Too). And now the enlightening podcasts have followed.

What can we learn from all of this? My take-away is this: First, we need to speak up, to end the silence, to really care when we ask someone, “How are you?” And then we need to listen, really listen. That means setting aside our stories, our comments, our whatever, and truly focusing on what the other person is telling us. It’s about them. Not us.

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CHECK BACK TOMORROW for a way that Minnesota is breaking the silence on an issue that affects all of us, directly or indirectly.

© Copyright 2017 Audrey Kletscher Helbling

 

Faribault renames its airport in honor of WASP, Elizabeth Wall Strohfus March 4, 2017

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Elizabeth Wall Strohfus, circa 1943, at Avenger Field. (Photo from family archives.)

Elizabeth Wall Strohfus, circa 1943, at Avenger Field. (Photo from family archives.)

ELIZABETH WALL STROHFUS traveled the country for nearly 30 years sharing her story of flying fighters and bombers for the U.S. military during World War II.

She served as a parade grand marshal, participated in panel discussions, talked at schools, visited museums, gave countless interviews. But not until now has she been permanently honored and recognized in her hometown of Faribault. This week the City Council approved a resolution renaming the municipal airport as The Faribault Municipal Airport—Liz Wall Strohfus Field. That resolution will be forwarded to the Federal Aviation Administration for final approval.

What an honor for a woman who faced many challenges (simply for being a woman) before and after becoming a Women’s Airforce Service Pilot. She will be the first WASP to have an airport named after her.

That’s quite an accomplishment for Strohfus, who convinced a local banker to lend her $100 to join The Sky Club at the Faribault airport. The then 22-year-old used her bike as collateral and subsequently proved to the “women don’t fly” banker that he was wrong. She could fly. And fly she did, training at Avenger Field in Sweetwater, Texas, with the first class of WASPs to earn their wings. Strohfus went on to train infantry gunners for battle, teach instrument flying to male cadets and ferry B-17 and AT-6 warbirds around the country.

But when the war ended, the WASPS received no recognition for their service to country. Eventually Strohfus, after retiring as an air traffic controller in the late 1980s, began efforts to correct that. She traveled the country sharing WASP stories in her signature down-to-earth storytelling style. She successfully lobbied for the WASPs to be recognized as active military duty and for burial honors at Arlington National Cemetery. This strong and determined pilot also received the Congressional Medal of Honor.

A book about Elizabeth Strohfus written by her son Patrick Roberts. He accompanied her on speaking engagements around the country.

A book about Elizabeth Strohfus written by her son Patrick Roberts. He accompanied her on speaking engagements around the country.

Yet, despite all the accolades, all the efforts, Liz Stohfus valued one thing above all. “Her favorite thing to do was to encourage kids,” son Art Roberts revealed at the City Council meeting. His mother repeated that in the many interviews she gave, telling youth that, “The sky is not the limit.” They could, like her, do anything.

Elizabeth “Betty” Strohfus Wall died on March 6, 2016, at the age of 96. Although she did not live long enough to see her hometown airport named after her, her legacy will live on in Faribault. In addition to new signage naming Liz Wall Strohfus Field, renowned local woodcarver Ivan Whillock is creating a woodcarving to be placed inside the airport. And Roberts will be donating items belonging to his mother.

It’s a wonderful thing my community, led by the American Association of University Women—Faribault Branch, is doing in honor of Strohfus. She embodies a strong American woman who always believed she could fly.

FYI: To view an interview with Liz Strohfus, check out Faribault Community Television and its 1855—Faribault History documentary series produced by local high school students Logan Ledman and Samuel Temple. This is top-quality professional. Click here.

Of additional interest is this story from the Experimental Aircraft Association in Oshkosh, Wisconsin. Click here.

Click here to read a story about how Strohfus and other WASPs were honored at the University of Wisconsin, Green Bay, via a theatrical production.

Learn more about that play, “Censored on Final Approach” by Phylis Ravel, by clicking here. Perhaps a Faribault-based theatre company or the History Theatre in St. Paul could consider performing that play.

Finally, click here to learn more about the National WASP WWII Museum in Sweetwater, Texas. What an honor this would be to Strohfus’ memory to bring the museum’s traveling exhibit, “The WASP: Untold Story, a Photographic Exhibit,” to Faribault.

© Copyright 2017 Audrey Kletscher Helbling